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ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Comics As a Medium Dor Inquiry: Urban Students (Re-)Designing Critical Social Worlds
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Comics as a Medium dor Inquiry: Urban Students (Re-)Designing Critical Social Worlds David Eric Low University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Education Commons Recommended Citation Low, David Eric, "Comics as a Medium dor Inquiry: Urban Students (Re-)Designing Critical Social Worlds" (2015). Publicly Accessible Penn Dissertations. 1090. https://repository.upenn.edu/edissertations/1090 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1090 For more information, please contact [email protected]. Comics as a Medium dor Inquiry: Urban Students (Re-)Designing Critical Social Worlds Abstract Literacy scholars have argued that curricular remediation marginalizes the dynamic meaning-making practices of urban youth and ignores contemporary definitions of literacy as multimodal, socially situated, and tied to people's identities as members of cultural communities. For this reason, it is imperative that school-based literacy research unsettle status quos by foregrounding the sophisticated practices that urban students enact as a result, and in spite of, the marginalization they manage in educational settings. A hopeful site for honoring the knowledge of urban students is the nexus of alternative learning spaces that have taken on increased significance in ouths'y lives. Many of these spaces focus on young people's engagements with new literacies, multimodalities, the arts, and popular media, taking the stance that students' interests are inherently intellectual. The Cabrini Comics Inquiry Community (CCIC), located in a K-8 Catholic school in South Philadelphia, is one such space. -
Dec. 2012 $10.95
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist . -
No.61 2 1 0 2
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist . -
Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard . -
Military Nanotechnology and Comic Books
UC Davis UC Davis Previously Published Works Title Nanowarriors: Military Nanotechnology and Comic Books Permalink https://escholarship.org/uc/item/7g44941c Journal Intertexts, 9(1) Author Milburn, Colin Publication Date 2005 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Intertexts 9.1 Pages final 3/15/06 3:22 PM Page 77 Nanowarriors: Military Nanotechnology and Comic Books Colin Milburn U N I V E R S I T Y O F C A L I F O R N I A , D AV I S In February 2002, the Massachusetts Institute of Technology submitted a proposal to the U.S. Army for a new research center devoted to developing military equipment enhanced with nanotechnology. The Army Research Office had issued broad agency solicitations for such a center in October 2001, and they enthusiastically selected MIT’s proposal from among several candidates, awarding them $50 million to kick start what became dubbed the MIT Institute for Soldier Nanotechnologies (ISN). MIT’s proposal out- lined areas of nanoscience, polymer chemistry, and molecular engineering that could provide fruitful military applications in the near term, as well as more speculative applications in the future. It also featured the striking image of a mechanically armored woman warrior, standing amidst the mon- uments of some futuristic cityscape, packing two enormous guns and other assault devices (Figure 1). This image proved appealing enough beyond the proposal to grace the ISN’s earliest websites, and it also accompanied several publicity announcements for the institute’s inauguration. Figure 1: ISN Soldier of the Future. -
Ron Garney Number 10 Spring 2005 $5
THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING UP, UP, AND AWAY WITh the JLA’S RON GARNEY NUMBER 10 SPRING 2005 $5. 95 IN THE U.S.A. S u p e r m a n T M & © 2 0 0 5 D C C o m i c s . Comic Books to Comic Strips with The Phantom’s Graham Nolan letteriing a round-table discussion with todd kklleeiinn draping the human figure, part 2 by PLUS! bbrreett bblleevviinnss ADOBE ILLUSTRATOR TUTORIAL BY AALLBBEERRTTOO RRUUIIZZ!! THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAWMAGAZINE.COM SPRING 2005 • VOL. 1, NO. 10 FEATURES Editor-in Chief • Michael Manley Designer • Eric Nolen-Weathington COVER STORY INTERVIEW WITH JLA PENCILLER Publisher • John Morrow RON GARNEY Logo Design • John Costanza 3 Proofreaders • John Morrow & Eric Nolen-Weathington Transcription • Steven Tice For more great information on cartooning and animation, visit our Web site at: http://www.drawmagazine.com Front Cover 25 Illustration by COMIC STRIPS PHANTOM AND REX MORGAN ARTIST Ron Garney GRAHAM NOLAN Coloring by Mike Manley LETTERING DISCUSSION 43 CONDUCTED BY TODD KLEIN SUBSCRIBE TO DRAW! Four quarterly issues: $20 US Standard Mail, $32 US First Class Mail ($40 Canada, Elsewhere: $44 Surface, $60 Airmail). ADOBE ILLUSTRATOR We accept US check, money order, Visa and Mastercard at TIPS: BITMAP TEXTURE FUN TwoMorrows, 10407 Bedfordtown Dr., Raleigh, NC 27614, 49 BY ALBERTO RUIZ (919) 449-0344, E-mail: [email protected] ADVERTISE IN DRAW! See page 2 for ad rates and specifications. BANANA TAIL DRAW! Spring 2005, Vol. 1, No. 10 was produced by Action Planet Inc. -
Bodies in Transition. Queering the Comic Book Superhero
QUEER(ING) POPULAR CULTURE BODIES IN TRANSITION Queering the Comic Book Superhero BY DANIEL STEIN ABSTRACT This essay analyzes the comic book superhero as a popular figure whose queer- ness follows as much from the logic of the comics medium and the aesthetic prin- ciples of the genre as it does from a dialectic tension between historically evolving heteronormative and queer readings. Focusing specifically on the superbody as an overdetermined site of gendered significances, the essay traces a shift from the ostensibly straight iterations in the early years of the genre to the more recent appearance of openly queer characters. It further suggests that the struggle over the superbody’s sexual orientation and gender identity has been an essential force in the development of the genre from its inception until the present day. The comic book superhero has been a figure of the popular imagination for eight decades, if we count Superman’s appearance in Action Comics #1 (June 1938) as the beginning of the genre. Almost as old as the genre itself are associations of the superhero with what the American amateur psychologist Gershon Legman de- scribed as »an undercurrent of homosexuality and sado-masochism«1 in his book Love and Death (1949). These associations became part of the broader public dis- course when the German-born psychiatrist Frederic Wertham expanded on them in Seduction of the Innocent (1954), a flawed but popular study of the effects of comic-book reading on juveniles that played into the climate of sexual anxieties at the height of the so-called comics scare. -
Comics and Graphic Novels for Young People
27 SPRING 2010 Going Graphic: Comics and Graphic Novels for Young People CONTENTS Editorial 2 ‘Remember Me’: An Afrocentric Reading of CONFERENCE ARTICLES Pitch Black 14 Kimberley Black The State of the (Sequential) Art?: Signs of Changing Perceptions of Comics, Manga and Graphic Novels and the Holocaust 15 Graphic Novels in Britain 3 Rebecca R. Butler Mel Gibson Copulating, Coming Out and Comics: The High From Tintin to Titeuf: Is the Anglophone Market School Comic Chronicles of Ariel Schragg 16 too Tough for French Comics for Children? 4 Erica Gillingham Paul Gravett Is Henty’s History Lost in Graphic Translation? The Short but Continuing Life of The DFC 5 Won by the Sword in 45 pages 17 David Fickling Rachel Johnson Out of the Box 6 Sequences of Frames by Young Creators: The Marcia Williams Impact of Comics in Children’s Artistic Development 18 Raymond Briggs: Blurring the Boundaries Vasiliki Labitsi among Comics, Graphic Novels, Picture Books and Illustrated Books 7 ‘To Entertain and Educate Young Minds’: Janet Evans Graphic Novels for Children in Indian Publishing 19 Graphic Novels in the High-School Malini Roy Classroom 8 Bill Boerman-Cornell Strangely Familiar: Shaun Tan’s The Arrival and the Universalised Immigrant Experience 20 Britain’s Comics Explosion 9 Lara Saguisag Sarah McIntyre Journeys in Time in Graphic Novels from Reading between the Lines: The Subversion of Greece 21 Authority in Comics and Graphic Novels Mariana Spanaki Written for Young Adults 10 Ariel Kahn Crossing Boundaries 22 Emma Vieceli Richard Felton Outcault and The Yellow Kid 10 Dora Oronti Superhero Comics and Graphic Novels 22 Jessica Yates As Old as Clay 11 Daniel Moreira de Sousa Pinna Composing and Performing Masculinities: Of Reading Boys’ Comics c. -
JUMP WISH-LIST Rules/Notes: Settings
JUMP WISH-LIST Rules/Notes: ● This list is solely for settings that don’t have jumps made yet. ● No jumps you want to see redone, I’m not going to go down this path. If there is any such setting mentioned on list, then as soon as it is pointed out to me, I’ll remove it. ● Settings already claimed will be either removed from list or have claim noted. I’ll accept info about claims only from the jump-maker who claimed it. ● I hope to maintain this list in such way that /tg/, SB and QQ communities can all check it out. If you don’t like something on it, just ignore it. After all, if jump is being made doesn’t mean you have to use it. Furthermore, we all have different tastes, be mindful of that. ● Fanfics will be listed separately. Some people like the idea of such jumps, some don’t. I might end up removing this section altogether just because it is so difficult to decide if certain fanfic would be acceptable for being turned into jump or not. ● Settings will be listed alphabetically within a genre, by their official name. Any other names will be included after that one. Please include genre and medium with any suggestions (e.g. KultHorror - Tabletop RPG; The Culture - Science Fiction - Novel) ● Rule of thumb – recommend settings that you would want to visit in order to interact with characters and storylines, not in order to get specific perks/powers/items. Settings: 0-9 ● 100, The (SF - TV Series) ● 300 (movies) ● 3x3 Eyes (manga) ● 7th Heaven (TV series) ● 9 (movie) ● 100 Bullets (vertigo) ● 11eyes (VN/anime) ● 2 Broke Girls (TV Series) -
Click Above for a Preview, Or Download
INSIDE: CREATE A COMIC FROM START TO FINISH! 11994 --2004 # $ 95 8 5 August In the USA 2004 MAGAZINE SEE A BOLD NEW CHARACTER CREATED BEFORE YOUR EYES! PLUS: STUART MOORE DON CROS SOVER WITH McGREGOR INDY CREATORS’ SECRETS! The Magazine About Writing For Comics, Animation, and SCI-FI MAGAZINE Issue #8 August 2004 Read Now! Message from the Editor-in-Chief . page 2 SPECIAL SECTION: Write Now!/Draw! Crossover Danny Fingeroth and Mike Manley show you all the steps involved in creating a new character from scratch—including her origin story! Meet comics’ newest action-adventure superstar: The Thief of Time! . .page 3 Introduction . .page 4 Memos . .page 5 Character Description and Design . .page 8 Story Outline . .page 12 Origin Plot . .page 15 Pencil Roughs . .page 18 Script and Balloon Placement Conceived by . .page 22 DANNY FINGEROTH Inked Pages . .page 28 Editor-in-Chief Creators’ Conversation . .page 29 Designer CHRISTOPHER DAY The WRITE NOW! Comics School Transcribers Lesson: Character Development . .page 11 STEVEN TICE Lesson: Story Structure . .page 14 Publisher JOHN MORROW Lesson: Conflict . .page 17 Lesson: Scripting Methods . .page 21 COVER Art by MIKE MANLEY Lesson: Writing Dialogue . .page 27 Photography by SOFIA NEGRON Special Thanks To The Science of Fiction (and the Art of it, too) ALISON BLAIRE Interview with Stuart Moore . .page 41 WILLIAM HARMS Talent, Inc. MIKE MANLEY Interview with Don McGregor . page 53 DON McGREGOR Clawing My Way to the Top STUART MOORE William Harms , writer of Abel , traces his career path . .page 63 ERIC NOLEN-WEATHINGTON CHRIS POWELL Feedback BEN REILLY Letters from Write Now !’s Readers . -
Batman and Robin As Evolving Cutural Icons Elizabeth C
St. Catherine University SOPHIA 2014 Sr. Seraphim Gibbons Undergraduate Sr. Seraphim Gibbons Undergraduate Symposium Research Symposium The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons Elizabeth C. Wambheim St. Catherine University Follow this and additional works at: https://sophia.stkate.edu/undergraduate_research_symposium Wambheim, Elizabeth C., "The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons" (2014). Sr. Seraphim Gibbons Undergraduate Symposium. 2. https://sophia.stkate.edu/undergraduate_research_symposium/2014/Humanities/2 This Event is brought to you for free and open access by the Conferences and Events at SOPHIA. It has been accepted for inclusion in Sr. Seraphim Gibbons Undergraduate Symposium by an authorized administrator of SOPHIA. For more information, please contact [email protected]. THE DYNAMIC DUO THEN AND NOW: BATMAN AND ROBIN AS EVOLVING CULTURAL ICONS by Elizabeth C. Wambheim A Senior Project in Partial Fulfillment of the Requirements of the Honors Project ST. CATHERINE UNIVERSITY April 1, 2014 2 With many thanks to Patricia Montalbano (project advisor), Rachel Neiwart Emily West and Sharon Doherty for their continuous and invaluable interest, assistance, and patience with the project. 3 Introduction When presented with the simple silhouette of a stylized bat inside a yellow oval, people the world over are able to recognize this emblem and, at the very least, name its wearer. Even as the logo is altered with time, the yellow backdrop traded for a grey one, the awareness persists. Yet even as people recognize Batman’s logo, one person’s impression of the superhero does not always align with another’s: a cheerful, law-abiding Batman who orders orange juice instead of alcohol at bars is Batman as he appeared in the 1960s, and a brooding hero wreathed in darkness and prone to conflicted inner monologues is the Batman of the 1980s.