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ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Dec. 2012 $10.95
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist . -
No.61 2 1 0 2
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist . -
Backup Series Issue! 0 8 Green Lantern • Green Arrow & Black Canary 2 6 7 7
0 4 No.64 May 201 3 $ 8 . 9 5 1 82658 27762 8 METAMORPHO • GOODWIN & SIMONSON’S MANHUNTER GREEN LANTERN • GREEN ARROW & BLACK CANARY COMiCs PASKO & GIFFEN’S DR. FATE & more! , WHATEVER HAPPENED TO…? BACKUP SERIES ISSUE! bROnzE AGE AnD bEYOnD i . Volume 1, Number 64 May 2013 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Mike Grell and Josef Rubinstein COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 PROOFREADER Rob Smentek FLASHBACK: The Emerald Backups . .3 Green Lantern’s demotion to a Flash backup and gradual return to his own title SPECIAL THANKS Jack Abramowitz Robert Greenberger FLASHBACK: The Ballad of Ollie and Dinah . .10 Marc Andreyko Karl Heitmueller Green Arrow and Black Canary’s Bronze Age romance and adventures Roger Ash Heritage Comics Jason Bard Auctions INTERVIEW: John Calnan discusses Metamorpho in Action Comics . .22 Mike W. Barr James Kingman The Fab Freak of 1001-and-1 Changes returns! With loads of Calnan art Cary Bates Paul Levitz BEYOND CAPES: A Rose by Any Other Name … Would be Thorn . .28 Alex Boney Alan Light In the back pages of Lois Lane—of all places!—sprang the inventive Rose and the Thorn Kelly Borkert Elliot S! Maggin Rich Buckler Donna Olmstead FLASHBACK: Seven Soldiers of Victory: Lost in Time Again . .33 Cary Burkett Dennis O’Neil This Bronze Age backup serial was written during the Golden Age Mike Burkey John Ostrander John Calnan Mike Royer BEYOND CAPES: The Master Crime-File of Jason Bard . -
Bodies in Transition. Queering the Comic Book Superhero
QUEER(ING) POPULAR CULTURE BODIES IN TRANSITION Queering the Comic Book Superhero BY DANIEL STEIN ABSTRACT This essay analyzes the comic book superhero as a popular figure whose queer- ness follows as much from the logic of the comics medium and the aesthetic prin- ciples of the genre as it does from a dialectic tension between historically evolving heteronormative and queer readings. Focusing specifically on the superbody as an overdetermined site of gendered significances, the essay traces a shift from the ostensibly straight iterations in the early years of the genre to the more recent appearance of openly queer characters. It further suggests that the struggle over the superbody’s sexual orientation and gender identity has been an essential force in the development of the genre from its inception until the present day. The comic book superhero has been a figure of the popular imagination for eight decades, if we count Superman’s appearance in Action Comics #1 (June 1938) as the beginning of the genre. Almost as old as the genre itself are associations of the superhero with what the American amateur psychologist Gershon Legman de- scribed as »an undercurrent of homosexuality and sado-masochism«1 in his book Love and Death (1949). These associations became part of the broader public dis- course when the German-born psychiatrist Frederic Wertham expanded on them in Seduction of the Innocent (1954), a flawed but popular study of the effects of comic-book reading on juveniles that played into the climate of sexual anxieties at the height of the so-called comics scare. -
INFORMATION GUIDE Brand Overview
INFORMATION GUIDE Brand Overview DC Comics is one of the largest and oldest It is impossible to put a figure on the likely American comic book companies founded in fan base numbers for DC however the 2020 1934. The majority of its publications take place DC Fandome saw 22 million people check within the fictional DC Universe and feature in during a 24hr period at this year’s virtual numerous culturally iconic heroic characters, convention. such as Superman, Batman and Wonder Woman. The universe also features well- The net worth of DC Comics isn’t readily known supervillains who oppose the available. However, we can estimate the superheroes such as Lex Luthor and company’s net worth based on a few factors. The Joker. First, as one of the biggest comic book companies in the world they sell millions and DC Comics, Inc. is an American comic millions of copies each year the popularity of book publisher. It is the publishing unit of DC which then leads to massive licensing revenue. Entertainment,[4][5] a subsidiary of the Warner DC makes a hefty sum from retail sales. Bros. Global Brands and Experiences division Batman is the most licensed of DC characters of Warner Bros., a subsidiary of AT&T’s Warner and is believed to be worth around $28 Billion Media. As such is one of the largest global in retail revenue alone since the characters brands of our time! inception in 1939. Second, movie sales. DC Comics has enjoyed massive box office revenues over the years. In the last five years the critically acclaimed DC movie franchise has grossed an estimated $4 Billion! Scheduled DC Movies in 2020/21/22 Wonder Woman 1984 – 12/20 The Flash – 06/22 The Suicide Squad – 08/21 Shazam!: Fury Of The Gods – 11/22 The Batman – 10/21 Aquaman 2 – 12/22 Black Adam – 12/21 It was during 1965 when the industry During the 1990’s comic book popularity introduced a new super hero by the name of began to decline. -
Batman and Robin As Evolving Cutural Icons Elizabeth C
St. Catherine University SOPHIA 2014 Sr. Seraphim Gibbons Undergraduate Sr. Seraphim Gibbons Undergraduate Symposium Research Symposium The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons Elizabeth C. Wambheim St. Catherine University Follow this and additional works at: https://sophia.stkate.edu/undergraduate_research_symposium Wambheim, Elizabeth C., "The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons" (2014). Sr. Seraphim Gibbons Undergraduate Symposium. 2. https://sophia.stkate.edu/undergraduate_research_symposium/2014/Humanities/2 This Event is brought to you for free and open access by the Conferences and Events at SOPHIA. It has been accepted for inclusion in Sr. Seraphim Gibbons Undergraduate Symposium by an authorized administrator of SOPHIA. For more information, please contact [email protected]. THE DYNAMIC DUO THEN AND NOW: BATMAN AND ROBIN AS EVOLVING CULTURAL ICONS by Elizabeth C. Wambheim A Senior Project in Partial Fulfillment of the Requirements of the Honors Project ST. CATHERINE UNIVERSITY April 1, 2014 2 With many thanks to Patricia Montalbano (project advisor), Rachel Neiwart Emily West and Sharon Doherty for their continuous and invaluable interest, assistance, and patience with the project. 3 Introduction When presented with the simple silhouette of a stylized bat inside a yellow oval, people the world over are able to recognize this emblem and, at the very least, name its wearer. Even as the logo is altered with time, the yellow backdrop traded for a grey one, the awareness persists. Yet even as people recognize Batman’s logo, one person’s impression of the superhero does not always align with another’s: a cheerful, law-abiding Batman who orders orange juice instead of alcohol at bars is Batman as he appeared in the 1960s, and a brooding hero wreathed in darkness and prone to conflicted inner monologues is the Batman of the 1980s. -
Swinburne Research Bank
Swinburne Research Bank http://researchbank.swinburne.edu.au Bainbridge, J. (2007). 'This is the Authority: this planet is under our protection': an exegesis of superheroes' interrogations of law Originally published in Law, Culture and the Humanities, 3(3); 455-476 Available from: http://dx.doi.org/10.1177/1743872107081431 Copyright © 2007 Association for the Study of Law, Culture and the Humanities. This is the author’s version of the work. It is posted here in accordance with the copyright policy of the publisher for your personal use. No further distribution is permitted. Accessed from Swinburne Research Bank: http://hdl.handle.net/1959.3/54547 “This is the Authority . This Planet is Under Our Protection” – An Exegesis of Superheroes’ Interrogations of Law Jason Bainbridge Abstract This paper examines concepts of authority, law, and justice in the genre of superhero comics. Despite the common view that comic book superheroes do not warrant (and have not received) significant academic attention except as art form (rather than social/legal commentary), they do, in fact, present a locus in which visions of law and its relationship with society are played out with a degree of intellectual and jurisprudential sophistication. This is because superheroes reflect perceptions of failed or deficient law. They are therefore another vehicle for thinking discursively about law because of what they can say about society and its perceptions of the effectiveness of law, in the context of their manifesting a pre-modern, sacralised, view of embodied justice as opposed to modern constructs of law. Using a typology of pre-modern, modern, and postmodern justice, the paper briefly explores the characteristics of justice found in superhero comics. -
In Praise of the Superhero
portfolionovember 2o12 - february 2o13 In Praise of the Superhero Norman Rockwell Museum shines a spotlight on Alex Ross, one of the great comic book artists of his generation, and the making of a superhero obsession. by Julie Hannon, Managing Editor for Carnegie Magazine with contributions from Norman Rockwell Museum Inside theaters around the world this past summer, costumed-crusaders and perfectly-chiseled muscle men dominated the big screen: The Avengers; The Amazing Spider-Man; and Batman: The Dark Knight Rises all proved to be big box-office, paving the way for more. This showcase of superhero stamina is the perfect primer for Heroes & Villains: The Comic Book Art of Alex Ross, opening November 10 at Norman Rockwell Museum. Long before Hollywood began regularly pumping super-sized budgets and over-the-top special effects into some of America’s most beloved characters, comic book artist Alex Ross was making a name for himself by making the unreal real. “It very much relates to the world we’re in now, where just about every fantastic concept that’s been applied to the worlds of fantasy characters over the past 75 years is being brought to life in vivid detail in movies, in video games, and with actors in complicated costumes,” says Ross, the preeminent painter of comics. “I was trying to hit that in print form before the reality would support it in other media,” he adds, “because 20 years ago, it seemed the only films we’d ever get about superheroes would be Superman or Batman, and nothing else would ever make their way into cinema.” A super, lifelong obsession Like a lot of kids, it was television shows that turned Ross on to the magical world of superheroes. -
Alex Ross 24/11/2020
Alex Ross Universally acknowledged as one of Just as Andy Warhol elevated soup can labels the greatest artists in the field of comic into multi-million dollar artworks, Alex has books, Alex Ross has revolutionised the elevated the art of the comic book, building on industry, breathing new life into the the foundation of the great artists who came classic superheroes. By turning them into before him including Jack Kirby, Steve Ditko, works of fine art, he has transcended the John Romita, Neal Adams and George Perez. newsstand origins of his profession. From the age of three, Alex was obsessed book work published in 1990 for NOW Comics. with illustration, capturing life as he saw He created all the art for a five-issue miniseries, it and turning it into something more and went on to create similar work on a variety of titles over the next few years. In 1993, he dramatic with his pencil. completed his first painted superhero assignment, the cover of a Superman novel, Encouraged by his parents he pursued his Superman: Doomsday & Beyond and from passion for drawing and like many other small here on, a series of commissions from, and boys, became enamoured of the exciting partnership with, the biggest brands in the world of superheroes. His mother was an industry took him soaring into the illustration artist and his father was a minister, and the stratosphere. combination of art and morality in his home made these guardians of the good the perfect The particular brilliance of Alex’s work subject for him. lies in his ability to blur the lines between At 17, Alex followed in his mother’s footsteps fantasy and reality. -
Modern Masters Volume Twenty-Seven
MODERN MASTERS VOLUME TWENTY-SEVEN: RON GARNEY By Jorge Khoury & Eric Nolen-Weathington MODERN MASTERS VOLUME TWENTY-SEVEN: RON GARNEY edited by Jorge Khoury and Eric Nolen-Weathington front cover by Ron Garney all interviews in this book were conducted by Jorge Khoury and transcribed by Stephen Tice TwoMorrows Publishing 10407 Bedfordtown Dr. Raleigh, North Carolina 27614 www.twomorrows.com • e-mail: [email protected] First Printing • December 2011 • Printed in Canada Softcover ISBN: 978-1-60549-040-3 Trademarks & Copyrights All characters and artwork contained herein are ™ and ©2011 Ron Garney unless otherwise noted. Deadstar, Walking Time Bomb, and all related characters ™ and ©2011 Ron Garney. Batman, Big Barda, Black Canary, Black Lightning, Captain Marvel, Connor Hawke, Crime Syndicate, Flash, Green Arrow, Green Lantern, Johnny Quick, Justice League, Lightray, Martian Manhunter, New Gods, Orion, Owlman, Plastic Man, Power Ring, Speedy, Superman, Superwoman, Ultraman, Wonder Woman and all related characters ™ and ©2011 DC Comics. Alicia Masters, Aunt May, Beast, Blade, Blaze, Cable, Captain America, Daredevil, Deathlok, Dr. Strange, Flux, Frank Drake, Gambit, Ghost Rider, Hannibal King, Hobgoblin, The Hulk, Human Torch, Iron Man, Jean Grey, Juggernaut, Kingpin, Lilith, Mary Jane Parker, Moon Knight, Mystique, Namor, Peter Parker, Professor X, Punisher, Red Hulk, Rogue, Shalla Bal, Sharon Carter, Silver Surfer, Skaar, Spider-Man, Steve Rogers, The Thing, Tyrannus, Vengeance, Wolverine, X-Men, and all related characters ™ and ©2011 Marvel Characters, Inc. I Am Legend © Warner Bros. Productions. Creepy, Eerie © New Comic Company. G.I. Joe ™ and © Hasbro. Editorial package ©2011 Jorge Khoury, Eric Nolen-Weathington and TwoMorrows Publishing. Dedication My efforts in this book are dedicated to Ron Garney, the consummate professional and Marvel’s best comic book artist. -
PREVIEWS Order
Order PREVIEWS Form V11#8 For New Publications Scheduled to Ship in October, 2001 ORDER DEADLINE: AUGUST 11, 2001 PLACE STORE STAMP HERE Name _______________________________ Address _____________________________ City _________________State ___________ Zip ___________ Phone# _______________ Signature (Required) __________________ Your signature indicates that you are authorized to order items that are designated as “Adult,” and you are at least 18 years old. PLEASE PRINT CLEARLY! QTY TITLE PRICE Please note that the toy items on this order form may not be available at every store. Shipping times and prices may vary. For items sold by assortment (marked with an "*"), retailers cannot guarantee receiving specific items. Ask your retailer for more information when you order. PAGE 21 PREVIEWS PUBLICATIONS SPOT ______AUG010001 BEST OF THE STAR SYSTEM #5 ................................................................................MSRP: $0.75 = $ ____________ ____________AUG010003 PRIMO FLYER VOL XI #10 ..................................................................................................SRP: PI = $ ____________ ____________AUG010004 PREVIEWS VOL XI #10 ............................................................................................MSRP: $3.25 = $ ____________ ____________AUG010005 PREVIEWS VOL XI CONSUMER ORDER FORM #10 ............................................................SRP: PI = $ ____________ ____________AUG010007 PREVIEWS ADULT VOL XI #10 ..........................................................................................SRP: