The Prisoner of Zenda
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Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
In Commemoration of Hector Munro, 'Saki' Transcript
The grinning shadow that sat at the feast: In commemoration of Hector Munro, 'Saki' Transcript Date: Tuesday, 14 November 2006 - 12:00AM The Grinning Shadow that sat at the Feast: an appreciation of the life and work of Hector Munro 'Saki' Professor Tim Connell Hector Munro was a man of many parts, and although he died relatively young, he lived through a time of considerable change, had a number of quite separate careers and a very broad range of interests. He was also a competent linguist who spoke Russian, German and French. Today is the 90th anniversary of his death in action on the Somme, and I would like to review his importance not only as a writer but also as a figure in his own time. Early years to c.1902 Like so many Victorians, he was born into a family with a long record of colonial service, and it is quite confusing to see how many Hector Munros there are with a military or colonial background. Our Hector’s most famous ancestor is commemorated in a well-known piece at the Victoria and Albert Museum. Tippoo's Tiger shows a man being eaten by a mechanical tiger and the machine emits both roaring and groaning sounds. 1 Hector's grandfather was an Admiral, and his father was in the Burma Police. The family was hit by tragedy when Hector's mother was killed in a bizarre accident involving a runaway cow. It is curious that strange events involving animals should form such a common feature of Hector's writing 2 but this may also derive from his upbringing in the Devonshire countryside and a home that was dominated by the two strangest creatures of all - Aunt Augusta and Aunt Tom. -
Level 5 2300 Headwords Upper-Lntermediote Level 6 3000 Headwords Advonced
s g t>\a $ H^o q)t d ElAO -h IJ]!U N /1 Eo \J BC' \-.A. l l-l d \J Fli Ir: E S q) :-A* i z U\JEe,{3 \ f l F.l FJr \Ja'- - ula , ! r I Str) ti =E9< l.\ :-()t; r- z d 5 q) r! d E F o! F U) Pearson Education Limited Edinburgh Gate, Harlow, Essex CM 20 2JE, England and Associated Companies throughout the world. ISBN: 978-1-4058-6520-3 First published in the Longman Simplified English Series 1939 First published in the Longman Fiction Series 1993 This adaptation first published 1996 First published by Penguin Books 1999 This edition published 2008 3 5 7 9 10 8642 Copyright by John Hope-Hawkins Text copyright © Penguin Books Ltd 1999 This edition copyright © Pearson Education Ltd 2008 Typeset by Graphicraft Ltd, Hong Kong Set in 11/14pt Bembo Printed in China S W T C / 0 2 All rights reserved; no part o f this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission o f the Publishers. Published by Pearson Education Ltd in association with Penguin Books Ltd, both companies being subsidiaries o f Pearson Pic For a complete list o f the titles available in the Penguin Readers series please write to your local Pearson Longman office or to: Penguin Readers Marketing Department, Pearson Education, Edinburgh Gate, Harlow, Essex CM 20 2JE, England. Contents page Introduction V Chapter 1 The Rassendylls 1 Chapter 2 A Merry Evening with a New Relation 7 Chapter 3 The King Keeps His Appointment 12 Chapter 4 The Secret of a Cellar 18 Chapter 5 A Fair Cousin and a Dark Brother 24 Chapter 6 A New Use for a Tea Table 29 Chapter 7 A Question of Honour 35 Chapter 8 Setting a Trap 41 Chapter 9 The Path to Heaven 48 Chapter 10 A Dangerous Plan 54 Chapter 11 Rupert and Michael 59 Chapter 12 Face to Face in the Forest 6 6 Chapter 13 If Love Were All! 73 Activities 79 Introduction My secret was still kept, though I had some bad moments and made some mistakes. -
The Death of Christian Culture
Memoriœ piœ patris carrissimi quoque et matris dulcissimœ hunc libellum filius indignus dedicat in cordibus Jesu et Mariœ. The Death of Christian Culture. Copyright © 2008 IHS Press. First published in 1978 by Arlington House in New Rochelle, New York. Preface, footnotes, typesetting, layout, and cover design copyright 2008 IHS Press. Content of the work is copyright Senior Family Ink. All rights reserved. Portions of chapter 2 originally appeared in University of Wyoming Publications 25(3), 1961; chapter 6 in Gary Tate, ed., Reflections on High School English (Tulsa, Okla.: University of Tulsa Press, 1966); and chapter 7 in the Journal of the Kansas Bar Association 39, Winter 1970. No portion of this work may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review, or except in cases where rights to content reproduced herein is retained by its original author or other rights holder, and further reproduction is subject to permission otherwise granted thereby according to applicable agreements and laws. ISBN-13 (eBook): 978-1-932528-51-0 ISBN-10 (eBook): 1-932528-51-2 Library of Congress Cataloging-in-Publication Data Senior, John, 1923– The death of Christian culture / John Senior; foreword by Andrew Senior; introduction by David Allen White. p. cm. Originally published: New Rochelle, N.Y. : Arlington House, c1978. ISBN-13: 978-1-932528-51-0 1. Civilization, Christian. 2. Christianity–20th century. I. Title. BR115.C5S46 2008 261.5–dc22 2007039625 IHS Press is the only publisher dedicated exclusively to the social teachings of the Catholic Church. -
Mcclure's Magazine
/a 6 McCLURE'S /VVAGAZINE ILLUSTRATED PUBLISHED MONTHLY Volume X NOVEMBER, 1897, to APRIL, 1898 THE S. S. McCLURE CO. NEW YORK AND LONDON 1898 Copyright, 1897, by THE S. S. McCLURE CO. Copyright, 1S98, by THE S. S. McCLURE CO. Contents of McClure's Magazine. VOLUME X. NOVEMBER, 1S97, TO APRIL. 1898. ADAMS, JOHN QUIXCV, THE DEATH OF. A ri-RsoNAi. Rkcoi.lectiox. General JoHX M. Thayer 126 AMERICA, A FRENCH CRITIC'S IMPRESSIONS OF. Feruinaxd Brunetiere 67 AMERICAN, AN, AT KARLSBAD. Cv Warmax. Illustrated 205 ANDREE PARTY, LETTERS FROM THE. The Bali.oox Exi-editiox to the Pui.e. Illustrated 411 ASIA, IN UNEXPLORED. Discoveries axd Advextires of Dr. Svex Hedix. R. H. Sherard. Illustrated 180 BRAKEMAN, A, IN THE YARD AND ON THE ROAD. A Narrative of Persoxal Experiexces. Herbert E. Hamblex. Illustrated 211 BROWN, JOHN, REMINISCENCES OF. Daniel B. Hadlev 27S CHRISTMAS NIGHT. Paixtixg by F. S. Church 179 CIYIL WAR PHOTOGRAPHS, THE GOYERNMENT COLLECTION OF. Gexeral A. W. Greelv 18 CLEMENS, SAMUEL L. "MARK TWAIN." A Character Sketch. Robert Barr. 246 DANA, CHARLES A. : AN EDITORIAL NOTE 193 DE MONYEL, BOUTET. A Paixter of Children. Norman Hapgood. Illustrated. 197 DREAMERS. A Poem. Rosalie ]\I. Jonas. Illustrated 32 EDISON'S REVOLUTION IN IRON MINING. Theodore Waters. Illustrated. 75 EDITORIAL NOTES 289, 3S5, 4S2 FICTION : Short Stories. ACCORDIN' TO SOLOMON. Marv M. Mears 282 ARCHBISHOP'S, THE, CHRISTMAS GIFT. Robert Bakr. Illustrated 143 BRIDE, THE, COMES TO YELLOW SKY. Stephen Crane. Illustrated 377 CUPID'S MESSENGER. Gertrude Adams. Illustrated 571 DAY. THE, OF THE DOG. Morgan Robertson. -
Film News (Oct 15, 1923)
Hope Hampton, Wyndham Standing and Alec Francis in the “Gold Diggers” Showing at Metropolitan Theatre, Baltimore, for the two weeks commencing October 15th i We Desire That Which We Cannot Have A STARTLING STORY OF MODERN SOCIETY LOUIS BURSTON ‘Presents J •f'Ji. i. • • •»' v. .. s <. * : i?y John R. Clymer and Henry R. Symonds ‘Directed by ROWLAND V. LEE • ‘ •v'- WITH THESE STERLING PLAYERS MARGUERITE DE LA MOTTE _ JOHN BOWERS ESTELLE TAYLOR DAVID BUTLER EDWARD CONNELLY LUCILLE HUTTON RALPH LEWIS »*.•> !<’% f > :ni tt'j. V < •* WALTER LONG ncture Issued Trice a Month in the Interests of the 'JKCotion Picture Exhibi- tors and Distributors Within the Territory Comprising Maryland, Delaware, Virginia, North Carolina and the District of Columbia Film News Publishing Company 700 INSURANCE BUILDING WASHINGTON, D. C. New York Office, 1540 Broadway - TOM HAMLIN, Representative VoL. I No. 5 OCTOBER 15, 1923 $2.50 a Year Charles Chaplin Explains His First Serious Production “As I see it,” said Mr. Chaplin, “the pur- vince the audience and to enable the spectators pose of story telling is to express the beauty to lose themselves in the story as it unfolds. of life, condensing its high spots, for purposes We can have too much realism, which, of course, of entertainment. For after all, it is only borders on boredom, but to my way of thinking, beauty we seek in life, whether it be through the nearer to actual life we get, the more power laughter or tears. we have in story telling. “And beauty lies in everything, both good “In ‘A Woman of Paris’, I have tried to and evil, though only the discriminating, such make a story of life as I see it—a life that is as the artist and the poet, finds it in both. -
Arta Cinematografică Şi TV
Arta cinematografică şi TV Marian ŢUŢUI Balkan Aristocrats and Villains in Western and American Cinema Rezumat Aristocraţi şi ticăloşi balcanici în cinematograful vest-european şi american Peninsula Balcanică a intrat destul de rar în atenţia scriitorilor şi regizorilor vest-europeni şi americani. De aceea, imaginea acestei zone rămâne cel mai adesea convenţională. Pe lângă adaptarea pentru ecran a unor opere literare, motivaţiile realizării unor filme despre Balcani ţin de ponderea unor evenimente şi personalităţi politice locale, precum şi de actualizarea scrierilor de aventuri şi a celor sentimentale („romances”, „romanţuri”). În atenţia cineaştilor persistă curiozitatea descoperirii unei regiuni exotice şi utilizarea reputaţiei negative a zonei în cadrul unui subiect de suspans. În articol a fost luat în vizor spectrul de filme ancorate în filmul occidental şi american şi diversitatea de genuri şi stilistică. Cuvinte-cheie: Balcani, exotism, clişeu, ecranizare, miniserie TV, film de aventuri, thriller, parodie, ţări fic- tive, escapism. Summary Balkan Aristocrats and Villains in Western and American Cinema The Balkan Peninsula have got rarely the attention of Western Europeans and Americans writers and film- directors. Therefore, the image of this area remains mostly conventional one. Besides the screen adaptation of cer- tain literary works, motivations of making films about the Balkans relate to share some local events and political figures, as well as updating of adventures and sentimental writings („romances”, „romanţuri”). In the filmmakers’ attention still persists the curiosity to discover of an exotic region and to use the negative reputation of the area in a matter of suspense. In the article was taken in the viewfinder the spectrum of the Western and American film, as well the genuistic and stylistic diversity. -
1. Introduction 2. the Scott Legacy 3. the Emphasis On
Notes 1. INTRODUCTION 1. The texts of these letters are reproduced in Dear Stevenson: Letters from Andrew Lang to Robert Louis Stevenson with Five Letters from Stevenson to Lang, edited by Marysa DeMoor (Leuven: Uitgeverij Peeters, 1990). 2. John Maynard, 'Broad Canvas, Narrow Perspective', in The Worlds of Victorian Fiction, edited by Jerome H. Buckley (Cambridge, Mass.: Harvard University Press, 1975; Harvard English Studies 6), p. 238. 2. THE SCOTT LEGACY 1. Ian Jack, English Literature 1815-1832 (Oxford: Clarendon Press, 1963.) 2. Allan Massie, 'Scott and the European Novel,' in Sir Walter Scott: The Long-Forgotten Melody, ed. Alan Bold (London: Vision Press, and Totowa, NJ: Barnes & Noble, 1983), p. 94. 3. Ibid., pp. 94-97. Massie reminds us that the French historian Augustin Thierry was not alone when he called Ivanhoe Scott's masterpiece, and added, 'Unless, I say, one can understand the feelings which these [medieval] novels and poems aroused, on cannot begin to measure or evaluate Scott or his influence.' 4. Nicholas Rance, The Historical Novel and Popular Politics in Nineteenth Century England (London: Vision Press, 1975), pp. 25-26. Rance thus characterizes the way in which the Victorians interpreted the history of some five centuries earlier: 'The Middle Ages in fiction were either absolutely remote from contemporary life, in the sense that modern ised heroes and heroines breathed a romantic 'period' atmosphere, or else, more cunningly, the concept of the enduring English-Saxon character, resistant to Norman and Stuart tyranny, endowed readers with the spirit of the free Saxons.' Carlyle and Froude recognized the fact of change, but did not understand the mechanisms of evolution that created Victorian society. -
Novel Trial Exam Questions 2010
SectionC : Novel TrialExam Questions 2010 Perlisls'Triil Exam 201'0 Basedon one of the novelsabove, write about a lesson learnt from the main character in this story. Pshanq'sTriat Exam 2010 Based on one of the novels above, write about lessons that you can learn from a character found in the novel. Provide evidencefrom the texl to suppgrtyour answer. Perak'sTrial Exam 2010 Basedon one of the novelsabove, write about a lesson that you have learnt from the main character, Provideevidence from the textto supportyour answer. Kela4anlldalEraq 2o1o Braveryis importantto succeed.How is this shown by one of the charactersin the novel.Provide evidence from the text to supportyour answer. MRSM'sTrial Exam 2010 Basedon one of thenovels above, write abouta positivelesson that you havelearnt from the story. Provideevidence from the tert to supportyour itnswer. JgherEltialExam 2010 Basedon one of thenovels above, choose a character.Suggest some positive values you learntfrom this character, @ Basedon one of the novelsabove, write about how loyattyis shown in the story. Provideevidence from the textto support youranswer. $annBleAnswers: -QampleOne I wouldlike to chooseRudolf Rassendyll from the novel"The Prisoner of Zenda".The significant quality I canlearn from him is courageMany times in this story,Rudolf Rassendyll faces dangerous situation bravelyl A good'exarnpleis the riskhe takesto enterthe castleat nightto rescuethe king.Even though he is butnumberedby the Duke'siren, he stiilgoes in to save iheking. Anotherquality is loyaltyto the kingand his duty, which is to helpsave the king'slife. Although he lovesPrincess Flavia, he is willingto walkaway, leaving her with the kingas he knowsthat the kingand the countryof Ruritanianeed princess Flavia, The abililyof to see the humourousside of thingsis also a positivequality. -
Rupert Hentzau
Anthony Hope COMPLETE CLASSICS UNABRIDGED Rupert of Hentzau Read by Rufus Wright 1 Rupert of Hentzau by Anthony Hope – Chapter 1 4:09 2 Yet Sapt was in the right about him. 4:46 3 As time went on, the first impulse... 5:57 4 I left the queen and went to prepare... 5:23 5 To lay on the king the full blame... 5:14 6 Chapter 2: A Station Without a Cab 4:32 7 We arrived punctual to our appointed time. 4:44 8 ‘Well, there’s no help for it,’ said I... 4:50 9 On either side my hands were still pinned fast. 3:30 10 Then came Rischenheim’s voice again... 3:47 11 Chapter 3: Again to Zenda 4:43 12 My battered head ached most consumedly. 4:01 13 Rudolf came, calm and serene. 4:57 14 ‘Come, Fritz,’ he cried... 3:42 15 He was hardly gone... 3:30 16 Chapter 4: An Eddy on the Moat 3:33 17 The king rose with a yawn, and bade the colonel good-night. 5:24 18 Sapt ran on. Opening the gate that led to the bridge... 5:06 19 Yet there was in truth nothing strange... 4:03 20 Nevertheless it was a quarter of an hour... 5:08 2 21 Chapter 5: An Audience of The King 3:17 22 At ten minutes to eight o’clock... 3:43 23 The count advanced, bowing low... 3:58 24 Now Rudolf played his part well. 4:39 25 Bernenstein looked in again. -
The Prisoner of Zenda, by Anthony Hope 2 CHAPTER 21 CHAPTER 22 the Prisoner of Zenda, by Anthony Hope
1 CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 The Prisoner of Zenda, by Anthony Hope 2 CHAPTER 21 CHAPTER 22 The Prisoner of Zenda, by Anthony Hope The Project Gutenberg EBook of The Prisoner of Zenda, by Anthony Hope This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Prisoner of Zenda Author: Anthony Hope Release Date: January 10, 2006 [EBook #95] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE PRISONER OF ZENDA *** Produced by Judith Boss and David Widger THE PRISONER OF ZENDA by Anthony Hope CONTENTS The Prisoner of Zenda, by Anthony Hope 3 1 The Rassendylls--With a Word on the Elphbergs 2 Concerning the Colour of Men's Hair 3 A Merry Evening with a Distant Relative 4 The King Keeps his Appointment 5 The Adventures of an Understudy 6 The Secret of a Cellar 7 His Majesty Sleeps in Strelsau 8 A Fair Cousin and a Dark Brother 9 A New Use for a Tea-Table 10 A Great Chance for a Villain 11 Hunting a Very Big Boar 12 I Receive a Visitor and Bait a Hook 13 An Improvement on Jacob's Ladder 14 A Night Outside the Castle 15 I Talk with a Tempter 16 A Desperate Plan 17 Young Rupert's Midnight Diversions 18 The Forcing of the Trap 19 Face to Face in the Forest 20 The Prisoner and the King 21 If Love Were All! 22 Present, Past--and Future? CHAPTER 1 4 CHAPTER 1 The Rassendylls--With a Word on the Elphbergs "I wonder when in the world you're going to do anything, Rudolf?" said my brother's wife. -
Recommended Reading List
RECOMMENDED READING LIST 1 DEAR PARENTS, HOME SCHOOL TEACHERS Kolbe’s Recommended Reading List began over twenty years ago with a list given to the Kolbe founders by the eminent classical scholar Dr. John Senior. In the intervening years it has been augmented by parents, teachers, and students, adding numerous titles in nonfiction as well as fiction. It has been adopted by schools and used by teachers and parents as a reliable guide to good reading material. With this enhanced version, it is necessary to thank Mrs. Maria Skrobola for her generous additions and help. This compilation of reading materials represents some of the best writings in prose and poetry, either in their original English language or in translation. In recommending materials for your student, caution and prudence must be exercised. The suitability of a book often varies according to the age and maturity of the student. The books listed in the “Kindergarten and Under” catergory are suitable to be read to your child, as most children this age are unable to read themselves. Furthermore, although this list provides reference material for the student outside of the classroom curriculum, consultation with a teacher or parent as to the suitability of a title is certainly expected of the student. An author’s name appearing on our list does not automatically imply our full endorsement of all the works by the author; nor does it suggest that the author’s personal lifestyle, religious convictions or political viewpoint are in full accord with our academic criteria and moral vision. It is our duty as educators to represent authors whose influence on literature is indisputable, although we steer clear of materials that serve no constructive purpose for our educational goals.