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Literaturverzeichnis Literaturverzeichnis I. Geschichte der Farbphotographie 1. WALL, E. J.: The History of Three·Color Photography. Boston 1925. 2. EDER, J. M.: Geschichte der Photographie. In: Handbuch der Photographie. Hrsg. v. J. M. Eder. I. Bd., 1. T., 1. und 2. HiiJfte. 4. Aufi. Halle (Saale) 1932. 3. HEYMER, G.: Die neuere Entwicklung der Farbenphotographie. In: Handbuch der wissenschaftlichen und angewandten Photographie, Erganzungswerk. Hrsg. v. K. Michel. I. Bd., S. 337-463. Wien: Springer. 1943. 4. CORNWELL· CLYNE, A.: Colour Cinematography. London 1951. 5. BAIER, W.: Quellendarstellungen zur Geschichte der Photographie. Halle (Saale): Fotokino Verlag. 1964. II. Farbenlehre A. Licht und Farbe 6. NEWTON, I.: A New Theory about Light and Colours. Phil. Trans. Roy. Soc. London 1672. 7. YOUNG, T.: On the Theory of Light and Colours. Phil. Trans. Roy. Soc. London 92, 12 (1802). 8. GOETHE, J. W. VON: Zur Farbenlehre I., II., III. (1810). 9. MAXWELL, J. C.: On the Theory of Compound Colours and Relation of the Colours of the Spectrum. Proc. Trans. Roy. Soc. London 10, 404, 484 (1860). 10. HELMHOLTZ, H. VON: Handbuch der physiologischen Optik. Leipzig: Voss. 1866. ll. ABNEY, W. DE W.: Researches in Colour Vision and the Trichromatic Theory. London 1913. 12. BERGMANS, J.: Kleine Farbenlehre. Philips' Techn. Bibliothek 1959. 13. BOUMA, P. J.: Farbe und Farbwahrnehmung. Philips' Techn. Bibliothek 1951. 14. EVANS, R. M.: An Introduction to Colour. New York: J. Wiley and Sons. London: Chapman and Hall. 1948. 15. HARDY, A. C.: Handbook of Colormetry. Cambridge (Mass.) 1936. 16. HUNT, R. W. G.: The Reproduction of Colour. London: The Fountain Press. 1957. 17. JUDD, D. B.: Colour in Business, Science and Industry. New York: J. Wiley and Sons. London: Chapman and Hall. 1952. 18. KLEIN, A. B.: Colour Cinematography. London 1936. 19. KONIG, A.: Physiologische Optik. In: Handbuch der Experimentalphysik. Hrsg. v. M. Wien und F. Harms. 20. Bd., 1. Teil. Leipzig 1929. 20. KRIES, J. VON: Die Gesichtsempfindungen. In: Handbuch der Physiologie des Menschen. Hrsg. v. Nagel. Braunschweig 1905. 21. KUHN, A. B.: Farbenunterscheidungsvermogen der Tiere. In: Handbuch der Physiologie. Hrsg. v. Bethe. 12. Bd. 1929. 22. LE GRAND, Y.: Lumiere et Couleurs, Optique Physiologique. II. T. Ed. de la "Revue d'Optique". Paris 1949. 23. - Colour and Vision. London: Chapman and Hall. 1957. 24. MUNSELL, A. H.: Atlas of the Munsell Color System. Boston (Mass.): Wadsworth· Howland. 1915. 25. MUNSELL COLOR COMPo INC.: The Munsell Book of Color. Library and Pocket editions. Baltimore. Literaturverzeichnis 393 26. MURRAY, H. D.: Colour in Theory and Practice. London: Chapman and Hall. 1952. 27. OSTWALD, W.: Die Farbenfibel. Leipzig 1916. 28. - Der Farbenatlas. Leipzig 1917. Der Farbennormatlas. Leipzig 1920. 29. - Die Farbenlehre I. Math. Farbenlehre. Leipzig 1918. Die Farbenlehre II. Physikalische Farbenlehre. Leipzig 1919. 30. HICKETHIER, A.: Ein-mal-eins der Farbe. Ravensburg: O. Maier. 1963. 31. RICHTER, M.: Grundrill der Farbenlehre der Gegenwart. Dresden und Leipzig 1940. 32. ROSCH, S.: Darstellung der Farbenlehre fUr die Zwecke der Mineralogie. Fortschr. d. Mineral., Kristallogr., Petrogr. 13, 73-234 (1929). 33. SCHMIDT, R., und A. KOCHS: Farbfilmtechnik. Berlin: M. Hesses Verlag. 1943. 34. SCHOBER, H.: Bericht uber Farbenlehre und Farbenmessung. Physik. Z. 38, 514-555 (1937). 35. SCHULTZE, W.: Farbenphotographie und Farbenfilm. Berlin-Gottingen-Heidel­ berg: Springer. 1953. 36. STUDNITZ, G. VON: Die physiologischen Grundlagen des Farbensehens. In: Film und Farbe. Berlin: M. Hesses Verlag. 1943. 37. HUBL, A. VON: Die Lichtfilter. 3. Auff. Halle (Saale) 1927. 38. WENZEL, F.: Agfa Lichtfilter. Halle (Saale): Fotokino. 1957. B. Physiologie der Lichtempfindung und des Farbensehens 39. BARGMANN, W.: Histologie und mikroskopische Anatomie des Menschen. 3. Auff. Stuttgart: G. Thieme. 1959. 40. STUDNITZ, G. VON: Physiologie des Sehens. Leipzig 1952. 41. SCHOBER, H.: Physiologisch-optische Probleme bei der Bildbetrachtung. Kino­ technik 11, Nr. 6 (1957). 42. MANSFELD, S.: Das Auge und die Kamera. Bild und Ton 17, 277 - 278, 298 - 303 (1964). 43. NEUMANN, H.: Netzhautfunktion und Aufnahmeschicht. Bild und Ton 17, 268-271, 275, 276 (1964). 44. PESCHEL, M.: Uber die Anforderungen an das Auge in Film- und Fernsehbetrieben. Bild und Ton 17, 279-281 (1964). 45. LAND, E. H.: Color Vision and Natural Image. Proc. Nat. Acad. Sci. 45, 115-119, 636-644 (1959). Experiments in Color Vision. Sci. Amer. 200, 84-99 (1959). 46. RICHTER, M.: Neue Technik der Farbreproduktion oder neue Theorie des Farben­ sehens. Photo-Technik und -Wirtschaft 10, 559-560 (1959); Kinotechnik 14, 17 -18 (1960). 47. WILSON, M. H., und R. W. BROCKLEBANK: Two-Color Projection Phenomena. J. Photo Sci. 8,141-150 (1960). 48. MULLER, R.: Ein neues Zweifarbenverfahren. Kinotechnik 15, 17 -19 (1961). 49. SMOK, J.: Betrachtung zur Farbentheorie von Land. Kinotechnik 15, 362-367 (1961). III. Die farbphotographischen Verfahren A. Systematik der Verfahren 50. WALL, E. J.: Practical Color Photography. Boston 1922. 51. WHEELER, 0.: Colour Photography. London-New York 1928. 52. GREBE, L., A. VON HUBL, E. J. WALL: Farbenphotographie. In: Handbuch der wissenschaftlichen und angewandten Photographie. Hrsg. von A. Hay. 8. Bd. Wien: Springer. 1929. 53. KONIG, E.: Die Praxis der Farbenphotographie. 5. Auff. Neubearb. von K. Jacobsohn. Berlin: Union Verlagsges. 1930. 54. EGGERT, J., und G. HEYMER: Der Stand der Farbenphotographie. Agfa Veroff., Wolfen 5,7-28 (1937). 394 Literaturverzeichnis 55. WENDT, B.: Die wichtigsten Verfahren zur Herstellung farbiger Aufsichtsbilder. Agfa Veroff., Wolfen 5, 48-57 (1937). 56. LUHRIG, F.: Chemie farbenphotographischer Verfahren. Ergeb. der angew. physik. Chemie 5, 290-315 (1938). 57. SPENCER, D. A.: Colour Photography in Practice. Pitman 1952. 58. EVANS, R. M., W. T. HANSON, W. L. BREWER: Principles of Colour Photography. London: Chapman and Hall. 1953. B. Die verschieden'!n /arbphotographischen Ver/ahren, ihre Grundlagen und Technik 59. WATTER, 0.: Farben-Foto-Praxis. Halle (Saale): Fotokino. 1958. 60. HANSEN, K.: Eine neue Kamera fUr die Dreifarbenphotographie. Photo Ind. 30, 98 (1932). 6l. - Eine neue Kamera fiir Dreifarbenphotographie. Photo Ind. 30, 290 (1932). 62. COOTE, I. H.: Single Mirror One-Shot Colour Camera. Photo Ind. 30, 290 (1932). 63. - The Klein Three-Colour One-Exposure Camera. Brit. J. Photo Col.-Suppl. 28, 11 (1934). 64. KASPAR : Neue Moglichkeiten auf dem Gebiete der Farbenphotographie. Gebrauchs- photogr. (Atelier) 43, 13 (1936). 65. SMITH, G. A., und C. URBAN: Kinemacolor-System. E. P. 26671/1906. 66. DUBRAY, J. Y.: The Morgana Process. J. Soc. Mot. Pict. Engrs. 21, 403 (1933). 67. PANDER, H.: Ein neuer deutscher Farbenfilm. Filmtechnik 2, 284, 285 (1926). 68. LEHMANN, E.: Die Farbensynthese in der Kinematographie. Photo Ind. 30, 1097 (1932); Kinotechnik 20,143 (1938). 69. FLADRICH, C.: Die additiven Farbfilmverfahren. Film und Bild 1936, 362-369, 390-398. Die subtraktiven Farbfilmverfahren. Film und Bild 1937, 222 - 226, 247 - 254, 279-282,313-323,348-350. 70. EGGERT, J.: Kurzer Uberblick liber den Stand der Farbenkinematographie. Bericht liber VIII. Intern. Kongre13 f. wiss. lmd angew. Photographie. 214-222. Leipzig: J. A. Barth. 1932. 7l. N. N.: Raycol Colour Cinematography. Brit. J. Photo Col.-Suppl. 24, 43 (1930). 72. N. N.: The Cinecolor Additive process. Brit. J. Photo Col.-Suppl. 28, 48 (1934). 73. SPENCER, D. A.: The Present Position of Colour Photography. Photogr. J. 77, 84 (1937). 74. BREWSTER, P. D.: Three Color Subtractive Cinematography. J. Soc. Mot. Pict. Engrs. 16,49 (1931); A. P. 1752477. 75. MEBES, A.: Farbenphotographie mit Farbrasterplatten. Bunzlau in Schlesien: L. Fernbach. 1911. 76. THOMSON, L.: Colour Transparencies. London und New York: The Focal Press. 77. N. N.: A Screen-Plate colourfilm. Brit. J. Photo Col.-Suppl. 25, 36 (1931). 78. SCHAFFER, CL. und K. ACKERMANN: Untersuchungen liber die Leistungsfahigkeit der Agfa-Farbenplatte. Z. f. techno Physik 8, 2 (1927). 79. BILTZ, M.: Farbentreue photographische Wiedergabe durch Farbrasterplatten und -filme. Agfa Veroff. Wolfen 3,170-187 (1933). 80. HEYMER, G.: Auflosungsvermogen und Farbwiedergabe in der Farbraster­ photographie. Agfa Veroff., Wolfen 3, 188-207 (1933). 8l. LUMIl)mE, A. und L.: Herstellung von Kornrasterplatten. DRP 172851/1904; DRP 182099/1904. 82. HOLLEBEN, K. VON: Farbenphotographie mit Agfacolor-Ultra-Filmen und Agfacolorplatten. Harzburg: Heering. 1935. 83. CHRISTENSEN, J. H.: DRP 224465/1908; DRP 403590/1923. 84. WIELAND, M.: DRP 343759/1918. 85. HUBL, A. VON: Die Theorie und Praxis der Farbenphotographie mit Autochrom­ und anderen Rasterfarbenplatten. Halle (Saale): W. Knapp. 1909. 86. FINLAY, C.: The Finlay Colour Process. Brit. J. Photo 70, 76 (1930). 87. BELCHER, E. A.: Progress in Finlay Colour Processes. Brit. J. Photo Col.-Suppl. 26, 9 (1932). Literaturverzeichnis 395 88. COLEMANN, A.: Improvcments in thc Finlaycolour Proccsses. Brit. J. Photo Col.-Suppl. 26, 9 (1932). 89. BAKER, T. T.: The Spicer-Dufay Colorfilm Processes. PhotogI'. J. 72, 109 (1932); E. P. 217557/1932. 90. RENWICK, F. F.: The Dufaycolor Process. Brit ..J. Photo 75, 28 (1935): Die Kinotechnik 17, 55~57 (1935). 91. HARRISON, G. B. und D. A. SPENCER: Negative-Positive Processing of Dufay­ film. PhotogI' ..J. 77, 250 (1937). 92. BAKER, T. T.: Negative-Positive Technic with the Dufaycolor Process .•J. Soc. Mot. Pict. Engrs. 31, 240~247 (1938). 93. AHRIMAN (R. E. LIESEGANG): Von del' zukllnftigen Photographic. Ein neues
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