DOCSLIB.ORG

Lowell Journal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lowell Journal LOWELL JOURNAL. One Dollar a Year. Of&oe in Train's Opera House Blook. Three Cents Per Copy. VOLUME XXIII. LOWELL, MICHIGAN, FRIDAY, JUNE 15, 1888. NUMBER 50. WHO ? nem nss ueen the medium Ihiouvli whlrli Fat fimtrti e Iiemoerjt c pariv ahoulit pio- aead are: Terry McGlory, Patrick Finn moie the tdv.nuce of tui b Uljr by cheapen- CLKVULAND. CHOSEN. fiuved the undying gratitude of the Krpublie WIND AND WATKR. THE BASE BALL RECORD. THK NORTHWKST. and G orge (Irecn. Four other men wor« NKXT TIUH-JUV Ihe lU'i'iihllciin nntion- lor her aold era, ha bat nut hfullated to wiln- ing the coal of neceaaarlea of life in the home of every worklnf imin, und u* the a ime tlmn Htandlng of the Knur rrlnrlpal Urgnlra. torr.bly Injured and $10,001 worth of dtn- •I i-uDvcnllon mpcU In CII1C»KO, I" bold approval Irtiin tpeo al ledtlat on if atrlrt- rat inquiry rrreaied a wsntol trith andjuatiee teeuniig to him aleiuly and remuasraUvs em- Hunt lor the Week Kndeil .lime 1). Brief Mention of News of Qenoml | ago domv. RonomlnntoU for Pronldent by the Above ill. teellonal strlle. a« never before, la plovmeni.' ThoRo Two Elomonta Cauno Great nomiimli' lli« next PrMiiltnt. Who the Mr. Wutieraon moved that the report of ihe The following tables show the standing Pat Mannix was knocked down uut Domocratlo Convention. nt an enu, and alsiy nilllloni of freemen in the DamaRO nud Death. Interest man will I*-, it U now IIUIHIWIIIII' to tie* of biutberloud arc protperout nnd liti>p». committee be mlopted, which ««« agreed to by of the clubs of the professional base b.- I! robbed of sixty dollars on the tlreetln Bay "These are the aeblevemecta of Iblt Adinni- a unHnimoiia vote. organisations In tho race for the iK-nnaut-, Cllv ihe other nighu He was drunk. runjeotnre with ciTlnlnty. Tin* iminc* Alter the adoption of tbe platform reaoln- llXIMOIft. titntlon. Under the tame illiiatrloua lewler William Allen, of Whlttomoro, pleaded i All»n <l. Thurman, of Ohio, KrrvlTM tha we sre re;idr to meet our pnliilcnl u|.- tlona weie liilnMliireil atj.l adopted aa follow.: Uulldlnga IVreeketl, C'ropa Ilealroyed anA A Chicago mining company, Incorporated of many Iriic unil lni <l "fi\voriU< niin»" Ity Mr. (troti, of Penntyitania—Indoraing Muinlniillon fur Vlr* - rrMldml— ponent. In high and houofsbie dehate tnu I'enona lilllrd — Itlailoi; Foretlt l.KAIiUE l.tflj ANKnil'.VM. c •? .ij- bv E. p, Abfield, John M. Cameron and W. guilty recently to shuotlng deor ont of will COIIW U'FORF tlieoMwiubly.raoh and aiahe our Irtumpb on th- Intelllgenre. and reeomm'-nding tbe early paaaage of the season In Iosco County and was fined toM Thr I'lalfiirn Adoplrd—T*ia Mult but Uy Mr. Lehman, of Iowa—Declar- Slake Many llomeleaa Tea- W. Evans. Is to put $1,420,000 Into tho busi- virtue and patrlotlam of the people. Ad- dollars costs. all backid by llivlr ii^iwcllvo ^tnlin ami NUIIUUBI Oomnilllc*. hering to the oonttllutlon. Iia every line ing for tbe admlaalon of Wathmgloi.. pie — Fearful heenea. Chlcago TU8 illrooklyn .I'll 10' "<1 ness of operating mines at Galena. Dakota. Montana and New Mexico Into by other localUie*. Then- will BW HIIIT- and letter, ever ran.embericir thui 'imwcrt Del nut StH'SL l»u vi MI HIT Mrs. DavUl A. Colbert, a bride of two 1 Oil was recently discovered on tho farm not delegated lo the ITniteil H'atea by ihe con- ihe Union. Dv ox-tioven.or Abbett. ef New York. Cliictnuull.,. MilS S1J owned by Wesley Duals, near Tustln, Oa- ci.svsusn AX II Tit-aMAit. New .len- y — Kxprcatlng tympatliy with n ht or mr ki.evikxts. weeks, and but seventeen years of age, man, of Ohio; IH-i^-w, of New York; stltutlon nor prohibited by it to the Hlstea. me Uoaton Athletic ceola County, and there was conslderabto BT, Ixici". June 11—The Ueiuocmtlo Na- reserved to tbe Blatet reapeetlveiy or lo the tho airurgdng leoplo of all natlona Sfi i.iviv, Mich.. June H -The high windPhlllldrlphiu.i l tlaltlmorc . ulio'lu ifr m was accidentally shot by her husband at Algcr, of Michigan; ]inrrii<on, of Indi- people" by the authority o( to» l)enjoersiy ol la Ibrlr elfurta lo Obtain Ibe blctaing of telf- d lltlaburgh Clsvelaad |lii .".'i l.'l excitement In consequence. tional ccnTsntlon was called to order at government and espeda ly declarer aympalby at noon yesterday eauiw- the Urea in the their homo In Chicago a few days ago, and anna; Gmham, of lllinulii; ami other New York, backed by the Kemocrsey of the Ind anapolla. 'Ksntaa City. lu;« 177 Dr. T. D. Quinn. druggist, of Muskegon, noun yi-stcnluy bv Chulniisn Durnum, who wltb the palrlolslad by (lladatone und I'jinell. woods to nm Into town, destroying the Wa^liliiitlon died Instantly. entire Union, I give you a name enlwlned with .Loulavll- . ..|ii|.1.] »7 was recently convlctcU of vioiatlnit tha iIliutrluiiN men. Hut ilirreiH harmony in intlli'il Hmhni, (iruubury lo offer prayer, victory. I nominate tlruver Cletelunil, of N' w By Mr. linker, of tlhio-A n-fil'i'lon of respect < dwellings of J. Arnold, K 1'hilllps und W. A post.oflli'o has been -stablished at I afu-r which >vni|Mirary urKanlistloo was York r' to the memory uf tho late Vice-President Hall, und damaging J. Matthews'dwelling new liquor law. the party, anil llm knowledKt* that who BsadrtcU WuntHP. rrmtai. I 'unavllle, Williamson County, and William ' effecte«t by thf election n( H. M. White, of Mr. McKent e. of Kentuokr, moved lo ant Thi- chairman annu'.ineeil ibat IMwant | The Urea ure riinning in the vviN.ds near IRTEK-STATF P. WUIeford appointed postmaster; olso i Mrs. Edward Wilman, of near St. over the numinev in. he must receive the pend Ihe rulea. and to numlnate lirnver I'lnvr. Cooper, of New York, dl.sented from part of Cadllliu', burning over couslderabiv pine Charles, whose husband recently shot her Callfoniis. us chalrmun. The committees land (nr I'realdent. one al Hlllery, Vermillion County, with W. ; Ibe platfi'rm. with iblt exceptlOB tho tommlt- Dr. Monies. (M|iPoorta. j-li .'i 9.7 and then killed himself because tha undivided mipport of republican*, thor- were named, after which the conveatton Tho chair put tho quetllon. snd there w*« re- land. Fire* are reported as raging near Ouniba .USlI* I'll DiVi-nport... I'V Ti.TBl F. OToole as postmaster. tee waa unammoua would join the Adventist church, haa re- oughly pervade* the rvpreaentative9 of adjuunieil lor tli« Jay. At the meet- turned (rom tho tonvenllon s thundering rho- Mr. Tarpey, of California, then aroao and Manten, Tustlna.id Fife luike. Kan aaa C*lly. .jlTjl.l MCnDabuoBe. ... isln i Andrew Jackson, an aged colored man, I : Milwaukee...ilftll'J IHK ill* the ('ommltteo on Kesolu- nit of ayes. placed in nomination for Vice-Pretldent Hon. Hii.tov. N. C., June it-A terrible Orawl'iUvillc. 14|lill.S S of Contralla, committed suicide recently by ! covered and will become an Advtntlst mla- the party who will be then awembled. The chair therefore snnouneed Ihsl firmer St. Paul .... ,13 11 SSI iDloomingten. «ll- l-JI tlom Henry Wfttterson was elected Allen O. Thurman. of Ohio. Thomas M. ["at- cyclone passed ni-ar this place Saturday 1 slouary. Cleveland, having received an unanlmona vole, St. Loula 14 i; SMnDaiiv IK ... 'j to sat shooting himself. Thw is no time for wM linnal or inlernnl tenon, of Coloradt. named General John C. A girl named Ruby, aged fifteen years. chslrmun. A sub eonnultteu on the was the csndldatn of the Uemeeratle party fur Ulaok. ot Minoit. and Si'nator Voorhees, of In- afternoon. It extended over a track of Chicago lot: ro'iKockford 1 « is en Superintendent Daniels, of thn Waifs' ' MlBBeupo|lt..|ll|iI bickering*. «nd every republican tariff plsnk w«« uppolnted, of which Mr. Ihe ofltoe of Pretldenl ot Ihe United Hiatet. diana, named Governor Gray, of that State. In twenty live miles long ami .VJU yards wide. .H.I Decalnr .. I ii Itl •-•n Mission In Chicago, guvo a strawberry | In Paris, was fatally burned the other day Wstter»i<n was U'.MI mudo chslrauui, and When alienee had once more been reatored the «ne ballot taken Thurman received eW The damage Is enormous, as the cyclone while lighting a fire with kerosene. undentands it. The qitextioti in: Bonstor Voorhees. of Indiana, moved that the votes. Gray W. and Black SI, but when the shortcake treat to seven hundred of tho j durlnir the night they hold aalmntod ses- passed through a line farming section and DESPERATE BURGLARS. The coppcr output for May waa as fol- "Who can carry the mort votes?" and in convention take a reeett until l" o'olock lo- changing begaB aad Colorado. Iowa and other newsboys at Battery D recently, and en.' sions, without an} ilgo of t ouitog to a defi- day. Mr. Hentell, of I'rnntylvunla. au >1 Ihe Stales that bad relraincd from voting caat their every thing in Its track was completely do- livened tho repast with u vocal and lustru- j io ws; Osceola, 210; Tamorack, 600; Cala nnswuring tbla queallon, purely jHlnon- nite SKmunient ai to tho woiikon hand. r.iminlilee on KesulutloDt Waa aiil>onl> lots for Thurman, Mr. ShanUbn. of Indiana, , stroyed. So fur as known no lives were Daring Atlempt to Itoli an Kxpreat Cur met & Hecla, 2,000; Franklin, 185; Allan* nale lo Ihe convention and eould be meutal enti-rtalument Fears were expressed thst tho committee mounted the ttand and withdrew tbe name of 1 lost.
Load more

Recommended publications
  • Hindu Music from Various Authors, Pom.Pil.Ed and J^Ublished
    ' ' : '.."-","' i / i : .: \ CORNELL UNIVERSITY LIBRARY MUSIC e VerSl,y Ubrary ML 338.fl2 i882 3 1924 022 411 650 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 92402241 1 650 " HINDU MUSIC FROM VARIOUS AUTHORS, POM.PIL.ED AND J^UBLISHED RAJAH COMM. SOURINDRO MOHUN TAGORE, MUS. DOC.J F.R.S.L., M.U.A.S., Companion of the Order of the Indian Empire ; KNIGHT COMMANDER OF THE FIRST CLASS OF THE ORDER OF ALBERT, SAXONY ; OF THE ORDER OF LEOPOLD, BELGIUM ; FRANCIS OF THE MOST EXALTED ORDEE OF JOSEPH, AUSTRIA ; OF THE ROYAL ORDER OF THE CROWN OF ITALY ; OF THE MOST DISTINGUISHED ORDER OF DANNEBROG, DENMARK ; AND OF THE ROYAL ORDER OF MELTJSINE OF PRINCESS MARY OF LUSIGNAN ; FRANC CHEVALIER OF THE ORDER OF THE KNIGHTS OF THE MONT-REAL, JERUSALEM, RHODES HOLY SAVIOUR OF AND MALTA ; COMMANDEUR DE ORDRE RELIGIEOX ET MILITAIRE DE SAINT-SAUVEUR DE MONT-REAL, DE SAINT-JEAN DE JERUSALEM, TEMPLE, SAINT SEPULCRE, DE RHODES ET MALTE DU DU REFORME ; KNIGHT OF THE FIRST CLASS OF THE IMPERIAL ORDER OF THE " PAOU SING," OR PRECIOUS STAR, CHINA ; OF THE SECOND CLASS OF THE HIGH IMPERIAL ORDER OF THE LION AND SUN, PERSIA; OF THE SECOND CLASS OF THE IMPERIAL ORDER OF MEDJIDIE, TURKEY ; OF THE ROYAL MILITARY ORDER OF CHRIST, AND PORTUGAL ; KNIGHT THE OF BASABAMALA, OF ORDER SIAM ; AND OF THE GURKHA STAR, NEPAL ; " NAWAB SHAHZADA FROM THE SHAH OF PERSIA, &C, &C, &C.
    [Show full text]
  • Anthropological Study of Folk Music in Gilan Province in Iran (Instrumental Music)
    International Journal of Social Sciences (IJSS) Vol.3, No.4, 2013 Anthropological Study of Folk Music in Gilan Province in Iran (Instrumental Music) Yaghoub Sharbatian1 Ph.D. Student of Anthropology in Pune University in India and Academic member of Islamic Azad University Garmsar Branch, Semnan, Iran John S. Gaikwad2 Associate Professor, Department of Anthropology, University of Pune, (M.S), India Received 15 February 2013 Revised 18 June 2013 Accepted 23 October 2013 Abstract: Ethno-musicology is an academic field encompassing various approaches to the study of music that emphasize its cultural, social, material, cognitive, biological, and other dimensions or contexts instead of its isolated ‘sound’ component or any particular repertoire. The term ‘Ethno-musicology’ became common in1950, although the emergence of the field can be traced back to the late nineteenth century. Anthropological study of folk music of Gilan province, in Iran with regards to its richness and long history is the subject of this paper. Folk music of Gilan is a part of folklore since it represents the type of thoughts, feelings and behavior of Gilanian People. Nowadays, some Gilani music is on the verge of ‘getting forgotten’ The problem is not only the loss of a kind of music but it is feared that this change will cause another change in thinking and behavior, Therefore, the task is to identify, document and analyze Gilani folk music. In this paper, Informal interview and participant observations comprise the methods of data collection. Functional theory has been used for analysis. Keywords: Anthropology, Ethnomusicology, Iran, Gilan Province, functional theory, instrumental music. Introduction Ethno-musicology is an academic field encompassing various approaches to the study of music that emphasize its cultural, social, material, cognitive, biological, and other dimensions or contexts instead of its isolated ‘sound’ component or any particular repertoire.
    [Show full text]
  • (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
    FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard
    [Show full text]
  • Conseption of Militariy Musical Instruments in the Temurid Era
    European Journal of Molecular & Clinical Medicine ISSN 2515-8260 Volume 07, Issue 07, 2020 7002 Conseption Of Militariy Musical Instruments In The Temurid Era Said Bolta-Zoda Saidiy Candidate of Arts, Professor. Composer of the Republic of Uzbekistan, Academician, International Academy of Science “Antique World” Republic of Uzbekistan Abstract: In this scientifically article is opened “conception” from the history military and musical instruments Amir Temur in the international standard of modern classification and structure. In this communication en of critical razvedion. In the center of the history of the arsenic scientists, it was said that; "Sahibkiran Amir Temur in the notice of God," another said that "Sahibkiran Amir Temur was sent by God himself on earth to restore righteousness, freedom, testing and awareness, to be spiritually good-clean, to be on the way of Mohammad SAV. It is said that God Himself should watch him and guide him". Keywords: Temurid, Amir Temur, In the pencils of the introduction of scholars of Europe was emphasized by the satyrs that, "to come to such a level of youth and young people considering our stories, we knew that Sohibkiran was able to find his hands anywhere in our planet called the earth, and it was stunned in two directions. One of those who broke the rights of the agreement (Koputilyatsyi) and set up his greedy thinking about himself, it was done with a daily and fair victory under the reading of "Kuran" of the invincible army of Sahibkiran. In the center is the introduction of a conscious history of priceless papers and in it exists in the languages of the scholarly East and the Shaikhs of that era, that the Maqoi was governed by Hazrat Mir Shaikh Sa'id Sharif Imam.3.
    [Show full text]
  • Multistring Instruments in the Music Culture of the Oriental Countries
    Section 3. Musical arts Список литературы: 1. Земцовский И. «Мелосфера Мусоргского – его неизвестная родина», Музыкальная академия, – 2012 г. – № 3. – С. 30–35. DOI: http://dx.doi.org/10.20534/EJA-16-3-50-52 Ergasheva Gulchehra Turobovna, Senior researcher of the State Conservatory of Uzbekistan E-mail: [email protected] Multistring instruments in the music culture of the oriental countries Abstract: The role of national musical instrumentchang over the practice and originality of sound during playing it. The resemblance of stringed instruments in the Eastern culture. The development of, theoretical and practical progress of them. In Uzbek, Tajik, Uighur civilizations — chang, cheng; In Iranian, Indian, Turkish, Azerbaijani civilization — santur; In Bury, the Mongolian — yochin; In China — shanzu, yochin (yangin) and resemblance instruments of such national instruments: • forms the basis of the standard instruments of the trapezoid shaped box; • glory of control devices which is wired up and the top cover on a bench inside; • sing to the implementation of the instruments using a pair of arrows; • musical aspects and features in common propensity to percussion stringed instruments group, to decrease toward the top of the long strings. And the modern instruments of the past location of devices on a bench inside the sound line systems and components (minor) differences, adapt to each national musical tones and originality. The importance of many stringed instruments in national music culture, solo or accompaniment playing it, equality implementation principles, achievements and shortcomings. Кеуwords: traditional performing, fine art, multistring instruments, santur, kanun, Oriental countries, string — percussion instruments, writing source. Musical instruments are the product of the tra- – yatugan, anqo (anqa), mugna, qanun (qolun), ditions of the material and spiritual heritage devel- shaxrud, mi’azafa, santur are instruments in which oped over the centuries of music thinking.
    [Show full text]
  • Turkish & Arab Makams Music Theory For
    Turkish & Arab Makams Music Theory For OUD 1 ΘΕΩΡΙΑ & ∆ΑΚΤΥΛΟΘΕΣΙΑ ΓΙΑ ΟΥΤΙ [Συλλογή και επεξεργασία του υλικού των κειµένων : Βαγγέλης Κατσούλας / Πηγή : www .udeclipse.com ] 2 History of the Oud 1. The Term 'ud 2. Early History 3. Description 4. Models of the 'ud 5. Performance and Aesthetics 6. Study of the 'ud 1. The Term 'ud Literally, 'ud means 'twig', 'flexible rod' or 'aromatic stick', and by inference 'piece of wood'. In Ibn Khaldun (14th century), 'ud denoted the plectrum of the lute called barbat . The etymology of the word has occasioned numerous commentaries, among them Farmer's alluring thesis that the Arabs adopted the term to differentiate the instrument, with its wooden sound-table, from the similar Persian barbat , whose belly is covered with skin. But this can no longer be defended. The choice of the term 'ud depends on a discursive form of Arab thought which required some other word to define the barbat before the 'ud (the same applies to all the instruments of the emergent Islamic world): in this system of ideas, one term refers beck to another or is glossed by yet another, leading to a multiplicity of terms. As the sanj is described as a wanj , the buq as a qarn , the duff as a tar , the 'ud becomes a synonym of the barbat . The skin-wood difference was not taken into account. This play of reference is clear as stated by the 10th-century Andalusian writer, Ibn 'Abd Rabbihi: 'the 'ud is the barbat '. Other writers, such as Ibn Sina and Ibn Khaldun, included the 'ud under the heading of ' barbat ' when speaking of its characteristics.
    [Show full text]
  • Art. VIII.—Emotional Religion in Islām As Affected by Music and Singing. Being a Translation of a Book of the Iḥyā
    JOURNAL THE ROYAL ASIATIC SOCIETY. ART. VIII.—Emotional Religion in Islam as affected by Music and Singing. Being a Translation of a Book of the Ihyd 'Vlum ad-Dln of al-Ghazzali with Analysis, Annotation, and Appendices. By DUNCAN B. MACDONALD, Hartford, Conn. TRANSLATOR'S NOTE ON MUSIC IN EELATION TO EMOTION. " WHOSOEVER is harmonically composed delights in harmony; which makes me much distrust the symmetry of those heads which declaim against all Church-Musick. For my own part, not only from my obedience but my particular Genius, I do embrace it: for even that vulgar and Tavern-Musick, which makes one man merry, another mad, strikes in me a deep fit of devotion and a profound contemplation of the First Composer." This is the confession of Sir Thomas Browne, and in that confession races the farthest apart join. The influence of music on the soul, the emotions it stirs, the fears and hopes it excites, all peoples, all climates, all ages have known. The negro at his camp-meeting, the darwish at his dhikr, are here kin with the English scholar J.B.A.s. 1901. ' 14 Downloaded from https://www.cambridge.org/core. INSEAD, on 11 Aug 2018 at 13:22:01, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0035869X00028343 196 MUSIC AND EMOTION. and physician. For him it may not have been such a cata- leptic ecstasy as befalls the negro or the darwlsh, but the cause was one and the essential nature.
    [Show full text]
  • Art and Politics of the Iranian New Wave Cinema, 1960-79 Farbod Honarpisheh
    Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema, 1960-79 by Farbod Honarpisheh Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Farbod Honarpisheh All rights reserved Abstract Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema, 1960-79 Farbod Honarpisheh The New Wave (Moj-e Now), as the rather large body of “quality films” made in Iran before the 1979 revolution came to be known, forms the main thematic concern of this study. From start to end, however, this primary track of investigation is opened up to other mediums of cultural production: modernist Persian fiction and poetry, the visual arts scene, the discourse on ethnography and “folklore studies,” and the critical texts produced by public intellectuals. The second main theme coming to the fore is the intersection of the emergent “discourse of authenticity,” the Iranian intellectuals’ growing demand for “cultural rootedness,” and the production of modernist aesthetics in literature, arts, and cinema. Introduced early in the text, the idea of “modernism of uneven development” provides the theoretical frame for this project; the recurrences of the hypothesis, particularly as it pertains to a temporal divide between the city and the countryside, are discerned and analysed. The Iranian New Wave Cinema, I contend, always showed an ethnographic register, as it too was after worlds and times deemed as vanishing. This “movement” in cinematic modernism first emerged from within the documentary mode, which began to flourish in Iran from the 1960s.
    [Show full text]
  • MIMO Digitisation Standard
    ECP 2008 DILI 538013 MIMO MIMO Definition Of Scanning Properties And Recommendations For Photographing Musical Instruments Version 3 Deliverable number D1.8 Dissemination level Restricted Delivery date 29 August 2011 Status Draft Authors Frank P. Bär, Franziska Pfefferkorn (GNM) eContent plus This project is funded under the eContent plus programme 1, a multiannual Community programme to make digital content in Europe more accessible, usable and exploitable. 1 OJ L 79, 24.3.2005, p. 1. Based on partners’ further practical work in digitising musical instruments and in application of version 2 of this paper (D1.5), feedback, MIMO-born images and practical hints were con- tinuously collected by WP1 lead (GNM) in order to prepare the final version 3 of the standard paper. An external evaluation conducted by WP5 among members of ICOM-CIMCIM led to im- provements in form and content. The attached document shall be made public as soon as the English wording will be checked by a native speaker and will be delivered as final version of Deliverable D1.8. Attached document: The MIMO digitization standard. Definition Of Scanning Properties And Recommendations For Photographing Musical Instruments - final Version 3 (draft) 2 The MIMO Digitisation Standard Definition of scanning properties and recommendations for photographing musical instruments final version 3 - draft - Frank P. Bär Franziska Pfefferkorn for Nürnberg, 2011 3 Content: 0. Introduction ......................................................................................................................
    [Show full text]
  • Vehicle Data Codes As of March 31, 2021 Vehicle Data Codes Table of Contents
    Vehicle Data Codes As of March 31, 2021 Vehicle Data Codes Table of Contents 1 Introduction to License Plate Type Field Codes 1.1 License Plate Type Field Usage 1.2 License Plate Type (LIT) Field Codes 2 Vehicle Make and Brand Name Field Codes 2.1 Vehicle Make (VMA) and Brand Name (BRA) Field Codes by Manufacturer 2.2 Vehicle Make/Brand (VMA) and Model (VMO) for Automobiles, Light-Duty Vans, Light-Duty Trucks, and Parts 2.3 Vehicle Make/Brand Name (VMA) Field Codes for Construction Equipment and Construction Equipment Parts 2.4 Vehicle Make/Brand Name (VMA) Field Codes for Farm and Garden Equipment and Farm Equipment Parts 2.5 Vehicle Make/Brand Name (VMA) Field Codes for Motorcycles and Motorcycle Parts 2.6 Vehicle Make/Brand Name (VMA) Field Codes for Snowmobiles and Snowmobile Parts 2.7 Vehicle Make/Brand Name (VMA) Field Codes for Trailer Make Index Field Codes 2.8 Vehicle Make/Brand Name (VMA) Field Codes for Trucks and Truck Parts 3 Vehicle Model Field Codes 3.1 Vehicle Model (VMO) Field Codes 3.2 Aircraft Make/Brand Name (VMO) Field Codes 4 Vehicle Style (VST) Field Codes 5 Vehicle Color (VCO) Field Codes 6 Vehicle Category (CAT) Field Codes 7 Vehicle Engine Power or Displacement (EPD) Field Codes 8 Vehicle Ownership (VOW) Field Codes 1.1 - License Plate Type Field Usage A regular plate is a standard 6" x 12" plate issued for use on a passenger automobile and containing no embossed wording, abbreviations, and/or symbols to indicate that the license plate is a special issue.
    [Show full text]
  • Select Specimens of the Theatre of the Hindus, Translated
    SELECT SPECIMENS OF THE THEATRE OF THE HINDUS, TRANSLATED From the Original Sanscrit, 0. r\^y' VOL. II. CONTENTSr Vikrama and Urvasi. Mdlati and Mddhava, TJttara Rama Cheritrai BY Horace Hayman Wilson, Esq. Secretary to the Asiatic Society of Bengal, ^c. CALCUTTA: Printed by V. HOLCROFT, at the Asiatic Pressi, 1827. WILLIAM H. FLOYD'S CO^E^TION. : VIKRAMA AND UR VAST, OR THE HERO AND THE NYMPH. A DRAMA TRANSLATED FROM THE ORIGINAL SANSCRIT, BY Horace Hayman Wilson, Esq. Secret art/ to the Asiatic Society of Bengali Sfc. CALCUTTA V. HOLCROFT, ASIATIC PRESS, No. 3, Council House Street, J 820. VlKllAMA AND URVASI, THE HEEO AND THE NYMPH. PREFACE. The drama of "^^ikrama and Urvasi i» one of the three plays attributed to Kalidasa, already advantageously known to tlie western world, as the Author of Sakuntala—the in- troductory observation of the IManager in the prelude is our evidence to this effect, and it is corroborated by the corres- pondence of these two compositions, in many of their charac- teristic merits and defects: the subject of each is taken from heroic mythology, and a royal demigod and nymph of more than human mould are the hero and heroine of either ; there is the same vivacity of description, and tenderness of feeling in both ; the like delicate beauty in the thoughts, and ex- treme elegance in the style : it may be difficult to decide to which the palm belongs but the story of the present play is perhaps more skilfully woven, and the incidents rise out of each other more naturally than in Sakuntala, while on the other hand, there is perhaps no one personage in it so interest-^ inff as the heroine of that drama.
    [Show full text]
  • Iranian Dialectology and Dialectometry by Chundra Aroor
    Iranian Dialectology and Dialectometry By Chundra Aroor Cathcart A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Linguistics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Andrew J. Garrett, Chair Professor Gary B. Holland Professor Martin Schwartz Spring 2015 Abstract Studies in Iranian Dialectology and Dialectometry by Chundra Aroor Cathcart Doctor of Philosophy in Linguistics University of California, Berkeley Professor Andrew Garrett, Chair This dissertation investigates the forces at work in the formation of a tightly knit but ultimately non-genetic dialect group. The Iranian languages, a genetic sub-branch of the larger Indo-European language family, are a group whose development has been profoundly affected by millennia of internal contact. This work is concerned with aspects of the diversification and disparification (i.e., the development of different versus near-identical features across languages) of this group of languages, namely issues pertaining to the development of the so-called West Iranian group, whose status as a legitimate genetic subgroup has long remained unclear. To address the phenomena under study, I combine a traditional comparative-historical approach with existing quantitative methods as well as newly developed quantitative methods designed to deal with the sort of linguistic situation that Iranian typifies. The studies I undertake support the idea that West Iranian is not a genetic subgroup, as sometimes assumed; instead, similarities between West Iranian languages that give the impression of close genetic relatedness have come about due to interactions between contact and parallel driftlike tendencies. I develop new methodologies which make it possible to demonstrate which similarities are due to contact and which are due to drift.
    [Show full text]