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TUEIN APRIL, 1 9 4 4 FIFTEEN CENTS www.americanradiohistory.com GYhafl/gdofa louse wou/a'you puf here 2 After the war. somebody'ss going to put But this linse. why can't that "some- 'rhea, one of these days, when peace up n new holes on that pretty rise of body.' be your has come again, the m y you've put ground that overlooks the river Lend Look-suppose you put part of your away starts coming bask to you. And bringing more money just outside of the town line. Nothing luny into War Bonds each payday -not with it -you get a four dollars for every elaborate. Just pretty little house 10% or 1. %, but all you cuss. And keep three you put in! snuggled into the trees as though it be- putting it away, week after week, pay- When that day comes. you can get out longed there. day after payday. Here's what (happens: your pewit and start figuring just what Somebody else may buy the old Ward Before you know it, you get so you kind of house you'll put on the river bend. farm. There shohdd la: many a gall day's hardly miss that money. And if you do But to make sure that day dues come, hunting in those rolling fields and hack miser it.. you've got something better to you'd better do this: get ont your pencil through the work over to tise Slate "owl. replace it the knowledge that you, per- right now and start figuring, not haw Yes. sounehosly's going to buy it. Frae c. sonally. are helping to insure a steady little you can save in War Bonds, but body's always coming along, with a flow of planes and tanks mid gnus to the nom touch. Chances are, you've done dream and a little money, and doing men who fight. The knowledge that you, your bit and are doing it right now. the things we'd p std unreels seed l urwually, have hued the mark and are But dont slop them! Raise your sights do someday. helping to will the war. -do your Is.rl: YOU'VE DONE YOUR BIT... NOW DO YOUR BEST BUY MORE WAR BONDS This advertiremoJ i., u ronlrilrut' tu .I hurries'.. all.ud our effort by TUNE IN NATIONAL RADIO MAGAZINE www.americanradiohistory.com LE'I I ER) soothing TO THE EDITOR THE WORLD TODAY" Tmntieen. hat World T.day" writeup in your e Met issue certainly hit the spot h iTs me I the *t' !tough the, family's! .sailor: down to dinner at that time lie had a hard A144` time the past intimidating the kids 1ret so theeyO he quiet and Rates too J íazilitt put tit prop up that hand, nap you printed against the wear howl anti follow the broadrk around the world together, It makes the whole thing an much more reel for all of u 1011N FRANTF ° E loehh.g New York "Songs by MORTON DOWNEY" GARRY MOORE tMm with ,How whout giving Garry Moore rt.' When the little with the 1. owing -ne on the Raymond Paige's Orchestra Aider, morning Program. things w expected of when e gets a chance to Yaw ruff on .a big night show, what happen,' BLUE NETWORK 3:00 P.M. E.W.T. The mere that be combined him ulm Jimmy Durant, whore hearty MONDAY THRO FRIDAY nmplelely submerge, the whim. oral tlarry OYenhadow'ed by the nehnoarola. f eery .Mean! get m of PRESENTED BY THE COCA -COLA COMPANY chance to ' project his own al, e of mno, through the mike AND BOTTLERS OF COCA -COLA IN 166 CITIES a1.FRKU KURT MAUI. Neu York enllemen Iu. ) think 1 that insrry Mu morn hertubllnlled' That would really be wonderful I like hin Iwans about r illoww rin end Miau( the little gnulboOgden Nash renn, haz competition men. U I. SMITH ''TUNE IN" t tee. PenneYRanbr Editor a No rollerllon cry m hasa been definitely plan. tied yett. Perlin ps they will he pnnllahed ¡or .dole time In the futon COMPLETE RADIO ENJOYMENT AN ANNOUNCER'S OPINION .ntlamen Mooing adio s r horn rober of l year.. I feel qualified , tu lass lodgment i n your magazine. It is matty fine Mier-glom for the tired Mtinee,- nal education for the radio rad a unfailing sin of in- terest have been In radio IMPORTANT ANNOUNCEMENT ut°dcanling stations loon rapacity or ut her. IThls an oelual ISdI" ..f Because of transportation problems and present day paper mien.. of mine tiON AMELIotts conservation policies you can avoid disappointment by having l'lucnito. Illlnola Tune In" sent to your home regularly every month. Coupon. below, for your convenience. APOLOGIES TO MR. WRIGHT NILYARD In Ole Noyemher Imite of TUNE. IN Ilr11.r. lilroraol il the bottom of only $1.50 ,able broad. sel audience Is made up of the FOR 'TWELVE EXCITING ISSUES role -mein here of Florida late Prison, town nall" seated FILL IN AND MAIL THIS CONVENIENT COUPON NOW in toe audience, urth from the left In the Iront row. was Mr Wright TUNE IN II IIYard of lckea ville. 30 ROCKEFELLER PLAZA Florida. whom RADIO (.TTY, N. Y. Picture &prelim n r h m been an Please enter my subscription for one year to "Tune In." My money inmate of Florida e State Prison He Le lacksoraninvllle business man. and order for 51.50 is attached. the time the picture w taken. w attending the brwduat In the Interest of the Office of Price Administration. NAME Instruct the "Inmate who toe to assist in the Issuance outf RatlwRation Book No 1. Mr. Hltyard ADDRFSS s gant of the Superintendent wmthenthe Florida Slate Prison. CITY STATE TUNE IN regrets any Inconvenience the publication of this picture may have sed Mr. tH lYard.and offers Ita el,an glee to him 1 www.americanradiohistory.com LETTERS (tonhnuedi SERIALS Na.n lr nink, :, suKgesta.' Why dun'i RADIOQUIZ radio a nouncers for inl, makee o habit of t Inning the n s thee he actrs and the real n p of the eeuele HILDEGARDE who, take the nerfs before or after earl. Program. 1 m Frank Lovejoy fan In m GUEST QUIZARD he Meal. every ahem M' on from the ,tars Rut he became my 14 urge voice when I IEMCEI lust firm '.OVEN OF NBC S BEAT THE SANO' and hip. I listened to hl owe on and un fur year before I realised tw had name PHYLLIS GORDON Brockton Mas.arhoa,tt Ihrer Mrs 1'm of ;woo. listen to daytime aerial. and , always an- noy lu hear the announcer he name the rmodu ,nhc iPeu interim no radio people chink foal housewives can, e awn -Rinse" HEALY FI.IAN y.rolne Nlvhgau BERGEN AND O NELIA '. ear Editor oidrelta's certainly t, - toklnK K M dering that ,hr 's malty only Edgar Hergens are Ent n punletlover from I Jerry. Dec ami Jack are three char- 2 5 galg star of her own show, she way hark nl have Iole slew to aciers in mystery: (A) Suspense (B) had her naine from the popular song. them down the basement with alt kinds or heads from paler and rags 1 Mystery Theatre (C) I Love a Mystery (A) Virginia (B1 Dinah (C) Man potati Pol I'd nevern tried lu, u,Ins my hind w heal Now Pv, got hot ott MMelt. for hnAl'' family thanks ewto JUNE HASTINGS savannah Georsh, SOLDIER MAIL liver I' like 1 .rig -Tonight I'll Live Lae Night . Over" TIM. a may not m wren to coo ute t soldiers stationed far awn, trom Heir IomeR nd loved unes it means n greet deal w 1 am from Chicago, and no job at Present is guarding f The rent. of this r creole tingle P and down my opine. and Inspire me 2 One of this comic's (avant, neigh- 4 Gaping National Barn Dance singen to do everything I e . hein Shorten the w The proper kind or mush bons is: (A) Mn. Nussbaum (B) (A) Pearl & Acuff (B) Lulu helps taie radie the mind and n the soldier w le earl . Mrs. Boxbaum (C) Mrs Fussturm Belle & Scotty i) Lewis & nut concentrate I( Groh hotter on his work PRIVATE , IS NOONAN Vamp menther Oklahoma Ynr Nin Could you nid space in rune valuable rad very ale magasine fora plcI tore of the singer in "Walla time " I have yet to know what they hvik like although 1 have listened to thAl pro gram for n long Om. M SMITH ruble Reorm . "E.htor s note W m. I. ratio, ...es MORE ABOUT SINATRA Y,r g Sometimes 1 w Ir normal here ITS ,ner ail n ary S Seated on Bergen's lap is Charlie's His imuals are D. E. and he's boss lineal In feet I tits him Ynr the I very nval. (A) Mummer Snoop (B) Mon of (A) Truth or Consequences month in every (B) ms Karlta Sinatramu Nouten Ans< w timer Snetd (Cl Mortimer Snooks People are Funny (C) Hobby Lobby ln my (acorns m It the a lea from the cover of the hoary TONi'mIN rtera the ran, loh general I, of Pinke Tom Ih, thing PIA''' 1 bra u! You NO k10owMORE NINA Nov that, off my few or In lall You haw murkmuch I Brain goo, welt magazine t with Bin Algal a Get hoot rar onelee read of the brat e and<lhttn your magazine 11'R lwnyn Irren tops nil,y Rennn at I < ((shoal GLORIAORZA YOHnYTN Wienton Oho Dear Sir Thankr that story by Hin Swell f al ernuetra such acne tos.
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    Intercom - Revista Brasileira de Ciências da Comunicação ISSN: 1809-5844 [email protected] Sociedade Brasileira de Estudos Interdisciplinares da Comunicação Brasil Mourilhe Silva, Fabio Luiz Carneiro Origens e implicações dos quadros e configurações das páginas dominicais e tiras em quadrinhos a partir do final do século XIX Intercom - Revista Brasileira de Ciências da Comunicação, vol. 33, núm. 1, enero-junio, 2010, pp. 189- 219 Sociedade Brasileira de Estudos Interdisciplinares da Comunicação São Paulo, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=69830993009 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto ANTIGAS E NOVAS MANIFESTAÇÕES DAS HISTÓRIAS EM QUADRINHOS Origens e implicações dos quadros e configura- ções das páginas dominicais e tiras em quadri- nhos a partir do final do século XIX Fabio Luiz Carneiro Mourilhe Silva* Resumo Nesta pesquisa, por meio de um método histórico-comparativo, foram investiga- das as origens e formatos gráficos de página e quadros utilizados na composição das páginas dominicais e tiras em quadrinhos do século XX, e os aspectos cultu- rais, políticos e econômicos envolvidos. Inicialmente, foram realizadas consultas em obras especializadas relacionadas ao objeto em questão; posteriormente, consultas nos principais acervos de periódicos do Rio de Janeiro; e, por fim, procedeu-se analiticamente visando comprovar a hipótese de que existe uma relação estrita entre tiras em quadrinhos e propaganda no meio jornalístico. Percebeu-se, aqui, que o retrato sinóptico do leitor conduzido nos jornais sen- sacionalistas e representado nas tiras, o dimensionamento correto dos espaços e a promoção de produtos baseada em personagens serviram como forma clara de condução e imposição de práticas culturais interessantes para o capitalismo.