Life As Pedagogy: a Story of Ontology and Self
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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Jazzflits 01 09 2003 - 01 09 2021
1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
An Ethnography of Continuing Bonds and Re-Membering the Deceased Blake Paxton University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2015 Feeling at Home with Grief: An Ethnography of Continuing Bonds and Re-membering the Deceased Blake Paxton University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Communication Commons Scholar Commons Citation Paxton, Blake, "Feeling at Home with Grief: An Ethnography of Continuing Bonds and Re-membering the Deceased" (2015). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/5758 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Feeling at Home with Grief: An Ethnography of Continuing Bonds and Re-membering the Deceased by Blake A. Paxton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Carolyn Ellis, Ph.D. Arthur P. Bochner, Ph.D. Lori Roscoe, Ph.D. Keith Berry, Ph.D. Margarethe Kusenbach, Ph.D. Date of Approval: April 16, 2015 Keywords: bereavement, interpersonal communication, sociology of emotions, autoethnography Copyright © 2015, Blake A. Paxton Table of Contents Abstract ......................................................................................................................................... -
Drumgenius 1.6 1
DRUMGENIUS 1.6 1 Drumgenius 1.6 Name Description Style Bpm Traditional Abaquá, Havana style, on congas. Rhythm is based on primary Abaquá 1. Afro-Cuban ♩. Afro 6/8 clave. 97 bpm. 97 Abaquá, Havana style, as played by Ignacio Berroa on VHS Mastering the art Abaquá 2. Afro-Cuban ♩. of Afro-Cuban drumming - DCI. 97 bpm. 97 Afro 6/8 1. Cymbal plays traditional Bembé bell pattern. 108 bpm. Afro-Cuban ♩. 108 Afro 6/8 2. Cymbal plays variations on traditional Bembé bell pattern. 124 bpm. Afro-Cuban ♩. 124 Ride cymbal plays eighth notes. Afro 6/8 3. Example: Louis Hayes on "señor blues", Six pieces of Silver Afro-Cuban ♩. (H. Silver – Blue Note). 100 bpm. 100 Juxtaposition of binary and ternary rhythm. Afro 6/8 4. Ex.: Art Blakey on "caravan", Caravan Afro-Cuban ♩. (The Jazz Messengers – Riverside Records). 150 bpm. 150 Tom-tom and kick drum variations. Afro 6/8 5. Example: Joe Chambers on "man from Tanganyika", Tender Moments Afro-Cuban ♩. (McCoy Tyner – Blue Note). 142 bpm. 142 Example: Mel Lewis on "a night in Tunisia", Legacy (J. Faddis - Concord). Afro 6/8 6. Afro-Cuban ♩. 138 bpm. 138 Afro 6/8 7. Afro 6/8 with backbeat. 130 bpm. Afro-Cuban 130 Ex.: Willie Bobo on "Succotash", from the album Succotash Afro 6/8 8. (H. Hancock/W. Bobo - Blue Note). Afro-Cuban 113 113 bpm. Ballroom rumba 1. Basic ballroom rumba pattern on brushes. 167 bpm. Afro-Cuban 167 Variations on basic ballroom rumba pattern. Ballroom rumba 2. Ex.: Shelly Manne on "little rhumba", Poll winners three Afro-Cuban 188 (B. -
Pianodisc Music Catalog.Pdf
Welcome Welcome to the latest edition of PianoDisc's Music Catalog. Inside you’ll find thousands of songs in every genre of music. Not only is PianoDisc the leading manufacturer of piano player sys- tems, but our collection of music software is unrivaled in the indus- try. The highlight of our library is the Artist Series, an outstanding collection of music performed by the some of the world's finest pianists. You’ll find recordings by Peter Nero, Floyd Cramer, Steve Allen and dozens of Grammy and Emmy winners, Billboard Top Ten artists and the winners of major international piano competi- tions. Since we're constantly adding new music to our library, the most up-to-date listing of available music is on our website, on the Emusic pages, at www.PianoDisc.com. There you can see each indi- vidual disc with complete song listings and artist biographies (when applicable) and also purchase discs online. You can also order by calling 800-566-DISC. For those who are new to PianoDisc, below is a brief explana- tion of the terms you will find in the catalog: PD/CD/OP: There are three PianoDisc software formats: PD represents the 3.5" floppy disk format; CD represents PianoDisc's specially-formatted CDs; OP represents data disks for the Opus system only. MusiConnect: A Windows software utility that allows Opus7 downloadable music to be burned to CD via iTunes. Acoustic: These are piano-only recordings. Live/Orchestrated: These CD recordings feature live accom- paniment by everything from vocals or a single instrument to a full-symphony orchestra. -
Musique Et Camps De Concentration
Colloque « MusiqueColloque et « campsMusique de concentration »et camps de Conseilconcentration de l’Europe - 7 et 8 novembre » 2013 dans le cadre du programme « Transmission de la mémoire de l’Holocauste et prévention des crimes contre l’humanité » Conseil de l’Europe - 7 et 8 novembre 2013 Éditions du Forum Voix Etouffées en partenariat avec le Conseil de l’Europe 1 Musique et camps de concentration Éditeur : Amaury du Closel Co-éditeur : Conseil de l’Europe Contributeurs : Amaury du Closel Francesco Lotoro Dr. Milijana Pavlovic Dr. Katarzyna Naliwajek-Mazurek Ronald Leopoldi Dr. Suzanne Snizek Dr. Inna Klause Daniel Elphick Dr. David Fligg Dr. h.c. Philippe Olivier Lloica Czackis Dr. Edward Hafer Jory Debenham Dr. Katia Chornik Les vues exprimées dans cet ouvrage sont de la responsabilité des auteurs et ne reflètent pas nécessairement la ligne officielle du Conseil de l’Europe. 2 Sommaire Amaury du Closel : Introduction 4 Francesco Lotoro : Searching for Lost Music 6 Dr Milijana Pavlovic : Alma Rosé and the Lagerkapelle Auschwitz 22 Dr Katarzyna Naliwajek–Mazurek : Music within the Nazi Genocide System in Occupied Poland: Facts and Testimonies 38 Ronald Leopoldi : Hermann Leopoldi et l’Hymne de Buchenwald 49 Dr Suzanne Snizek : Interned musicians 53 Dr Inna Klause : Musicocultural Behaviour of Gulag prisoners from the 1920s to 1950s 74 Daniel Elphick : Mieczyslaw Weinberg: Lines that have escaped destruction 97 Dr David Fligg : Positioning Gideon Klein 114 Dr. h.c. Philippe Olivier : La vie musicale dans le Ghetto de Vilne : un essai -
The Arizona Record Label Discography
1 The Arizona Record Label Discography By John P. Dixon RAMCO 3701 3702 Bob Cox I Live Alone / Don't Hold Her So Close ‘60 3703 Jim Murphey The Jenny Lee / Nobody's Darlin' But Mine ‘60 3704 Jerry Davis I Sold My Heart to the JunkMan / So Broke up ’61 3705 Al Casey Combo A Cookin’ / Hot Foot ‘61 3706 The Darnell Brothers It's Me / Little Two Face ‘61 3707 Ritchie Hart Vacation TiMe / Her Singing Idol ‘61 3708 Jack Cook Run Boy Run / I Gotta Book ‘61 3709 Ritchie Hart & Heartbeats Do It Twist / Phyllis ‘61 3710 Little Worley and the Drops Who Stole My Girl / You Better Watch Yourself ‘61 3711 Terry Wells Her Song / Terry’s TheMe ‘62 3712 The Prophets Ape / Japanese Twist ‘62 3713 Arv Jenkins Jenny Gaylor / Runnin' Wild (Picture Sleeve) ‘62 3714 Frankie and the Favorites Whirlaway / Phyllis ‘62 3715 The Vice-Roys My Heart / I Need Your Love So Bad Jim Musil ‘62 3716 Ritchie Hart So Far Away From Home / Love ls ‘62 3717 The Versatiles w/ M.M. CoMbo Blue Feelin’ / Just Pretending Jim Musil ‘63 3718 JimMy Grey My World / Late Last Night ‘63 3719 Jody Brian Quartet Drifting HoMe To You / Cabin on the Hill ‘63 3720 Jane Darwin His and Hers / Half A WoMan Jerry Davis/Joe English ‘63 3721 Jack Cook B Walk Another Mile / My Evil Mind ‘63 3722 Johnny Lance C* All About Julie * / Mountain In The Rainbow Jody Reynolds/Floyd RaMsey ‘63 3723 Donny Owens DreaM Girl / My Love ‘63 3724 Larry Rickard & Heart Beats Doctor Love / Lived My Life In Pain ‘63 3725 Brother Zee & Decades Smokey the Bear / Sha-BooM Bang Jim Musil ‘63 3726 Pee Wee Sutton You Don’t Thrill Me / That’s What I DreaMed Last Night ‘64 3727 Don Rutherford D E The PunishMent of Love/Skadawdawreetawrawskrawnskrillyawnskraw(The EskiMo Song) ‘64 3728 Mack Fields I Like To Yodel / O, How The TiMe Does Fly ‘64 3729 Mary Keel ChristMas Is A Season / Dear Mr. -
Silver Eagle Discography
Silver Eagle USA Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Silver Eagle Discography Silver Eagle was a Canadian company headquartered near Toronto at 115 Apple Creek Blvd., Markham, Ontario, Canada. The label was a subsidiary of LaBuick & Associates Media, Inc., and label President was Ed LaBuick. The Media company specialized in TV marketing, and in addition to Silver Eagle also promoted Time-Life. In addition to LPs, Cassettes, and CDs, Silver Eagle also released videos. They established an office in the US at 4 Centre Drive, Orchard Park, NY (later, 777 N. Palm Canyon Dr., Palm Springs, CA), and often licensed product from the Special Products Divisions of the major record labels. They typically would pre-sell an album using 2-minute TV spots in stations across the country, then use that demand to place product in retail stores. They had their own manufacturing plant and distribution system, and according to LaBuick, sold many millions of albums. LaBuick later became head of the Music Division and Special Products Division of the major Quality Label in Canada. Note: All distributed by Silver Eagle unless noted otherwise. Silver Eagle Main Series: Silver Eagle SE-1000 Series: SE-1001 - Peter Marshall Hosts One More Time, The Hits of Glenn Miller and Tommy Dorsey with the Original Artists - Various Artists [1981] (2-LP set) Disc 1: Moonlight Serenade - Tex Beneke/In The Mood - Tex Beneke/Ida - Tex Beneke/Tuxedo Junction - Tex Beneke/Little Brown Jug - Modernaires//Serenade In Blue-Sweet Eloise-At -
The Essentials of Niyi Osundare's Poetry
The Essentials of Niyi Osundare’s Poetry Christopher Anyokwu Literary historians in Nigeria are wont to credit Niyi Osundare with being the leading light or champion of a new kind of poetry, a poetry fundamentally different both in thematic concerns and style from that of the preceding generation of the so-called Ibadan-Nsukka school of Nigerian poetry. However, as some critics have argued, every age has a way of producing its own human medium through which it expresses its peculiar socio-cultural spiritus mundi. Accordingly, Osundare arrived on the literary scene at a time which shaped and prepared him for the task of freeing up poetry from the prison-house of obscurity in which the Soyinka generation was said to have put it. The socio-cultural and historical background or context of Osundare’s emergence – family, schooling, village setting, prevailing ideology, et cetera – went a long way in moulding and shaping him for the kind of poetry for which he has come to be known, namely: the poetry of performance. But before we go into details of his unique kind of poetry, it is proper for us to, first and foremost, pause to reflect on the shaping/gestative impact of these features of his development both as a man and, more to our purpose, a poet. Niyi Osundare was born to Ariyoosu Osundare, poet, singer, drummer, and farmer, and Fasimia, ‘Indigo Fingers/Weaver of fabrics and fables’.1 Clearly, Osundare has inherited his parents’ artistic predilections and creative nous as it is very easy to make the connection between his own prodigious oeuvre and his parentage. -
Child Care Homes and Centers Bureau of Community and Health Systems Provider Directory
Michigan Department of Licensing and Regulatory Affairs, Child Care Homes and Centers Bureau of Community and Health Systems Provider Directory PROVIDER NAME ADDRESS CITY, STATE, ZIP CODE COUNTY 100 Acre Wood Daycare Center 1340 Onondaga Rd. Holt MI 48842 Ingham 123 Grow With Me 451 Helen St Brooklyn MI 49230 Jackson 1st Advantage Learning Center 26555 John R Road Madison Heights MI 48071 Oakland 2 Day's Child Learning Center 15075 Meyers Detroit MI 48227 Wayne 2 Sweets Angels Family Daycare 9701 Everts Street Detroit MI 48224 Wayne 21st Century - Milwood Magnet 2916 Konkle Kalamazoo MI 49001 Kalamazoo 21st Century/KCIS - Hillside Middle School 1941 Alamo Ave. Kalamazoo MI 49006 Kalamazoo 21st Century/KCIS - Linden Grove Middle School 4241 Arboretum Pkwy. Kalamazoo MI 49006 Kalamazoo 21st Century/KCIS - Maple Street Magnet 922 W. Maple St. Kalamazoo MI 49008 Kalamazoo 2BKids Creative Station 622 Bates St Grand Rapids MI 49503 Kent 3 C's & ABC 47080 Exeter Ct Shelby Twp MI 48315 Macomb 3 Musketeers Daycare 1388 Lancaster Ave NW Grand Rapids MI 49504 Kent 4 K Learning Center 13220 Greenfield Detroit MI 48227 Wayne 40 Acre Wood Daycare 5595 Truckey Rd Alpena MI 49707 Alpena A & J's Child Care 512 W Martin St Gladwin MI 48624 Gladwin A and W Day Care Center 6565 Greenfield Detroit MI 48228 Wayne A Brighter Beginning 16101 Schoolcraft Detroit MI 48227 Wayne A Child's World Learning Center 1828 E Michigan Ave Ypsilanti MI 48198 Washtenaw A G B U Alex & Marie Manoogian School 22001 Northwestern Southfield MI 48075 Oakland A Growing Place Inc 40700 Ten Mile Road Novi MI 48375 Oakland A Happy Place Childcare 3713 Lawndale Drive Midland MI 48642 Midland A Home Away From Home Child Care 3875 Bacon Ave Berkley MI 48072 Oakland A Joyful Noise Child Development Center LLC 2515 Ashman St. -
Downbeat.Com June 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com June 2010 2010 June DownBeat ChiCk Corea // Bill Evans // wallaCe Roney // Bobby Broom // 33rd Annual StuDent Music AwarDs June 2010 June 2010 Volume 77 – Number 6 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, Ted