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DRUMGENIUS 1.6 1 Drumgenius 1.6 Name Description Style Bpm Traditional Abaquá, Havana style, on congas. Rhythm is based on primary Abaquá 1. Afro-Cuban ♩. Afro 6/8 clave. 97 bpm. 97 Abaquá, Havana style, as played by Ignacio Berroa on VHS Mastering the art Abaquá 2. Afro-Cuban ♩. of Afro-Cuban drumming - DCI. 97 bpm. 97 Afro 6/8 1. Cymbal plays traditional Bembé bell pattern. 108 bpm. Afro-Cuban ♩. 108 Afro 6/8 2. Cymbal plays variations on traditional Bembé bell pattern. 124 bpm. Afro-Cuban ♩. 124 Ride cymbal plays eighth notes. Afro 6/8 3. Example: Louis Hayes on "señor blues", Six pieces of Silver Afro-Cuban ♩. (H. Silver – Blue Note). 100 bpm. 100 Juxtaposition of binary and ternary rhythm. Afro 6/8 4. Ex.: Art Blakey on "caravan", Caravan Afro-Cuban ♩. (The Jazz Messengers – Riverside Records). 150 bpm. 150 Tom-tom and kick drum variations. Afro 6/8 5. Example: Joe Chambers on "man from Tanganyika", Tender Moments Afro-Cuban ♩. (McCoy Tyner – Blue Note). 142 bpm. 142 Example: Mel Lewis on "a night in Tunisia", Legacy (J. Faddis - Concord). Afro 6/8 6. Afro-Cuban ♩. 138 bpm. 138 Afro 6/8 7. Afro 6/8 with backbeat. 130 bpm. Afro-Cuban 130 Ex.: Willie Bobo on "Succotash", from the album Succotash Afro 6/8 8. (H. Hancock/W. Bobo - Blue Note). Afro-Cuban 113 113 bpm. Ballroom rumba 1. Basic ballroom rumba pattern on brushes. 167 bpm. Afro-Cuban 167 Variations on basic ballroom rumba pattern. Ballroom rumba 2. Ex.: Shelly Manne on "little rhumba", Poll winners three Afro-Cuban 188 (B. Kessel, R. Brown, S. Manne - OJC). 188 bpm. Bembé on drums transcribed from original Bembé rhythm (private ceremony). Bembé 1. Afro-Cuban ♩. 99 bpm. 114 Bembé on drums as played by Ignacio Berroa on VHS Mastering the art of Bembé 2. Afro-Cuban Afro-cuban drumming - DCI. 114 bpm. ♩. 99 Bolero 1. Bolero on brushes: kick pattern 1. 69 bpm. Afro-Cuban 69 Bolero 2. Bolero on brushes: kick pattern 2. 81 bpm. Afro-Cuban 81 Bolero pattern on brushes with quintuplet. Bolero 3. Ex: Ignacio Berroa on "tres palabras", Nocturne (C. Haden – UMVD Labels). Afro-Cuban 75 75 bpm. Cascara, clave and “bombo” ala Robby Ameen. Cascara + clave 1. Afro-Cuban 184 2-3 son clave. DVD “Funkifying the clave” - Alfred Publishing. 184 bpm. Cascara, clave and “bombo” ala Robby Ameen. Cascara + clave 2. Afro-Cuban 204 3-2 rumba clave. DVD “Funkifying the clave” - Alfred Publishing. 204 bpm. Cha-cha on drumset. Cha-cha 1. (C) Toms play distinctive conga open tones as showed by Poncho Sanchez on Afro-Cuban 130 Latin Music for the Rhythm Section – Hal Leonard. 130 bpm. DRUMGENIUS 1.6 2 Cha-cha ala Horacio Hernandez. “Conversation in clave” - Warner Bros. 126 Cha-cha 2. (C) Afro-Cuban 126 bpm. Cha-cha, modern style ala Robby Ameen. DVD “Funkifying the clave” - Cha-cha 3. Afro-Cuban 130 Alfred Publishing. 130 bpm. Conga de comparsa (Havana style) on percussions, as showed by Michael De Conga de comparsa 1. Afro-Cuban 113 Miranda. 3-2 rumba clave. 113 bpm. Conga de comparsa ala Horacio “El Negro” Hernandez, basic pattern Conga de comparsa 2. (Conversation in clave – Alfred Publishing). Afro-Cuban 119 2-3 rumba clave is played with left foot. 119 bpm. Congas tumbao 1. Congas tumbao ("la marcha"), 2-3 son clave. One-bar pattern. 117 bpm. Afro-Cuban 117 Congas tumbao (la marcha) ala Giovanni Hidalgo. Congas tumbao 2. Afro-Cuban 125 2-3 son clave two bar phrase. 125 bpm Danzón on drumset inspired to timbales basic traditional pattern. Danzón 1. (C) Afro-Cuban 120 Rim-click & fingertips. 120 bpm. Danzón on drums ala Ignacio Berroa. Danzón 2. (C) Afro-Cuban 123 VHS Mastering the art of Afro-Cuban drumming - DCI. 123 bpm. Guiro adapted for drumset. Guiro Transcription from a private ceremony. Afro-Cuban ♩. 189 bpm. 189 Mambo on drumset. Ride bell plays mambo bell pattern, rim click and tom play Mambo 1. (C) Afro-Cuban 190 the basic two-bar conga pattern. 190 bpm. Mambo on drumset. Ride bell plays mambo bell pattern, rim click and tom play Mambo 2. (C) the basic one-bar conga pattern. Afro-Cuban 215 215 bpm. Mambo ala Art Blakey. Bell pattern on floor tom shell. Mambo 3. Ex.: Art Blakey on "a night in Tunisia", A night in Tunisia Afro-Cuban 242 (The Jazz Messengers – Blue Note). 242 bpm. Mambo ala Art Blakey. Example: Art Blakey on "a night in Tunisia", Mambo 3a. Afro-Cuban 242 A night in Tunisia (The Jazz Messengers – Blue Note). 242 bpm. Jazz Mozambique, also referred as "Latin". Bell pattern from Mozambique New Mozambique 1. York style. Afro-Cuban 247 Example: Elvin Jones on "ojos de rojo", Something for Lester (R. Brown - OJC). 247 bpm. Jazz Mozambique (N.Y. style). Example: Dennis Mackler on "green dolphin Mozambique 2. street", Favors Afro-Cuban 210 (H. Jones - Polygram). 210 bpm. Jazz Mozambique (N.Y. style). Example: Mikey Roker on "caravan", The Very Mozambique 3. tall band Afro-Cuban 251 (M. Jackson, O. Peterson, R. Brown – Telarc). 251 bpm. Swinging Mozambique (N.Y. style). Example: Elvin Jones on "night & day", Mozambique 4. Stan Getz and Bill Evans Afro-Cuban 210 (Polygram). 210 bpm. Jazz Mozambique-ish groove. Hybrid bell pattern. Example: Grady Tate on Mozambique 5. "summertime", Gershwin brothers Afro-Cuban 177 (Z. Sims - Pablo). 177 bpm. Traditional Mozambique, invented by Pedro Izquierdo “Pello El Afrokan”. This Mozambique 6. Afro-Cuban 226 version is on 2-3 rumba clave. 226 bpm. Mozambique 7. Mozambique New York style on congas & timbales. 226 bpm. Afro-Cuban 226 Mozambique 8. (C) Basic Mozambique New York style on drumset. 226 bpm. Afro-Cuban 226 Mozambique N.Y. style ala Robby Ameen. DVD “Funkifying the clave” - Alfred Mozambique 9. (C) Afro-Cuban 233 Publishing. 233 bpm. DRUMGENIUS 1.6 3 Pachanga adapted for drumset. Pachanga (C) Traditional example: "A Bailar Pachanga", from the album Outpost Incident by Afro-Cuban 114 Tito Puente - Don't U. 114 bpm. Pilon 1. Traditional Pilon on timbales and congas. 179 bpm. Afro-Cuban 179 Pilon 2. (C) Pilon on drumset. 196 bpm. Afro-Cuban 196 Rumba Guaguancó 1. Basic Rumba Guaguancó Havana style on congas. 231 bpm. Afro-Cuban 231 Basic Rumba Guaguancó on drumset. Ride bell plays the traditional "guagua" Rumba Guaguancó 2. (C) Afro-Cuban 231 pattern. 231 bpm. Rumba Guaguancó ala Robby Ameen. DVD “Funkifying the clave” - Alfred Rumba Guaguancó 3. (C) Afro-Cuban 217 Publishing. 217 bpm. Slow son montuno, 2-3 clave. Cascara pattern, congas tumbao and clave. Son montuno 1. Afro-Cuban 151 151 bpm. Medium up son montuno, 2-3 clave. Cascara pattern, congas tumbao and Son montuno 2. Afro-Cuban 197 clave. 197 bpm. Slow son montuno on 3-2 clave. Cascara pattern, congas tumbao and clave. Son montuno 3. Afro-Cuban 151 151 bpm. Slow son montuno 2-3 clave on drumset: basic pattern ala Ignacio Berroa. Son montuno 4. (C) Afro-Cuban 151 Mastering the art of Afro-cuban drumming - DCI. 151 bpm. Fast son montuno 2-3 clave ala Ignacio Berroa. Mastering the art of Afro- Son montuno 5. Afro-Cuban 242 cuban drumming - DCI. 242 bpm. Songo style: Blas Egue’s first pattern as showed by “Changuito” J. L. Songo 1. (C) Afro-Cuban 228 Quintana. VHS The history of songo - Warner Bros. 228 bpm. Songo style: J.L. “Changuito” Quintana’s basic pattern. VHS The history of Songo 2. (C) Afro-Cuban 168 songo - Warner Bros. 168 bpm. Songo style: basic pattern ala Ignacio Berroa. Mastering the art of Afro-cuban Songo 3. (C) Afro-Cuban 214 drumming - DCI. 214 bpm. Songo style ala Ignacio Berroa. Mastering the art of Afro-cuban drumming - Songo 4. (C) Afro-Cuban 226 DCI. 226 bpm. Songo style ala Robby Ameen. DVD “Funkifying the clave” - Alfred Publishing. Songo 5. (C) Afro-Cuban 247 247 bpm. Slow Songo ala J.L. “Changuito” Quintana. This songo groove is played on Songo 6. (C) Afro-Cuban 100 son clave. VHS The history of songo - Warner Bros. 100 bpm. Slow Songo ala J. L. “Changuito” Quintana with congas. VHS The history of Songo 6a. (C) Afro-Cuban 100 songo - Warner Bros. 100 bpm. Songo 7. (C) Songo groove on hi-hat and snare. 2-3 rumba clave. 201 bpm. Afro-Cuban 201 Afoxé 1. Afoxé on drumset. Basic pattern ala Duduka Da Fonseca. 113 bpm (half note). Brazilian 113 Afoxé 2. Afoxé feel inspired to "Madalena" by Ivan Lins. 154 bpm. Brazilian 154 Classic Afoxé on drumset. Afoxé 3. (C) Ex.: Ramon Montanhaur on Bateria e contrabaixo na musica popular brasileira, Brazilian 105 Book & Cd - Lumiar Editora. 105 bpm. DRUMGENIUS 1.6 4 Axé ala Ramon Montanhaur (Bateria e contrabaixo na musica popular brasileira, Axé Brazilian 120 Book & Cd - Lumiar Editora). 120 bpm. Baião ala Duduka Da Fonseca 1. Brazilian Rhythms For Drumset - Alfred Baião 1. Brazilian 202 music. 202 bpm. Baião ala Duduka Da Fonseca 2. Baião 2. Brazilian 221 Brazilian Rhythms For Drumset - Alfred music. 222 bpm. Bossa 1. Basic rim-click pattern on 3-2 brazilian clave. 138 bpm. Brazilian 138 Basic rim-click pattern on 2-3 brazilian clave. Bossa 2. Brazilian 120 Ex.: Roger Humphries on "song for my father", Song for my father (H. Silver – Blue Note). 120 bpm. Bossa 3. One-bar phrase: basic rim-click pattern. 111 bpm. Brazilian 131 Bossa, combining one bar phrase and 3-2 clave pattern. Bossa 4. Ex.: Roger Humphries on "song for my father", Song for my father Brazilian 120 (H. Silver – Blue Note). 120 bpm.
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    By Allen Morrison PHOTO BY ARNE ROSTAD JAZZ ARTIST ‘The Music CHICK COREA Defies Words’ have no plan for this evening. So welcome to my living room.” Corea originals: the $amenco-inspired “Homage” and a previously unre- at’s how Armando “Chick” Corea opens a concert in Quebec, leased piano sonata called “e Moon.” as heard in the opening moments of Portraits (Stretch Records/ ese live albums are just two among Corea’s many recent projects. In Concord Jazz), his recent two-CD collection of live solo the past few years, he has toured and recorded with his current Latin-tinged performances. electric band e Vigil; formed the Grammy-winning Five Peace Band with ‘I Not to worry—he’s got this. John McLaughlin; reunited with his supergroup Return to Forever and He proceeds to unspool a program of favorite tunes by joined his RTF colleagues Stanley Clarke and Lenny White in an acoustic elonious Monk, Bill Evans, Stevie Wonder and Bud Powell; his improvi- trio; recorded Grammy-winning duos with Gary Burton and Béla Fleck; and, sations on compositions by Scriabin and Bartók; several original tunes from in his spare time, written and recorded !e Continents: Concerto For Jazz his album Children’s Songs ; and spontaneous musical “portraits” of volun- Quintet And Chamber Orchestra. teers from the audience at shows in Poland, Morocco, Lithuania and the Even the musicians who are closest to him wonder how he does it. Blade United States. Before each segment, Corea brings the audience into his con"- said it’s hard to separate the musician from the man.
  • Herbie Hancock 1 Jive Hoot (Bob Brookmeyer)

    Herbie Hancock 1 Jive Hoot (Bob Brookmeyer)

    MUNI 20150420 – Herbie Hancock 1 Jive Hoot (Bob Brookmeyer) 4:43 From album BOB BROOKMEYER AND FRIENDS (Columbia CS 9037 / 468413) Bob Brookmeyer-vtb; Stan Getz-ts; Gary Burton-vib; Herbie Hancock-p; Ron Carter- b; Elvin Jones-dr. New York City, May 1964. Herbie Hancock: THE COMPLETE BLUE NOTE SIXTIES SESSIONS (all compositions by Herbie Hancock) Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey (all sessions) Three Wishes 5:10 Donald Byrd-tp; Wayne Shorter-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. December 11, 1961. From album Donald Byrd: FREE FORM (Blue Note 95961) Watermelon Man 7:08 Freddie Hubbard-tp; Dexter Gordon-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. May 28, 1962. From album TAKIN’ OFF (Blue Note 84109 / 46506) Yams 7:56 Jackie McLean-as; Donald Byrd-tp; Herbie Hancock-p; Butch Warren-b; Tony Williams-dr. February 11, 1963. Jackie McLean: VERTIGO (Blue Note LT-1085) Blind Man, Blind Man 8:16 Donald Byrd-tp; Grachan Moncur III-tb; Hank Mobley-ts; Grant Green-g; Herbie Hancock-p; Chuck Israels-b; Tony Williams-dr. March 19, 1963. MY POINT OF VIEW (Blue Note 84126 / 84126-2) Mimosa 6:34 Herbie Hancock-p; Paul Chambers-b; Willie Bobo-dr, timb; Oswaldo „Chihuahua“ Martinez-bongos, finger cymbals. August 30, 1963. INVENTIONS AND DIMENSIONS (Blue Note 84147 / -2) One Finger Snap 7:16 Freddie Hubbard-co; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. June 17, 1964. EMPYREAN ISLES (Blue Note 84175 / -2) Maiden Voyage 7:55 Dolphin Dance 9:16 Freddie Hubbard-tp; George Coleman-ts; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr.