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DRUMGENIUS 1.6 1

Drumgenius 1.6

Name Description Style Bpm

Traditional Abaquá, Havana style, on . Rhythm is based on primary Abaquá 1. Afro-Cuban ♩. Afro 6/8 clave. 97 bpm. 97

Abaquá, Havana style, as played by Ignacio Berroa on VHS Mastering the art Abaquá 2. Afro-Cuban ♩. of Afro-Cuban drumming - DCI. 97 bpm. 97

Afro 6/8 1. Cymbal plays traditional Bembé bell pattern. 108 bpm. Afro-Cuban ♩. 108

Afro 6/8 2. Cymbal plays variations on traditional Bembé bell pattern. 124 bpm. Afro-Cuban ♩. 124

Ride cymbal plays eighth notes. Afro 6/8 3. Example: on "señor blues", Six pieces of Silver Afro-Cuban ♩. (H. Silver – Blue Note). 100 bpm. 100

Juxtaposition of binary and ternary rhythm. Afro 6/8 4. Ex.: on "caravan", Caravan Afro-Cuban ♩. (The Messengers – Riverside Records). 150 bpm. 150

Tom-tom and kick drum variations. Afro 6/8 5. Example: on "man from Tanganyika", Tender Moments Afro-Cuban ♩. (McCoy Tyner – Blue Note). 142 bpm. 142

Example: Mel Lewis on "a night in Tunisia", Legacy (J. Faddis - Concord). Afro 6/8 6. Afro-Cuban ♩. 138 bpm. 138

Afro 6/8 7. Afro 6/8 with backbeat. 130 bpm. Afro-Cuban 130

Ex.: Willie Bobo on "Succotash", from the album Succotash Afro 6/8 8. (H. Hancock/W. Bobo - Blue Note). Afro-Cuban 113 113 bpm.

Ballroom rumba 1. Basic ballroom rumba pattern on brushes. 167 bpm. Afro-Cuban 167

Variations on basic ballroom rumba pattern. Ballroom rumba 2. Ex.: on "little rhumba", Poll winners three Afro-Cuban 188 (B. Kessel, R. Brown, S. Manne - OJC). 188 bpm.

Bembé on drums transcribed from original Bembé rhythm (private ceremony). Bembé 1. Afro-Cuban ♩. 99 bpm. 114

Bembé on drums as played by Ignacio Berroa on VHS Mastering the art of Bembé 2. Afro-Cuban Afro-cuban drumming - DCI. 114 bpm. ♩. 99

Bolero 1. Bolero on brushes: kick pattern 1. 69 bpm. Afro-Cuban 69

Bolero 2. Bolero on brushes: kick pattern 2. 81 bpm. Afro-Cuban 81

Bolero pattern on brushes with quintuplet. Bolero 3. Ex: Ignacio Berroa on "tres palabras", Nocturne (C. Haden – UMVD Labels). Afro-Cuban 75 75 bpm.

Cascara, clave and “bombo” ala Robby Ameen. Cascara + clave 1. Afro-Cuban 184 2-3 son clave. DVD “Funkifying the clave” - Alfred Publishing. 184 bpm.

Cascara, clave and “bombo” ala Robby Ameen. Cascara + clave 2. Afro-Cuban 204 3-2 rumba clave. DVD “Funkifying the clave” - Alfred Publishing. 204 bpm.

Cha-cha on drumset. Cha-cha 1. (C) Toms play distinctive open tones as showed by Poncho Sanchez on Afro-Cuban 130 Latin Music for the Rhythm Section – Hal Leonard. 130 bpm. DRUMGENIUS 1.6 2

Cha-cha ala Horacio Hernandez. “Conversation in clave” - Warner Bros. 126 Cha-cha 2. (C) Afro-Cuban 126 bpm.

Cha-cha, modern style ala Robby Ameen. DVD “Funkifying the clave” - Cha-cha 3. Afro-Cuban 130 Alfred Publishing. 130 bpm.

Conga de comparsa (Havana style) on percussions, as showed by Michael De Conga de comparsa 1. Afro-Cuban 113 Miranda. 3-2 rumba clave. 113 bpm.

Conga de comparsa ala Horacio “El Negro” Hernandez, basic pattern Conga de comparsa 2. (Conversation in clave – Alfred Publishing). Afro-Cuban 119 2-3 rumba clave is played with left foot. 119 bpm.

Congas tumbao 1. Congas tumbao ("la marcha"), 2-3 son clave. One-bar pattern. 117 bpm. Afro-Cuban 117

Congas tumbao (la marcha) ala Giovanni Hidalgo. Congas tumbao 2. Afro-Cuban 125 2-3 son clave two bar phrase. 125 bpm

Danzón on drumset inspired to basic traditional pattern. Danzón 1. (C) Afro-Cuban 120 Rim-click & fingertips. 120 bpm.

Danzón on drums ala Ignacio Berroa. Danzón 2. (C) Afro-Cuban 123 VHS Mastering the art of Afro-Cuban drumming - DCI. 123 bpm.

Guiro adapted for drumset. Guiro Transcription from a private ceremony. Afro-Cuban ♩. 189 bpm. 189

Mambo on drumset. Ride bell plays mambo bell pattern, rim click and tom play Mambo 1. (C) Afro-Cuban 190 the basic two-bar conga pattern. 190 bpm.

Mambo on drumset. Ride bell plays mambo bell pattern, rim click and tom play Mambo 2. (C) the basic one-bar conga pattern. Afro-Cuban 215 215 bpm.

Mambo ala Art Blakey. Bell pattern on floor tom shell. Mambo 3. Ex.: Art Blakey on "a night in Tunisia", A night in Tunisia Afro-Cuban 242 ( – Blue Note). 242 bpm.

Mambo ala Art Blakey. Example: Art Blakey on "a night in Tunisia", Mambo 3a. Afro-Cuban 242 A night in Tunisia (The Jazz Messengers – Blue Note). 242 bpm.

Jazz Mozambique, also referred as "Latin". Bell pattern from Mozambique New Mozambique 1. York style. Afro-Cuban 247 Example: on "ojos de rojo", Something for Lester (R. Brown - OJC). 247 bpm. Jazz Mozambique (N.Y. style). Example: Dennis Mackler on "green dolphin Mozambique 2. street", Favors Afro-Cuban 210 (H. Jones - Polygram). 210 bpm.

Jazz Mozambique (N.Y. style). Example: Mikey Roker on "caravan", The Very Mozambique 3. tall band Afro-Cuban 251 (M. Jackson, O. Peterson, R. Brown – Telarc). 251 bpm.

Swinging Mozambique (N.Y. style). Example: Elvin Jones on "night & day", Mozambique 4. and Afro-Cuban 210 (Polygram). 210 bpm.

Jazz Mozambique-ish groove. Hybrid bell pattern. Example: Grady Tate on Mozambique 5. "summertime", Gershwin brothers Afro-Cuban 177 (Z. Sims - Pablo). 177 bpm.

Traditional Mozambique, invented by Pedro Izquierdo “Pello El Afrokan”. This Mozambique 6. Afro-Cuban 226 version is on 2-3 rumba clave. 226 bpm.

Mozambique 7. Mozambique New York style on congas & timbales. 226 bpm. Afro-Cuban 226

Mozambique 8. (C) Basic Mozambique New York style on drumset. 226 bpm. Afro-Cuban 226

Mozambique N.Y. style ala Robby Ameen. DVD “Funkifying the clave” - Alfred Mozambique 9. (C) Afro-Cuban 233 Publishing. 233 bpm. DRUMGENIUS 1.6 3

Pachanga adapted for drumset. Pachanga (C) Traditional example: "A Bailar Pachanga", from the album Outpost Incident by Afro-Cuban 114 - Don't U. 114 bpm.

Pilon 1. Traditional Pilon on timbales and congas. 179 bpm. Afro-Cuban 179

Pilon 2. (C) Pilon on drumset. 196 bpm. Afro-Cuban 196

Rumba Guaguancó 1. Basic Rumba Guaguancó Havana style on congas. 231 bpm. Afro-Cuban 231

Basic Rumba Guaguancó on drumset. Ride bell plays the traditional "guagua" Rumba Guaguancó 2. (C) Afro-Cuban 231 pattern. 231 bpm.

Rumba Guaguancó ala Robby Ameen. DVD “Funkifying the clave” - Alfred Rumba Guaguancó 3. (C) Afro-Cuban 217 Publishing. 217 bpm.

Slow son montuno, 2-3 clave. Cascara pattern, congas tumbao and clave. Son montuno 1. Afro-Cuban 151 151 bpm.

Medium up son montuno, 2-3 clave. Cascara pattern, congas tumbao and Son montuno 2. Afro-Cuban 197 clave. 197 bpm.

Slow son montuno on 3-2 clave. Cascara pattern, congas tumbao and clave. Son montuno 3. Afro-Cuban 151 151 bpm.

Slow son montuno 2-3 clave on drumset: basic pattern ala Ignacio Berroa. Son montuno 4. (C) Afro-Cuban 151 Mastering the art of Afro-cuban drumming - DCI. 151 bpm.

Fast son montuno 2-3 clave ala Ignacio Berroa. Mastering the art of Afro- Son montuno 5. Afro-Cuban 242 cuban drumming - DCI. 242 bpm.

Songo style: Blas Egue’s first pattern as showed by “Changuito” J. L. Songo 1. (C) Afro-Cuban 228 Quintana. VHS The history of songo - Warner Bros. 228 bpm.

Songo style: J.L. “Changuito” Quintana’s basic pattern. VHS The history of Songo 2. (C) Afro-Cuban 168 songo - Warner Bros. 168 bpm.

Songo style: basic pattern ala Ignacio Berroa. Mastering the art of Afro-cuban Songo 3. (C) Afro-Cuban 214 drumming - DCI. 214 bpm.

Songo style ala Ignacio Berroa. Mastering the art of Afro-cuban drumming - Songo 4. (C) Afro-Cuban 226 DCI. 226 bpm.

Songo style ala Robby Ameen. DVD “Funkifying the clave” - Alfred Publishing. Songo 5. (C) Afro-Cuban 247 247 bpm.

Slow Songo ala J.L. “Changuito” Quintana. This songo groove is played on Songo 6. (C) Afro-Cuban 100 son clave. VHS The history of songo - Warner Bros. 100 bpm.

Slow Songo ala J. L. “Changuito” Quintana with congas. VHS The history of Songo 6a. (C) Afro-Cuban 100 songo - Warner Bros. 100 bpm.

Songo 7. (C) Songo groove on hi-hat and snare. 2-3 rumba clave. 201 bpm. Afro-Cuban 201

Afoxé 1. Afoxé on drumset. Basic pattern ala Duduka Da Fonseca. 113 bpm (half note). Brazilian 113

Afoxé 2. Afoxé feel inspired to "Madalena" by Ivan Lins. 154 bpm. Brazilian 154

Classic Afoxé on drumset. Afoxé 3. (C) Ex.: Ramon Montanhaur on Bateria e contrabaixo na musica popular brasileira, Brazilian 105 Book & Cd - Lumiar Editora. 105 bpm. DRUMGENIUS 1.6 4

Axé ala Ramon Montanhaur (Bateria e contrabaixo na musica popular brasileira, Axé Brazilian 120 Book & Cd - Lumiar Editora). 120 bpm.

Baião ala Duduka Da Fonseca 1. Brazilian Rhythms For Drumset - Alfred Baião 1. Brazilian 202 music. 202 bpm.

Baião ala Duduka Da Fonseca 2. Baião 2. Brazilian 221 Brazilian Rhythms For Drumset - Alfred music. 222 bpm.

Bossa 1. Basic rim-click pattern on 3-2 brazilian clave. 138 bpm. Brazilian 138

Basic rim-click pattern on 2-3 brazilian clave. Bossa 2. Brazilian 120 Ex.: Roger Humphries on "song for my father", Song for my father (H. Silver – Blue Note). 120 bpm.

Bossa 3. One-bar phrase: basic rim-click pattern. 111 bpm. Brazilian 131

Bossa, combining one bar phrase and 3-2 clave pattern. Bossa 4. Ex.: Roger Humphries on "song for my father", Song for my father Brazilian 120 (H. Silver – Blue Note). 120 bpm.

Bossa with brushes: 3-2 brazilian clave. Bossa 5. Ex.: Adam Nussbaum on DVD "The Art of Playing with Brushes" (Various Brazilian 121 artists – Hudson Music). 121 bpm.

Bossa with brushes: one-bar phrase. Bossa 6. Ex.: Adam Nussbaum - DVD "The Art of Playing with Brushes" (Various Brazilian 129 artists – Hudson Music). 129 bpm.

Swing bossa: 2-3 brazilian clave. Bossa 7. Example: Art Blakey on "pensativa", Free for all (The Jazz Messengers – Brazilian 160 Blue Note). 160 bpm.

Swing bossa: 3-2 brazilian clave. Bossa 8. Ex.: on "the girl from Ipanema", We get requests (O. Peterson Brazilian 180 Trio – Universal Japan). 180 bpm.

Frevo Frevo ala Luciano Perrone. 138 bpm. Brazilian 138

Maracatu Maracatu “baque virado” on drum set. 109 bpm. Brazilian 109

Marcha carnavalesca as played by Duduka da Fonseca. Marcha Brazilian 119 Brazilian Rhythms For Drumset Book & CD - Alfred music. 119 bpm.

Partido Alto. Partido Alto Ex.: on "partido alto", The colours of life Brazilian 190 (A. Moreira/F. Purim - In+out). 190 bpm.

Jazz samba pattern on snare. Samba 01. Ex.: Bob Rosengarden on "I’ll remember april", The trio ( – Brazilian 275 Chiaroscuro Records). 275 bpm.

Jazz Samba on brushes. Samba 02. Ex.: Shelly Manne on "green dolphin street", The trio 1979 Brazilian 188 (H. Jones - Indies Japan/Zoom). 188 bpm.

Fast Jazz Samba. Example: Bobby Durham on "samba de orpheu", Live at Samba 03. Brazilian 265 Montreaux jazz festival ’77 (All stars Jam - Pablo). 265 bpm.

Fast Jazz Samba: "heavy feel". Example: on "times lie", Captain Samba 04. Brazilian 256 Marvel (S. Getz - Sbme Special Mkts). 256 bpm.

Fast Jazz Samba on hi-hat. Example: Tony Williams on "captain marvel", Samba 05. Brazilian 252 Captain Marvel (S. Getz - Sbme Special Mkts). 252 bpm.

Fast Jazz Samba combined with mozambique ride pattern. Samba 06. Ex.: Lenny White on "used to be a cha cha", Brazilian 268 (J. Pastorius – Sony). 268 bpm.

Samba on brushes with backbeat ala Steve Gadd. Samba 07. Brazilian 214 Recording session with E. Gomez. 214 bpm. DRUMGENIUS 1.6 5

Samba with swing 8ths. Rim-click plays a cyclical "three on four" pattern. Samba 08. Example: Elvin Jones on "once I loved", Trident Brazilian 196 (McCoy Tyner Trio - OJC Milestone). 196 bpm.

Brushes and rim-click ala B. Durham. Live performance with O. Peterson trio. Samba 09. Brazilian 184 184 bpm.

Samba: ride cymbal & rim click. Example: Milton Banana on “flor de liz”, Samba 10. Brazilian 194 Sambas de bossa (M. Banana - Bmg Int'l). 194 bpm.

Samba with brushes: basic pattern ala Duduka Da Fonseca. Brazilian Rhythms Samba 11. Brazilian 162 For Drumset - Alfred music. 162 bpm.

Samba: ride & rim click basic pattern ala Duduka da Fonseca. Brazilian Samba 12. Brazilian 250 Rhythms For Drumset - Alfred music. 250 bpm.

Samba with brushes ala Duduka Da Fonseca. Brazilian Rhythms For Drumset - Samba 13. Brazilian 289 Alfred music. 289 bpm.

Samba 14. Ala Mickey Roker. One-bar phrase, R&B feel. 162 bpm. Brazilian 162

Samba 15. Slow samba: distinctive accent on the 3rd beat. 106 bpm. Brazilian 106

Samba 3/4 Samba 3/4, inspired to “Cravo e canela” feel by Milton Nascimento. 102 bpm. Brazilian 102

Samba 7/4 ala Ed Uribe (The essence of Brazilian Percussion & Drum Set – Alfred Samba 7/4 (C) Brazilian 176 publishing). 176 bpm.

Samba Cruzado ala Duduka Da Fonseca. Brazilian Rhythms For Drumset - Samba Cruzado Brazilian 206 Alfred music. 206 bpm.

Samba funky: Afoxé feel ala Ramon Montanhaur. Samba funky Bateria e contrabaixo na musica popular brasileira, Book & Cd - Lumiar Brazilian 101 Editora. 101 bpm.

Samba reggae basic pattern. Samba reggae Ex.: Ramon Montanhaur on Bateria e contrabaixo na musica popular brasileira, Brazilian 166 Book & Cd - Lumiar Editora. 166 bpm.

Xote, basic pattern. Xote Ex.: Ramon Montanhaur on Bateria e contrabaixo na musica popular brasileira, Brazilian 148 Book & Cd - Lumiar Editora. 148 bpm.

Biguine (Martinique). Example: "a la leona", Gertrude Seinin chante Fernand Biguine Caribbean 120 Donatien (Selina Rese Production). 120 bpm.

Bomba (Puerto Rico): basic Sicá style with percussions. Bomba 1. Caribbean 228 Tumba, maraca & guagua play the basic pattern, quinto improvises. 228 bpm.

Bomba 2. . Bomba (Puerto Rico): Sicá style, basic pattern on drumset. 228bpm. Caribbean 224

Calypso 1. Calypso (Trinidad and Tobago): basic pattern on hi-hat. 205 bpm. Caribbean 205

Example: Max Roach on "St. Thomas", Saxophone colossus Calypso 2. Caribbean 216 (S. Rollins - Prestige). 216 bpm.

Example: Gregory Hutchinson on "St. Thomas", Mr. Bow-tie Calypso 3. Caribbean 218 (R. Carter – Blue Note). 218 bpm.

Example: Andy Watson on "calypso Joe", Dialogues Calypso 4. Caribbean 209 (J. Hall - Telarc). 209 bpm.

Example: Al Foster on "funji mama", The thing to do Calypso 5. Caribbean 218 (B. Mitchell – Blue Note). 218 bpm. DRUMGENIUS 1.6 6

Calypso 6. Slow Calypso ala “banana boat”. 115 bpm. Caribbean 115

Dancehall (Jamaica). Example: "dem bow", Dancehall 101 vol. 5 Dancehall Caribbean 98 (Shabba Ranks - Vp records). 98 bpm.

Merengue (Dominican Republic) on drumset, in the traditional style of Merengue Caribbean 148 Tatico Herinquez group. 148 bpm.

Plena Plena (Puerto Rico) - basic pattern on drumset. 154 bpm. Caribbean 154

“One drop” style; medium tempo. Ex.: Carlton Barrett on “no woman no cry” with Reggae 1. Caribbean 76 B. Marley & The Wailers. 76 bpm.

“Four drop” style. ”Ex.: Carlton Barrett on “jammin” Reggae 2. Caribbean 123 with B. Marley & The Wailers. 123 bpm.

“One drop” style medium up tempo. Ex.: Carlton Barrett on “I shot the sheriff” Reggae 3. Caribbean 179 with B. Marley & The Wailers. 179 bpm.

Ska (Jamaica). Example: Gil Sharone on instructional DVD Wicked Beats Ska 1. Caribbean 123 (Hudson Music). 123 bpm.

Ska (Jamaica). Example: Gil Sharone on instructional DVD Wicked Beats Ska 2. Caribbean 128 (Hudson Music). 128 bpm.

Soca Soca (Trinidad and Tobago) - basic pattern. 122 bpm. Caribbean 122

Zouk (Guadaloupe - Antilles). Zouk 1. Example: "zouk-la-sé-sel médikaman nou n", Au Zenith (Kassav' - Zouk). Caribbean 139 139 bpm.

Zouk (Antilles). Zouk 2. Caribbean 98 Example: "zouk love time", Simply zouk (Zion - Simply). 98 bpm.

"Train beat" with double stroke roll ala W.S. Holland. Country 1. Example: W.S. Holland on "orange blossom special", Live at San Quentin Country 136 (J. Cash - Sony). 136 bpm.

Example: W.S. "Fluke" Holland on "folsom preason blues", Live at San Quentin Country 2. Country 204 (J. Cash - Sony). 204 bpm.

Fast country beat. Country 3. Ex.: Roger Hawkins on last part of "kodachrome", Paul Simon greatest hits Country 139 (Warner Bros UK). 139 bpm.

“Sex machine” groove, New Orleans feel, as showed by Jab’O Starks on Funky 01. Soul of the Funky Drummers - Hal Leonard. Funky 106 Recorded with J. Brown - Polydor. 106 bpm.

“Cold sweat” funky groove, as showed by Clyde Stubblefield on Funky 02. Soul of the Funky Drummers - Hal Leonard. Funky 120 Recorded with J. Brown - Universal Japan. 120 bpm.

“Funky drummer”, first groove as showed by Clyde Stubblefield on Funky 03. Funky 108 Soul of the Funky Drummers - Hal Leonard. 108 bpm.

“Funky drummer”, second groove as showed by Clyde Stubblefield on Funky 04. Funky 108 Soul of the Funky Drummers - Hal Leonard. 108 bpm.

Ex.: Zigaboo Modeliste on “just kissed my baby”, The very best of The Meters Funky 05. Funky 85 (The Meters - Rhino). 85 bpm.

Funky 06. Example: Steve Gadd on "off minor", Moebius (C. Walton - Rca). 80 bpm. Funky 80

Ex.: Narada Michael Walden on "come on, come over", Jaco Pastorius Funky 07. Funky 105 (J. Pastorius - Epic/Legacy). 105 bpm. DRUMGENIUS 1.6 7

Funky 08. Funky ala Mike Clark. 94 bpm. Funky 94

“Stratus” groove as showed by Billy Cobham. Recorded on Spectrum - Funky 09. Funky 94 Atlantic. 94 bpm.

Example: Harvey Mason on "chamaleon", Head hunters Funky 10. Funky 94 (H. Hancock - Columbia/Legacy). 94 bpm.

Example: Brian Blade on "jazz crimes", Elastic Funky 11. Funky 116 (J. Redman - Warner Bros / Wea). 116 bpm.

Example: Al Foster on "back seat Betty", The man with the horn Funky 12. Funky 114 (M. Davis - Sbme Special Mkts.). 114 bpm.

Lazy and "dirty" Funky. Funky 13. Ex.: Don Alias on "Miles runs the voodoo down", Bitches brew Funky 64 (M. Davis - Columbia/Legacy). 64 bpm.

Example: Harvey Mason on "God make me funk", Survival of the fittest Funky 14. Funky 94 (Head hunters - Arista). 94 bpm.

Example: Peter Erskine on "the chicken", live performance Funky 15. Funky 93 with J. Pastorius band. 93 bpm.

Ex.: Jerome "Bigfoot" Brailey on “Dr. Funkenstein”, Clones of Dr. Funkenstein Funky 16. Funky 82 (Parliament - Island). 82 bpm.

Mozambique-ish funky ala Robby Ameen. Funky 17. Funky 102 DVD “Funkifying the clave” - Alfred Publishing. 102 bpm.

“Soul vaccination” groove as showed by David Garibaldi. Funky 18. Funky 107 Recorded with Tower of power. 107 bpm.

Funky ala Bernard “Pretty” Purdie. Rim-click and fingertips on snare. Funky 19. Funky 173 173 bpm.

Funky 20. Funky ala Gaetano Fasano. 100 bpm. Funky 100

Example: Vinnie Colaiuta on "Actual Proof", from quartet live Funky 21. performance in Vien 2008. Funky 132 132 bpm.

Ex.: Dave Weckl on "Get To It", play along track by Dave Weckl Band - Funky 22. www.daveweckl.com. Funky 116 116 bpm. Straight "go-go" groove. Ex.: Ricky Wellman on "Bustin' Loose", from the album Bustin' loose - C. Funky 23. Funky 106 Brown & the Soul Searchers - Valley Vue records. 106 bpm.

Example: "the message" by Grandmaster Flash and The Furious Five Hip-hop 1. Hip-hop 97 (Sugar Hill Records). 97 bpm.

Hip-hop 2. Example: "Pac's life" by Tupac (Amaru Interscope Label). 95 bpm. Hip-hop 95

Hip-hop 3. Example: "game over" by Lil' Flip (Columbia). 80 bpm. Hip-hop 80

Hip-hop 4. Example: "NY state of mind" by MC Nas, Illmatic (Columbia). 84 bpm. Hip-hop 84

Hip-hop 5. Example: "let me clear my throat" by DJ Kool (Warner Bros). 100 bpm. Hip-hop 100

Example: Tony Williams on "la fiesta",Captain Marvel Jazz 3/4 Spanish feel 230 (S. Getz - Sbme Special Mkts.). 230 bpm. 3/4 DRUMGENIUS 1.6 8

Accents are based on one-bar phrase. Jazz Swing 3/4 1. 133 Ex.: Jimmy Cobb on "all blues", Kind of blue (M. Davis - Columbia). 133 bpm. 3/4

Swing 3/4 two-bar phrase. Ex.: Elvin Jones on "my favorite things", My favorite things Jazz Swing 3/4 2. (C) 153 (J. Coltrane - Atlantic Records/ATG). 3/4 Clave version shows McCoy's rhythmic pattern. 153 bpm.

Swing and straight eighths. Example: Roy Haynes on "windows", Now he Jazz Swing 3/4 3. (C) 174 sings, now he sobs (C. Corea – Blue Note). 174 bpm. 3/4

Hi-hat plays quarter notes. Ex.: Tony Williams on "la fiesta", Captain Marvel (S. Jazz Swing 3/4 4. (C) 230 Getz - Sbme Special Mkts.). 230 bpm. 3/4

Jazz Swing 3/4 5. Brushes: basic pattern a). 95 bpm. 95 3/4

Jazz Swing 3/4 6. Brushes: basic pattern b). 116 bpm. 116 3/4

Jazz Swing 3/4 7. Brushes: basic pattern & variations. 133 bpm. 133 3/4

Swing 3/4 on brushes. Example: Louis Hayes on "where do we go from here", Jazz Swing 3/4 8. 180 Great connection (O. Peterson - MPS). 180 bpm. 3/4

Very slow ballad: basic pattern. Jazz Ballad 1. Example: Ed Thigpen on "time and again", We get requests 42 Ballad (O. Peterson trio – Universal Japan). 42 bpm.

Ballad 12/8 with brushes. Jazz Ballad 12/8 3. 70 Example: Louis Bellson on "the honeydripper", The Bosses (C. Basie, Big Joe Ballad Turner – OJC). 70 bpm.

Jazz Ballad 2. (C) Very slow ballad: basic pattern without hi-hat. 33 bpm. 33 Ballad

Jazz Ballad 3. Walking ballad: basic pattern with bass drum "four on the flour". 65 bpm. 65 Ballad

Jazz Ballad 4 (C). Walking ballad: basic pattern without hi-hat. 74 bpm. 74 Ballad

Classic sixteenth note pattern. Jazz Ballad 5. 64 Example: Elvin Jones on "you don’t know what love is", Ballads (J. Coltrane - Ballad Impulse). 64 bpm.

Basic pattern with accents on 2nd and 4th beat. Jazz Ballad 6. 58 Ex.: Ben Riley on "The Art of Playing with Brushes" (Various artists – Hudson Ballad Music). 58 bpm.

Jazz Ballad 7. Basic variations based on triplets. Strong hi-hat. 46 bpm. 46 Ballad

Jazz Ballad 8. Basic variations based on straight 8ths. Strong hi-hat, soft crash ride. 61 bpm. 61 Ballad

Cymbals, straight 8ths with double time feel. Jazz Ballad 9. 55 Example: Jack DeJohnette on "body and soul", Cure (K. Jarrett Trio - ECM). Ballad 55 bpm.

Jazz Ballad 12/8 1. Basic ride pattern with backbeat. 69 bpm. 69 Ballad

Basic hi-hat pattern with backbeat. Jazz Ballad 12/8 2. 65 Ex.: Louis Bellson on "night time is the right time", The Bosses (C. Basie, Big Ballad Joe Turner – OJC). 65 bpm. Very fast Boogaloo: contemporary "Jungle" style. Jazz Jungle 2. Ex.: Magnus Öström on "behind the yashmak", Strange place for snow 162 Boogaloo (E.S.T. - Sbme S. M.). 162 bpm.

Ex.: Idris Muhammad on "alligator boogaloo", Alligator Boogaloo Jazz Boogaloo 1. 122 (L. Donaldson – Blue Note). 122 bpm. Boogaloo DRUMGENIUS 1.6 9

Accents are based on 2-3 brazilian clave. Example: Roger Humphries on "the Jazz Boogaloo 2. 143 Jody Grind", The Jody Grind (H. Silver – Blue Note). 143 bpm. Boogaloo

Ex.: on "watermelon man", Takin’ off (H. Hancock – Blue Note). Jazz Boogaloo 3. 131 131 bpm. Boogaloo

Ex.: Tony Williams on "Cantaloupe Island", Empyrean Isle Jazz Boogaloo 4. 112 (H. Hancock - Blue Note). 112 bpm. Boogaloo

Swing Boogaloo, New Orleans flavour, braz. 2-3 clave. Jazz Boogaloo 5. Ex.: listen to Billy Higgins on "sidewinder", 160 Boogaloo (L. Morgan – Blue Note). 160 bpm.

Boogaloo with swing feel on 2-3 clave. Jazz Boogaloo 6. (C) Ex.: Billy Higgins on "keystone", Mirror Mirror (J. Henderson - Polygram). 183 Boogaloo 183 bpm.

Ex.: Tony Williams on "500 miles high", Captain Marvel Jazz Boogaloo 7. 138 (S. Getz - Sbme Special Mkts.). 138 bpm. Boogaloo

Jazz Boogaloo 8. Boogaloo ala Al Foster. 147 bpm. 147 Boogaloo

Jazz Boogaloo 9. Boogaloo ala Gio Rossi. 145 bpm. 145 Boogaloo

Jazz Swing fast 01. (C) Ala Shelly Manne with Poll Winners (B. Kessell, S. Manne, R. Brown). 292 bpm. 292 Fast Swing

Example: on "oleo", Relaxin’ with the quintet Jazz Swing fast 02. 258 (M. Davis - Prestige). 258 bpm. Fast Swing

Snare accents are based on implicit "reverse" conga beat clave. Jazz Swing fast 03. (C) Example: on "countdown" (alt. take), Giant steps 292 Fast Swing (J. Coltrane – Rhino Atlantic). 292 bpm.

Contemporary Funky/Afro-Cuban flavour. Jazz Swing fast 04. (C) Example: Julio Barreto on “woody’n you”, Diz (G. Rubalcaba – Blue Note). 273 273 Fast Swing bpm.

Fast swing ala Brian Blade. Live performance with J. Redman Quartet. Jazz Swing fast 05. (C) 292 292 bpm. Fast Swing

Jazz Swing fast 06. (C) Fast swing with samba flavour ala Tony Williams. 258 bpm. 258 Fast Swing

Boogaloo-ish fast swing. Ex.: Roy Haynes on "matrix", Now he sings, now he Jazz Swing fast 07. (C) 276 sobs (C. Corea – Blue Note). 276 bpm. Fast Swing

Half-time feel. Example: Lance Philips on "Omnifenix" (New Zealand Jazz Swing fast 08. 278 Symphony Orch., with J. Redman). 278 bpm. Fast Swing

Stick on ride cymbal and brush on snare. Jazz Swing fast 09. Example: Kenny Clarke on “them there eyes”, Jazz in Paris vol.1 (O. 214 Fast Swing Peterson/S. Grappelli - Umvd Labels). 274 bpm.

Melodic phrasing on toms. Jazz Swing fast 10. Ex.: Roberto Gatto on "unknown shape", The music next door (R. Gatto - 276 Fast Swing Universal Music Italia srl.). 276 bpm.

Jazz Swing med. slow 1. Basic ride pattern a). 99 bpm. Med. Slow 99 Swing

Jazz Swing med. slow 2. Basic ride pattern b). 99 bpm. Med. Slow 99 Swing

Jazz Ex.: on "come rain or come shine", Cruisin’ the bird Swing med. slow 3. (C) Med. Slow 108 (B. Hutcherson - Landmark). 108 bpm. Swing

Jazz Brushes: smooth feel. Example: Billy Higgins on "scared to be alone", Swing med. slow 4. Med. Slow 116 Generation (D. Gordon - OJC). 116 bpm. Swing DRUMGENIUS 1.6 10

Jazz Swing med. slow 5. (C) Ala Pete La Roca. Live performance with J. Hall. 115 bpm. Med. Slow 115 Swing

Jazz Swing med. slow 6. Brushes: basic pattern. 116 bpm. Med. Slow 116 Swing

Jazz Conga beat Conga beat pattern up tempo. 169 bpm. Med. Up 169 Swing

Jazz Classic swing with hi-hat and "four on the floor". Ex.: "Papa" Jo Jones on "The Swing med. up 02. Med. Up 244 drums by Jo Jones" (PID). 244 bpm. Swing

Jazz Classic swing with hi-hat and backbeat. Ex.: Jo Jones on CD "The drums by Jo Swing med. up 03. Med. Up 244 Jones" (PID). 244 bpm. Swing

Jazz Classic backbeat. Example: Louis Bellson on "blues around the clock", The Swing med. up 04. Med. Up 169 Bosses (C. Basie, Big Joe Turner – OJC). 169 bpm. Swing

Jazz Example: Max Roach on "chi chi", Charlie Parker (C. Parker - Polygram). Swing med. up 05. (C) Med. Up 187 187 bpm. Swing

Jazz New Orleans/Boogaloo-ish flavour. Example: Billy Higgins on "tears inside", Swing med. up 06. (C) Med. Up 183 Rejoicing (P. Metheny - ECM). 183 bpm. Swing

Jazz Example: Paul Motian on "so in love", On Broadway vol.1 (P. Motian – Winter & Swing med. up 07. (C) Med. Up 204 Winter). 204 bpm. Swing

Jazz Ex.: Jack DeJohnette on "all the things you are", /Ron Swing med. up 08. (C) Med. Up 173 Carter/Jack DeJohnette (Timeless). 173 bpm. Swing

Jazz Swing med. up 09. (C) Ala Bill Stewart. Swing based on three on four accents. 222 bpm. Med. Up 222 Swing

Jazz Ex.: Jack DeJohnette on "take the Coltrane", Triplicate (D. Holland – ECM). Swing med. up 10. (C) Med. Up 225 225 bpm. Swing

Jazz Swing med. up 11. (C) Brushes ala Elvin Jones. 166 bpm. Med. Up 166 Swing

Jazz Swing med. up 12. (C) Ala Louis Hayes. 198 bpm. Med. Up 198 Swing

Jazz Example: Mel Lewis on “beautiful love”, Don’t be shy (P. Malinverni - Japan). Swing med. up 13. Med. Up 226 226 bpm. Swing

Jazz Ex.: Ed Blackwell on “R.P.D.D”, Ornette! (O. Coleman - Marathon Media Swing med. up 14. (C) Med. Up 242 International). 242 bpm. Swing

Conga beat pattern. Jazz Conga beat 1. Ex.: Ed Thigpen on "the touch of your lips", Ben Webster meets the O. Medium 120 Peterson trio (). 120 bpm. Swing

Jazz Swing medium 01. Basic ride pattern a). 129 bpm. Medium 129 Swing

Jazz Swing medium 02. Basic ride pattern b). 129 bpm. Medium 129 Swing

Jazz Classic rim-click on fourth beat. Ex.: Jimmy Cobb on "Freddie the freeloader", Swing medium 03. Medium 132 Kind of blue (M. Davis - Sony). 132 bpm. Swing

Jazz Ex.: Jimmy Cobb on "Freddie the freeloader", Kind of blue (M. Davis - Sony). Swing medium 04. (C) Medium 130 132 bpm. Swing

Jazz Example: Art Blakey on "along came Betty", Moanin’ (The Jazz messengers – Swing medium 05. (C) Medium 109 Blue Note). 109 bpm. Swing DRUMGENIUS 1.6 11

Jazz Ex.: Philly Joe Jones on "bye bye blackbird", ‘Round about midnight (M. Davis Swing medium 06. (C) Medium 122 - Sony). 122 bpm. Swing

Jazz Ex.: Mickey Roker on "blues for the stone", Quadrant (J. Pass, M. Jackson, R. Swing medium 07. (C) Medium 142 Brown, M. Roker - Pablo). 142 bpm. Swing

Jazz Hi-hat plays all quarter notes. Example: Tony Williams on "dolphin dance", Swing medium 08. Medium 117 Maiden voyage (H. Hancock – Blue Note). 117 bpm. Swing

Jazz Swing medium 09. (C) Ala Adam Nussbaum. 144 bpm. Medium 144 Swing

Jazz Swing medium on brushes. Example: B. Riley on “laverne walk”, Piccolo (R. Swing medium 10. (C) Medium 126 Carter – Milestones). 117 bpm. Swing

Jazz Swing medium 11. (C) Brushes ala Elvin Jones. 126 bpm. Medium 116 Swing

Jazz Swing medium 12. Brushes: classic feel, basic pattern a). 146 bpm. Medium 146 Swing

Jazz Swing medium 13. Brushes: classic feel, basic pattern b). 146 bpm. Medium 146 Swing

Early New Orleans style, influenced by European military march tradition. Jazz New Orleans 01. Example: Herlin Riley - DVD "New Orleans drumming" New 108 (Various artists – Warner Brothers). 108 bpm. Orleans

New Orleans old Gospel style: basic two feel pattern, soft feel. Jazz New Orleans 02. Example: Herlin Riley - DVD "New Orleans drumming" New 194 (Various artists – Warner Brothers). 194 bpm. Orleans

New Orleans old Gospel style: basic four fourth pattern, soft feel. Jazz New Orleans 03. Example: Herlin Riley - DVD "New Orleans drumming" New 194 (Various artists – Warner Brothers). 194 bpm. Orleans Traditional New Orleans beat. Jazz Two-bar pattern with distinctive accents on the second bar. New Orleans 04. New 109 Example: Baby Dodds on "see see rider" Orleans (Bunk Johnson’s band - Hallmark). 109 bpm. Traditional New Orleans beat: two-bar phrase with variations. Jazz New Orleans 05. Example: Herlin Riley - DVD "New Orleans drumming" New 198 (Various Artists –Warner Brothers). 198 bpm. Orleans

Traditional patterns on wood-blocks. Jazz New Orleans 06. (C) Ex.: Baby Dodds on "shim-me-sha-wabble" New 217 (Papa Mutt Carey and his New Yorkers – Upbeat Jazz). 217 bpm. Orleans

Traditional New Orleans on wood-blocks. Similar to previous example, but Jazz New Orleans 06b. (C) slower and with two beat feel. Distinctive splash off-beat at the end. 2-3 clave. New 158 158 bpm. Orleans

Jazz Second line ("street beat" or "parade beat") on 2-3 brazilian clave: traditional New Orleans 07. (C) New 182 feel. Ala Herman Ernst III. 182 bpm. Orleans

Second line on 3-2 son clave: funky feel. Ex.: Johnny Vidacovich - DVD "New Jazz New Orleans 08. Orleans drumming" New 229 (Various Artists – Warner Brothers). 229 bpm. Orleans

Second line, modern style: 3-2 clave and variations. Jazz New Orleans 09. Ex.: Peter Erskine - live performance with Jon Garbarek and Miroslav Vitous. New 193 193 bpm. Orleans

Second line: 2-3 clave; modern style. Example Idris Muhammad on "peculiar", Jazz New Orleans 10. Groove elation New 222 (J. Scofield – Blue Note). 222 bpm. Orleans

Variation on alternative 3-2 clave: modern style. Ex.: Idris Muhammad on "kool", Jazz New Orleans 11. (C) Groove elation New 210 (J. Scofield – Blue Note). 208 bpm. Orleans

Brushes. Second line on 2-3 brazilian clave. Example: Smokey Johnson on "it Jazz New Orleans 12. ain’t my fault", It ain’t my fault New 176 (S. Johnson - Night Train Int'l). 176 bpm. Orleans

New Orleans "Poinciana" style. Ex.: Vernel Fournier on "Poinciana", Complete Jazz New Orleans 13. (C) live at Pershing Lounge New 185 (A. Jamal – Gambit Spain). 176 bpm. Orleans DRUMGENIUS 1.6 12

Jazz New Orleans "Poinciana" style. Soft & smooth ala Idris Muhammad - Live New Orleans 14. New 189 performance with A. Jamal trio. 189 bpm. Orleans

Jazz New Orleans 15. Second line ala Gio Rossi. 3-2 son clave. 224 bpm. New 224 Orleans

Jazz Backdoor shuffle 1. Backdoor shuffle, also known as "upbeat shuffle". 160 bpm. & Blues 160 Shuffle

Jazz Backdoor shuffle 2. Backdoor shuffle ala Al Foster. 182 bpm. & Blues 182 Shuffle

Jazz Ex.: Peter Erskine on "N. Y. C.", from the album Weather Report (1982) - Fusion shuffle & Blues 208 Columbia. 208 bpm. Shuffle

Jazz Lame duck 1. Shuffle "Lame duck": two kick drum strokes + backbeat. 96 bpm. & Blues 96 Shuffle

Jazz Lame duck 2. Shuffle "Lame duck" pattern 2: two kick drum strokes + off-beat. 119 bpm. & Blues 119 Shuffle

Jazz Shuffle 1. Classic Shuffle with backbeat. 83 bpm. & Blues 83 Shuffle

Jazz Shuffle 2. Classic shuffle with backbeat: basic variation. 101 bpm. & Blues 101 Shuffle

Jazz Shuffle ala "Blues March". Example: Art Blakey on "blues march", Moanin’ Shuffle 3. & Blues 122 (The jazz messengers – Blue Note). 122 bpm. Shuffle

Jazz Shuffle 4. Shuffle with brushes: basic pattern; "boogie" feel. 120 bpm. & Blues 120 Shuffle

Jazz Shuffle 5. Shuffle with brushes: basic pattern, "heavy boogie" feel. 146 bpm. & Blues 146 Shuffle

Jazz Shuffle 6. Shuffle "Jive". 174 bpm. & Blues 175 Shuffle

Jazz Ex.: Philly Joe Jones on "blue roz", Wes meets Bags Shuffle 7. & Blues 130 (W. Montgomery/M. Jackson - OJC). 130 bpm. Shuffle Texas blues shuffle. Jazz Ex.: Chris Wipper Layton on "Cold Shot", from the album Couldn't Stand The Texas shuffle & Blues 110 Weather by Stevie Ray Vaughan and Double Trouble - Epic. Shuffle 110 bpm.

Jazz Swing slow 01. Basic ride pattern a). 56 bpm. 56 Slow Swing

Jazz Swing slow 02. Basic ride pattern b). 56 bpm. 56 Slow Swing

Jazz Swing slow 03. Basic pattern with backbeat. 56 bpm. 56 Slow Swing

Ex.: Philly Joe Jones on "blues for Dracula", Blues for Dracula Jazz Swing slow 04. 80 (P. J. Jones - Fantasy). 80 bpm. Slow Swing

Ex.: Elvin Jones on "a jazz tune I hope", A jazz tune I hope Jazz Swing slow 05. 75 (A. Mangelsdorff - MPS). 75 bpm. Slow Swing

Two-bar phrase divided into 3+3+2. Example: Elvin Jones on "equinox", Jazz Swing slow 06. 100 Coltrane’s sound (J. Coltrane – Atlantic). 100 bpm. Slow Swing

Hypnotic, "loose" two-bar loop ala Elvin Jones based on charleston beat. Jazz Swing slow 07. 94 94 bpm. Slow Swing DRUMGENIUS 1.6 13

Ex.: Tony Williams on "Pinocchio" (alt. take), Nefertiti Jazz Swing slow 08. (C) 80 (M. Davis – Columbia/Legacy). 80 bpm. Slow Swing

Jazz Swing slow 09. Brushes: basic pattern. 60 bpm. 60 Slow Swing

Jazz Swing slow 10. Brushes: basic pattern with bass drum. 70 bpm. 70 Slow Swing

Jazz Basic meter modulation on triplets, inspired by Tony Williams. Meter modulation Swing + 80 Two-bar cyclical basic pattern. 80 bpm. Clave

Jazz Swing + 2-3 braz. clave Basic swing + 2-3 brazilian clave. 129 bpm. Swing + 129 Clave

Jazz Swing + 2-3 rumba clave Basic swing + 2-3 rumba clave. 129 bpm. Swing + 129 Clave

Jazz Swing + 2-3 son clave Basic swing + 2-3 son clave. 129 bpm. Swing + 129 Clave

Jazz Swing + 3-2 braz. clave Basic swing + 3-2 brazilian clave. 129 bpm. Swing + 129 Clave

Jazz Swing + 3-2 rumba clave Basic swing + 3-2 rumba clave. 129 bpm. Swing + 129 Clave

Jazz Swing + 3-2 son clave Basic swing + 3-2 son clave. 129 bpm. Swing + 129 Clave

Jazz Swing + 6/8 (med.) Basic swing + Afro 6/8 bell pattern. 129 bpm. Swing + 129 Clave

Jazz Swing + 6/8 (up) Basic swing + Afro 6/8 bell pattern + clap. 177 bpm. Swing + 177 Clave

Jazz Swing + Charleston beat Basic swing + Charleston beat. 129 bpm. Swing + 129 Clave

Basic swing + alternative 2-3 clave. Ex.: W. Kelly comping on "Freddie Jazz Swing + alt. 2-3 clave freeloader", Kind of blue Swing + 129 (M. Davis – Sony). 129 bpm. Clave

Jazz Basic swing + alternative 3-2 clave: This clave is frequently played in New Swing + alt. 3-2 clave Swing + 129 Orleans second line. 129 bpm. Clave

Jazz Swing + triplet Basic swing + quarter triplets. 129 bpm. Swing + 129 Clave

Jazz Basic swing + 3 on 4 pattern. Useful to practice with both binary and ternary Swing 3on4 Swing + 129 meter, at the same time. 129 bpm. Clave

Jazz Basic swing + 3 on 4 pattern. Useful to practice with both binary and ternary Swing 3on4 1. Swing + 159 meter, at the same time. 159 bpm. Clave

Jazz Basic swing + 3 on 4 pattern. Useful to practice with both binary and ternary Swing 3on4 2. Swing + 195 meter, at the same time. 195 bpm. Clave

Jazz Basic swing + 3 on 4 pattern. Useful to practice with both binary and ternary Swing 3on4 3. Swing + 284 meter, at the same time. 284 bpm. Clave

Jazz Basic swing + 3 on 4 pattern. Useful to practice with both binary and ternary Swing 3on4 4. Swing + 305 meter, at the same time. 305 bpm. Clave

Jazz Gospel 9/8 Basic Gospel 9/8. 57 bpm. 57 Traditional DRUMGENIUS 1.6 14

Jazz Gospel 12/8 Basic Gospel 12/8. 67 bpm. 67 Traditional

Traditional "Jungle" groove by Gene Krupa, as recorded on "sing sing sing", Jazz Jungle 1. Sing sing sing 214 Traditional (B. Goodman - RCA). 214 bpm. Traditional comping on hi-hat. Ex.: Big Sid Catlett on "esquire bounce", Esquire Jazz Concert at Metropolitan Jazz Swing med. up 01. (C) 208 Opera House Traditional (Various artists – Giants of Jazz/Ita). 208 bpm.

Sonny Greer’s classic beat with Duke Ellington orchestra. Ex.: "Papa" Jo Jazz Trad. beat ala S. Greer 1a. 228 Jones on "The drums by Jo Jones" (PID). 228 bpm. Traditional

Sonny Greer’s classic beat with Duke Ellington orchestra. Slower version. Jazz Trad. beat ala S. Greer 1b. 178 178 bpm. Traditional

Jazz Trad. Off Beat Bass drum and choke cymbal: basic pattern. 162 bpm. 162 Traditional

Traditional "swinging" press roll. Example: "Papa" Jo Jones on "The Drums Jazz Trad. press roll 208 by Jo Jones" (PID). 208 bpm. Traditional

Hi-hat two feel. Example: Philly Joe Jones on "it could happen to you", Jazz Two feel med. up 1. (C) 188 Relaxin’ with Miles (M. Davis - Prestige). 188 bpm. Two feel

Two feel ala B. Higgins. Example: Billy Higgins on "tears inside", Rejoicing Jazz Two feel med. up 2. (C) 183 (P. Metheny - ECM). 183 bpm. Two feel

Modern two feel. Example: Jack DeJohnette on "take the Coltrane", Triplicate Jazz Two feel med. up 3. (C) 225 (D. Holland – ECM). 225 bpm. Two feel

Jazz Two feel medium 1. Open hi-hat: basic pattern. 144 bpm. 144 Two feel

Jazz Two feel medium 2. Closed hi-hat: basic pattern 1. 144 bpm. 144 Two feel

Jazz Two feel medium 3. Closed hi-hat: basic pattern 2. 144 bpm. 144 Two feel

Jazz Two feel medium 4. Ride cymbal and soft snare accents: classic feel. 126 bpm. 126 Two feel

Jazz Two feel medium 5. (C) Two feel ala Eric Harland. 173 bpm. 173 Two feel

Classic hi-hat two-feel combined with modern accents. Jazz Two feel medium 6. Example: Jack DeJohnette on "rubber man", C. Walton R. Carter J. DeJohnette 146 Two feel (Timeless Records). 146 bpm.

Example: "Papa" Jo Jones on "when your lover has gone", Vamp till ready 2 Jazz Two feel medium 7. 116 on 1 (Jo Jones Trio – Jazz Anthology). 120 bpm. Two feel

Jazz Two feel slow Ride cymbal and snare accents: double time feel. 63 bpm. 126 Two feel

Jazz Swing very fast 1. Brushes: basic pattern. 356 bpm. Very Fast 356 Swing

Jazz Very fast brushes. Example: Jeff “Tain” Watts on "Cherokee", Standard time Swing very fast 2. (C) Very Fast 308 vol.1 (W. Marsalis - Sony). 308 bpm. Swing

Jazz Example Mel Lewis on “things to come”, Legacy (J. Faddis - Concord). Swing very fast 3. (C) Very Fast 348 348 bpm. Swing

Jazz Example: Stan Levey on “wee”, For musicians only Swing very fast 4. Very Fast 328 (Getz, Gillespie, Stitt - Universal I.S.). 328 bpm. Swing DRUMGENIUS 1.6 15

10/8 Meter is divided into 2+3+2+3. 183 bpm. Odd Times 183

11/4 1. (C) 11/4, straight 8ths; meter is divided into 4+3+4. 228 bpm. Odd Times 228

11/4 2. (C) 11/4. 5+5+1. Example: Eric Harland on "north star". 246 bpm. Odd Times 246

Ex.: Mark Guiliana on "Eleven Wives", from the album Gently Disturbed 11/4 3. (C) (Avishai Cohen Trio - Razdaz Recordz). Odd Times 207 207 bpm.

11/4 Afro feel (C) 11/4 Afro feel. 3+3+3+2. 125 bpm. Odd Times 150

11/8: 3+2+2+2+2. Example: Ari Hoenig on "arrows and loops", Lines of 11/8 (C) Odd Times 257 oppression (A. Hoenig - Naive). 257 bpm.

Funky 12/16 (4+3+3+2) as played by David Najib Brown. 12/16 Odd Times 123 123 bpm.

13/8. 4+4+3+2. 13/8 1. (C) Odd Times 260 Example: Roberto Pistolesi on “so rainy”, Involving evolving revolving (R. Tarenzi - Alice Records). 260 bpm.

13/8 2. Funky 13/8 ala Gaetano Fasano. 164 bpm. Odd Times 164

14/8 (C) Meter is divided into 2+2+3+2+2+3. 196 bpm. Odd Times 196

Afro 6/8 feel in 5/4 (3+2). 15/8 1. (C) Example: Billy Kilson on "bring it on", Overtime Odd Times ♩. 24 (D. Holland - Dare2 Records). 124 bpm. Funky 15/8 (4+4+4+3). Ex.: Nat Smith on "The Wheel", performed live with Chris Potter band. 15/8 2. (C) Odd Times 106 Recorded on Chris Potter's album Underground - Classics Jazz France. 106 bpm.

Afro 6/8 feel in 7/4 (4+3). Example: Billy Kilson on "looking up",Prime directive 21/8 (C) Odd Times ♩. (D. Holland quintet - ECM).125 bpm. 125

21/16 (4+4+4+4+5) as played by Chris "Daddy" Dave. 21/16 (C) On clave version: electric bass riff. Odd Times 135 135 bpm. 25/16 (4+4+3+4+4+3+3). Ex.: Francesco Lomagistro on "Today News", from the album A New Journey 25/16 (C) Odd Times 126 (Francesco Lomagistro and Berardi Jazz Connection - P Vine Records, Jazzengine). 126 bpm.

5/4 1. (C) Meter is divided into 3+2. 173 bpm. Odd Times 173

Odd Times 5/4 2. (C) Meter is divided into 2+3. 206 bpm. 206

Ex.: Herlin Riley on "magnolia triangle", tutorial DVD New Orleans drumming 5/4 3. (C) Odd Times 183 (Various Artists – Warner Brothers). 183 bpm.

Ex.: Herlin Riley on "magnolia triangle", tutorial DVD New Orleans drumming 5/4 3a. (C) Odd Times 183 (Various Artists – Warner Brothers). Crash ride and tom-tom variations. 183 bpm.

5/4 Afro-Cuban style. Example: Billy Kilson on "seeking spirit", Prime directive 5/4 4. Odd Times 169 (D. Holland quintet - ECM). 169 bpm.

7/4 1. (C) Meter is divided into 4+3. 240 bpm. Odd Times 240

Ex.: Brian Blade on "still pushin' that rock", Elastic (J. Redman - Warner 7/4 2. (C) Odd times 262 Bros/Wea). 3+4. 262 bpm. DRUMGENIUS 1.6 16

7/4 3. Brushes. Swing 8ths with funky feel. Example: Max Roach on "nommo", Odd Times 146 Drums unlimited (M. Roach - Rhino/Wea UK). 146 bpm.

7/4, afro-cuban feel on 3-2 rumba clave. 7/4 4. (C) Odd times, 216 Example: Victor Lewis on 7th avenue, Live volume three (W. Shaw - High Note). 216 bpm.

7/4 5. (C) 7/4: 2+3+2. 154 bpm. Odd Times 154

9/4 1. (C) 9/4 ala E. Harland. Example: Eric Harland on "north star". 214 bpm. Odd Times 214

9/4 2. Meter is divided into 3+2+2+2. 220 bpm. Odd Times, 220

This 11/4 is played as 3+2+3+3. Example: Joe Morello on "eleven four," Dave Swing 11/4 (C) Odd Times 197 Brubeck: original album classics (D. Brubeck – Sony Masterworks). 197 bpm.

Classic Jazz 5/4. Example: Joe Morello on "take five", Time Out Swing 5/4 (C) Odd Times 161 (D. Brubeck - Msi Music/Super D). 161 bpm.

Basic pop pattern. Pop 01. Pop 71 Example: Ringo Starr on "let it be", Let it be (The beatles - EMI). 71 bpm.

Pop 02. Ex.: Earl Palmer on "people like us" (Mamas and Papas - Geffen). 90 bpm. Pop 90

Ex.: Hal Blaine on "Mr. tambourine man" (The Byrds - Sbme Special Mkts.). Pop 03. Pop 123 123 bpm.

Pop 04. Example: Jim Gordon on "imagine" (J. Lennon - Parlophone). 152 bpm. Pop 152

Example: Jeff Porcaro on "Rosanna", The very best of Toto Pop 05. Pop 150 (101 DISTRIBUTION). 150 bpm.

Example: Kenny Aronoff on "you gotta love someone", Days of thunder Pop 06. Pop 102 soundtrack (Elton John - Geffen). 102 bpm.

Example: Roger Hawkins on "kodachrome", Paul Simon greatest hits Pop 07. Pop 139 (Warner Bros UK). 139 bpm.

Example: Leon "Ndugu" Chancler on "Billie Jean", Thriller Pop 08. Pop 117 (M. Jackson - Epic). 117 bpm.

Pop 09. Example: Andy Newmark on "avalon" (Roxy Music - Virgin Records). 138 bpm. Pop 138

Example: Kenny Aronoff on "everything", So-called chaos Pop 10. (A. Morissette - Maverick). 76 bpm. Pop 76

Ex.: Phil Collins on "True Colors", from Phil Collins' album Love Songs Pop 11. Pop 85 (Warner Bros). 85 bpm.

Ex.: Eddie Fisher on "Please Don't Stop The Rain", from the album Songs for Pop 12. you, truths for me (James Morrison - Polydor). Pop 83 83 bpm.

Example: Richard "Pistol" Allen on "I heard it through the grapevine", Gold R&B 1. R&B 115 (Marvin Gaye - Universal Music). 115 bpm.

Example: Al Jackson Jr. on "try a little tenderness", Remember me R&B 2. R&B 105 (Otis Redding - Stax). 105 bpm.

Ex.: Roger Hawkins on "Think", from the album Respect (The Very Best Of R&B 3. R&B 110 Aretha Franklin - Rhino). 110 bpm. DRUMGENIUS 1.6 17

Example: Tony Thompson on "good times", The best of Chic R&B/Funky/ Disco 1. 114 (Atlantic - Atco Remasters). 114 bpm. Hip-hop

Example: Ian Paice on "smoke on the water", Machine head Rock 01. Rock 110 (Deep Purple - EMI). 110 bpm.

Rock 02. Example: John Bonham on "Moby Dick", Led Zeppelin II (Atlantic). 175 bpm. Rock 175

Example: John Bonham on "immigrant song", Led Zeppelin III (Atlantic). Rock 03. Rock 120 120 bpm.

Example: Ginger baker on "born under a bad sign", The very best of Cream Rock 04. Rock 174 (Polydor). 174 bpm.

Example: Charlie Watts on "satisfaction", Out of our heads Rock 05. Rock 134 (The Rolling Stones - Decca). 134 bpm.

Rock 06. Ex.: John Bonham on "rock and roll", Led Zeppelin IV (Atlantic). 171 bpm. Rock 171

Rock 07. Ex.: Bill Ward on "war pigs", Paranoid (Black Sabbath - Vertigo). 160 bpm. Rock 160

Rock 08. Ex.: John Bonham on "fool in the rain", In through the outdoor. 126 bpm. Rock 126

Example: Alex Van Halen on "runnin' with the devil", Van Halen Rock 09. Rock 97 (Warner Bros). 97 bpm.

Rock 10. Example: Marc Droubay on "eye of the tiger" (Survivor - EMI). 105 bpm. Rock 105

Rock 11. Example: Phil Rudd on "hells bells", Back in black (AC/DC - Atlantic). 107 bpm. Rock 107

Rock 12. Example: Neil Peart on "YYZ", Moving pictures (Rush - Mercury). 130 bpm. Rock 130

Example: Brad Wilk on "bulls on parade" (Rage against the machine - Epic). Rock 13. Rock 162 162 bpm.

Example: Phil Taylor on "ace of spades", Ace of spades Rock 14. Rock 249 (Motörhead - Sanctuary records). 249 bpm.

Example: Mike Portnoy on "pull me under", Images and words Rock 15. Rock 119 (Dream Theater - Atco). 119 bpm.

Example: Tony McCarroll on "life forever", Definitely maybe Rock 16. Rock 89 (Oasis - Creation). 89 bpm.

Ex.: Sean Kinney on "Would?" live unplugged version by Alice in Chain. Rock 17. Rock 93 93 bpm.

Based on light march feel. Example: Jon Christensen on "yellow fields", Straight Straight 8ths 1. (C) 96 Yellow fields (E. Weber - ECM). 96 bpm. 8ths

Double time feel with a rock-ish backbeat. Straight Straight 8ths 2. (C) Ex.: Jon Christensen on "yellow fields", Yellow fields 90 8ths (E. Weber - ECM). Four-bar loop. 90 bpm.

Latin feel. Implicit 3-2 rumba clave accents. Straight Straight 8ths 3. (C) 149 Ex.: Jon Christensen on "questar", My song (K. Jarrett - ECM). 149 bpm. 8ths

Milonga-ish feel. Straight Straight 8ths 4. (C) Example: Bob Moses on "midwestern nights dream", Bright size life 104 8ths (P. Metheny - ECM). 104 bpm. DRUMGENIUS 1.6 18

Straight Straight 8ths 5. (C) Straight 8ths with brushes: light funky feel. 78 bpm. 78 8ths

Straight Straight 8ths 6. (C) Straight 8ths with brushes, based on 3-2 rumba clave. 132 bpm. 132 8ths

Example: Jorge Rossy on “the more I see you”, Art of the trio vol.5 Straight Straight 8ths 7. (C) 271 Progression (B. Meldhau - Warner Bros). 271 bpm. 8ths

Example: Roy Haynes on "change of heart", Question & answer Straight Straight 8ths 3/4 150 (P. Metheny – Geffen Records). 150 bpm. 8ths

Adowa highlife 1. Adowa highlife (Ghana - Ashanti) on drumset as showed by Royal Hartigan World 93 (West African rhythms for drumset – Alfred Music). 93 bpm.

Adowa highlife (Ghana - Ashanti). Adowa highlife 2. Second pattern on drumset as showed by Royal Hartigan World 88 (West African rhythms for drumset – Alfred Music). 88 bpm.

Example of Afro beat style as played by nigerian drummer Tony Allen - the Afro beat (Nigeria) "inventor" of this style - on "let the drums play", live recording session. 204 World 204 bpm.

Baladi (middle-easten rhythm for belly dance) adapted for drumset. Baladi (Middle-East) Traditional example: "Raksat el Sahara", from the album The Best Belly Dance World 138 Music by Mohammed el-Bakkar - Master classics records. 138 bpm.

Bhangra adapted for drumset. Bhangra is traditionally played on dhol drum. Bhangra (India – Punjab) World 192 Example: "Jatt Di Dushmani" by Kuldeep Manak & Malkit Singh (Shemaroo Entertainment Ltd). 192 bpm.

Buleria: 12/8 Flamenco compás, divided into 3+3+2+2+2. Example: David López on "Bulerias Con Bateria", from the album Solo Buleria (Spain – Andalusia) Compas Flamenco Con Batería - David Lopez y el Baile de Juan de Juan - OFS. World 123 On clave version you can listen to basic "palmas" (claps) pattern. 123 bpm.

Candombe on drumset as played by Osvaldo Fattoruso. Candombe (Uruguay) (C) World 252 252 bpm.

Cape Jazz style, groove by George Johnson on "Mannenberg/Cherry", from Cape Jazz (South Africa) World 87 Abdullah Ibrahim's album album Yarona (Tiptoe). 87 bpm.

Chaabi (the most popular rhythm of Gnawa music [Maghreb]) on drumset. 6/4. Chaabi (North-Africa - Maghreb) (C) Ex.: "Moulay tahar" by Orchestre Jamal, Les lumières du Maroc (Various World 186 artists - Maghreb Music). 186 bpm.

Chacarera (Argentina) (C) Chacarera (6/8 against 3/4) as played by Pablo Cruz. 70 bpm. World 70

Fanga (Liberia) on drumset. Fanga (Liberia) World 120 Transcribed from Babatunde Olatunji performance. 120 bpm.

Gahu (Ghana - Ewe) on drumset as showed by Royal Hartigan Gahu (Ghana) World 134 (West African rhythms for drumset – Alfred Music). 134 bpm.

Gahu highlife (Ghana) on drumset as showed by Royal Hartigan Gahu highlife (Ghana) World 118 (West African rhythms for drumset – Alfred Music). 118 bpm.

Ghazal style on drumset. Ex.: Manu Katché on "Saga", from the album Ragas and Ghazal (India - Hindustan) Sagas by J. Garbarek & Ustad Fateh Ali Khan & Ustad Shaukat Hussain & Ustad World 103 Nazim Ali Khan - ECM. 103 bpm.

Greek dance Kalamatianos (7/8=3+2+2) adapted for drumset. Traditional example: "Milo Mou Kokkino" from the album Elatos: Traditional Kalamatianos (Greece) World 122 Greek Music Yesterday and Today (Dimitris Kontolazos - FM Records). 122 bpm.

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Slow "rock version" of traditional middle-eastern rhythm in 17/8 (3+4+3+4+3): doum -- tek | doum -- doum doum | tek -- tek | tek -- doum doum | tek -- tek. Khush-Rank (Middle-East) (C) Traditional example: Adel Shams El Din on "Khush-Rank", from the album World 170 Wasla: Suites Musicales Égyptiennes - Tarek Abdallah & Adel Shams El Din - Buda Musique. 170 bpm.

Bulgarian folk dance in 5/8. Kostensko horo (Bulgaria) (C) Ex.: "kostensko horo", Igra na tonove (Ivo Ralchev - Sunrise marinov). World 362 362 bpm.

Maqsoum adapted for drumset. Maqsoum (Middle-East) Traditional example: Mahmoud Fadl on "Maqsoum", from the album The World 160 drummers of the Nile (Piranha). 160 bpm.

Bulgarian folk dance in 7/8 (2+2+3). Petrunino horo (Bulgaria) (C) Ex.: "petrunino horo", from the album Po-polechka Tropai Mlado Mladozhenche World 256 by Konushenski folk orchestra - Sunrise marinov. 256 bpm.

Sega (Reunion Islands). Basic pattern as played by Christophe Chretien. Sega (Mauritius Islands) 1. World 115 115 bpm.

Sega (Mauritius Islands) 2. Sega Rhythm variations as played by Christophe Chretien. 115 bpm. World 115

Sikyi adapted for drumset as showed by Royal Hartigan. Sikyi (Ghana – Ashanti people) World 146 (West African rhythms for drumset – Alfred Music). 146 bpm.

Tango nuevo (milonga pattern) as played by Tullio De Piscopo on "Libertango", Tango “nuevo” (Argentina) (C) World 137 from the album Libertango by Astor Piazzolla - Carosello. 137 bpm.

Venezuelan merengue (5/8) as played by Leandro Savelón on "El Apurado", Venezuelan merengue (Venezuela) (C) World 197 live performance by Marina Ruiz trio. 197 bpm.

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