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Download Rhapsody Summer 2018/19
Dame Malvina with Lexus Song Quest runner up Eliza Boom Summer 2018/19 Image: Norrie Montgomery Experiencing opera where opera began A dream to immerse young New Zealand singers in the land of opera’s birth has today Rhapsody become a reality for more than 60 up-and-coming Kiwi artists. Grants and prizes 2018 News from the Dame Malvina Major Foundation Patricia Hurley’s Italian for NZ Opera Singers Masterclasses “Often there are also visits to the towns, homes and has seen the likes of Anna Leese, Bianca Andrew, Moses museums of composers like Verdi and Puccini, watching Manase Latu, New Zealand Aria winner 2018 Image: Tony Whitehead Mackay, Oliver Sewell, Polly Ott and Marlena Devoe benefit opera performances in major theatres, and visits to historic Dame Malvina Major Fellow with New Zealand Opera 2018: from daily Italian language lessons, vocal tuition and places and art galleries to broaden the cultural experience.” Tenor Thomas Atkins performance opportunities as they soak up la bella vita. A note from Dame Malvina Wellington soprano Katherine McIndoe, a former Dame Dame Malvina Major Emerging Artists with New Zealand Opera 2018: Soprano Natasha Wilson, baritone Samson Setu, tenor Manase Latu Patricia Hurley says the seed was first planted when, as Malvina Major Foundation Emerging Artist with New Zealand It is always a treat when, every The Foundation has been sponsoring the first prize of the manager of the opera company in Wellington during the Opera, attended the 2016 programme. second year, the Lexus Song New Zealand Aria competition for 10 years this year – today 1990s, she realised that while 80% of the operas performed “My ultimate impression of the trip was of the extraordinary Arts Excellence Awards Quest and New Zealand Aria a princely sum of $20,000 for the winner. -
Let's Face It, the 1980'S Were Responsible for Some Truly Horrific
80sX Let’s face it, the 1980’s were responsible for some truly horrific crimes against fashion: shoulder-pads, leg-warmers, the unforgivable mullet ! What’s evident though, now more than ever, is that the 80’s provided us with some of the best music ever made. It doesn’t seem to matter if you were alive in the 80’s or not, those songs still resonate with people and trigger a joyous reaction for anyone that hears them. Auckland band 80sX take the greatest new wave, new romantic and synth pop hits and recreate the magic and sounds of the 80’s with brilliant musicianship and high energy vocals. Drummer and programmer Andrew Maclaren is the founding member of multi platinum selling band stellar* co-writing mega hits 'Violent', 'All It Takes' and 'Taken' amongst others. During those years he teamed up with Tom Bailey from iconic 80’s band The Thompson Twins to produce three albums, winning 11 x NZ music awards, selling over 100,000 albums and touring the world. Andrew Thorne plays lead guitar and brings a wealth of experience to 80’sX having played all the guitars on Bic Runga’s 11 x platinum debut album ‘Drive’. He has toured the world with many of New Zealand’s leading singer songwriter’s including Bic, Dave Dobbyn, Jan Hellriegel, Tim Finn and played support for international acts including Radiohead, Bryan Adams and Jeff Buckley. Bass player Brett Wells is a Chartered Director and Executive Management Professional with over 25 years operations experience in Webb Group (incorporating the Rockshop; KBB Music; wholesale; service and logistics) and foundation member of the Board. -
Indigenous New Zealand Literature in European Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library A History of Indigenous New Zealand Books in European Translation OLIVER HAAG Abstract This article is concerned with the European translations of Indigenous New Zealand literature. It presents a statistical evaluation of a bibliography of translated books and provides an overview of publishing this literature in Europe. The bibliography highlights some of the trends in publishing, including the distribution of languages and genres. This study offers an analysis of publishers involved in the dissemination of the translations and retraces the reasons for the proliferation of translated Indigenous books since the mid-1980s. It identifies Indigenous films, literary prizes and festivals as well as broader international events as central causes for the increase in translations. The popular appeal of Indigenous literature of Aotearoa/New Zealand has increased significantly over the last three decades. The translation of Indigenous books and their subsequent emergence in continental European markets are evidence of a perceptible change from a once predominantly local market to a now increasingly globally read and published body of literature. Despite the increase in the number of translations, however, little scholarship has been devoted to the history of translated Indigenous New Zealand literature.1 This study addresses that lack of scholarship by retracing the history of European translations of this body of literature and presenting extensive reference data to facilitate follow-up research. Its objective is to present a bibliography of translated books and book chapters and a statistical evaluation based on that bibliography. -
South Canterbury Artists a Retrospective View 3 February — 11 March, 1990
v)ileewz cmlnd IO_FFIGIL PROJEEGT South Canterbury Artists A Retrospective View 3 February — 11 March, 1990 Aigantighe Art Gallery In association with South Canterbury Arts Society 759. 993 17 SOU CONTENTS Page LIST OF ILLUSTRATIONS 3 INTRODUCTION 6 BIOGRAPHIES Early South Canterbury Artists 9 South Canterbury Arts Society 1895—1928 18 South Canterbury Arts Society formed 1953 23 South Canterbury Arts Society Present 29 Printmakers 36 Contemporaries 44 CATALOGUE OF WORKS 62 LIST OF ILLUSTRATIONS Page S.C. Arts Society Exhibition 1910 S.C. Arts and Crafts Exhibition 1946 T.S. Cousins Interior cat. I10. 7 11 Rev. J.H. Preston Entrance to Orari Gorge cat. I10. 14 13 Capt. E.F. Temple Hanging Rock cat. 1'10. 25 14 R.M. Waitt Te Weka Street cat. no. 28 15 F.F. Huddlestone Opawa near Albury cat. no. 33 16 A.L. Haylock Wreck of Benvenue and City of Perth cat. no. 35 17 W. Ferrier Caroline Bay cat. no. 36 18 W. Greene The Roadmakers cat. 1'10. 39 2o C.H.T. Sterndale Beech Trees Autumn cat. no. 41 22 D. Darroch Pamir cat. no. 45 24 A.J. Rae Mt Sefton from Mueller Hut cat. no. 7O 36 A.H. McLintock Low Tide Limehouse cat. no. 71 37 B. Cleavin Prime Specimens 1989 cat. no. 73 39 D. Copland Tree of the Mind 1987 cat. 1'10. 74 40 G. Forster Our Land VII 1989 cat. no. 75 42 J. Greig Untitled cat. no. 76 43 A. Deans Back Country Road 1986 cat. no. 77 44 Farrier J. -
Flip Grater 2011
EUROPEAN TOUR MARCH-APRIL FLIP GRATER 2011 Flip has delivered an album with a rare sensitivity .There are echoes in the delivery of the finest French singers a la Françoise Hardy and Carla Bruni- except Flip is singing in English. A beautiful rare gem. Roger Marbeck A beautifully crafted album by a songwriter who has honed her craft, presenting us with a album of substance, raw fragility and strength. This is her best work yet. – Jan Hellriegel “When you listen to Flip Grater you can’t help but fall in love with her a little bit. Her latest album is languid, smooth and delicious.” – Samantha Hayes, 3news The best art comes from suffering, so returning from Sweden in her twenties with a broken heart, music was her antidote. With over seven years of creating a sound Flip Grater is renowned for, the release of an EP, three critically acclaimed albums (2006's Cage For A Song, 2008's Be All And End All and 2010’s While I’m Awake I’m At War, a published book and a tour history that takes her meandering through 11 or so countries, Flip is seasoned. In 2006 her track Long Awaited Sigh turned heads across the folk and alt-country scene, with a track from it selected by producers of the hit US TV show Brothers and Sisters. This was followed by two trips to SXSW festival in Austin, TX with a showcase line-up including Luke Zimmerman and Kris Kristoffeson. Flip’s latest release While I’m Awake I’m At War has had NZ media calling her “the brunette¨ Stevie Nicks due to songs such as the single 'Careful', a meandering alt country ditty with a Fleetwood Mac feel. -
2017 Programme
NZ ARIA TRUST PRESENTS THE NZ Aria Trust wishes to thank the following for their generous support 2017 Programme ROTORUA PERFORMING ARTS CENTRE All Sections: Friday 27 October - Sunday 29 October 2017 Finals Night: Sunday 29 October 2017 www.nzaria.org Coombes Johnston The New Zealand Aria Trust wishes to thank the following for their generous support The Dame Malvina Major Foundation provides educational and training opportunities for young New Zealanders in the performing arts and supports young New Zealanders of outstanding ability and real potential to prepare for professional careers. www.dmmfoundation.org.nz For further information on how you can help please contact: Trust Administrator The Dame Malvina Major Foundation PO Box 9976 Marion Square Wellington 6141 Telephone 04 384 9745 Mobile 021 858895 Fax 04 384 9785 Email: [email protected] Coombes Johnston The New Zealand Aria Trust welcomes you to the 71st Festival Weekend of Song to be held in the Rotorua Performing Arts Centre All Sections - Friday 27 October - Sunday 29 October 2017 Featuring the finals of the NEW ZEALAND ARIA on Sunday 29 October 2017 OFFICERS 2017/2018 Trustees: Mrs Jo-Anne La Grouw MNZM, Mrs Anne Larkin, Mrs Alison Perrin JP, Mr Grahame Hall QSO JP, Mrs Dianne Estcourt, Mr Lyall Thurston QSO JP, Mr Ian Edward QSM, Mr Monty Morrison JP President: Mrs Jo-Anne La Grouw MNZM Vice President: Mrs Anne Larkin Vocal Convenors: Open Classes: Mr Ian Edward QSM Under 21 Section: Mrs Anne Larkin ANY QUERIES, PLEASE CONTACT Event Co-ordinator - Jo-Anne La Grouw -
Keynote Speakers
KEYNOTE SPEAKERS 1 Keynote 1 From Maoritanga to Matauranga: Indigenous Knowledge Discourses Linda Tuhiwai Smith (NMM, Cinema) _______________________________________________________________________________ My talk examines the current fascination with matauranga Maori in policy and curriculum. I am interested in the way academic discourses have shifted dramatically to encompass Maori interests and ways of understanding knowledge. I explore some aspects of the development of different approaches to Maori in the curriculum and track the rising interest in matauranga (traditional Maori knowledge) through a period of neoliberal approaches to curriculum in our education system and measurement of research excellence. The Performance Based Research Fund recognises matauranga Maori as a field of research, Government research funds ascribe to a Vision Matauranga policy which must be addressed in all contestable research funds and there are qualifications, majors and subject papers which teach matauranga Maori at tertiary level. New Zealand leads the world in terms of incorporating indigenous knowledge, language and culture into curriculum. Most of the named qualifications are accredited through the New Zealand Qualifications Authority, which then owns the intellectual property of the curriculum. Maori individuals clearly play a significant role in developing the curriculum and resources. They are mostly motivated by wanting to provide a Maori-friendly and relevant curriculum. However, Maori people are also concerned more widely about cultural -
List of Recognised Qualifications
APPENDIX A ADMINISTRATIVE CLASS QUALIFICATIONS NZQA QUALIFICATIONS PROVIDER Group One Key at end of list National Certificate in Composites (Level 4) TOPNZ National Certificate in Business Administration (Level 4) National Certificate in Computing (Level 4) Certificate in Business Administration WAIA’ IT, CPIT National Certificate in Business Computing (Intermediate) WAIA’ IT Certificate of Computing NP Certificate in Business Technology and Administration UCOL Certificate in Office Systems and Technology TWP Certificate in Office Administration MIT Certificate in Office Administration and Computing MIT Certificate for Advanced Computer Users UCOL Certificate in Business Fundamentals UCOL Certificate in Supervisory Management UNITEC Certificate in Small Business UNITEC Accounting for Non-Accountants – Certificate of Achievement TOPNZ Introduction to Accounting – Certificate of Achievement TOPNZ School Trusteeship – Certificate of Achievement TOPNZ National Certificate in Business Administration (Level 5) National Diploma in Business Computing (Level 5) NZ Diploma in Business UCOL, SIT, EIT, AUT, TAIRAWHITI Certificate in Information Systems NP Certificate in Business Administration CPIT Certificate in Computer Support UCOL Certificate in Business Computing NMIT Certificate in Business WAIA’ IT Certificate in Business Studies MASSEY Diploma in Business Services MIT Diploma in Business Computing MIT Certificate in Administrative Services in Schools ACE Certificate in Support Services in Schools ACE Certificate in Business Computing (CBC) -
Apra Silver Scroll Awards Winners
APRA SILVER SCROLL AWARDS/50years 65 66 67 68 69 70 71 72 73 74 Wayne Kent-Healey Ray Columbus Roger Skinner David Jordan David Jordan Wayne Mason Corben Simpson Stephen Robinson Ray Columbus & Mike Harvey John Hanlon Teardrops I Need You Let’s Think of Something I Shall Take My Leave Out of Sight, Out of Mind Nature Have You Heard a Man Cry? Lady Wakes Up Jangles, Spangles and Banners Lovely Lady 75 76 77 78 79 80 81 82 83 84 John Hanlon Mike Harvey Lea Maalfrid Steve Allen Sharon O’Neill Paul Schreuder Phil Judd, Wayne Stevens Stephen Young Stephen Bell-Booth Hammond Gamble Windsongs All Gone Away Lavender Mountain Why Do They? Face In a Rainbow You’ve Got Me Loving You & Mark Hough I Can’t Sing Very Well All I Want Is You Look What Midnight’s Counting The Beat Done to Me 85 86 87 88 89 90 91 92 93 94 Malcom Black Tony Waine Dave Dobbyn Shona Laing Stephen Bell-Booth Guy Wishart Rikki Morris Shona Laing Dave Dobbyn Don McGlashan & Nick Sampson Abandoned By Love You Oughta Be In Love Soviet Snow Hand It Over Don’t Take Me For Granted Heartbroke Mercy of Love Belle of the Ball Anchor Me For Today 95 96 97 98 99 00 01 02 03 04 Strawpeople Bic Runga Greg Johnson Dave Dobbyn Bill Urale Chris Knox Neil Finn Che Ness & Godfrey de Grut Nesian Mystik Scribe Sweet Disorder Drive Liberty Beside You Reverse Resistance My Only Friend Turn and Run Misty Frequencies For the People Not Many 05 06 07 08 09 10 11 12 13 14 Evermore Don McGlashan Brooke Fraser Opshop James Milne & Luke Buda The Naked and Famous Dave Baxter Stephanie Brown Ella Yelich-O’Connor Tami & Joshua Neilson It’s Too Late Bathe In the River Albertine One Day Apple Pie Bed Young Blood Love Love Love Everything To Me & Joel Little Walk (Back To Your Arms) Royals. -
New Zealand and Pacific Literatures in Spanish Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note. -
Scholarships Information
WELLINGTON HIGH SCJHOOL CAREERS DEPARTMENT CAREERS ADVISER – CHUNI BHIKHA ROOM: M410 SCHOLARSHIPS INFORMATION SCHOLARSHIPS UNIVERSITIES - GENERAL Scholarships and Fellowships provide significant recognition and financial support for students who continue to strive for academic success. www.universitiesnz.ac.nz/scholarships GENERAL – scholarships, grants and awards BreakOut - Funding Information Service Scholarships info for … Primary and secondary students Polytechnic and University students NOTE: Keep checking this site (givME) as about 10 new funds are added every week www.fis.org.nz/products/breakout/ Scholarship links - Ministry of Education www.minedu.govt.nz/.../ScholarshipLinks.aspx A range of scholarships are available to assist people wishing to study in New Zealand's tertiary education sector. A list of links is provided below that will help ... CAREERS NEW ZEALAND http://www.careers.govt.nz/education-and-training/scholarships-grants- and-awards/ Find a Scholarship - SchoolConnect www.schoolconnect.co.nz/scholarships PASIFIKA http://www.careers.govt.nz/education-and-training/scholarships-grants- and-awards/scholarships-grants-and-awards-for-pasifika- students/?search%5Bq%5D=SCHOLARSHIPS Scholarships » Ministry of Pacific Island Affairs www.mpia.govt.nz/scholarships-2 Anyone can apply for a scholarship, not just those who top the class. There are hundreds scholarships available for Pacifica people. Pacific Islands Polynesian Education Foundation ... www.minedu.govt.nz/.../PasifikaInitiatives/PIPEFScholarships.aspx The PIPEF scholarships encourage the better education of Polynesians and to provide financial assistance for that purpose. 2015 applications now open. MAORI http://www.careers.govt.nz/education-and-training/scholarships-grants- and-awards/scholarships-grants-and-awards-for-maori- students/?search%5Bq%5D=SCHOLARSHIPS Takoa - Maori Scholarships takoa.co.nz/scholarships.htm Education Scholarships: Government Scholarships Secondary .. -
New Zealand Crafts Issue 23 Autumn 1988
CRAFTS COUNCIL OF NEW ZEALAND (INC) 22 The Terrace Wellington OELU ZEHLHOD Phone: 727-018 1987/88 EXECUTIVE COMMITTEE PRESIDENT: The Crafts Cannril afNeu' Zealand John Scott (Int) is no! responsiblefin' statements 101 Putiki Drive WANGANUI and opinions published in NZ Ci'tgfis 064-50997 W nor do they m'ressin'ily relief! the Editorial 064—56921 H I’lt’II’S ofthe (Int/ix Comn‘il. Crafts Council Magazine No 23 Autumn 1988 VICE “Craft has ceased (however), to be mere decoration, and PRESIDENTS: the Anne Field craftsman has become the rival ofthe fine artist. Craft 37 Rhodes Street objects increasingly tend to be used in precisely the same CHRISTCHURCH way as paintings and scul ture in domestic and other 03-799-553 interiors — as space modulhtors and as activators of Melanie Cooper Introduction by Elizabeth Evans particular environments. ” 17 Stowe Hill So writes Edward Lucie-Smith, one of the world’s finest Thorndon WELLINGTON Craft Design Courses: the Lead-up 04734-887 writers on Art in his introduction to the inaugural by Ray Thorburn and Gavin Wilson exhibltlon at the American Craft Museum in New York. EXECUTIVE COMMITTEE: Exciting words, and having visited the museum at the Jenny Barraud An emerging Divers1ty 10 Richardson Street NELSON After two years. Craft Design courses around time ofits opening I can appreciate the sentiments 05484-619 expressed. One was given the clear impression that craft the country are developing their own hall—marks and art are inseparable, and that craft provided a greater James E. Bowman by Jenny Pattl'ir'k 103 Major Drive ran e of opportunities for artistic expression than the Kelson WELLINGTON Fientje Allis Van Rossum — a tutor profile by Eric Flegg traditional “fine arts”.