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Brittany M. Hudak book review of Painted Men in Britain, 1868–1918: Royal Academicians and Masculinities by Jongwoo Jeremy Kim Nineteenth-Century Art Worldwide 12, no. 2 (Autumn 2013) Citation: Brittany M. Hudak, book review of “Painted Men in Britain, 1868–1918: Royal Academicians and Masculinities by Jongwoo Jeremy Kim,” Nineteenth-Century Art Worldwide 12, no. 2 (Autumn 2013), http://www.19thc-artworldwide.org/autumn13/hudak-reviews- painted-men-in-britain-1868-1918. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Hudak: Painted Men in Britain, 1868–1918: Royal Academicians and Masculinities Nineteenth-Century Art Worldwide 12, no. 2 (Autumn 2013) Jongwoo Jeremy Kim, Painted Men in Britain, 1868–1918: Royal Academicians and Masculinities. Farnham, Surrey: Ashgate Publishing, 2012. 194 pp.; 66 b&w illustrations; 4 color illustrations; bibliography; index. $99.95 (Hardcover) ISBN 978-1-4094-0008-0 In E.M. Forster’s 1914 novel, Maurice, the eponymous protagonist visits his family doctor, Dr. Barry. Tormented and distraught, Maurice agitatedly disrobes. Standing nude before the good doctor, he tearfully admits, “I’m an unspeakable of the Oscar Wilde sort.” The physician replies, “Rubbish! Rubbish!” Dismissing even the possibility of Maurice’s homosexuality, the doctor frantically calls for some whiskey. As Jongwoo Jeremy Kim explains in his new book, Painted Men in Britain, 1868–1918: Royal Academicians and Masculinities, it was the enigma posed by Maurice’s naked body that confused the doctor. Maurice was hale, hearty, even virile, all signs pointing to healthy heteronormative pursuits.
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