Board Seeks Court Action in Teacher Strike Defense Attacks Dean Credibility
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
San Diego Public Library New Additions September 2008
San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David. -
John Carpenter Lost Themes II
John Carpenter Lost Themes II track listing: 1 Distant Dream (3:51) 2 White Pulse (4:21) 3 Persia Rising (3:40) 4 Angel’s Asylum (4:17) 5 Hofner Dawn (3:15) 6 Windy Death (3:40) 7 Dark Blues (4:16) 8 Virtual Survivor (3:58) 9 Bela Lugosi (3:23) 10 Last Sunrise (4:29) 11 Utopian Facade (3:48) 12 Real Xeno (4:30) (cD bonus track) key information / selling Points: Hometown / Key Markets: • Los Angeles, New York, Philadelphia, Chicago Selling Points / Key Press: • Lost Themes charted at #44 on Billboard Top Albums • More than 26,000 units of Lost Themes have shipped to date; Soundscan LTD is 14,733 On Halloween 2014, the director and composer John Carpenter introduced • Lost Themes is the highest selling album in label’s history the world to the next phase of his career with “Vortex,” the first single fromLost • Worldwide tour planned – playing live for the first time Themes, his first-ever solo record. In the months that followed,Lost Themes right- ever – with full band and stage production, May-Nov. 2016 fully returned Carpenter to the forefront of the discussion of music and film’s • Primavera, ATP Iceland, and ATP Release the Bats crucial intersection. Carpenter’s foundational primacy and lasting influence on already confirmed genre score work was both rediscovered and reaffirmed. So widespread was the • Secretly Distribution/ADA exclusive Purple & White Swirl acclaim for Lost Themes, that the composer was moved to embark on something Vinyl, edition of 2500 he had never before entertained – playing his music live in front of an audience. -
1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form. -
Surprised by Hope
SURPRISED BY HOPE Rethinking Heaven, the Resurrection, and the Mission of the Church N. T. WRIGHT In grateful memory of Stephen Neill, George Caird, and Charlie Moule teachers, scholars, pastors, and friends in the sure and certain hope of the resurrection of the dead CONTENTS Preface . vii part I ... setting the scene 1. All Dressed Up and No Place to Go? Introduction . 3 Confusion about Hope: The Wider World . .7 Varieties of Belief . .9 2. Puzzled About Paradise? Chris tian Confusion About Hope . 13 Exploring the Options . 16 The Effects of Confusion . 20 Wider Implications of Confusion. 25 The Key Questions . 27 3. Early Chris tian Hope in Its Historical Setting Introduction. 31 Resurrection and Life after Death in Ancient Paganism and Judaism . 35 The Surprising Character of Early Chris tian Hope. .40 4. The Strange Story of Easter Stories Without Precedent . 53 Easter and History . 58 Conclusion. 74 part II ... god’s future plan 5. Cosmic Future: Progress or Despair? Introduction. 79 Option 1: Evolutionary Optimism . 81 Option 2: Souls in Transit . 88 6. What the Whole World’s Waiting For Introduction. 93 Fundamental Structures of Hope . 93 Seedtime and Harvest. 98 The Victorious Battle . 99 Citizens of Heaven, Colonizing the Earth . 100 God Will Be All in All . 101 New Birth . 103 The Marriage of Heaven and Earth . 104 Conclusion. 106 7. Jesus, Heaven, and New Creation The Ascension . 109 What About the Second Coming? . 117 8. When He Appears Introduction. 123 Coming, Appearing, Revealing, Royal Presence . 124 iv contents 9. Jesus, the Coming Judge Introduction. 137 Second Coming and Judgment. -
Arrests Made in Undercover Drug Investigation, Searches
WEEKEND Homecoming Sounds on Jazz Fest EVENTS tonight Centre tonight starts Sunday PAGE 10A PAGE 1B PAGE 1B $1.00 FRIDAY, OCTOBER 4, 2019 / 16 PAGES, 2 SECTIONS • fbnewsleader.com Barea Brizelle G. Clay L. Clay Potts Roberson Arrests made in undercover drug investigation, searches Nassau County Sheriff’s Office narcotics deputies working with fed- eral Alcohol, Tobacco, & Firearms officers conducted several undercover drug operations at various area busi- nesses this summer, specifically at area convenience stores, according to an email from Nassau County Sheriff Bill Leeper. As a result of that investiga- tion, Kristopher Edwin Barea, 25, of Jacksonville, was charged with the sale of a controlled substance and two counts of trafficking methamphetamine over 14 grams, according to Leeper, who alleges Barea transported meth- amphetamine from Jacksonville and then sold the illegal drugs. Over 59 grams of meth were reported to have been seized. Leeper said another investigation by the NCSO Narcotics Unit closed a house at 85766 Owens Road in the Nassauville area and resulted in the COURTESY OF THE HISTORY PRESS arrest of a local man for allegedly selling A compilation of Florida’s creepy stories has been published just in drugs, among other charges. Michael time for Halloween. Hunter Potts, 36, was charged with the sale of a controlled substance, posses- sion of a firearm by a convicted felon, possession of marijuana, possession of NASSAU COUNTY SHERIFF’S OFFICE New book includes tales cocaine, possession of drug parapher- Evidence allegedly seized at the Hickory Street drug investigation scene. It was carried out as a joint operation between the Fernandina DRUGS Continued on 3A Beach Police Department and the Nassau County Sheriff’s Office. -
Complete Christmas Songbook
NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia -
Halloween OST (Art Edition, Blood Puddle Vinyl)
PLEASE DO NOT ANNOUNCE UNTIL NOVEMBER 8TH, 2018 12 PM EST PANDA BEAR OVERVIEW BUOYS From the opening minutes of Buoys, Noah Lennox’s sixth solo album as Panda Bear resembles something both wholly new and intimately familiar to fans and followers of the musician and Animal Collective member’s body TRACKLISTING of work. Lennox’s bright, sincere voice is still front-and-center, along with his beatific approach to melodic struc- 1. Dolphin ture and vocal phrasing—but there’s miles of space surrounding it, a guitar and a few textured samples here and 2. Cranked there fleshing out Buoys’ dubby sparseness. The off-white loveliness of his 2011 LP Tomboy is recalled, as well 3. Token as the sampledelia of 2007’s landmark Person Pitch—but Buoys otherwise represents a surprising and intimately 4. I Know I Don’t Know pleasurable new direction for an artist who’s embraced not repeating oneself as its own creative ethos. 5. Master The latest Panda Bear release since 2018’s vinyl-only release A Day With the Homies and the follow-up to 2015’s 6. Buoys kaleidoscopic Panda Bear Meets the Grim Reaper, Buoys began gestating in late 2017, as Lennox joined up 7. Inner Monologue with producer and frequent collaborator Rusty Santos (Animal Collective, DJ Rashad, Eric Copeland) in the 8. Crescendo former’s current home of Lisbon, Portugal. “He came over for some work of his own and spoke about music he’d 9. Home Free recently been involved with—mainly sad trap and reggaeton productions,” Lennox explains on how Santos be- came involved with Buoys. -
Drunk Detective Starkness
Vol. 11 february 2019 — issue 2 iNSIDE: 35 days - Jorge plays the witcher 3 - drunk detective starkness - Coward of the senate - SALACIOUS VEGAN CRUMBS - HYDROGEN JUKEBOX - still reading - camper van cracker - pedal pushing - record reviews - concert calendar 35 days 35 days. President Donald Trump, Senator Mitch McConnell, and the conservative punditry let the latest government shut- down continue for 35 days before Pres. Trump agreed to 979Represent is a local magazine fund the government temporarily while Congress and Trump will meet to negotiate on a more permanent ar- for the discerning dirtbag. rangement. January was not Donald Trump’s month. His approval Editorial bored numbers took a beating, he was uninvited to give the tradi- Kelly Menace - Kevin Still tional State of the Union address, his surrogates continu- ously looked unsympathetic to government workers who Art Splendidness missed an entire month of pay, many furloughed workers Katie Killer - Wonko Zuckerberg did not return to work when summoned by supervisors, airports closed due to not having enough air traffic control- Print jockey lers to safely handle the skies, two high level Trump associ- ates went to jail as part of the Mueller investigation, and Craig mack wilkins Trump attorney Rudy Giuliani claimed that Trump and company never said there was “no collusion” amongst Trump campaigners and Russia despite Trump and compa- Folks That Did the Other Shit For Us ny saying so at nearly everyone interview since 2017. That Mike l. downey - Jorge goyco - caleb mullins - rented is a LOT to unpack, but this is a typical month as far as mule - starkness - William Daniel thompson news cycles go these days. -
John Carpenter Assault on Precinct 13 B/W the Fog
John Carpenter Assault on Precinct 13 b/w The Fog Much of the power of the best films by the cult director John Carpenter can track listing: be attributed to their use of music — music that, more often than not, was 1 Assault on Precinct 13 (2:55) composed and performed by Carpenter himself. What began as a necessity for 2 The Fog (3:05) the low-budget productions by Carpenter became a major part of his aesthetic, and established him as a pioneering figure in genre-film score work as well as key information / selling Points: electronic music in general. Now, flanked by his son Cody Carpenter and godson Hometown / Key Markets: Daniel Davies, and with two albums (Lost Themes and Lost Themes II) of non- • Los Angeles, New York, Philadelphia, Chicago soundtrack material under his belt, Carpenter has decided to revisit some of his most beloved themes. Selling Points / Key Press: • Lost Themes SoundScan LTD approx. 19,000 Assault on Precinct 13 was the first feature film Carpenter made after film school, • First-ever live concerts this summer performing old movie themes and he made it partially as an urban reimagining of Rio Bravo, a film by his idol, and Lost Themes material Howard Hawks. In Carpenter’s movie, a soon-to-be-closed police precinct is • Great press confirmed including WTF with Marc Maron, KCRW’s placed under siege by a gang who have taken a blood oath to kill someone inside. The Treatment with Elvis Mitchell, and NPR First Listen Assault is a classic, not least of all because it has perhaps Carpenter’s best-loved • Assault on Precinct 13 is a low-budget classic, made for only theme. -
Submitted in Fulfilment for the Degree of Doctor Of
Submitted in fulfilment for the degree of Doctor of Philosophy in English, Brunel University, London February 2018. Title: Re-Reading Women’s Patronage: The Cavendish/Talbot/Ogle Circle Name: Collette Wheeler Primary Supervisor: Prof. James Knowles Secondary Supervisor: Prof. William Leahy Word Count: 108,263 1 | P a g e Re-Reading Women’s Patronage: The Cavendish/Talbot/Ogle Circle. 2 | P a g e Contents Acknowledgements 5 1. Introduction 7 2. Elizabeth Talbot, Countess of Shrewsbury: The Beginning of the Hardwick/Cavendish Legacy 78 3. The Rise, The Fall, and The Rise Again: The Political Failures and Successes of the Next Generation of Cavendish Women 121 4. The Newcastle Cavendishes: The Role of William Cavendish and his first Wife Elizabeth Bassett on the Continuance of and Alteration to the Cavendish Family Legacy 172 3 | P a g e 5. Creating Their Own Writing Through Their Pen: The Importance of Writing in the Cavendish Family and its Uses for Lady Jane Cavendish and Lady Elizabeth Bassett 232 6. Conclusion 298 Bibliography. 306 4 | P a g e Acknowledgements I suppose first and foremost I must pay homage to the women whose lives I have researched for this thesis and whom I have come to admire for their strength, self-awareness and attitude. To have led such lives that 400 years later are still worthy of attention is truly a feat of achievement. The Cavendish women have opened my eyes, all these years later, not only about what women during their own period were capable of, but what women today can be capable of as well. -
Murder Music: Horror Film Soundtracks Throughout History
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2020 Murder Music: Horror Film Soundtracks Throughout History Vincent G. Aragon California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Composition Commons, Musicology Commons, and the Other Film and Media Studies Commons Recommended Citation Aragon, Vincent G., "Murder Music: Horror Film Soundtracks Throughout History" (2020). Capstone Projects and Master's Theses. 788. https://digitalcommons.csumb.edu/caps_thes_all/788 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. California State University, Monterey Bay Murder Music: Horror Film Soundtracks Throughout History Vincent Aragon Music and Performing Arts 6 May 2020 Abstract Horror films often rely heavily on their music to create a tense and frightening experience for their audience, and it is the composer's job to write a score that satisfies that requirement. Throughout film history, the methods composers utilize to achieve that goal differ across time due to various factors including available technology, allotted budget, and the norms and expectations of films at the time. This capstone paper explores the different approaches composers employed in writing horror soundtracks from the early 20th century to the modern-day, noting any significant shifts and common themes found in the music of popular horror themes. -
And the Ends of Jesuit Science in Enlightenment Europe
Maximilian Hell (1720–92) and the Ends of Jesuit Science in Enlightenment Europe <UN> Jesuit Studies Modernity through the Prism of Jesuit History Editor Robert A. Maryks (Independent Scholar) Editorial Board James Bernauer, S.J. (Boston College) Louis Caruana, S.J. (Pontificia Università Gregoriana, Rome) Emanuele Colombo (DePaul University) Paul Grendler (University of Toronto, emeritus) Yasmin Haskell (University of Western Australia) Ronnie Po-chia Hsia (Pennsylvania State University) Thomas M. McCoog, S.J. (Loyola University Maryland) Mia Mochizuki (Independent Scholar) Sabina Pavone (Università degli Studi di Macerata) Moshe Sluhovsky (The Hebrew University of Jerusalem) Jeffrey Chipps Smith (The University of Texas at Austin) volume 27 The titles published in this series are listed at brill.com/js <UN> Maximilian Hell (1720–92) and the Ends of Jesuit Science in Enlightenment Europe By Per Pippin Aspaas László Kontler leiden | boston <UN> This is an open access title distributed under the terms of the CC-BY-NC-Nd 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The publication of this book in Open Access has been made possible with the support of the Central European University and the publication fund of UiT The Arctic University of Norway. Cover illustration: Silhouette of Maximilian Hell by unknown artist, probably dating from the early 1780s. (In a letter to Johann III Bernoulli in Berlin, dated Vienna March 25, 1780, Hell states that he is trying to have his silhouette made by “a person who is proficient in this.” The silhouette reproduced here is probably the outcome.) © Österreichische Nationalbibliothek.