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Bibliography

An asterisk (*) indicates the text referred to in this book, where more than one is cited.

'About the Contributors', New Writing 5 (1938) no page number. Bailey, Jeffrey, 'Interview: Christopher Isherwood', California Quarterly 11/12 (1977) 87-96. Bantock, G. H., 'The Novels of Christopher Isherwood', in B. Rajan (ed.), Focus Four: The Novelist as Thinker (: Dobson, 1947) 46-57. Bell, Arthur, 'Christopher Isherwood: No More Parades', New York Times Book Review (25 March 1973) 10, 12, 14. ____,'An Interview with Christopher Isherwood', Fag Rag 5 (1973) 4-5. Bleuler, Eugen, Textbook of Psychiatry, trans. A. A. Brill (New York: Macmillan, 1924). Bios, Peter, 'Character Formation in Adolescence', The Psychoanalytic Study of the Child, vol. 23 (New York: International Universities Press, 1968) 245-63. Blythe, Ronald, The Age of Illusion: in the Twenties and Thirties 1919- 1940 (Boston: Houghton Mifflin, 1964). Booth, Wayne, The Rhetoric of Fiction (Chicago: University of Chicago Press, 1961). Bradshaw, Jon, 'Reflections of an Anglo-Californian', Vogue 131, 2109 (1974) 72, 76, 84, 86, 91. Breit, Harvey, The Writer Observed (Cleveland: World Publishing, 1956). Broun, Heywood Hale, Interview with Christopher Isherwood, Audiotape (Audio-Forum Sound Seminars, 40263, Guilford, Ct: Jeffrey Norton, 1977). Bush, Marshall, 'The Problem of Form in the Psychoanalytic Theory of Art', The Psychoanalytic Review 54 (1967) 5-35. Carpenter, Humphrey, W. H. Auden: A Biography (London: Allen & Unwin; Boston: *Houghton Mifflin, 1981). 'Christopher Isherwood is Dead at 81', New York Times (6 January 1986) B7. Connolly, Cyril, Enemies of Promise (Harmondsworth: Penguin, 1962; Boston: *Little, Brown, 1939). ____,'Comment', Horizon 1, 2 (1940) 68. Crossman, Richard (ed.}, The God that Failed (New York: Harper, 1949). Davie, Michael, 'Four-Score and Then', Billboard (12 August 1984) 6-7, 9, 11. Dewey, John, Art as Experience (1934. New York: Capricorn-Putnam, 1958). Dewsnap, Terence, 'Isherwood Couchant', Critique 13, 1 (1970) 31-47. Earle, Anita, 'Writing for the Stage is "Like Painting with a Broom"', San Francisco Sunday Examiner (21 May 1972) Date Book Section: 7. Elliott, Robert C., The Literary Persona (Chicago: University of Chicago Press, 1982).

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Erikson, Erik H., 'Appendix', Psychological Issues 1, 1 (1959) 165-6. ____,Childhood and Society (New York: Norton, 1963). ____, 'Growth and Crises of the "Healthy Personality"', in M. J. E. Senn (ed.), Symposium on the Healthy Personality (New York: Josiah Macy, Jr. Foundation, 1950). Rpt. in Psychological Issues 1, 1 (1959) 50-100. ____,Identity: Youth and Crisis (New York: Norton, 1968). ____, Insight and Responsibility (New York: Norton, 1964). ____,The Life Cycle Completed: A Review (New York: Norton, 1982). ____, Life History and the Historical Moment (New York: Norton, 1975). ____, 'The Problem of Ego Identity', Journal of The American Psychoanalytic Association 4, 1 (1956) 58-121. Rpt. in Maurice Stein, Arthur J. Vidich and David Manning White (eds), Identity and Anxiety: Survival of the Person in Mass Society (Glencoe, Illinois: Free Press, 1960) 37-87. ____,'Reflections on Dr. Borg's Life Cycle', Daedalus 105,2 (1976) 1- 28. ____, 'Youth: Fidelity and Diversity', Daedalus 91 (1962) 5-27. Rpt. in Erik H. Erikson (ed.) Youth: Change and Challenge (New York: Basic Books, 1961) 1-23. Finney, Brian, Christopher Isherwood: A Critical Biography (Oxford and New York: Oxford University Press, 1979). ____, 'Christopher Isherwood: A Profile', New Review 2 (1975) 17- 24. Fitzpatrick, John J. and Friedman, Lawrence J., 'Adult Development Theories and Erik Erikson's Life-Cycle Model', Bulletin of the Menninger Clinic 47, 5 (1983) 401-16, Ford, Christopher, 'Christopher's Jungle Book', Manchester Guardian Weekly (10 April 1977) 22. Freedman, Alfred M., Kaplan, Harold I., and Sadock, Benjamin J., Comprehensive Textbook of Psychiatry II, 2nd edn (Baltimore, Md: Williams and Wilkins, 1975). Freud, Anna, The Ego and the Mechanisms of Defense, vol. II of The Writings of Anna Freud, trans. Cecil Baines (1937. New York: International Universities Press, 1973). Friedman, Norman, 'Point of View in Fiction: The Development of a Critical Concept', PMLA 70 (1955) 1160-84. Rpt. in Philip Stevick (ed.), The Theory of the Novel (New York: The Free Press, 1967) 108-87. Fryer, Jonathan, Isherwood (London: New English Library, 1977; Garden City, NY: *Doubleday, 1978). Funk, Robert W., Christopher Isherwood: A Reference Guide (Boston: G. K. Hall, 1979). Fussell, Paul, The Great War and Modern Memory (London: Oxford University Press, 1975). Geherin, David J., 'An Interview with Christopher Isherwood', Journal of Narrative Technique 12 (1972) 143-58. Ghiselin, Brewster, 'Art and Psychiatry: Characterization as Therapy, Therapy as Characterization', Michigan Quarterley Review 16 (1977) 12- 22. Bibliography 205

____, 'Literary and Psychological Insight', Western Humanities Review, 31 (1977) 31-42. Gill, Brandon, 'Review of ', New Yorker (10 July 1954) 72. Graves, Robert and Alan Hodge, The Long Week-End: A Social History of Great Britain 1918-1939 (1940. London: Century, 1985; New York: *Norton, 1963). Green, Martin, Children of the Sun: A Narrative of "" in England After 1918 (London: Constable, 1977; N.p.: *Wideview Books, 1980). Hall, Elizabeth, 'A Conversation with Erik Erikson', Psychology Today Gune 1983) 22-30. Halpern, Daniel, 'A Conversation with Christopher Isherwood', Anteaus 13/14 (1974) 366-88. Hamilton, Gerald, Mr. Norris and I: An Autobiographical Sketch (London: Wingate, 1956). Hart, Derek, 'A Fortunate, Happy Life - Christopher Isherwood Talks to Derek Hart', Listener 83 (1970) 449-50. Hartmann, Heinz, Ego Psychology and the Problem of Adaptation, trans. David Rapaport (1939. New York: International Universities Press, 1958). Hatterer, Lawrence J., The Artist in Society: Problems and Treatment of the Creative Personality (New York: Grove Press, 1965). Hayes, Richard, 'Private Pity', Commonweal 60 (1954) 421-23. Heilbrun, Carolyn G., Christopher Isherwood (New York: Columbia University Press, 1970). ____, 'Christopher Isherwood: An Interview', Twentieth Century Literature 22 (1976) 253-63. ____, 'An Interview with Gavin Lambert', Twentieth Century Literature 22 (1976) 332-42. Huxley, Aldous, Introduction, The Song of God: Bhagavad-Gita, trans. and Christopher Isherwood (1944. New York: New American Library, 1972) 11-22. Hynes, Samuel, The Auden Generation: Literature and Politics in England in the 1930s (London: Faber & Faber, 1979; New York: *Viking Press, 1977). Isherwood, Christopher, All the Conspirators (London: Jonathan Cape, 1928; New York: *New Directions, 1979). ----.,An Approach to Vedanta (Hollywood, Ca.: Vedanta Press, 1963). ____, (1945. New York: New Directions, 1963). ____, : 1929-1939 (London: Eyre Methuen, 1977; New York: *Farrar, Straus, & Giroux, 1976). ____, The Condor and the Cows (London: Methuen; New York: *Random House, 1949). ____, 'A Day in Paradise', The Ploughshare (1935). Rpt. in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 215-18. ----., 'Discovering Vedanta', Twentieth Century 170 (1961) 64-71. ____, (London: Methuen, 1962. New York: *Avon, 1978). 'An Evening at the Bay', New Country (1933). Rpt. in his Exhumations: 206 Bibliography

Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 200-8. ----,,Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966). ____, 'Gems of Belgian Architecture', (1927), in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966). ----,, 'Gerald and Mr. Norris', Prologue to Gerald Hamilton, Mr. Norris and I: An Autobiographical Sketch (London: Wingate, 1956) 9-12. ----,, (1939), in his The Berlin Stories (1945. London: Longman, 1980; New York: *New Directions, 1963). ____,'I am Waiting', The New Yorker (October 1939). Rev. and rpt. in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 219-30. ____, Preface to and translation of Intimate Journals by (San Francisco: City Lights Books, 1983) 9-16. ____,Kathleen and Frank (London: Methuen; New York: *Simon & Schuster, 1971). ____,The Last of Mr. Norris (1935), in his The Berlin Stories (1945. New York: New Directions, 1963). ____, Lions and Shadows: An Education in the Twenties (London: Hogarth, 1935; reissued by Methuen, 1953, 1985; New York: *New Directions, 1977). ____,A Meeting by the River (London: Methuen; New York: *Avon, 1967). ____, : Portrait of a Family (London: Hogarth, 1932. New York: *Avon, 1977). ____, Mr. Norris Changes Trains (London: Hogarth Press, 1935, 1960). ----., My Guru and His Disciple (1980. Harmondsworth and New York: Penguin, 1981). ____, October (Los Angeles: Twelvetrees Press, 1981). ____, 'On His Queerness', (1943), in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 8. ____, (London: Methuen, 1945, 1984; New York: *Avon, 1978). ____,'The Problem of the Religious Novel', Vedanta for Modern Man, Vedanta Society of Southern California, 1945. Rpt. in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 116-20. ----.,Review of 's World Within World, Tomorrow [c.1950-1951]. Rpt. in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 55-64. ____, (London: Eyre Methuen, 1980; New York: *Avon, 1964). ----,, trans. with Swami Prabhavananda, The Song of God: Bhagavad-Gita (1944. New York: New American Library, 1972). ____, 'Take It or Leave It', The New Yorker (1942). Rpt. in his Bibliography 207

Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 241-54. ____, 'The Wishing Tree', Vedanta for the Western World (1945). Rpt. in his Exhumations: Stories, Articles, Verses (London: Methuen; New York: *Simon & Schuster, 1966) 237-42. ____,The World in the Evening (1954. London: Methuen, 1984; New York: *Avon, 1978). ----., and Auden, W. H., (London: Faber & Faber, 1936), in their Two Great Plays (New York: *Vintage-Random, n.d.). ____, and Auden, W. H., : Or, Where is Francis? (London: Faber & Faber, 1935), in their Two Great Plays (New York: "Vintage-Random, n.d.). ____, and Auden, W. H., (London: ,.Faber & Faber, 1939). Jebb, Julian, 'Review of Down There on a Visit', London Magazine, n.s., 2 (1962) 87-9. Johnstone, Richard, The Will to Believe: Novelists of the Nineteen-Thirties (Oxford and New York: Oxford University Press, 1982). Kamel, Rose, '"Unravelling One's Personal Myth": Christopher Isher­ wood's Autobiographical Strategies', Biography 5, 2 (1982) 161-75. King, Francis, Christopher Isherwood (Harlow, Essex: Longman, 1976). Knight, Christopher, 'Christopher Isherwood Dies at 81', Los Angeles Herald Examiner (6 January 1986) C1, 5. Kopp, Sheldon, An End to Innocence: Facing Life Without Illusions (New York: Bantam, 1981). Kris, Ernst, Psychoanalytic Explorations in Art (New York: International Universities Press, 1952). Lambourne, David, '"A Kind of Left-Wing Direction": An Interview with Christopher Isherwood', Poetry Nation 4 (1975) 47-62. Lehmann, John, I am my Brother: Autobiography II (New York: Reynal, 1960). ----., 'Two of the Conspirators', Twentieth Century Literature 22 (1976) 264-75. ----., Whispering Gallery: Autobiography I (New York: Harcourt, Brace, 1954). Lindsay, Jack, After the 'Thirties: The Novel in Britain and Its Future (London: Lawrence & Wishart, 1956). McCabe, Edward, The Isherwood Generation: Auden and the Edwardian Children', Commonweal104 (1977) 683-5. Mackinnon, Donald W., 'Creativity and Images of the Self', in Robert W. White, The Study of Lives: Essays on Personality in Honor of Henry A. Murray (New York: Atherton Press, 1963) 259-79. Maes-Jelinek, Hena, Criticism of Society in the English Novel Between the Wars (Paris: Societe d'Editions 'Les Belles Lettres', 1970). ____, The Knowledge of Man in the Works of Christopher Isherwood', Revue des Langues Vivantes 26 (1960) 341-60. Marmor, Judd, 'Homosexuality and Sexual Orientation Disturbance', in Alfred M. Freedman, Harold I. Kaplan and Benjamin J. Saddock (eds), Comprehensive Textbook of Psychiatry II, 2nd edn (Baltimore, Md: Williams & Wilkins, 1975) 1510-20. 208 Bibliography

Mayne, Richard, 'The Novel and Mr. Norris', Cambridge Journal 6 (1953) 561-70. Menaker, Esther, 'Creativity as the Central Concept in the Psychology of Otto Rank', Journal of the Otto Rank Association 2 (1977). Rpt. in Alan Roland (ed.) Psychoanalysis, Creativity, and Literature: A French-American Inquiry (New York: Columbia University Press, 1978) 162-77. Muggeridge, Malcolm, The Thirties: 1930-1940 in Great Britain (1940. London: Collins, 1967). Newquist, Roy, Conversations (N.p.: Rand McNally, 1967). Nin, Anai's, The Journals of Anais Nin, vol. 5, edited by Gunther Stuhlman (London: Peter Owen, 1979). Piazza, Paul, Christopher Isherwood: Myth and Anti-Myth (New York: Columbia University Press, 1978). Poss, Stanley, 'A Conversation on Tape', London Magazine 1 (1961) 41-58. Powers, Dennis, 'Isherwood Discusses His Life and Work', Oakland Tribune (2 May 1963) D22. Poznar, Walter, 'Christopher in Down There on a Visit: Un Jour Sans Lendemain', Wascana Review 16 (1981) 3-15. Raban, Jonathan, The Technique of Modern Fiction (Notre Dame, In: University of Notre Dame Press, 1969). Rank, Otto, Art and Artist: Creative Urge and Personality Development, 1930; trans. Charles Francis Atkinson (New York: Knopf, 1932). Rapaport, David, 'A Historical Survey of Psychoanalytic Ego Psychology', Bulletin of the Philadelphia Association for Psychoanalysis 3 (1958) 105-20. Rpt. in Psychological Issues 1.1 (1959) 5-17. Read, Herbert, Collected Essays in Literary Criticism (London: Faber & Faber, 1938). Rosenfeld, Isaac, 'Isherwood's Master Theme', Kenyon Review 8 (1946) 488- 92. Rothenberg, Albert, The Emerging Goddess: The Creative Process in Art Science, and Other Fields (Chicago: University of Chicago Press, 1979). Scharfman, Melvin A., 'Puberty and the Adolescent', in Richard C. Simon and Herbert Pardes (eds), Human Behavior in Health and Illness, 2nd edn (Baltimore, Md: Williams & Wilkins) 234-48. Scobie, W. 1., 'The Art of Fiction: Christopher Isherwood', Paris Review 14 (1974) 138-82. Rpt. in George Plimpton (ed.), Writers at Work: The Paris Review Interviews, 4th series (New York: Viking, 1976) 209-42. ____, 'A Lively Exchange With One of Our Greatest Living Writers', The Advocate (17 December 1975) 6-8. ____,'The Youth that was "I": A Conversation in Santa Monica with Christopher Isherwood', London Magazine, n.s., 17 (1977) 23-32. Smith, Sarah and Marcus Smith, 'To Help Along the Line: An Interview with Christopher Isherwood', New Orleans Review 4 (1975) 307-10. Solway, Clifford, 'An Interview with Christopher Isherwood', Tamarack Review 39 (1966) 22-35. Spender, Stephen, The Destructive Element: A Study of Modern Writers and Beliefs (London: Jonathan Cape, 1935). ____, 'Issyvoo's Conversion', New York Review of Books (9 August 1980) 18-21. Bibliography 209

----,, Letters to Christopher (Santa Barbara, Ca: Black Sparrow Press, 1980). ----,, 'The Secret of Issyvoo', London Observer (12 January 1986) no page numbers. ----,, Selected (1934. London: Faber; New York: Random House, 1976). ____, The Thirties and After: Poetry, Politics, People 1933-1970 (London: Fontana, 1978. New York: *Vintage-Random, 1979). ----,, World Within World: The Autobiography of Stephen Spender (1951. London: Faber, 1977; Berkeley, Ca: *University of California Press, 1966). Summers, Claude J., Christopher Isherwood (New York: Ungar, 1980). ----,, 'Christopher Isherwood and the Need for Community', Perspectives on Contemporary Literature, 3 (1977) 30-7. Surmelian, Leon, Techniques of Fiction Writing: Measure and Madness (Garden City, NY: Doubleday 1968). Symons, Julian, The Thirties: A Dream Revolved (London: Cresset Press, 1960). Thomas, David P., 'Goodbye to Berlin: Refocusing Isherwood's Camera', Contemporary Literature 13 (1972) 44-52. Thomas, Peter, '"" and Politics in Isherwood's Berlin Fiction', Journal of Modern Literature 5 (1976) 117-30. Thompson, Mark, 'Double Reflections: Christopher Isherwood and on Art, Love and Faith', The Advocate (20 March 1984) 32-6. Thorne, Nicola, 'Christopher Isherwood: In Conversation with Nicola Thorne', Vogue (British edition November, 1971) 154-5. Trilling, Diana, 'Fiction in Review', Nation 161 (1945) 530-2. Vaillant, George E., Adaptation to Life (Boston: Little, Brown, 1977). Viertel, Berthold, 'Christopher Isherwood and Dr. Friedrich Bergmann', Theatre Arts 30 (1946) 295-8. Wallace, Carol, 'A Portrait of Devotion', People (21 May 1984) 68-70, 73. Watts, Alan, Psychotherapy East and West (1961. New York: Vintage-Ran­ dom, 1975). Weeks, Edward, 'Hollywood and Vina', Atlantic (April 1962) 156-7. Weissman, Philip, 'Theoretical Considerations of Ego Regression and Ego Function in Creativity', Psychoanalytic Quarterly 36 (1967) 37-50. Wennersten, Robert, 'Interview with Christopher Isherwood', Transatlan­ tic Review 42-3 (1972) 5-21. Whitehead, John, 'Christophananda: Isherwood at Sixty', London Magazine n.s. 5 (1965) 90-100. Wickes, George, 'An Interview with Christopher Isherwood', Shenandoah 16 (1965) 22-52. Wilde, Alan, Christopher Isherwood (New York: Twayne, 1971). Wilson, Angus, 'The New and the Old Isherwood', Encounter 3 (1954) 62-8. Wilson, Colin, 'An Integrity Born of Hope: Notes on Christopher Isherwood', Twentieth Century Literature 22 (1976) 312-31. Woolf, Virginia, 'The Leaning Tower', in her 'The Moment' and Other Essays (1948. New York: Harvest-Harcourt, 1974) 128-54. Yeats, William Butler, 'The Choice', 1932. Rpt. in M. L. Rosenthal (ed.), Selected Poems and Two Plays of William Butler Yeats (New York: Collier, 1966) 131.