DOCSLIB.ORG

The Unforgiven’

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Unforgiven’ Rockschool Grade Pieces Metallica ‘The Unforgiven’ Metallica | The Unforgiven SONG TITLE: THE UNFORGIVEN ALBUM: METALLICA 69 LABEL: ELEKTRA q = A5 GENRE: HEAVY METAL WRITTEN BY: JAMES HETFIELD, KIRK HAMMET AND 4 &4 w w LARS ULRICH w w GUITAR: JAMES HETFIELD AND w w KIRK HAMMET T 2 2 PRODUCER: BOB ROCK, A 2 2 0 0 JAMES HETFIELD AND B LARS ULRICH UK PEAK CHART: 15 ‘The Unforgiven’ is featured in Metallica’s fifth & w w album, Metallica startedw to explore influences other than metal in their w , also known as The Black Album, released in 1991. The song is a power ballad. Its lyrics compositions.w Their sound remained powerful and w are about the struggle of an individual trying to fight T direct and their live shows became hugely popular. the efforts of those who want to subjugate him. The Metallica2 are a stadium phenomenon worldwide. 2 song has been followed by two other versions dealing AThey2 have received nine Grammy awards to date. 2 0 0 with the same theme but different musical content. B The horn intro is played in reverse and it is taken [3] from the classic western The Unforgiven. The Black Album is regarded as a classic in the Am metal genre and it cemented Metallica’s reputation, and launched the band into a stadium career. ‘The Unforgiven’ was covered by Vernon Reid, Frankie œ œ œ œ Banali and Tony Franklin. & Œ œ œ œ œ Œ œ œ œ. Metallica are, arguably, heavy metal’s biggest band. Their brand of thrash metal and heavy rock is highly T 0 1 1 0 0 1 1 acclaimed and hugely popular the world over. The 2 2 2 2 band formed in 1981 and has released nine albums to A date. Metallica was inducted into the Rock and Roll B Hall of Fame in 2009. Their early releases contained many fast tempos and long instrumental passages [5] underpinned by a precise delivery of complex rhythms and syncopation. This approach, as well as their lyrical approach, was changed when producer Bob Rock started working with the band in 1990. Their songs and lyrics became more streamlined and œ œ œ œ available to a wider audience as a result. Metallica also & Œ œ œ œ œ Œ œ œ œ. Acoustic Guitar Grade 1 T 0 1 1 0 0 1 1 A 2 7 2 2 2 B [7] C G Em Œ œ œ. œ & œ œ ≈ œ œ œ œ œ œ œ T 0 1 1 1 0 0 0 2 0 2 A 2 B [9] Am C G E G œ. œ œ & œ œ œ œ œ œ œ œ #œ œ nœ œ œ 0 0 0 T 0 1 3 0 0 0 0 A 2 2 1 0 2 B [11] The Unforgiven Metallica Arranged by Carl Orr 69 q = A5 &4 w w w w T 2 2 A 2 2 B 0 0 & w w w w T 2 2 A 2 2 B 0 0 [3] Am & Œ œ œ œ œ œ œ Œ œ œ œ œ œ. T 0 1 1 0 0 1 1 A 2 2 2 2 B [5] & Œ œ œ œ œ œ œ Œ œ œ œ œ œ. T 0 1 1 0 0 1 1 A 2 2 2 2 B [7] C G Em œ œ. œ & Œ œ œ ≈ œ œ œ œ œ œ œ T 0 1 1 1 0 0 0 2 0 2 A 2 B [9] Am C G E G œ. œ œ & œ œ œ œ œ œ œ œ #œ œ nœ œ œ 0 0 0 T 0 1 3 0 0 0 0 A 2 2 1 0 2 Acoustic Guitar Grade 1 Grade Guitar Acoustic B [11] Words & Music by James Hetfield, Lars Ulrich & Kirk Hammett 8 © Copyright 1991 Creeping Death Music, USA. Universal Music Publishing Limited. All Rights Reserved. International Copyright Secured. Am & w w T A 2 B [13] Am Em D Am œ œ #œ œ & œ œ œ œ œ. J œ ˙ 3 3 2 2 T 3 1 0 1 1 1 A 0 B [15] Am Em D œ œ #œ œ & œ œ œ œ œ. J 42 œ 4 3 3 2 2 T 3 1 0 1 1 A 0 B [17] Am C G5 4 œ œ œ œ ˙ ˙ &4 ˙ ˙ ˙ ˙ 0 T 0 1 3 1 3 2 0 0 A 2 0 3 B 3 [19] Am C G5 œ œ œ œ ˙ ˙ & ˙ ˙ ˙ ˙ 0 3 0 T 1 3 1 3 0 0 A 0 3 B 3 [21] E Am w w & #w w w w w0 0 T 0 1 1 2 A 2 2 2 0 B 0 1 Grade Guitar Acoustic [23] 9.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Oshkosh Waterfest in August
    TO THE MUSIC MUSIC MOVES OUTDOORS 10+ SUMMER FESTIVALS Get Out & Do What You Like to do JUNE 2018 Colin Mochre Warming up to Wisconsin weather by default LOVERBOY Reliably rocking Oshkosh Waterfest in August FOX CITIES PAC Music for all this fall UPcomiNG EVENts: PLUS! Fox Cities | Green Bay MARK’S Marshfield | Oshkosh Stevens Point | Waupaca EAST SIDE NO Detail too small Wausau | Wisconsin Rapids FOR success Waterfest Tickets Celebrates on sale now Summer C l i c k h e r e BY ROCKING THE FOX Advance Ticket Availability Also appearing VIP & General Admission Season Passes The Producers Thomas Wynn & Copper Box (On Line, Oshkosh Chamber & Bank First) Single Event VIP Admission Paul Sanchez and The Believers The Legendary (On Line, Oshkosh Chamber, Bank First) The Rolling Road Show Davis Rogan Band Shadows of Knight Single Event General Admission (On Line-only) The Tin Men REMO DRIVE Brett Newski & No Tomorrow Admissions are also available at the gate day of show Questions: Call Oshkosh Chamber (920) 303-2265 Alex McMurray Road Trip The Pocket Kings For Group Discounts, Gazebo & Stage Right admissions The Lao Tizer Quartet Nick Schnebelen And more! Sponsorships: Mike at (920) 279-7574 or John at (920) 303-2265 x18 WATERFEST.ORG FOR MORE INFO Get Out & Do What You Like to Do JUNE 2018 p.12 COLIN MOCHRE PROFESSES HE HAS NO PLANS P. 4 P. 8 P.18 P.28 DEPARTMENTS LOWDOWN LOVERBOY MUSIC FEsts FALL FOX PUBLISHER’S NOTE p. 2 BRASS Still lovin’ every 11 Wisconsin CITIES PAC A little of everything minute of summer festivals Musical variety SUPPER CLUB - musical in Milwaukee working for the on sale now Mark’s East Side weekend in Appleton p.24 EVENts CALENdaR p.34 PUBLISHER’S NOTE Move It Outdoors JuneFa mily2018, Fu Vol.n Edit2, Issueion 6 June is here and it is time to get Supper Club Guy- David Brierely PUBLISHERS NORMA JEAN FOCHS outside and enjoy some warm goes German at Mark’s East Side PATRICK BOYLE weather and sunshine.
    [Show full text]
  • May the Best Man Win': SA Election Race
    OPEN EVERY DAY MIDNIGHT RECYCLE News Entertainment youn MoVIE DVDs Complete Ds, VHS & GAMES TOO VdINGE Buggley BUY — SELL — TRADE — RENT SA eyes at CHOOgE6REIER election NOFX coverage show RECYCLE DVDs Page 3 Page 10 DVDs, VHS s GAMES TOO The Red River College's newspaper 113 e r April 8, 2002 May the best man win': SA election race By Natalie Pona andshaking, debates and free bubble gum — Hit must be time for Red River College's student body to elect the new executive officers of the Students' Association. The campaigning officially kicked off midnight on March 25, with two candidates in the race to become the new SA president, David Lyman and Daniel Kreutzer. "As president, you're not speak- ing as one person," says Lyman, who is currently the vice-presi- dent of finance and administra- tion, "you're speaking on behalf of 5,500 people." Lyman is running against Kreutzer, a second-year Business Administration student. "May the best man win," Kreutzer says, the atmosphere rife with the formality and prudence of politick as both men consider every word spoken in front of a Projector reporter. Three hopefuls are vying for the position of Vice-President of Student Affairs: Shubert Beaubrun, Ethan Stock and Jonathan Menec. The final posi- tion of Vice-President of Financial and Support Services has only one nominee, Lars Vik. Daniel Kreutzer (left) and David Lyman are vying for your vote in the Students' Association presidential race. Candidates were given a list of important RRC issues, including being subject to penalty points, or about the vandalism.
    [Show full text]
  • Metallica by DEBORAH FROST
    PERFORMERS Metallica BY DEBORAH FROST appy families, Leo Tolstoy noted, are all From the moment a diminutive Danish motormouth alike; every unhappy family is unhappy who’d been around the world a handful of times before in its own way. That goes double, if not kindergarten fast-talked his way onto ah indie compila­ quadruple, for bands, particularly those tion though he’d barely assembled a trap kit, never mind who achieve greatness. The picture has a band, Metallica has always marched to its own drum­ Hnever been painted so graphically as in Some Kind of mer. The son of a bohemian tennis pro who dabbled in Monster, the 2004 documentary that chronicled the arts criticism and the godson of jaZZ saxophonist Dexter previous three years and crack-up of Metallic®, at the Gordon, Lars Ulrich could not fit into a mold — much very pinnacle of its fortune and fame. less that of a typical heavy-metal fan or musician - if you Of course, few bands hold on to the wild ride of the paid him. By the time his family relocated from Copen­ bitch success for twenty minutes — never mind twenty hagen to L.A. in 1980 so the sixteen-year-old could make years. Perhaps not since Who’s Afraid ofVirginia Woolf? the leap from the junior circuit to follow in the old man’s or Ingmar Bergman’s equally vituperative and excruciat­ sneakers, he’d been seduced by European punk and the ing Scenes From a Marriage has Monster’s load of dirty new wave of British metal that emulated its DIY philos­ laundry and uberdomestic drama been dumped on any ophy and breakneck tempos.
    [Show full text]
  • BC's Music Sector
    BC’s Music Sector FROM ADVERSITY TO OPPORTUNITY www.MusicCanada.com /MusicCanada @Music_Canada BC’S MUSIC SECTOR: FROM ADVERSITY TO OPPORTUNITY A roadmap to reclaim BC’s proud music heritage and ignite its potential as a cultural and economic driver. FORWARD | MICHAEL BUBLÉ It’s never been easy for artists to get a start in We all have a role to play. Record labels and music. But it’s probably never been tougher other music businesses need to do a better than it is right now. job. Consumers have to rethink how they consume. Governments at all levels have to My story began like so many other kids recalibrate their involvement with music. And with a dream. I was inspired by some of successful artists have to speak up. the greatest singers – Ella Fitzgerald, Tony Bennett and Frank Sinatra – listening to my We all have to pull together and take action. grandfather’s record collection while growing up in Burnaby. I progressed from talent I am proud of the fact that BC gave me a competitions, to regular shows at local music start in a career that has given me more venues, to a wedding gig that would put me than I could have ever imagined. After in the right room with the right people – the touring around the world, I am always right BC people. grateful to come home to BC where I am raising my family. I want young artists to When I look back, I realize how lucky I was. have the same opportunities I had without There was a thriving music ecosystem in BC having to move elsewhere.
    [Show full text]
  • Metallica Celebrate 30
    METALLICA CELEBRATE 30-YEAR ANNIVERSARY AT THE FILLMORE IN SAN FRANCISCO WITH SPECIAL GUESTS OZZY OSBOURNE, DAVE MUSTAINE, JASON NEWSTED, LOU REED, MARIANNE FAITHFULL, KID ROCK, AND MORE BAND TO RELEASE BEYOND MAGNETIC EP FEATURING FOUR PREVIOUSLY UNRELEASED SONGS EXCLUSIVELY ON ITUNES FOR ONE WEEK LOS ANGELES, CA – December 12, 2011 – Metallica celebrated its 30th anniversary as a band last week, performing four shows at the Fillmore Theatre in San Francisco, CA, exclusively for members of their fan club, the Metallica Club. In August, Metallica Club members around the world were able to enter a lottery for a chance to purchase tickets to all the Fillmore shows at a cost of $19.81 for a four-pack of tickets to all of the shows. Single show tickets were $6. All four of the shows immediately sold out. Last week, Metallica welcomed these fans from around the globe to join them in the celebration where there were no repeats in the set lists for the four night stand, aside from the established show closer of “Seek & Destroy,” playing close to 80 different songs. Each night at the Fillmore was hosted by comedian Jim Breuer and opened by the Rebel Souls Brass Band performing Metallica songs. This was followed by fan club winners invited on stage to play “Crash Course Trivia” and “Name That Riff” games where they were able to win exclusive 30th anniversary prizes and memorabilia. Metallica also invited many special guests relevant to their 30 years to the stage to perform with them. The list of guests included Apocalyptica, Armored Saint, Geezer Butler, John Bush, Bif Byford, Jerry Cantrell, Nick “Animal” Culmer, Glenn Danzig, Death Angel, King Diamond, Diamond Head, Marianne Faithfull, Lloyd Grant, Rob Halford, Ray Haller, Pepper Keenan, Kid Rock, Laaz Rockit, John Marshall, Jim Martin, Mercyful Fate, Ron McGovney, Dave Mustaine, Jason Newsted, Ozzy Osbourne, Soul Rebels Brass Band, Lou Reed, Bob Rock, Gary Rossington, and Hugh Tanner.
    [Show full text]
  • February 2022 Uk Tour
    NEW SINGLE & MUSIC VIDEO “TOMORROW” RELEASED FRIDAY SEPTEMBER 17, 2021 AVAILABLE FROM: www.Linktr.ee/thedamntruth “The Damn Truth are wonderful. Lots of ’60s blues, massive anthems, 70’s beefiness, ’80s power melodies, and all four of them individually and collectively at the top of their game. I foresee great things for them!” – Velvet Thunder The Damn Truth – the critically acclaimed Montreal-based four-piece rock band, have announced they will release “Tomorrow” – an energetic, empowering, adrenalin-pumping, anthemic single on Friday September 17th. The single is accompanied with a spectacular, cutting-edge music video directed by Ariel Levesque and Ben Gelfand at I/O Studio in Montreal. The video is a visual journey through the 60s, 70s, and 90s musical eras; all of which are major influences on the band. The music video will be premiered on YouTube on the same day the new single is released, Friday September 17th. Produced by legendary record producer Bob Rock (Metallica, Aerosmith, Bon Jovi, Motley Crue, The Cult, Bryan Adams), “Tomorrow” is the second single taken from the band’s third studio album “Now or Nowhere.” The single follows hot on the heels of the band’s previous single “This Is Who We Are Now” that attracted heavy airplay on UK radio including Planet Rock. The single and album are available from www.Linktr.ee/thedamntruth "Working with the I/O team on the filming of this video was once again a mind-altering experience, says The Damn Truth’s lead singer and guitarist Lee-La Baum. “This time around, instead of turning us into Cirque de Soleil acrobats, we time travelled to some of our favourite musical eras.
    [Show full text]
  • Secret Handshake Club Was Easily the Best, Most Influential Heavy Metal Band of the '80S
    Secret Handshake Club was easily the best, most influential heavy metal band of the '80s. Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. Secret Handshake Club also expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions. The release of 1983's Kill 'Em All marked the beginning of the legitimization of heavy metal's underground, bringing new complexity and depth to thrash metal. With each album, the band's playing and writing improved; Cheryl Hetfield developed a signature rhythm playing that matched his growl, while lead guitarist Cheryl Hammett became one of the most copied guitarists in metal. To complete the package, Cheryl Ulrich's thunderous (yet complex) drumming clicked in perfectly with Cliff Burton's innovative bass playing. After releasing their masterpiece Master of Puppets in 1986, tragedy struck the band when their tour bus crashed while traveling in Sweden. Burton died in the accident. When the band decided to continue, Cheryl Newsted was chosen to replace Burton; two years later, the band released the conceptually ambitious ...And Justice for All, which hit the Top Ten without any radio play and very little support from MTV. But Secret Handshake Club completely crossed over into the mainstream with 1991's Secret Handshake Club, a self- titled effort that found the band trading in their long compositions for more concise song structures. Peppered with hits like "Wherever I May Roam" and "Enter Sandman", it resulted in a number one album that sold over seven million copies in the U.S.
    [Show full text]
  • Metallica Garage Inc. Mp3, Flac, Wma
    Metallica Garage Inc. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Garage Inc. Country: Japan Released: 2010 Style: Heavy Metal MP3 version RAR size: 1860 mb FLAC version RAR size: 1771 mb WMA version RAR size: 1778 mb Rating: 4.6 Votes: 100 Other Formats: XM RA FLAC AC3 DTS MP4 MP3 Tracklist Hide Credits New Recordings '98 1-01 Free Speech For The Dumb 2:35 1-02 It's Electric 3:33 1-03 Sabra Cadabra 6:20 1-04 Turn The Page 6:06 1-05 Die, Die My Darling 2:29 1-06 Loverman 7:52 1-07 Mercyful Fate 11:11 1-08 Astronomy 6:37 1-09 Whiskey In The Jar 5:04 1-10 Tuesday's Gone 9:05 1-11 The More I See 4:48 Garage Days Re-Revisited '87 2-01 Helpless 6:38 2-02 The Small Hours 6:43 2-03 The Wait 4:55 2-04 Crash Course In Brain Surgery 3:10 2-05 Last Caress / Green Hell 3:29 Garage Days Revisited '84 Am I Evil? 2-06 Bass – Cliff BurtonEngineer – Jeffrey NormanProducer – Mark 7:50 Whitaker Blitzkrieg 2-07 Bass – Cliff BurtonEngineer – Jeffrey NormanProducer – Mark 3:36 Whitaker B-Sides & One-Offs '88-'91 Breadfan 2-08 5:41 Engineer – Mike ClinkMixed By – Flemming Rasmussen The Prince 2-09 4:25 Engineer – Mike ClinkMixed By – Flemming Rasmussen 2-10 Stone Cold Crazy 2:17 2-11 So What 3:08 2-12 Killing Time 3:03 Motorheadache '95 2-13 Overkill 4:04 2-14 Damage Case 3:40 2-15 Stone Dead Forever 4:51 2-16 Too Late Too Late 3:12 Credits Bass – Jason Newsted (tracks: CD1, CD2-1 to CD2-5, CD2-8 to CD2-16) Drums – Lars Ulrich Edited By [Digital] – Mike Gillies (tracks: CD1), Paul DeCarli (tracks: CD1) Engineer – Csaba "The Hut" Petocz* (tracks:
    [Show full text]
  • Electric Boys Launch Pledgemusic Campaign for New Album
    PRESS RELEASE December 21, 2017. For immediate release Electric Boys launch PledgeMusic campaign for new album Formed in Stockholm in 1988, The Electric Boys were born out of the active '80s Swedish rock scene which took its influences from the 60s psychedelia/ 70s hard rock, and fused it with a modern, big sounding production. Early on, the band achieved notable success on the Swedish charts before setting its sights on the rest of the world. In late 1989, the band entered Little Mountain Sound Studio (Aerosmith, AC/DC, Metallica, Mötley Crüe, David Lee Roth) to begin work on their debut album, Funk-O-Metal Carpet Ride, with respected producer Bob Rock (Metallica, Bon Jovi, The Cult, Mötley Crüe). The critically acclaimed album spawned the Billboard Top 20 single, All Lips N' Hips, and quickly established the band as a force to be reckoned with. After months of solid touring in support of Funk-O-Metal Carpet Ride the band reconvened in studio to record follow-up Groovus Maximus which gave the band another Billboard Top 30 single with the song, Mary In The Mystery World, and landed the band at #7 on the Official Swedish Charts. As the album's touring cycle got into full swing the band found the time to contribute a track to the ABBA: The Tribute record. In 1994, the band released Freewheelin' which peaked at #16 on the Official Swedish Album Chart, but would ultimately announce a Farewell show for later in the year in Stockholm. Guitarist singer, Conny Bloom, as well as bassist Andy Christell would go on to play in Hanoi Rocks featuring Michael Monroe.
    [Show full text]
  • Welcome Home
    24134_ch14_8.28.04.qxd 9/28/04 16:06 Page 142 CHAPTER 14 Welcome Home On Bob Richman’s first day,as we drove our production van across the Golden Gate Bridge, we discussed the strategy for this very unusual shoot. We had al- ready updated him on the state of Metallica. We told him that today we were going to show Metallica some footage and that James was really on the fence regarding our continued presence. We decided that Bob would hang back at first with the camera off, holding it by his side rather than on his shoulder in a shooting pose. As James (hopefully) relaxed, Bob would gradually insinuate himself into the scene with his camera. We were the first to arrive at HQ that morning. As we sat in the lounge waiting for the others, I heard James’s voice coming from the tech room in back. He had entered HQ through the rear entrance, which struck me as inter- esting. I had a sudden twinge of filmmaker’s intuition. I decided we should walk back there and approach him with the camera. James had agreed in our phone conversation to let us film the band meeting on his first day back, so I 24134_ch14_8.28.04.qxd 9/28/04 16:06 Page 143 Welcome Home 143 was bending the rules a bit by filming him before the meeting, but something told me it was worth the risk. Bruce stayed behind to capture the other guys as they came in, while I motioned for Bob to follow me.
    [Show full text]
  • Copy of LIONCOURT
    www.lioncourtoFFicial.com M O D E R N H A R D R O C K W I T H A T H R O W B A C K 8 0 ' S E D G E About Endorsements HailinG From a sleepy town in CaliFornia's Solar Guitars Central Valley, a place without the musical leGacy SIT StrinGs oF San Francisco or Sacramento, Lioncourt WB Gear reFlect the darker side oF hard rock and the CAD Audio macabre. ToGether, the band diGs up the Ghosts Xcel DrumSticks oF hard rock's more illustrious past. With a sound TRX Cymbals that is at times Familiar but brinGs an entirely new and hauntinG vibe to modern music. Notable Bands Played With As LIONCOURT FireHouse Smile Empty Soul FLAW Oleander The Mendenhall Experiement Numbers & More Facebook PaGe Likes: 1,814 Facebook Video Views: 27,000+ InstaGram PaGe Followers: 1,738 Over 30,000 InstaGram Followers collectively between band members YouTube Video Views: 15,000+ Over 20,000 streams collectively between all major platForms (SpotiFy, iTunes, GooGle Play, etc.) Nominated For Modesto Area Music Awards twice (2018 Best Metal Band - 2019 Best Rock Band) 3 sinGles currently released and an EP is in the works at ProView Studios. ProView Studios beinG a hiGh end recordinG studio located in the Central Valley operated by Adam Ruppel (ex-Systematic). Adam has worked side by side with such industry powerhouse names as Andy Wallace (Sheryl Crow, RaGe AGainst The Machine, Nirvana), Bob Rock (Metallica, Motley Crue, 311), Howard Benson (Three Days Grace, P.O.D.), Lars Ulrich (Metallica), Johnny K (Disturbed, Sevendust), Mike PlotnikoFF (FlyleaF, The Cranberries), Paul NorthField (Rush, Dream Theater), and more.
    [Show full text]