The Grinning Man Trafalgar Announcement
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The Representation, Interpretation and Staging of Magic in Renaissance Plays from the Sixteenth Century Onwards
Ghent University Faculty of Arts and Philosophy The representation, interpretation and staging of magic in Renaissance plays from the sixteenth century onwards. A case study of William Shakespeare’s The Tempest, Macbeth and Cristopher Marlowe’s Doctor Faustus. Supervisor: Paper submitted in partial Professor Doctor fulfilment of the requirements for Sandro Jung the degree of “Master in de Taal- en Letterkunde: English-Spanish” by Tine Dekeyser August 2014 Word count: 27334 Dekeyser i Acknowledgments First of all, I would like to thank my supervisor, Professor Doctor Sandro Jung, for granting me the opportunity to continue working on the same topic of my BA-dissertation and for guiding me towards a more profound investigation of magic and the Renaissance society. Also, I want to thank Professor Jung for reading the many versions of this dissertation and for providing a lot of helpful suggestions throughout the year. Secondly, I would like to thank The British Museum for giving me permission to use their highly detailed engravings, without which this dissertation would not exist. Thirdly, I would like to thank my boyfriend and my mother for supporting me, listening to my dilemmas and calming me down when stress got the better of me. Also, I want to thank my boyfriend for helping me track down the movies I needed for my analyses. Dekeyser ii Table of Contents Acknowledgments ....................................................................................................................... i List of Illustrations ................................................................................................................... -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Organisations Alexandra Theatre, Bognor Regis
Statement from (in alphabetical order) Organisations Alexandra Theatre, Bognor Regis - Hazel Latus Almeida Theatre – Rupert Goold, Denise Wood Ambassador Theatre Group - Mark Cornell and Michael Lynas Andrew Treagus Associates - Andrew Treagus Arcola Theatre – Mehmet Ergen, Leyla Nazli, Ben Todd Arts Theatre - Louis Hartshorn and Lizzie Scott Barbican Theatre - Toni Racklin Battersea Arts Centre – David Jubb Belgrade Theatre – Hamish Glen, Joanna Reid Birmingham Hippodrome - Fiona Allan Birmingham Repertory Theatre – Roxana Silbert and Stuart Rogers Birmingham Stage Company - Neal Foster and Louise Eltringham Bridge Theatre – Nicholas Hytner, Nick Starr Bristol Old Vic – Tom Morris, Emma Stenning Bush Theatre – Madani Younis, Jon Gilchrist Cheek by Jowl - Declan Donnellan, Nick Ormerod and Eleanor Lang Chichester Festival Theatre – Daniel Evans, Rachel Tackley Citizens Theatre - Dominic Hill, Judith Kilvington Curve Theatre - Chris Stafford and Nikolai Foster Darlington Hippodrome - Lynda Winstanley Derby Theatre – Sarah Brigham Disney Theatrical Productions - Richard Oriel and Fiona Thomas Donmar Warehouse – Josie Rourke, Kate Pakenham Donna Munday Arts Management - Donna Munday D'Oyly Carte Opera Trust - Ian Martin Eclipse - Dawn Walton Empire Street Productions - James Bierman English National Ballet - Tamara Rojo & Patrick Harrison English Touring Theatre - Richard Twyman, Sophie Watson Everyman Theatre, Cheltenham - Paul Milton and Penny Harrison Festival City Theatres Trust - Duncan Hendry and Brian Loudon Fit The Bill - Martin Blore -
Colin Grenfell Lighting Designer
Colin Grenfell Lighting Designer Colin has been lighting shows and performances for over 20 years, beginning his career with the Improbable Theatre Company. His first productions were 70 HILL LANE and ANIMO and these marked the start of a long collaboration; designing the lighting for shows touring the UK and around the world, including THEATRE OF BLOOD (National theatre), THE HANGING MAN (West Yorkshire Playhouse) LIFEGAME (National Theatre, UK Tour, La Jolla Playhouse, Off Broadway, Brisbane, US Tours) SPIRIT (Royal Court, UK, US Tours, Sydney Opera House,New York Theatre Workshop. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Theatre Production Company Notes RODELINDA Royal College of Music Dir. Jo Davies 2021 STILL Traverse Theatre Dir. Gareth Nicholls 2021 THE KING OF HELL'S Hampstead Theatre Dir. Michael Boyd PALACE 2019 MACBETH Royal Exchange Theatre, Manchester Dir. Christopher Haydon 2019 TAO OF GLASS Royal Exchange Theatre, Manchester Co-Directors: Phelim 2019 McDermott and Kirsty Housley United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ON THE EXHALE China Plate & Audible in association Dir. Christopher Haydon 2018 with New Theatre Royal Portsmouth THE CHERRY ORCHARD Bristol Old Vic & Manchester Royal Dir. Michael Boyd 2018 Exchange CHRISTMAS EVE Theatre Royal Bath Dir. Laurence Boswell 2018 TROUBLE IN MIND Print Room at the Coronet/Theatre Dir Laurence Boswell 2017 Royal -
ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007. -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint. -
Cast and Crew in Association with Classical Kicks Productions and EB
Cast and Crew Emily Blacksell—Producer, Director and Writer Emily’s 18-year career in the entertainment sector has seen her assist, support, and represent some of the legendary figures of their respective fields both in the UK and internationally, namely the late John Barton CBE, the late Sir Peter Hall, Sir Paul McCartney and Sally Greene OBE. She has worked for world-renowned organisations and venues including the RSC, MPL Communications Ltd., the Old Vic Theatre, Old Vic Productions (now Greene Light Stage), Ronnie Scott’s Jazz Club, and Bristol Old Vic Theatre, granting her extraordinary access to, and the experience of working with, globally recognised creative teams and artists on diverse projects and creative ventures. These include Tantalus (USA and Europe), Billy Elliot the Musical (worldwide), five world tours, four album releases, and six book publications during her five years as Assistant to Sir Paul McCartney, and eight seasons at the Old Vic Theatre – a period that included the groundbreaking three-year BAM/Old Vic/Sam Mendes Bridge Project collaboration. Emily received her creative and academic training from the Guildhall School of Music and Drama Junior department where she studied violin and voice, and the University of Birmingham where she read English and Drama. Her passion for music specifically, and performance in general, has informed her own practice and enabled her to work creatively as a director, assistant director, and producer across theatre, opera, digital platforms, and film. As Producer: WillShake Henry V (Short Form Film Company) featuring Tom Hiddleston; Theatre Lives (Digital Theatre+) featuring Dame Julie Walters, Imelda Staunton, Juliet Stevenson, Adrian Lester, and Michael Grandage; Producer & Project Manager Peter O’Toole Memorial (Old Vic Theatre, London); Producer & Co-Curator - with Tom Morris and John Caird - Bristol Old Vic 250th Anniversary Gala. -
Gordon Cowell Tel: +44(0)7886 309389 Email: J [email protected]
Gordon Cowell Tel: +44(0)7886 309389 Email: [email protected] Gordon is currently Casting Associate for TV Casting Director Kate Rhodes James, where he has worked since June 2016. For nearly five years prior to this, he was Casting Associate for Theatre Casting Director Jill Green, accruing many casting and co-casting credits. Gordon has an MA in Performance from Mountview Academy of Theatre Arts, and a 2.1 degree in Biology with French from the University of Sussex. For Kate Rhodes James, CDG CSA (June 2016 – present) Senior Casting Assistant Credits inClude: Bodyguard World Prods / ITV Dir. T. Vincent & J. StricKland All Souls Bad Wolf / SKy Dir. J.C. Medina & Alice Troughton Casting Assistant Credits inClude: Requiem New Pics / Netflix / BBC Dir. Mahalia Belo The Terror EMJAG / AMC Dir. Edward Berger Rellik New Pics / BBC Dir. Sam Miller & Hans Herbots Line of Duty IV World Prods / BBC Dir. Jed Mercurio & John StricKland The Good Karma Hospital Tiger Aspect / ITV Dir. Bill Eagles & Jon Wright Decline & Fall Tiger Aspect / BBC Dir. Guillem Morales Sherlock IV Hartswood Films / BBC Dir. Ben Caron & Rachel Talalay For Jill Green CDG (Sept 2011 – May 2016) Casting DireCtor credits include: Jackie Orange Tree worKshop Dir. Andy BrunsKill & Jimmy Grimes Cinderella Cambridge Arts Dir. David Grindley Aladdin Cambridge Arts Dir. David Grindley Co-Casting DireCtor credits include: Jersey Boys (Casts 5-10) Piccadilly & UK Tour Dir. Des McAnuff Becoming Nancy WorKshop Dir. Jerry Mitchell The Scottsboro Boys (UK Cast) GarricK & Young Vic Dir. Susan Stroman Rock of Ages UK Tour Dir. Kristin Hanggi 1 Casting AssoCiate credits include: Lazarus King’s Cross Dir. -
About the Company About the Production Brochure Copy Credits
Contact: Rebecca Targett [email protected] 07701021424[Type here] This marketing pack has been designed to support the marketing activities of ´The ingenious Gentleman Don Quixote of La Mancha’ by Little Soldier productions. This pack contains the following sections: About the company Page 2 About the production Page 2 Brochure copy Page 3 Credits Page 4 Audiences Page 6 Selling the show Page 6 Press Page 9 Press quotes Page 10 Template press release Page 11 Online marketing Page 13 Box office information Page 14 Template mail out Page 16 Tour schedule Page 17 Artistic team Page 18 This tour is presented by house 1 Contact: Rebecca Targett [email protected] 07701021424[Type here] About the company Straight-up funniest, most charming theatre company I’ve come across in an age. Andrew Haydon, Views from the Gods Little Soldier was founded in 2010 to promote innovative cross-cultural artistic collaborations. We use physical comedy, devising techniques and live music to produce funny yet touching shows, exploiting our Spanish backgrounds and English setting to create an individual take on new writing and classic texts. The company is led by actresses Patricia Rodríguez and Mercè Ribot, supported by producer Bridget Floyer. Little Soldier has toured extensively in the UK and internationally in Warsaw, Madrid and New York. Their work has been critically acclaimed by public and press, including The Stage, Time Out and Exeunt. Previous show ‘You and Me’ was awarded an Argus Angel at the Brighton Fringe 2014 and ‘The Ingenious Gentleman Don Quixote of La Mancha’ received the Stage Award for Acting Excellence at the Edinburgh Fringe 2014. -
2013 Next Wave Festival NOV 2013
2013 Next Wave Festival NOV 2013 George Segal, Torso: Hand on Thigh, 1978 Published by: BAM 2013 Next Wave Festival sponsor BAM 2013 Next Wave Festival #FilterTheatreWater Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer Water Filter Theatre & Lyric Hammersmith Created by Filter Theatre and David Farr BAM Harvey Theater Nov 13—16 at 7:30pm; Nov 17 at 3pm Approximate running time: one hour & 40 minutes, no intermission Directed by David Farr Set & costume design by Jon Bausor Lighting design by Jon Clark Music and sound design by Tim Phillips Original video design by Andi Watson recreated by Leo Flint CAST Oliver Dimsdale Poppy Miller Tim Phillips BAM 2013 Next Wave Festival sponsor Ferdy Roberts CREW Relights Katharine Greaves Company stage manager Jess Gow Major support for theater at BAM provided by: Technical stage manager Russell Carr The Morris and Alma Schapiro Fund Assistant Stage Manager Charlie Hayday The SHS Foundation The Shubert Foundation, Inc. Photo: Simon Kane Water NOTE Imagine you looked out of the window one morning and saw jellyfish. No birds fluttering, just a sky full of gelatinous animals. Every now and then a shark or tuna glides noiselessly past. And everywhere… water. With the strange beauty of a dream Water cuts between powerful individual stories, exploring man’s desire to push himself to the limits in an increasingly unstable world of climate change. In Canada two half-brothers clash over the legacy of their dead father. -
“Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens's
“Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens’s Novels Marc Napolitano A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by Advisor: Allan Life Reader: Laurie Langbauer Reader: Tom Reinert Reader: Beverly Taylor Reader: Tim Carter © 2009 Marc Napolitano ALL RIGHTS RESERVED ii ABSTRACT Marc Napolitano: “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens’s Novels (Under the direction of Allan Life) This project presents an analysis of various musical adaptations of the works of Charles Dickens. Transforming novels into musicals usually entails significant complications due to the divergent narrative techniques employed by novelists and composers or librettists. In spite of these difficulties, Dickens’s novels have continually been utilized as sources for stage and film musicals. This dissertation initially explores the elements of the author’s novels which render his works more suitable sources for musicalization than the texts of virtually any other canonical novelist. Subsequently, the project examines some of the larger and more complex issues associated with the adaptation of Dickens’s works into musicals, specifically, the question of preserving the overt Englishness of one of the most conspicuously British authors in literary history while simultaneously incorporating him into a genre that is closely connected with the techniques, talents, and tendencies of the American stage. A comprehensive overview of Lionel Bart’s Oliver! (1960), the most influential Dickensian musical of all time, serves to introduce the predominant theoretical concerns regarding the modification of Dickens’s texts for the musical stage and screen. -
Stephanie's Resume
STEPHANIE GORIN CASTING DIRECTOR CSA/C.D.C 2014 EMMY WINNER, BEST CASTING for a MINI-SERIES 2014 ARTIOS WINNER, BEST CASTING for a MINI-SERIES 3 EMMY NOMINATIONS 3 GEMINI NOMINATIONS 4 ARTIOS AWARD NOMINATIONS 62 Ellerbeck St., Toronto ON Canada M4K 2V1 PH: 416-778-6916 Email: [email protected] FEATURE FILMS, MOVIES OF THE WEEK, EPISODICS (selected) ROCKY HORROR PICTURE SHOW T.V. Feature 2016 Director: Kenny Ortega Executive Producers: Lou Adler, Gail Berman, Kenny Ortega / FOX 21 TELEVISION STUDIOS RACE – Co-Casting Feature 2015 Director: Stephen Hopkins Producers: Jean-Charles Levy, Luc Seguin, Karsten Brunig, Nicolas Manuel / Focus Features/Forecast Pictures FARGO (Seasons 1-2) Mini-Series 2014-2015 Director: Various Executive Producers: Joel & Ethan Coen, Noah Hawley, Warren Littlefield & John Cameron, Geyer Kosinski / MGM / FX *Emmy winner for casting – 2014 *Artios winner – 2014 HEROES REBORN T.V. Series 2015 Directors: Various Executive Producers: Tim Kring, Peter Elkoff, James Middleton / NBC OPERATION INSANITY Feature 2015 Director: Erik Canuel Executive Producer: Arnie Zipursky, CCI Entertainment SHADOWHUNTERS T.V. Series 2015 Director: Various Executive Producers: McG, Marjorie David, Ed Decter, Michael Reisz, Don Carmody / ABC Family-FREEFORM PRIVATE EYES T.V. Series 2015 Director: Kelly Makin, Anne Wheeler Executive Producers: John Morayniss, Tecca Crosby, Rachel Fulford, Shawn Piller, Lloyd Segan, Jason Priestley Tassie Cameron, Shelley Eriksen, Alan McCullough THE PATRIOT Pilot 2015 Director: Steve Conrad Executive Producers: Charlie Gogolak, Glenn Ficarra, Dominic Garcia, Gil Bellows / AMAZON SLASHER Mini-Series 2015 Director: Craig David Wallace Executive Producers: Christina Jennings, Aaron Martin, Adam Haight / Chiller / SUPERCHANNEL CHEERLEADER DEATH SQUAD Pilot 2015 Director: Mark Waters Executive Producers: Marc Cherry, Neal Baer, Daniel Truly, Frank Siracusa, John Weber / CW / CBS SHOOT THE MESSENGER Series 2015 Directors: Sudz Sutherland, T.W.