Native American Song at the Frontiers of Early Modern Music Olivia A

Cambridge University Press 978-0-521-86605-7 - Native American Song at the Frontiers of Early Modern Music Olivia A. Bloechl Index More information

INDEX

Abnaki culture 62 Atys (Jean-Baptiste Lully) 155, 162 absolutism Aubert, Guillaume 148 in French trage´dies lyriques 150–154, 155–172 Bach, Rebecca Ann 111, 115, 117 of Louis XIV 143, 144, 241n.3 ballet a` entre´es 111, 129 operatic subversion of 216 Ballet de la Douairie´re de Billebahaut 2 Agamben, Giorgio 9 Ballet de la Prospe´rite´ des armes de Agrippa, Heinrich Cornelius 40 France 2 Algonquian culture Ballet de La Raillerie (Jean-Baptiste ceremonial song in 85 Lully) 155 English representation of 124–125 Ballet des Muses (Jean-Baptiste Lully) French colonial policies and 148 155, 161, 242n.24, 243n.35 manitou-centered memory 14 Ballet royal d’Alcidiane (Jean-Baptiste Allen, Paula Gunn 14 Lully) 155, 161, 242n.24 Allouez, Claude 148 Ballet royal de Flore (Jean-Baptiste Lully) Alzire, ou les Ame´ricains (Voltaire) 188 155, 242n.24 Amazoˆne, L’ (Francxois Couperin) 195 ballets de cour (France) Amour malade, L’ (Jean-Baptiste Lully) Indian characters in 154–172 155, 161, 163, 243n.33 royal performance in 140 Amours de´guise´s, Les (Jean-Baptiste subversive politics in 216 Lully) 155 ballets des nations 155, 155, 163, 170 Anglican church Barrow, James 74 hostility towards prophecy in 83, 84, Barthes, Roland 185 86, 96 Bee, Jesse 71 Protestant reform of music in 35 Belle´rophon, (Jean-Baptiste Lully) 150– animal mimicry 154 in native American songs and chants bell-ringing 64–66 maracas compared to 45 in possession cases 71, 74 Protestant reform of 39 Anna of Denmark 110, 137 Betzweiser, Thomas 196 anti-masque dance music, in court Bhabha, Homi xiv masques 119, 119–120, 135, colonial ambivalence concept of 144, 240–240n.28, 240n.41 168 Arlequin sauvage (Louis-Francxois Delisle on diachrony 13 de la Drevetie´re) 187, 189 postcolonial theory of 5–6, 18 Armide (Jean-Baptiste Lully) 175, 217 Biard, Pierre 61 assimilationist colonial policy Biencourt, Jean de Biencourt, Sieur de in French American colonies Poutrincourt 146 148–149 blackness, French poetics of 1 reﬂection in French spectacles of Blome, Richard 89 143–145, 149–154 Boccaccio, Giovanni 5 Attali, Jacques 173 Bodin, Jean 46

269

Index

bon sauvage figure ‘‘ceremonies of possession,’’ in French popularity in France of 181 American colonies 146–149 188–189 Certeau, Michel de 60 in Rameau’s music 200, 208 Chabanon, Michel-Paul-Guy de Borges, Jorge Luis 16, 29 217–219 Boulaese, Jean 69, 70 Chakrabarty, Dipesh xvi, 11–12 Bourgeois gentilhomme, Le (Jean-Baptiste 23 Lully) 243–243n.36 Champlain, Samuel de 66 Bovier de Fontenelle, Bernard le 150 Chapman, George 130–138 Bower, Sarah 74 Characteristics of Men, Manners, Bowles, John 83 Opinions, Times (Anthony, Earl of Briefe and True Report of the New Found Shaftesbury) 189–190 Land of Virginia (Thomas Harriot) Charles I (King of England) 44 39, 47–49, 51 absolutism of 139 class distinctions in 137 masque performances during reign of ‘‘noble’’ images of native Americans in 110–111 118, 119, 125 Charlevoix, Pierre-Francxois-Xavier 188, Browner, Tara 249n.64 190 Bry, Theodor de 39, 47–51, 51, 52, 80, chichigouan (drum) 64 118, 127 China, in European aesthetics 218 engravings in Smith’s Generall Historie Chinois, Les (Francxois Couperin) 195 80, 82, 83, 84 Chloridia (Ben Jonson) 110 Buffier, Claude 188 Christensen, Thomas 179, 249n.73 Bullivant, Benjamin 100 Christianity Burton, Robert 96 European identification with 4 Burwell Lute Tutor 13, 15, 16–18 native American song in context of 37 Calvinist movement postcolonial theory on influence of 6 music reforms of 35, 41–44 Civil War (England) travel literature of 39, 46 dispossessions during 73 Campion, Thomas 116 impact on liturgy of 40 Campra, Andre´ 188 radical spiritual and social movements Capeau, Louise 76 and 86 caraı¨bes (spiritual healers), Le´ry’s resurgence of religious prophecy and description of 45 82 Caribbean, French music in 218 Clapham, Jonathan 102–103 Carigonan (Innu manitousiou) 64–65 class politics Case, Thomas 98 lute’s origins and 12 Catholic church in Memorable Masque (George colonialism and 36 Chapman) 132–137 demonic possession doctrine in 68 in music for English masques demonology in missionary reports of 121, 138 62, 65 in music for French spectacles 154 Catholic music and liturgy Coelho, Victor 23–24 Algonquian ceremony compared with Colbert, Jean-Baptiste 143, 148 56 colonial ambivalence Powhatan ceremony compared with Bhabha’s concept of 144, 168 52–54 in England 9 Protestant criticism of 43 in French music criticism 184 Tupinamba music compared with 218–221 45–47 in Lully’s works 145, 168, 172 Caton, William 88 in opera 216–221

270

Index

colonization Dill, Charles 178, 179, 183, 185 court masques and 113–138 Discourse on Inequality (Jean-Jacques political aspects of 38 Rousseau) 191–192 spiritual migration and 58 Dissenting Protestants commedia dell’arte, in court masques dispossessions by 67, 73 131, 240n.27 prophetic vocality of 85, 86, 105, 106 Corneille, Thomas 150 resurgence of prophecy among 82–83, Cosin, John 43–44 84 Couperin, Francxois 195 women’s prophecy among 90, 94 Cowart, Georgia 169, 244n.41, 216 Divertissement de Chambord (Jean- Croese, Gerard 106 Baptiste Lully) 242n.25 hybridity Dolan, Frances E. 36 English colonists’ fears of 104–106 D’Orneval, Jacques-Philippe 188 in French colonies 143–145 Drevetie´re, Louis-Francxois Delisle de la cultural theory, music history and xv 187, 189 Curwen, Alice 99 Dryden, John 140 Curwen, Thomas 99 Dugdale, Richard 74 Cusick, Suzanne 15 Les Cyclopes (Jean-Philippe Rameau) Edmundson, William 99 195 Edward VI (King of England), chantries suppressed by 40 Dablon, Claude 147 Egiptienne, L’ (Jean-Philippe Rameau) Dardanus (Jean-Philippe Rameau) 177, 195 184, 186 Emile (Jean-Jacques Rousseau) 191, 192 Darling, Thomas 71, 72, 76 England Darrell, John 71, 72 ambivalence toward Rome in 9 Daumont, Simon-Francxois (Sieur de colonial exploration by 38 Saint-Lusson) 147–148 masque performances during Stuart Daye, Anne 133 reign in xvii, 110–111 Demandolx, Madeleine 76 national identity and imperialism in 36 demonology and possession possession cases in 59, 71–74 in Catholic missionary reports 62, 63– prophetic song in 85, 100 64, 64–65 Protestant reformation in 35–36 colonists fears of 104 resurgence of religious prophecy in 82, prophecy linked to 84–85, 92–100 84–85 in Protestant narratives 61–67 view of indigenous cultures in xvii, De´monstration du principe de l’harmonie, 123–125 (Jean-Philippe Rameau) 198 Enharmonique, L’ (Jean-Philippe Derrida, Jacques 11, 27, 173 Rameau) 199 Desfontaines, Pierre-Francxois-Guyot Enlightenment 186 discourse on savagery of xviii, 178, devil, powers in colonies of 58 187–194 de Villegagnon, Nicolas Durande 46, 47 ideology of European cultural diachrony, in postcolonial theory 13–15 superiority in 26 historicism and 24 enthusiasm, religious 86, 96 Rameau’s music and 179 Essay on the Origin of Languages, (Jean- difference see also otherness Jacques Rousseau) 248n.51 colonial music history and role of 22–31 ethnography Derrida’s concept of 27 court masques and 138 mechanisms in masques for 123 possession metaphor in 74–76 reﬂections in music of 10 reﬂection in French spectacles of 1, 3, Diggers sect 86 143, 145

271

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Rousseau’s discussion of 191, 193–194 Protestant reformation in 35 Europe Roman cultural influences in 9, 17 colonial influences on culture of 12, 13, Franciscan Recollects, early missions of 14, 15, 22, 219–221 62–67 cultural identity and historical agency French music criticism in 22 colonial ambivalence in 183–184 demonic possession in 67–76 Rameau’s music and 178, 184–187 Islamic influences in 6–7 206–215 masques in 110–111 Rousseau and 192–194 Protestant-Catholic conflicts in 38 Fuzelier, Louis 179–187, 195–215, 208, racist ideologies in 25 216 representation of indigenous music in 10, 54–57 Generall Historie of Virginia, New- exorcism England, and the Summer Isles Catholic rite of 62, 67 (John Smith) 51, 80–81, 109–110, in Europe 59–60, 68, 69–74 112 exoticism class distinctions in 137 chromaticism as expression of 202–206 influence of court masques on 112 in French spectacles 145 Geńeration harmonique (Jean-Philippe in Lully’s music 160–161, 163, 169 Rameau) 203–206, 249n.73 172–176, 243n.32, 243n.36, 243n.39 Gilpin, John 95 minor mode associated with 196 Gleach, Frederic 81 musicological studies of 172–176 Goa, European music in 23 of Indians in court masques 113 Greenblatt, Stephen 111 of opera locales 216 green corn ceremony, de Bry’s in Rameau’s music 212–214 engraving of 48–49 Grenaille, Francxois de 7 Felman, Shoshana 9 Grimm, Friedrich Melchoir, Baron von Ferber, Sarah 67 192 Fifth Monarchists 86, 87 Guatemala, cathedral music in 25 Ford, Thomas 132 Gyles, John 104 Foucault, Michel 16, 17 discourse analysis of 19 Hakluyt, Richard 48–49 genealogical critique of 19–22 Harriot, Thomas 39, 47–49, 51, 118, 127, postcolonial critique of 20 137 Said’s use of 20 Harris, Francis 98 Fox, George 73 Harris, Thomas 98 New England travels of 100 Haudenosaunee (Iroquois) confederacy on Quaker psalm-singing 89 62 prophetic song described by 88 Hennepin, Louis 188 Williams’s critique of 100–1 Henri IV (King of France) 146 France Henrietta Maria (Queen of England) American colonies of 38, 62, 142 110, 111, 112, 129, 140 ballets de cour and operas in xvii, 141 Higginson, Francis 95 demonology and possession in Hill, Christopher 105 colonies of 58, 62, 65 Hippolyte et Aricie (Jean-Philippe Huguenot Protestants in 36, 46 Rameau) 177, 184 music and colonial ideology in 145 Histoire d’un voyage faict en la terre du native American delegations to 188, Bre´sil (Jean de Le´ry) 39, 45–47, 58 247n.33 Historiae americanae (Theodor de Bry) opera aesthetics in 194–215 49–51, 52, 85 217–219 historicism possession cases in 59, 67, 69–71 colonial diachrony and 13–14

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European music history and xv Isherwood, Robert M. 155 historiography Islamic empire, cultural inﬂuence in Eurocentrism in 25–27 Europe of 6–7 postcolonial musicology and xvi Italian opera, French criticism of 184, synchrony and diachrony in 224n.23 185, 187 of witnesses’ testimony 10 Holme, Elizabeth 88 Jaenen, Cornelius 148 Holme, Thomas 88, 89 Jaffray, Alexander 89 homme naturel, l’, Enlightenment James I (King of England) 73 concept of 188 masque performances during reign of Houdar de la Motte, Antoine 195 110–111, 112, 117 Howard, Frances 112, 116, 117 sun images in masques of 132, 133, Howard, Patricia 165 134–138 Howard, Thomas 117 Jansenism 188 Hoyte, Peter 187 Jeanne des Anges 76 Huguenots Jesuits persecution of 46 early missions of 62–67 psalm-singing processions of 70 French colonial ceremonies held travel literature by 36, 46 by 147 Huygens, Christiaan 243n.26 view of native American culture among 188 idolatry Jones, Inigo 110, 129 Powhatan rituals characterized harmony in masques of 115 as 52 Jonson, Ben Protestant focus on 10 masques of 110–111, 112, 116, 129–130, in Protestant travel literature 49, 239n.6 50–51 Journal (George Fox) 73, 89 Incas du Perou, Les see also Les Indes galantes (Jean-Philippe Rameau) King and Queenes Entertainment at 179 Richmond, The 116, 239n.17 Indes galantes, Les (Jean-Philippe King Philip’s War (1675-78) 104 Rameau) xvii, 179, 184, 186, 188, King William’s War (1688-99) 104 199, 220 Kintzler, Catherine 178, 184–185 Indifferente, L’ (Jean-Philippe Rameau) Kiwasa/Kawasha 199 de Bry’s engravings of 50, 118, 127 Innus (Montagnais and Naskapis) 62 references in Stuart masques to 117– rituals 30 199, 121, 123 vocality in ceremonies of 64–65 Knapp, Elizabeth 74 instrumentation, in court masques 119 Knight, Sarah Kemble 99 Interregnum Kondiaronk (Wendat leader) 189 impact on liturgy of 40 Kupperman, Karen 137 resurgence of religious prophecy during 83 Laﬁtau, Joseph-Francxois 187, 188, 190 Irish Masque (Ben Jonson) 116 Lahontan, Louis Armond, Baron de Iroquois culture see also 188, 208 Haudenosaunee (Irequois) Lallemant, Jerome 65–66, 78 Confederacy Lancre, Pierre de 58 diabolism attributed to 85 language French colonial policy concerning music distinguished from 25 148 Rousseau’s philosophy of music and in French colonial spectacles 192–194 243n.26 Latin America, cathedral music in 25

273

Index

Latin plainchant, Protestant reform of Naissance de Venus, La 155, 162 39 Perseé 164 Laub, Dori 9 Phae´ton 155 Laud, William 35 Temple de la paix, Le 142–143, 155, 163– Le Caron, Joseph 62 168, 169, 241n.3, 242n.24 Le Cerf de la Vie´ville, Jean Laurent 184 Triomphe de Bacchus dans les Indes, Le Le Guin, Elisabeth 15 155, 242n.24 Le Jeune, Paul 29, 64–65 Triomphe de l’amour, Le 155, 242n.24 Lenape culture, Big House (gamwing) lute ceremony 82 Burwell Lute Tutor on origins of 7 Le`ry, Jean de 39, 45–47, 58 class and national identities of 12 Lesage, Alain-Rene´ 188–188–188 English identification with 17 Lescarbot, Marc 146–147, 148–149, 154 as European cultural symbol 1–5 Levellers sect 86 French identification with 12 Levi, Primo 9 Grenaille on symbolism of 7 liturgical and sacred music origins of 2, 4–7, 8–9 in Christian dispossession rituals 68, Orpheus myth and 16 69, 72 parodic representation of 2 Protestant reform of 35, 39–44 Luther, Martin, sacred music reforms of Loudun possessions, 59, 60, 77 39–40 Louis XIV (King of France) 141, 142–143 Lutheran church, dispossession in 67 absolutist monarchy of 143, 241n.3 colonialism and 147–149 Mack, Phyllis 94 Lully, Jean-Baptiste xvii, 141 manitous (Algonquian non-human bass-voiced characters in works by 165 persons) 49, 66, 82, 105 chaconnes in works by 168–172 manitousiou (Innu spiritual leader) colonial ambivalence in music of 145, 64–65 168, 172 Mariages de Canada, Les (Alain-Rene´ critical reception of 177 Lesage and Jacques-Philippe ‘‘doubled continuo’’ texture in operas D’Orneval) 188 of 161, 165–166 Marot, Clement 70 eroticism in operas of 171 ’’Marsias allegorie’’ 180–182, 186 exotic difference in music of 172, 173– Masque of Blackness, The (Ben Jonson) 176 137 Indians in ballets of 142–143, 154, 172 Masque of Flowers, The 112, 116 musical innovations of 160 American references in 117–119 posthumous idealization of 174, 186 Indian figures in 128 Rameau compared with 180, 184 Masque of Queens, The (Ben Jonson) 110 trage´die lyrique of 178 masques Lully, Jean-Baptiste, works by musical hierarchy in 115–138 L’Amour malade 155, 161, 163, 243n.33 American representation in 112 Amours de´guise´s, Les 155 138 Armide 175, 217 Powhatan women’s ceremonies as Atys 155, 162 109–110 Ballet de La Raillerie 155 Stuart politics in 139–141 Ballet des Muses 155, 161, 242n.24, Massasoit (Wampanoag sachem) 106 243n.35 Mather, Cotton 75, 104, 105 Ballet royal d’Alcidiane 155, 161, 242n.24 Mather, Increase 74, 98 Ballet royal de Flore 155, 242n24 melancholy, prophetic song and 96–97 Belle´rophon 150–154 Melzer, Sara 148 Bourgeois gentilhomme, Le 243n.36 Membertou (Mi’kmaq spiritual leader) Divertissement de Chambord 242–242n.25 146, 147

274

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Memorable Masque, The (George metaphysical and political aspects of Chapman) 112, 115 36–38 native American nobility in 116, 130– performance at Theáˆtre Italien (Paris) 138 of 188, 195–196, 200–202, 247n.33, Michaelis, Se´bastien 70, 76 217 Mickel, Lesley 111 religious framing of 36, 54–57 Mi’kmaqs (Souriquois) 62, 104 Rousseau’s discussion of 192–194 Lescarbot’s characterization of 149 Williams’s accounts of 101–102 Milton, John 139 Neoplatonic philosophy minority history ideal of harmony in 139 Chakrabarty’s concept of 11–12 lute’s symbolism in 7 musicology and 27–31 Netherlands Molie`re (Jean-Baptiste Poquelin) colonial exploration by 38 242n.25, 243n.36 Protestant reformation in 35–36 monsters Newby, Margaret 90 in French opera 183 News From the New World Discovered in Rameau’s use of 183 the Moon (Ben Jonson) 112, 129– More, George 72, 73, 77 130 Moreau de Saint-Me´ry, Me´de´ric-Louis- nobility see also bon sauvage figure Elie 216–220 of Indian figures in court masques 113, Morley, Thomas 35 115, 130, 140 Morrison, Toni 14 Northbrooke, John 41 Muggletonians 86 Norton, Humphrey 88 Muses de la Nouvelle France, Les (Marc Nouveau systeˆme (Jean-Philippe Lescarbot) 146, 148, 154 Rameau) 249n.67 musicology and music history Nouvelles suites de pie`ces de clavecin colonial difference and 22–31 (Jean-Philippe Rameau) 179, 195, Eurocentric approach to xiii–xiv 195, 199 14, 22 Said’s influence on 20 Obry, Nicole 59, 68, 69–70, 70, 76 oki (Wendat spiritual healer) 63 Naissance de Venus, La (Jean-Baptiste Oliver, Kelly 9–10 Lully) 155, 162 Opechancanough 81 East Indian characters in 242n.24 opera Narragansett rituals exotic locales in 216 diabolism attributed to 84 French aesthetics of 194, 214–215, Williams’s descriptions of 101–102 248n.52 native American culture by Lully 155–172 French colonial policy concerning xvii, monsters in 183 148–149 querelles concerning 145, 180–187 possession in accounts of 59–60 by Rameau 177–180, 214–215 Protestant representation of 36–38 savagery motif in 194, 215 representation in European masques of utopian themes in 216 112–138 organ music, Protestant reform of 35, representation in Lully’s ballets of 39, 43 142–143, 152–172 Orpheus myth 15–18, 139 in seventeenth-century iconography 1 otherness see also difference native American music and song colonial assimilation and 144 colonial literature as source on 54–57 Foucault’s conception of 21 demonological explanations for 60–61, Owen, James 43 84–85 English ecstatic song compared with Paladins Les (Jean-Philippe Rameau) 102–106 196

275

Index

Palestrina, Giovanni Pierluigi da 25 Smith’s writings on 39, 51–54, 80–81 Paradise Lost (John Milton) 139 Powhatan–English conflicts 85 Pequot tribes, conflict with colonists powwow 140 Clapham’s description of 102 Percy, George 61 Mather’s characterization of 75 Perrault, Charles 248n.52 Williams’s accounts of 102 Perseé (Jean-Baptiste Lully) 164 Wood’s description of 55 Petrarch, Francesco 5 prophecy and prophetic song Phae´ton (Jean-Baptiste Lully) 155 ambivalence of European Christians philosophes 188, 190, 192, 220 towards 82, 84 Plymouth Colony 106 decline among Quakers of 97 Pocahontas gender roles and 90–94 experimental biographies of 14 hostile accounts of 87 Powhatan women’s ceremonies in England 85, 100 interpreted by 109 in New England colonies 100–106 in Smith’s history 80 native American song compared with politics 102–106 of charismatic religiosity 103–104 women as performers of 90 in Lully’s ballets 143–145, 170–172 Protestant Reformation musical exoticism as 173 colonization and 36–38 in Stuart masques 111, 112, 112–138, comparison of indigenous and Catholic 117–138, 139–141 sacred music xiv, xvii, 38, 39 Portugal, colonial exploration by 38 controversial literature of 35–36, 38 possession liturgical and sacred music reforms of in American colonies 74–76 35, 38, 39–44 cases of, as propaganda tool 70 possession doctrine in 62, 68 in England 71–74 transatlantic transformations of 57 in France 67, 69–71 Pruiksma, Rose 243n.33 history in Europe of 67 Prynne, William 40–41 legal controls over 67 psalms performative aspects of 68, 77 diabolical presence and 76 postcolonial theory Huguenot processions and singing of diachrony in 13 70 Foucault’s influence on 20–22 role in Protestant liturgy of 47 French colonial ambivalence and 217 Purchas, Samuel 39, 49, 53 music and 5 Purchas his Pilgrimage (Samuel Purchas) musicology and 18–22 39, 49, 53 poststructuralism, music history and Puritans 26–31 dispossessions by 73 Pougin, Arthur 245n.17 hostility towards prophecy among 84, Poule, La (Jean-Philippe Rameau) 199 86 power possessions among 74–76 Foucault’s discussion of 21 Williams’s disagreement with 100 spiritual and metaphysical forms of 78 ‘‘Quakers Ballad’’ 94 Powhatan confederacy 51, 81 Quakers Meeting, The 91 conflict with colonists 140 Quakers (Society of Friends) 73, 79 Powhatan culture criticism of Singing Quakers by 99 diabolism in accounts of 61 emergence of 86 mimesis in 82 in New England colonies 100–106 ritual compared to English masque Narragansetts compared with 101 109–110, 111–112 prophecy of 83, 84, 85, 87–100

276

Index

schismatic sects of 98 Roman culture, European identification silent meetings of 88 with 4, 6, 9, 17 querelles, French opera 145, 180–187 Rosseter, Phillip 132 Quinault, Philippe 142, 143, 180, 184, Rousseau, Jean-Baptiste 177, 178, 186, 186 187 Rousseau, Jean-Jacques 26, 188, 191– racist stereotypes, in court masques 192 113, 123–125, 137, 140 Derrida’s interpretation of 248n.51 Rameau, Jean-Philippe xvii–xviii, 18 musical thought of 192–194 as music theorist 179 Rowlandson, Mary 102 Caribbean performance of music of Roy, Pierre-Charles 180–182, 186 216–220 Rubertone, Patricia 101 chromaticism in music of 202–206, 213– 214 Sabol, Andrew J. 240–240n.28 corps sonore, concept of 197, 203 sacred music see liturgical and sacred harmony in music of 184, 185, 197–199, music 202–206, 249n.67 Sagard, Gabriel 63–65 Lully and 184, 246n.22 Said, Edward 20 operatic music of 177–180 Saint Bartholomew’s Day massacre 46, ‘‘parallelism’’ model of musical 47 signification 184–185, 246n.24 Sauvages, Les see also Les Indes galantes Rousseau’s criticism of 192 (Jean-Philippe Rameau) xviii, 179– savagery in music and operas of 177, 180, 181, 188, 189, 195–215, 179–187, 195–215 245n.16, 217, 220 Rameau, Jean-Philippe, musical and Sauvages, Les (pie`ce de clavecin Jean- theoretical works of Philippe Rameau) 179, 195, 199 Les Cyclopes 195 Sauvagesse, La (Alain-Rene´ Le Sage and Dardanus 177, 184, 186 Jacques-Philippe D’Orneval) 188, De´monstration du principe de l’harmonie 189 198 savagery L’Egiptienne 195 Enlightenment discourse on xviii, L’Enharmonique 199 178–179, 187–194 Geńeration harmonique 203–206, 249n.73 in French operas 194–215 Hippolyte et Aricie 177, 184 in Rameau’s music 179–187 Les Indes galantes xvii, 179, 184, 186, 188, Rousseau’s discourse on 191 199, 220 192 L’Indifferente 199 Schmidt, Leigh Eric 56 La Poule 199 Seed, Patricia 146 Nouveau systeˆme 249n.67 Seekers sect 86 Nouvelles suites de pie`ces de clavecin 179, Shaftesbury, Anthony, Earl of 189–190, 195, 199 193 Les Paladins 196 Short, Mercy 75, 76, 104, 105 Les Sauvages (pie`ces de clavecin) 179, 195, Simmonds, Martha 88 199 ‘‘Singing Quakers’’ appearance of 98–100 Ranters (Protestant sect) 79, 85, 86, Williams’s critique of 101 99–100, 101, 102 Smart, Peter 44 Re´mond de Saint-Mard, Toussaint 175, Smith, Douglas Alton 5 185, 186, 217 Smith, John (Captain) 39, 51–54 Restoration (England), impact on as Powhatan captive 81 liturgy of 40 diabolism in writings of 61 Richelieu, Armand Jean du Plessis de history of Jamestown colony (Cardinal) 2, 148 80–81

277

Index

Powhatan ceremonies interpreted by Toothmaker, Mary Allen 104 82, 106, 109–110, 111–112 totems Soir, Le 2 de Bry’s engravings of 49, 230n.48 Somerset Masque see Squire’s Masque, White’s illustrations of 49, 230n.45 The Townshend, Aurelian 129 Spain trage´dies lyriques colonial exploration by 36, 38 assimilationist ideology in 150–154 spectacle, public exorcism as 77 Indian characters in 155 speech-song, Rousseau’s concept of subversive politics in 216 193–194 Trapnel, Anna 85, 87, 104 spiritual hearing, Protestant practices travel literature of 56–57 American imagery in 1 Spivak, Gayatri 11, 14 ‘‘black legend’’ in Protestant writings on Foucault 21 36 Squire’s Masque, The (Thomas Campion) bon sauvage figure in 188, 189 112, 116, 117, 132 Catholic and native American music Stanbridge, K. A. 143 compared in 38–39 Steiner, Veronica 71 court masques and references to 113, Stevenson, Robert M. 22, 26, 225n.52 119 Story, Patience 99 diabolism in 61–67 subalternity Enlightenment discourse on savagery diachrony and 13–14 in 177–194 difference and 10 Eurocentrism of 24 lute’s origins and 7–12 possession narratives in 59–60, 60–61 minority history and 11 Rousseau’s discussion of 192 music history and xvi, 7–12, 28 Triomphe de Bacchus dans les Indes, Le Subaltern Studies group 21 (Jean-Baptiste Lully) 155, 242n.24 superstition 42–43 Triomphe de l’amour, Le (Jean-Baptiste Lully) 155, 242n.24 Tempe Restored (Aurelian Townshend) Triomphe de Rameau, Le 182, 245n.17 112 True Relation (John Smith) 39, 54 harmony in 115–116 Tupinambas (Brazil), music and rituals native American stereotypes in 129 of 45–47 Temple de la paix, Le (Jean-Baptiste Lully) van Heemskerck, Egbert 90, 93 Indian characters in 142–143, 155, Ve´ron, John 43 163–168, 242n.24 Vicars, John 35 royal involvement in production of Viret, Pierre 43 169, 241n.3 Virginia Company 51 Temple of Love, The (William Davenant) vocality 112, 115 cultural significance in Europe of 86 Indian characters in 116, 140 demonic possession and 67–76 Theáˆtre de Neptune en la Nouvelle-France, European discourse on xvii, 84 Le (Marc Lescarbot) 146 in exorcisms 59, 68–69 Theáˆtre Italien, native American gendered norms of 90, 94 performances at 188, 195–196, national and ethnic identity and 103– 200–202, 247n.33 106 Thevet, Andre´ 46 as medium of power 78–79 Thieriot, Nicolas-Claude 220 as diabolical presence 76 Titon du Tillet, Evrard 160, 174–175 prophecy and 86–106 Toldervy, John 96 transatlantic discourse on 60 Tomlinson, Gary 25–27 84–85

278

Index

vocal polyphony, Protestant reform of Williams, Roger 84, 100–102 35, 39, 40–41 Fox’s debate with 100–101 Voltaire (Francxois-Marie Arouet) 188, 220 on Narragansett language and culture 101–102 Wabenakis 105 Wingina (Algonquian leader) 47 Walker, D. P. 70 Winslow, Edward 106 Walls, Peter 119–121 witchcraft, in New England 75, 104 Wendats (Hurons) witness, as testimony to colonial French missionaries’ contact with violence 9–10 62–67 women, prominence as religious Lallemant’s description of 65–66 prophets 90–94 Westminster Cathedral 35 Wood, William 55–56 Whaples, Miriam K. 165 Worrall, Arthur J. 100 Wheelock, Gretchen 196 Wyschogrod, Edith 28, 224n.32 White, John 47–49 Willan, Thomas 88 Young, Robert J. C. 21

279