Author Title Issue Date

Total Page:16

File Type:pdf, Size:1020Kb

Author Title Issue Date Author Title Issue Date A Adams, Jad Jon Crabb (ed.): Decadence, A Literary Anthology [review] 52 Jan-18 Adams, Jad Review of David Weir: Decadence, A Very Short Introduction 53 Jul-18 Amor, Ann Clark Oscar’s Finances: The House Beautiful 45 Jul-14 Amor, Anne Clark Constantly Undervalued: A Centenary Appreciation of Constance Wilde 14 Jan-99 Amor, Anne Clark In Memoriam: Andrew McDonnell 19 Jul-01 Letters of Engagement 1884-1888: The Love Letters of Adrian Hope and Laura Amor, Anne Clark 21 Jul-02 Troubridge Amor, Anne Clark Obituary: Requiescat: Elizabeth Longford 22 Jan-03 Amor, Anne Clark Heading for Disaster - Oscar’s finances 44 Jan-14 Anderson, Anne At Home With Oscar: Constructing the House Beautiful 24 Jan-04 Anderson, Anne The Colonel : Shams, Charlatans and Oscar Wilde 25 Jul-04 Anderson, Anne ‘‘Arry’ Quilter and the ‘Gospel of Intensity’ 27 Jul-05 Anderson, Anne Let us Live Up to It! or Wilde about Teapots 30 Jan-07 Anderson, Anne ‘There is Divinity in Odd Numbers’ 43 Jul-13 Anderson, Anne Private Views : Frith, Furniss and the Importance of Portraying Oscar 52 Jan-18 Anderson, Anne W.P. Frith and Oscar’s Brown Coat 53 Jul-18 Arter, Jan Earnest in Manchester 5 Jul-94 Ashton, Colin Oscar Wilde Three Times Tried 9 Jul-96 Atkinson, Julia ‘An Author not just now familiar to ears polite’ 47 Jun-15 Atkinson, Tully The Sphinx : Wilde’s Decadent Poem 23 Jul-03 Atkinson, Tully Wilde Syphilis Question, The 25 Jul-04 B Baker, Richard Anthony The Witnesses at the Wilde Trials 8 Jan-96 Baker, Susan Oscar Wilde Walk in London 6 Jan-95 Baker, Susan Walk on the Wilde Side 2 Jan-93 Bashford, Bruce Review of Giles Whitely: Oscar Wilde and the Simulacrum 49 Jul-16 Batty, Nicola Wilde in Novels 30 Jan-07 Beckson, Karl Oscar Wilde and the Religion of Art 12 Jan-98 Beresiner, Yasha The Wilde Oxford Mason 31 Jul-07 Bertman, Stephen Platonic Inversion in The Picture of Dorian Gray 46 Jan-15 Binoeder, Veronika & Review of Jermyn Street Theatre: Pictures of Dorian Gray 55 Jul-19 Sullivan, Darcy Black, Alan Oscar at the Hotel Sandwich 34 Jan-09 Brackett, Virginia Dorian Gray as secular scripture 32 Jan-08 Brophy, Jessica M. Unspoken Solidarity, Ruskin & Wilde 45 Jul-14 Bruni, Ferdinando & Frongia, Il Nostro Wild 52 Jan-18 Francesco ‘Bunbury’ The Picture of Dorian Gray at the NFT 4 Jan-94 Bryan-Brown, Deirdre Book Launch: Joy Melville’s Mother of Oscar 6 Jan-95 Bushnell, Terri Oscar - the Musical by Mike Read at The Old Fire Station, Oxford 2 Jan-93 Bushnell, Terri The Importance of Being Earnest at Beveridge Hall, Senate House 2 Jan-93 C Cevasco, George A. What of Whelan? 22 Jan-03 Chadwick, Peter The Artist as Psychologist 27 Jul-05 Chadwick, Peter Oscar Wilde: The Playwright as Psychologist 28 Jan-06 Chadwick, Peter Wilde’s Creative Strategies 29 Jul-06 Chadwick, Peter Freud Meets Wilde: A Playlet 31 Jul-07 Chadwick, Peter Decadence as Growth: Oscar Wilde and the Renewal of Romanticism 34 Jan-09 Chadwick, Peter Decadence and Spirituality in Late Nineteenth Century Artists and Writers 37 Jul-10 Chen, Qi Wilde’s Society Comedies in the Chinese New Culture movement 48 Jan-16 Centenary of the death of Constance Wilde: the Oscar Wilde Society visit to Italy (2), Cinquini, Cristina 13 Jul-98 The Cinquini, Cristina Virgil and Dante at Canterville Chase 11 Jul-97 Clausson, Nils Lady Alroy’s Secret: ‘Surface and Symbol’ in Wilde’s The Sphinx without a Secret 28 Jan-06 Clausson, Nils Importance of Being Gwendolen Fairfax, The 27 Jul-05 Trivial Coincidences or Pre-planned Detonations: A Further Note on Names in Clausson, Nils 29 Jul-06 Conan Doyle and Wilde Clayworth, Anya Annexing Dorian Gray – Will Self’s Dorian: an Imitation 22 Jan-03 Bursting ‘A Delicate Bubble of Fancy’ – Oliver Parker’s Film Adaptation of The Clayworth, Anya 22 Jan-03 Importance of Being Earnest Clayworth, Anya Biographical Speculations: Neil Mc Kenna’s The Secret Life of Oscar Wilde 24 Jan-04 Buying Wilde: Fortunato’s Modernist Aesthetics and Consumer Culture in the Writings Clayworth, Anya 33 Jul-08 of Oscar Wilde Clayworth, Anya Colm Tóibín on Gay Lives and Laurel Brake on Print Culture 21 Jul-02 Clayworth, Anya Editing Wilde’s Journalism 25 Jul-04 Clayworth, Anya English Literature and the Russian Aesthetic Renaissance by Rachel Polonsky 15 Jul-99 Clayworth, Anya Great Celtic School, The: The Eclectic Mix of Wilde the Irishman 13 Jul-98 Nineteenth-century sensations and advances Reviews of Michael Diamond’s Clayworth, Anya 26 Jan-05 Victorian Sensation and Oscar Wilde Studies edited by Frederick S Roden Letters, Biographies and Friends, Reviews of: Oscar Wilde in the Year 2000: The Complete Letters of Oscar Wilde ed. Merlin Holland & Rupert Hart-Davis; Barbara Clayworth, Anya 18 Jan-01 Belford: Oscar Wilde: A Certain Genius; Jerusha McCormack: The Man who was Dorian Gray Merlin Holland: The Wilde Album ; Peter Raby (ed.): The Cambridge Companion to Oscar Wilde ; Isobel Murray (ed.): Oscar Wilde: Complete Poetry ; Richard Foulkes: Clayworth, Anya 12 Jan-98 Church & Stage in Victorian England ; Barbara Tuchman: The Proud Tower: A Portrait of the World before the War 1890-1914 Oscar Wilde: During the Trials and the Aftermath Reviews of Michael S Foldy: The Clayworth, Anya Trials of Oscar Wilde: Deviance, Morality and Late-Victorian Society ; and Mark 16 Jan-00 Hitchens: Oscar Wilde’s Last Chance: The Dreyfus Connection Clayworth, Anya A Preface To Oscar Wilde by Anne Varty 15 Jul-99 A Question of Context - Wilde’s Intentions Under Scrutiny: Laurence Danson: Clayworth, Anya 11 Jul-97 Wilde’s Intentions: The Artist in his Criticism Clayworth, Anya Rediscovering Oscar Wilde , ed. George Sandulescu 8 Jan-96 Reviews of Ian Small: Oscar Wilde: Recent Research A Supplement to ‘Oscar Wilde Revalued’ ; Josephine M Guy and Ian Small: Oscar Wilde’s Profession: Writing and the Clayworth, Anya Culture Industry in the Late Nineteenth Century ; Bobby Fong and Karl Beckson, 19 Jul-01 editors, The Complete Works of Oscar Wilde (General Editors: Russell Jackson and Ian Small) Volume 1: Poems and Poems in Prose Sinfield’s Wilde and the Problem of Homosexuality in the Nineteenth Century The Clayworth, Anya 6 Jan-95 Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment by Alan Sinfield The Masterpiece of All My Work: Twentieth Century Consideration of Wilde’s Clayworth, Anya Plays. Reviews of Sos Eltis: Revising Wilde ; William Tydeman and Steven Price: 10 Jan-97 Wilde: Salomé Clayworth, Anya Three new books about the Irish Peacock 23 Jul-03 Weighty Wildean Tomes: The Picture of Dorian Gray ed. Joseph Bristow (Complete Clayworth, Anya 27 Jul-05 Works Vol 3) & Matthew Sturgis: Walter Sickert Clayworth, Anya Wilde’s World 25 Jul-04 Wilde Style: Victorian or Contemporary Reviews of Neil Sammells: Wilde Style: The Clayworth, Anya Plays and Prose of Oscar Wilde ; Melissa Knox: Oscar Wilde in the 1990s : the Critic as 20 Jan-02 Creator ; Matthew Sweet: Inventing the Victorians Wilde the Aesthete and Humanist: Bruce Bashford: Oscar Wilde: the Critic as Humanist ; Mary Warner Blanchard: Oscar Wilde’s America: Counterculture in the Clayworth, Anya 17 Jul-02 Gilded Age ; Elizabeth Prettejohn: After the Pre-Raphaelites: Art and Aestheticism in Victorian England Wilde the Irishman: the reclamation of a ‘reluctant patriot’: Reviews of Davis Clayworth, Anya Coakley: Oscar Wilde: The Importance of Being Irish ; Declan Kiberd: Wilde and the 9 Jul-96 English Question ; Richard Pine: The Thief of Reason: Oscar Wilde and Modern Ireland Notices: Oscar Wilde Poems : facsimile reprint; Declan Kiberd: Inventing Ireland ; Oscar Wilde: The Importance of Being Earnest ed. Joseph Donohue and Ruth Clayworth, Anya 9 Jul-96 Berggren; Oscar Wilde: The Importance of Being Earnest ed. Peter Raby; Matthew Sturgis: Passionate Attitudes: The English Decadence of the 1890s Clayworth, Anya Wilde’s Career as a Journalist 5 Jul-94 Cliff, Kenneth & Taylor, Janet Mr Lock: Hatter to Oscar Wilde & Associates 22 Jan-03 Clutton, James An Ideal Husband at the Globe Theatre, London 2 Jan-93 Clutton, James Editorial 1 Jul-92 Clutton, James Salomé at the Burton Taylor Theatre, Oxford 2 Jan-93 Clutton, James Salomé at the White Bear Theatre, Kennington 3 Jul-93 Colman, Sheila Paris at Dawn 18 Jan-01 Comfort, Kelly The critic as artist and liar 32 Jan-08 Cook, Robert Chelsea Town Hall and the Oscar Wilde Controversy 6 Jan-95 Cooke, Catherine Whoever occupied C33? 14 Jan-99 Cooper, John The Pure Man Like the Lily 33 Jul-08 Cooper, John Finding Oscar 47 Jun-15 Cooper, John (with Robert Wilde’s Final Farewell lecture in New York 42 Jan-13 Marland) Cooper, John A Picturesque Subject Indeed!' The Sarony Photographs of Oscar Wilde 55 Jul-19 Cotton, Caroline Wilde Inside in Melbourne, directed by Colette Mann 16 Jan-00 Cox, Devon Review of Classic Spring: The Selfish Giant 53 Jul-18 Crook, Joanna Welcome from the President 1 Jul-92 D Darwall-Smith, Robin The Story of The Robert Ross Memorial Collection 15 Jul-99 Day, Sylvia The Fairytales 1 Jul-92 Dibb, Geoff Oscar’s Lectures in West Yorkshire – Part One 3 Jul-93 Dibb, Geoff Wilde’s Lectures in West Yorkshire – Part Two 4 Jan-94 Dibb, Geoff Breakfast With Oscar 7 Jul-95 Dibb, Geoff Oscar Wilde in York 13 Jul-98 Dibb, Geoff Oscar In Bradford 15 Jul-99 Dibb, Geoff Oscar Wilde’s Lecture Tour of the UK 27 Jul-05 Dibb, Geoff Oscar Wilde’s UK Lecture Tours 1883-85 29 Jul-06 Dibb, Geoff Mr and Mrs Wilde ! Where are those Babies? 29 Jul-06 Dibb, Geoff Oscar Wilde and the Cardew Family 33 Jul-08 Dibb, Geoff Oscar Wilde and the Mystics 42 Jan-13 Dibb, Geoff Oscar Wilde’s Lecture Tours Of the UK 42 Jan-13 Dibb, Geoff The Art of Artful Criminality 47 Jun-15 The Incomparable and Ingenious History of Mr Cyril Graham [The Portrait of Mr Dibb, Geoff 50 Jan-17 W.H.] Dibb, Geoff Review of Liverpool’s Wild(e) Poet [Richard Le Gallienne] 50 Jan-17 Dibb, Geoff Constance Wilde in Yorkshire 51 Jul-17 Dibb, Geoff Review of Michael Seeney: From Bow Street to the Ritz 49 Jul-16 Dibb, Geoff Michael Seeney: More Adey, Oscar Wilde's Forgotten Friend [review] 52 Jan-18 Dibb, Geoff Oscar in Poppy-Land 55 Jul-19 Dibb, Geoff Oscar Wilde in Poppyland - Yet Again 56 Jan-20 Donohue, Joseph E.W.
Recommended publications
  • University of Birmingham Oscar Wilde, Photography, and Cultures Of
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal University of Birmingham Oscar Wilde, photography, and cultures of spiritualism Dobson, Eleanor License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Dobson, E 2020, 'Oscar Wilde, photography, and cultures of spiritualism: ''The most magical of mirrors''', English Literature in Transition 1880-1920, vol. 63, no. 2, pp. 139-161. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility 12/02/2019 Published in English Literature in Transition 1880-1920 http://www.eltpress.org/index.html General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.
    [Show full text]
  • Ebook Download De Profundis and Other Prison Writings
    DE PROFUNDIS AND OTHER PRISON WRITINGS PDF, EPUB, EBOOK Oscar Wilde,Colm Toibin | 304 pages | 30 Apr 2013 | Penguin Books Ltd | 9780140439908 | English | London, United Kingdom De Profundis and Other Prison Writings PDF Book View all newsletter. Contact us Contact us Offices Media contacts Catalogues. Merlin Holland concludes that "what Queensberry almost certainly wrote was "posing somdomite [ sic ]", Holland Wilde decided to write a letter to Douglas, and in it discuss the last five years they had spent together, creating an autobiography of sorts. Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. Oct 04, Ingrid Elin Stokke added it. Mar 03, Regina rated it it was amazing Shelves: my-cannon. Essential We use cookies to provide our services , for example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. Oscar Wilde was born in Dublin. An abridged version was set for speaking pianist by composer Frederic Rzewski. Contact had lapsed between Douglas and Wilde and the latter had suffered from his close supervision, physical labour, and emotional isolation. Wilde loses his charm and a portion of his literary brilliance with the passage of brutal time in prison. His love for Bosie Douglas is painted patiently, paragraph by paragraph. Wilde was granted official permission to have writing materials in early , but even then under strict control: he could write to his friends and his solicitor, but only one page at a time.
    [Show full text]
  • On the Rejection of Oscar Wilde's the Picture of Dorian Gray by W. H. Smith
    humanities Article On the Rejection of Oscar Wilde’s The Picture of Dorian Gray by W. H. Smith Satoru Fukamachi Faculty of Humanities, Doho University, Nagoya 453-8540, Japan; [email protected] Received: 1 September 2020; Accepted: 26 October 2020; Published: 29 October 2020 Abstract: Wilde’s only novel, The Picture of Dorian Gray, is widely said to have been rejected by W. H. Smith, but there is no doubt that this did not happen. The letter sent to Wilde by the publisher strongly indicates that W. H. Smith contemplated removing the July issue of Lippincott’s Magazine, but does not go so far as to say that the bookstore did. This letter is the only evidence, however, that this is not absolute. The refusal to sell is mere speculation. The fact that none of Wilde’s contemporaries mentioned the incident of The Picture of Dorian Gray that supposedly happened, while the boycott of George Moore’s Esther Waters, which was much less topical than this one, was widely reported and discussed, provides further evidence that Wilde’s work was not rejected. Given that the censorship of literary works by private enterprises was still topical in the 1890s, it is unbelievable that the rejection of Wilde’s novel would not have been covered by any newspaper. It makes no sense, except to think that such a thing did not exist at all. It is also clear that this was not the case in the 1895 Wilde trial. Wilde’s lawyer argued that the piece was not a social evil because it was sold uninterruptedly, and the other side, which would have liked to take advantage of it in any way, never once touched on the boycott.
    [Show full text]
  • Planetary Patterns of Thought in De Profundis
    INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 2, Issue 2 Winter 2019 Elliptical Thinking: Planetary Patterns of Thought in De Profundis Amelia Hall ISSN: 2515-0073 Date of Acceptance: 1 December 2019 Date of Publication: 21 December 2019 Citation: Amelia Hall, ‘Elliptical Thinking: Planetary Patterns of Thought in De Profundis’, Volupté: Interdisciplinary Journal of Decadence Studies, 2.2 (2019), 247–59. DOI: 10.25602/GOLD.v.v2i2.1349.g1468 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Elliptical Thinking: Planetary Patterns of Thought in De Profundis Amelia Hall Cornell University In an 1881 letter asking a friend to meet his mother, Oscar Wilde writes: ‘all brilliant people should cross each other’s cycles, like some of the nicest planets’.1 In comparing the people in his social circle to celestial bodies in orbit, Wilde sets forth an idea that will soon become literalized in images within and surrounding his works. An illustration in Salomé (1894) renders Wilde the actual ‘(wo)man in the moon’, through placing his distinguishing physiognomy – slightly drooping eyes and thick full lips – on a white circle [fig. 1], while many cartoons satirizing Wilde’s American lecture tour put his head at the centre of a plant that seems to be more sun than flower. An 1881 Punch cartoon by Edward Sambourne, ‘O.W.’, features Wilde’s head as the only visible centre of a sunflower, with crisp triangular petals extending outward so rigidly that they appear to emanate from his body [fig. 2]. Another cartoon appearing in Judge magazine, entitled ‘A Thing of Beauty Not a Joy Forever’, features a sunflower-adorned Wilde standing with his head and torso in the centre of an enormous shape of ambiguous identification [fig.
    [Show full text]
  • Modernist Vintages: the Significance of Wine in Wilde, Richardson, Joyce
    Modernist Vintages: The Significance of Wine in Wilde, Richardson, Joyce and Waugh by Laura Waugh A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved March 2013 by the Graduate Supervisory Committee: Mark Lussier, Chair Daniel Bivona Patrick Bixby ARIZONA STATE UNIVERSITY May 2013 ABSTRACT “Modernist Vintages” considers the significance of wine in a selection of modernist texts that includes Oscar Wilde’s Salomé (1891), Dorothy Richardson’s Honeycomb (1917), James Joyce’s Ulysses (1922), and Evelyn Waugh’s Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of Wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these WorKs recreate and reflect on numerous Wine-related events and movements that shaped European discourse in the nineteenth and tWentieth centuries. The modernists use Wine’s conventional associations to diverse and innovative ends: as the playWright August Strindberg Writes, “NeW forms have not been found for the neW content, so that the neW Wine has burst the old bottles.” Wine in these works alternately, and often concurrently, evoKes themes that Were important to the modernists, including notions of indulgence and Waste, pleasure and addiction, experimentation and ritual, tradition and nostalgia, regional distinction and global expansion, wanton intoxication and artistic clarity.
    [Show full text]
  • Oscar Wilde and His Literary Circle Collection: Wildeiana MS.Wildeiana
    http://oac.cdlib.org/findaid/ark:/13030/kt867nf36t No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Wildeiana MS.Wildeiana Finding aid created by Rebecca Fenning Marschall William Andrews Clark Memorial Library © 2017 2520 Cimarron Street Los Angeles 90018 [email protected] URL: http://www.clarklibrary.ucla.edu/ Finding Aid for the Oscar Wilde MS.Wildeiana 1 and his Literary Circle Collection: Wildeiana MS.Wildeia... Contributing Institution: William Andrews Clark Memorial Library Title: Oscar Wilde and his Literary Circle Collection: Wildeiana Creator: William Andrews Clark Memorial Library Identifier/Call Number: MS.Wildeiana Physical Description: 19 Linear Feet27 boxes Date (inclusive): 1858-1998 Abstract: This finding aid describes a wide-ranging collection of material relating to Oscar Wilde and to his literary and artistic circle in late nineteenth- and early twentieth-century Great Britain. Clark Library. Language of Material: English . Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. It appears that large segments of the Wildeiana collection were likely originally part of the collection assembled by Wilde bibliographer Christopher Millard. The actual date the Clark acquired these materials is unknown and any documentation about the source of these items has been lost.
    [Show full text]
  • Newsletter 46
    THE CENTER & CLARK NEWSLETTER UCLA CENTER FOR 17TH- & 18TH-CENTURY STUDIES WILLIAM ANDREWS CLARK MEMORIAL LIBRARY Number 46 F ALL 2007 The Director’s Column The source of our excitement is much more general, gen- erated by the fact that we are again able to offer the Cen- PETER H. REILL, Director ter/Clark community a wide and exciting array of pro- We at the Center/Clark greet this new academic year with grams, lectures, concerts and special events. The first of both a sigh of relief and sense of excitement. The relief is these will be a joint event taking place on October 14th easy to understand. The working part of the library has fi- celebrating the Clark’s reopening and marking the initial nally reopened for business after two years of frustrating de- lecture of our semi-annual lecture series: The William lays, postponements and cost increases. Though the casual Andrews Clark Lecture on Oscar Wilde, endowed by one of visitor will find little evidence of the work that has been our strongest supporters, William Zachs. The lecture will done, the story is different for the books and manuscripts. feature Merlin Holland (independent scholar, currently re- They now have a heating, ventilation and air conditioning siding in Burgundy, France), Oscar Wilde’s grandson and system in place that will keep them cool and dry and pro- one of the world’s leading authorities on his grandfather’s tected by a state-of-the-art fire suppression system. Not only work, who will lecture on: Oscar Wilde: Putting Music into that, their rooms and the study carrels that house some of Words.
    [Show full text]
  • No Purchase Necessary: Books and Ownership in the Writings of Oscar Wilde
    Bristol Journal of English Studies, Issue 1 (Summer 2012) The Figure in the Watchtower: books and surveillance in Oscar Wilde’s The Importance of Being Earnest (1895) Dewi Evans These are the letters which Endymion wrote To one he loved in secret, and apart. And now the brawlers of the auction mart Bargain and bid for each poor blotted note, Ay! for each separate pulse of passion quote The merchant's price. I think they love not art Who break the crystal of a poet's heart That small and sickly eyes may glare and gloat. Is it not said that many years ago, In a far Eastern town, some soldiers ran With torches through the midnight, and began To wrangle for mean raiment, and to throw Dice for the garments of a wretched man, Not knowing the God's wonder, or His woe?1 i In an intertext borrowed from Keats himself, the first line of Oscar Wilde’s sonnet ‘On the Recent Sale by Auction of Keats’s Love Letters’ (1886) recasts the dead poet in the guise of the mythical ‘Endymion’, whose curse is to be consigned to eternal slumber, whilst at the same time remaining young and beautiful. The implications of using this name from mythology to refer to the dead Keats are manifold. It transforms the author into a symbol of eternal beauty that remains, as in 1 ‘On the [Recent] sale by Auction of Keats’ Love Letters’ [1886], Collins Complete Works of Oscar Wilde, ed. by Merlin Holland, 5th edn (London: Harper Collins, 2003), pp.870-1.
    [Show full text]
  • Oscar Wilde and His Literary Circle Collection: Forgeries MS
    http://oac.cdlib.org/findaid/ark:/13030/kt2p3031hm No online items Finding Aid for the Oscar Wilde and his Literary Circle Collection: Forgeries MS. Wilde Forgeries Finding aid prepared by Finding aid created by Rebecca Fenning. William Andrews Clark Memorial Library 2520 Cimarron Street Los Angeles, CA, 90018 (323) 731-8529 [email protected] © 2009 Finding Aid for the Oscar Wilde MS. Wilde Forgeries 1 and his Literary Circle Collection: Forgeries MS... Title: Oscar Wilde and his Literary Circle Collection: Forgeries, Identifier/Call Number: MS. Wilde Forgeries Contributing Institution: William Andrews Clark Memorial Library Language of Material: English Physical Description: 1.0 Linear feet Date (inclusive): 1887-1900 Abstract: This finding aid describes manuscript items that are confirmed or suggested forgeries of Oscar Wilde's work and correspondence. Physical location: Clark Library. creator: William Andrews Clark Memorial Library. Provenance William Andrews Clark, Jr. acquired the nucleus of the Clark Library's Oscar Wilde collection from Dulau and Company, London, in 1929. Most of the Dulau material had been in the possession of Robert B. Ross (Oscar Wilde's literary executor), Christopher S. Millard (a.k.a. Stuart Mason, the Wilde bibliographer), and Vyvyan B. Holland (Wilde's only surviving son). Since 1929, the Clark Library has steadily purchased important new material and in the year 2000, the collection was estimated to contain over 65,000 items. Access Collection is open for research. Restrictions on Use Copyright has not been assigned to the William Andrews Clark Memorial Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Librarian.
    [Show full text]
  • Dramaturgy Packet
    IOWA SUMMER REP PRESENTS The Importance of Being Earnest By Oscar Wilde Directed by Josh Sobel Production Dramaturgy by Alyssa Cokinis “God knows; I won’t be an Oxford don anyhow. I’ll be a poet, a writer, a dramatist. Somehow or other I’ll be famous, and if not famous, I’ll be notorious.” A Note from the Dramaturg Actors and team-- I know this isn’t typically standard, but I wanted to place a note here so you know my main interests as I pursued research on Oscar Wilde and The Importance of Being Earnest for this ​ ​ production. My two most valuable and heart-wrenching resources have been biographies of Wilde by his son Vyvyan Holland and grandson Merlin Holland. Wilde never knew his grandson and was estranged from his oldest son and Vyvyan in the last years of his life due to his wife Constance taking the children away from England following Wilde’s court sentence for homosexual acts, moving to Switzerland and then changing the family’s name to “Holland.” Wilde never saw Vyvyan and his other son Cyril after the fact. These works have touched me the most because in the text they write it is clear of their passion to know their father/grandfather despite all that transpired before, during, and after his prison sentence. It is clear that through it all, no matter what decisions Wilde made or what came his way, he loved his sons and cherished his family bond deeply; Constance forbidding Wilde to see his children is what broke his heart near the end of his life, perhaps even more than the betrayal by his lover Lord Alfred Douglas that landed him in jail.
    [Show full text]
  • Wild-About-Wilde-No-6.Pdf
    1 WILD ABOUT WILDE Dear Wild Wildeans, Interest in Oscar Wilde seems to be on an upturn judging from the amount of activity both in the production of his work to works about his life going on around the country. Perhaps it is the influence of Richard Ellmann's biography or perhaps the public is at last realizing the genius of a great artist but whatever the reason there seems scarcely enough space here to talk about it all. But let us sincerely hope that the whole thing does not get too far out of control. Oscar would never approve: "You can't go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left." Well, it would seem from the usual nightly television fare in this country we still do! In Dublin recently there was a ballet performance in the Gaiety Theatre on the life of Wilde and Steven Berkoff's Salome was back at the Gate Theatre by what the management described as "popular demand." The ballet was dream-like and beautiful with a hint of pantomime and Berkoff's Salome, which was slow-danced throughout by all the actors, was sensuous, sexual and utterly delightful. An Ideal Husband opened at the Gate Theatre at the end of March and is expected to run into the summer months. Of course appreciation and affection for Wilde have always been high in his native city but here in the United States there are also signs that his work is at last gaining in esteem.
    [Show full text]
  • From Bill Clinton to Oscar Wilde
    Steven Lubet Professor of Law Northwestern University SEX, LIES, AND CLIENTS: FROM BILL CLINTON TO OSCAR WILDE Bill Clinton, My Life (Knopf, 1008 pages. 2004) Merlin Holland, The Real Trial of Oscar Wilde (Fourth Estate, 340 pages. 2003) On January 17, 1998, President Bill Clinton testified at what turned out to be the most significant deposition in the history of the United States. Sworn to tell the truth, he calmly lied about his affair with Monica Lewinsky, falsely stating that he was never alone with her and that he never had sexual relations with her. He would soon repeat his lies on television B AI never had sex with that woman, Ms. Lewinsky@ B and several months later he would attempt to wriggle out of the falsehoods in his videotaped grand jury testimony. But the harm was done. Clinton teetered for nearly a year on the edge of political ruin, becoming only the second president in history to be impeached. Although Clinton never came close to constitutional dispossession, the scandal continued to take its toll. In all likelihood, it cost Al Gore the 2000 presidential election B either because it alienated voters from the Democratic Party, or because the skittish Gore decided not to allow Clinton to campaign with him (or both). Dozens of books have been written about the Clinton era B by insiders, adversaries, journalists, and even a sitting federal judge. Most recently, we have the massive autobiography of the big guy himself, covering the years from his Arkansas boyhood until the inaugura tion of George W. Bush.1 Predictably, much of the buzz was created by Clinton=s comments on his affair with Monica Lewinsky (Aimmoral and foolish .
    [Show full text]