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Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
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Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship. -
Yeh Jawaani Hai Deewani Movie Download in 720P Torrent
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Amitabh Bachchan Becomes the First Indian to Be Presented with the FIAF Award
For Immediate Dissemination Press Release Amitabh Bachchan Becomes the First Indian to Be Presented with the FIAF Award Martin Scorsese and Christopher Nolan to Congratulate the Indian Megastar at a Virtual Showcase India, 10th March 2021 - Indian film luminary Amitabh Bachchan will be conferred with the prestigious 2021 FIAF Award by the International Federation of Film Archives (FIAF), the worldwide organization of film archives and museums from across the world, at a virtual showcase scheduled to take place on March 19, 2021. Mr. Bachchan’s name was nominated by the FIAF affiliate Film Heritage Foundation, a not-for-profit organization founded by filmmaker and archivist Shivendra Singh Dungarpur, dedicated to the preservation, restoration, documentation, exhibition, and study of India’s film heritage. In a landmark moment for Indian cinema, icons of world cinema and film directors Martin Scorsese and Christopher Nolan, who also share a long-standing relationship with India through their affiliation with Film Heritage Foundation, will bestow the award on Mr. Bachchan for his dedication and contribution to the preservation of, and access to, the world’s film heritage for the benefit of present and future generations, at a virtual presentation. The highly regarded National Award-winning film superstar will be the very first Indian to receive this esteemed global award. Previous recipients include legends of world cinema such as Martin Scorsese (2001), Manoel de Oliveira (2002), Ingmar Bergman (2003), Geraldine Chaplin (2004), Mike Leigh (2005), Hou Hsiao-hsien (2006), Peter Bogdanovich (2007), Nelson Pereira dos Santos (2008), Rithy Panh (2009), Liv Ullmann (2010), Kyoko Kagawa (2011), Agnès Varda (2013), Jan Švankmajer (2014), Yervant Gianikian and Angela Ricci Lucchi (2015), Jean-Pierre and Luc Dardenne (2016), Christopher Nolan (2017), Apichatpong Weerasethakul (2018), Jean-Luc Godard (2019), and Walter Salles (2020). -
Indian Cinema in the Time of Celluloid : from Bollywood to the Emergency
Bollywood reality as freak show. Shilpa Gupta, The Bigg Boss Series - Stills from a Reality Show (digital photograph, 2007). 'BOLLYWOOD' 2004 The Globalized Freak Show of What Used to Be Cinema "1^ > othing in the hugely marketed hype of the 'Indian Summer' of London, 2002, was more characteristic of the season than the 'recreation' of movie star Dimple Kapadia's Bombay home on the ground floor of the London department store Selfridges, by designers Abu Jani and Sandeep Khosla. But then these were not normal times. An event that might well have seen Dimple's straight rise to the dimensions of a present-day Lola Montes, with crowds ogling at simulations of her living spaces, was here no more than an announcement of 'Bollywood at Selfridges, May 2002', to be attended by Amitabh Bachchan, Madhuri Dixit and Dimple Kapadia. The event jostled for media coverage with a series, through the year, of other crowd-pulling shows: 'ImagineASIA' (April) at the British Film Institute, launching 'an 8-month-long, nationwide celebration of South Asian cinema. Screenings, exhibi- tions, books and talks galore!'; the 'Bombay Dreams Week' (June) to 'celebrate Sir Andrew Lloyd Webber's production of A.R. 3 May 2002: Star Mansion. Rahman's Bollywood musical with a week of special features'; and {Top) Dimple Kapadia's four- poster bed, [bottom) centre the 'Devdas Week' (July) 'to mark the release of the most anticipated table and zordozi-covered Bollywood movie this summer. Including exclusive interviews cushions. Selfridges launched their Bollywood season with a with the stars'. 'star-studded gala at their flag- At a multicultural music, art and dance series at Trafalgar Square, ship London store'. -
Your Guide to Over 2500 Channels of Entertainment
YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Voted World’s Best Infl ight Entertainment Digital Widescreen February 2017 for the 12th consecutive year! PLANET Explore the wonders ofEARTH II and more incredible entertainment NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE ENTERTAINMENT An extraordinary experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. 496 movies Information… Communication… Entertainment… THE LATEST MOVIES Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss and other useful features. roaming on select flights. TV, music and games. from page 16 STAY CONNECTED ...AT YOUR FINGERTIPS Connect to the OnAir Wi-Fi 4 103 network on all A380s and most Boeing 777s Move around 1 Choose a channel using the games Go straight to your chosen controller pad programme by typing the on your handset channel number into your and select using 2 3 handset, or use the onscreen the green game channel entry pad button 4 1 3 Swipe left and right like Search for movies, a tablet. Tap the arrows TV shows, music and ĒĬĩĦĦĭ onscreen to scroll system features ÊÉÏ 2 4 Create and access Tap Settings to Português, Español, Deutsch, 日本語, Français, ̷͚͑͘͘͏͐, Polski, 中文, your own playlist adjust volume and using Favourites brightness Many movies are available in up to eight languages. -
Union Cabinet Approves Real Estate Regulatory Bill
08 June 2013 3 Union Cabinet ap- ‘Yeh Jawaani Hai Deewani’ set to enter 100 crore club proves Real Estate Regulatory Bill GURU GYAN FUNNY JOKES & Many More page no. 8 Read page no. 3 Read page no. 4-5 Read page no. 8 Weekly Realty Digital Magazine Union Cabinet approves Real Estate Regulatory Bill Read Inside Ministry sources said 22 states had given Cover Gautam Gambhir’s their approval to the Bill while five states All about circle rate?choice Serabella wanted certain amendments. Story Cover Story 4-5 Contents Important Helpline Nos.11 News & Updates - Noida Guru Gyan 6 3 Knowledge & Entertainment 7 bollywood & Cricket updates 8 Our Team Edited by - Priyanka Jadon | [email protected] Contents - Danish Suhail | [email protected] Design - Sunil Bidaliya | [email protected] Call us toll Free 2 www.rudrabuildwell.com 1800 1800 5555 Guru Gyan All about circle rate? Budget 2013-14 Highlights 1. Additional Rs. 1 lakh Interest De- duction for first time home Buyers. Individuals can take first time home loan of upto Rs 25 Lakh in 2013-14 will be allowed an addi- tional tax deduction of interest up to Rs. 1 Lakh. 2. 1 % TDS on sale/Purchase of Prop- erty above Rs. 50 Lakh. The union budget 2013 purposes to levy 1% TDS on sale of immov- able properties of above Rs 50 Lakh, but exempts agriculture land. 3. Rs 2,000 Crore Fund for Urban housing development. The Finance Minister P.Chidam- baram proposes to start a fund for urba housing to mitigate the huge shortage of houses in urban areas. -
Film and Music Rajnikant
FILM AND MUSIC RAJNIKANT ajnikanth (Born Shivaji Rao D.O.B. : 12th Dec., 1950 th Gaikwad) was born on 12 Place of Birth : Karnataka December, 1950. He is an R Married to : Latha Rajnikant I n d i a n f i l m a c t o r, m e d i a Awarded : Padma Bhushan personality. He has acted in Vijay Award Hollywood, Bollywood, Telugu, Kannada, Malayalam and Bengali Films as well. He started acting caeer while employed with Bangalore Transport Service as a bus conductor. He associated with Madras Film Institute in 1973 to pursue diploma in acting. He began his cinematic career through the Tamil film (Apoorna Raagangal). The film won three National film awards. After the success of this film his career has grown many fold. He is a famous celebrity in the film industry. Till now, he had won 42 awards. Also he has been awarded with Padma Bhushan Vijay Award, Raj Kapoor Award, NDTV award and many more. FILM AND MUSIC AMITABH BACHCHAN mitabh Bachchan was born D.O.B. : 11th Oct., 1942 on 11th October, 1942, in Place of Birth : Allahabad, India AAllahabad, Uttar Pradesh. Married to : Jaya Bachchan His father Harivansh Rai Bachchan Awards : Padma Vibhushan, was a famous Hindi poet. Amitabh Film Fare and means 'Light that will never die'. many more Amitabh did his schooling from Sherwood College, Nainital and graduation from Kirorimal College, Delhi University. Amitabh Bachchan is married to actress Jaya Bhachchan. The couple have two children, Shweta Nanda and Abhishek Bachchan. As an actor his first film was Saat Hindustani directed by Khwaja.