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NEAVE PIANO TRIO on APRIL 14 Tickets On-Sale Friday, November 2Nd at 10 A.M
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda v.845.583.2193 Photos & Interviews may be available upon request [email protected] BETHEL WOODS & SHANDELEE MUSIC FESTIVAL COLLABORATE TO CELEBRATE ASTOR PIAZZOLLA WITH THE NEAVE PIANO TRIO ON APRIL 14 Tickets On-Sale Friday, November 2nd at 10 a.m. October 30, 2018 (BETHEL, NY) – Bethel Woods Center for the Arts is pleased to announce The Neave Piano Trio featuring mezzo-soprano and Metropolitan Opera singer Carla Jablonski performing the music of Astor Piazzolla on Sunday, April 14 at 3:00 PM in the magnificent, indoor Event Gallery at Bethel Woods. Part of the PLAY: The Classics series presented in collaboration with Shandelee Music Festival, the goal of this series is to encourage and foster young talented emerging artists, help to build and cultivate a younger audience and increase attendance of all ages. Reserved tickets go on-sale Friday, November 2 at 10:00 AM at www.BethelWoodsCenter.org, Ticketmaster, and the Bethel Woods Box Office. Tickets for each performance are $37.00 for general reserved seating and tickets for individuals age 17 and under, or students with a valid college ID, are available for $17.00 at the Bethel Woods Box Office only. Darlene Fedun, Chief Executive Officer at Bethel Woods explains, “In addition to attracting traditional classical enthusiasts, PLAY: The Classics has specific emphasis on reaching young adults in Sullivan County to introduce a love and appreciate of classical music to new audiences and youth. The program’s aim is to keep the live classical music experience vital, stimulating, and alive at Bethel Woods, and to reach out to Sullivan County youth to encourage them to experience and enjoy performances of the highest quality.” Daniel Stroup, President of Shandelee Music Festival adds, “Our goal is to present an unparalleled concert series and inspire young people, who will be our future audience, with live classical concert experiences. -
Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Raise the Curtain
JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood. -
City Recital Hall Limited
ANNUAL REPORT 2018-19 CITY RECITAL HALL LIMITED 1 CONTENTS 3 STRATEGIC FRAMEWORK Concert: Man of Constant Sorrow: A tribute to the music 4 ACTIVITY HIGHLIGHTS of ‘O Brother Where art Thou?’ Photo: Tim da-RIn 5 CHAIR’S MESSAGE 6 CEO’S MESSAGE 7 PRESENTING PARTNERS AND HIRERS 8 APPEARING ON OUR STAGE 10 VISITOR EXPERIENCE 11 SUPPORT FOR THE SECTOR 12 COMMUNITY ENGAGEMENT 14 CITY RECITAL HALL PRESENTS 17 KEY PRESENTERS 18 VENUE HIRERS 19 PARTNERS AND SUPPORTERS 20 GIVING 21 MEMBERSHIP 22 CORPORATE GOVERNANCE 23 BOARD 26 STAFF 2 STRATEGIC FRAMEWORK Concert: Man of Constant Sorrow: A tribute to the music of ‘O Brother Where art Thou?’ Photo: Tim da-RIn VISION OUR GUIDING PRINCIPLES STRATEGIC GOALS To be one of the ‘must visit’ cultural AND VALUES BRAND destinations in Australia. • Progressive thinking and creative City Recital Hall is a place that offers excellence underpin everything we do. “music and more” to a wide audience MISSION We think outside the square to deliver unique and creative experiences for PLACE To unlock the cultural, social and our artists, partners and audiences. The beating cultural heart of the economic value of City Recital Hall. Sydney CBD • Democratic and diverse - Everyone We will do this by: plays an important part, every voice is QUALITY heard, everyone is respected. If it’s on at City Recital Hall, it must be • producing, promoting, presenting, We champion diversity by engaging good encouraging and facilitating excellent with all genres, all peoples, all ideas. cultural events; We are proud to be open, transparent SERVICE and inclusive. -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
Swan Lake Takes out the Classic 100: Dance Countdown
10 JUNE 2018 – EMBARGOED UNTIL 19:01 AEST-- Swan Lake takes out the Classic 100: Dance Countdown Swan Lake has been named Australia’s favourite classical dance music in ABC Classic FM’s Classic 100 Countdown. Australia’s favourite classical music event has celebrated the brilliant diversity, vivid colour and irresistible impulse of dance, by counting down the music that makes its audiences move. Tchaikovsky’s Swan Lake, one of the world’s most beloved ballets, tells the story of Odette, a princess transformed into a swan by the curse of an evil sorcerer. Australia’s passionate community of music lovers voted in their thousands in the annual campaign by ABC Classic FM, our only national classical music station. Nearly 2000 works were reduced by public voting to the final 100 broadcast this weekend. More than 50% of the performers featured in this flagship event are Australian, exemplifying the ABC’s crucial role in nurturing local talent. ABC Classic FM is dedicated to investing in high-quality and distinctive Australian music and performance, free for all Australians. ABC Classic FM has collaborated with The Australian Ballet to produce three films specifically for the Countdown. Emerging choreographers Alice Topp, Richard House and Ella Havelka created striking new responses to the top three featured works: Swan Lake, The Nutcracker Suite, and Romeo and Juliet. Why Dance, a 3 x 20 minute feature series from the ABC’s Dr Ann Jones, has launched on air on ABC Classic FM, online and on the ABC listen app to mark this year’s theme. In association with The Australian Ballet, Sydney Dance Company and Bangarra Dance Theatre, Ann explores female choreographers in the male- dominated world of ballet, the importance of dance in Indigenous culture, and the healing role of dance in the lives of some everyday Australians. -
Convallaria Press Release
Bio information: THUMBSCREW Title: CONVALLARIA (Cuneiform Rune 415) Format: CD / DIGITAL RELEASE DATE: MAY 20, 2016 Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ Mary Halvorson, Michael Formanek, and Tomas Fujiwara – the All-Star Collective Trio Thumbscrew — Deliver a Startlingly Beautiful Second Album with Convallaria, Featuring Music Cultivated During an Inspired Residency at City of Asylum/Pittsburgh “The barrage of riffs are both epic and melodic, the low end beefy and the percussion massive. Expect nothing less than magic from these three avant purveyors." –The Village Voice Creative artists aren’t subject to state persecution in the United States, but indifference can exact its own cost, just as generous support can pay steep dividends. Convallaria, the startlingly beautiful new Cuneiform album by the collective trio Thumbscrew, offers an all- too-rare case study in the power of underwritten sequestration. Featuring veteran bass master Michael Formanek, protean guitarist Mary Halvorson, and indefatigably resourceful drummer Tomas Fujiwara, Thumbscrew spent two weeks honing the tunes on Convallaria at City of Asylum, an artist residency program in Pittsburgh originally launched as a refuge for writers in exile. In recent years City of Asylum has expanded its purview to include musicians, establishing the BNY Mellon Jazz Residency that in June/July 2015 hosted Thumbscrew. For Thumbscrew, the opportunity for intensive, undistracted collaboration yielded a particularly striking body of music, even by the standards of these prodigious players. Already closely bonded by extensive collaborations in a variety of overlapping ensembles, the powerhouse triumvirate got to spend the kind of concentrated time together that’s “almost unheard of these days,” says Formanek. -
Steve Fieldhouse Full CV December 2014
1 Steve Fieldhouse CV Last Updated, December 15, 2014 Curriculum Vitae for Steve Fieldhouse Includes: 1. Contents and Personal Details (Page 1) 2. Introduction (Page 2) 3. Production Credits (Pages 3 to 19) 4. Studio Experience (Pages 19 to 21) 5. Training and Lecturing (Pages 22 to 24) 6. Broadcast Experience (Pages 24 to 35) 7. Experience as a Musician (Pages 35 to 38) 8. Technical Support (Pages 38 to 42) 9. Qualifications (Pages 42 to 44) 10. Equipment Used (Pages 44 to 47) 11. Lecturing Subjects (Pages 48 to 51) 12. Employment History (Pages 51 to 53) Personal Details Name: Steve Fieldhouse Email: [email protected] Website: www.earsight.com.au Phone: 0407 970425 Postal Address: 18 Broadwater Esplanade, Bilambil Heights, NSW, 2486 Residency Status: Australian Citizen Drivers License: Medium Rigid Class Truck License 2 Steve Fieldhouse CV Last Updated, December 15, 2014 Introduction Steve Fieldhouse is an Audio Engineer, Producer, Musician and Lecturer currently based in Australia. Steve’s work as a Recording and Mixdown Audio Engineer/Producer spans Music, Broadcast, Live Concert Recording, Film, Post Production, Theatre, AV, Sound Reinforcement and Mastering Industry Sectors. Some Production Highlights include Recording and Mixing: Ø Music Artists from more than 80 countries Ø Direct broadcasts for ABC Classic FM of Symphony, Chamber Orchestras, Ensembles and Operas across Australia Ø ABC RN (Radio National) and ABC Classic FM programs and features Ø Feature Film Soundtrack Recordings Ø Adelaide International Guitar Festival 2010, 2012 and 2014 Ø Bangalow Music Festival, 2014 Ø WOMADELAIDE Festivals from 2004 to 2014 Ø Woodford Folk Festival 2012 Ø Byron Bay Bluesfest 2010 and 2013 Ø Engineering Music Recordings for ABC TV, Triple J and Local Radio Ø 100+ CD releases covering most music genres Steve has worked as a Lecturer and Trainer since 1993. -
Elena Kats-Chernin
Elena Kats-Chernin Elena Kats-Chernin photo © Bruria Hammer OPERAS 1 OPERAS 1 OPERAS Die Krönung der Poppea (L'incoronazione di Poppea) Der herzlose Riese Claudio Monteverdi, arranged by Elena Kats-Chernin The Heartless Giant 1643/2012/17 3 hr 2020 55 min Opera musicale in three acts with a prologue 7 vocal soloists-children's choir- 1.1.1.1-1.1.1.1-perc(2)-3.3.3.3.2 4S,M,A,4T,2Bar,B; chorus; 0.2.0.asax.tsax(=barsax).0-0.2.cimbasso.0-perc(2):maracas/cast/claves/shaker/guiro/cr ot/tgl/cyms/BD/SD/tpl.bl/glsp/vib/wdbls/congas/bongos/cowbell-continuo-strings; Tutti stings divided in: vla I–III, vlc I–II, db; Availability: This work is available from Boosey & Hawkes for the world Continuo: 2 gtr players, doubling and dividing the following instruments: banjo, dobro, mandolin, 12-string, electric, classical, Jazz, steal-string, slide, Hawaii, ukulele (some Iphis effects may be produced by the 1997/2005 1 hr 10 min same instrument); 1 vlc(separate from the celli tutti); 1theorbo; 1kbd synthesizer: most used sounds include elec.org, Jazz.org, pipe.org, chamber.org, hpd, clavecin, and ad Opera for six singers and nine musicians lib keyboard instruments as available. 2S,M,2T,Bar 1(=picc).0.1(=bcl).0-1.0.0.0-perc(1):wdbl/cyms/hi hat/xyl/marimba/SD/ World premiere of version: 16 Sep 2012 vib or glsp/3cowbells/crot/BD/tpl.bl/wind chimes/chinese bl/claves- Komische Oper, Berlin, Germany pft(=kbd)-vln.vla.vlc.db Barrie Kosky, director; Orchester und Ensemble der Komischen Oper Berlin Conductor: André de Ridder World Premiere: 03 Dec 1997 Bangarra Dance -
Annual Report
ANNUAL REPORT TSO ANNUAL REPORT 2018 PAGE 1 Contents 02 Chair 04 Management 06 The Year In Review 14 Facts and Figures 18 Artists 19 Recordings and CD Releases 20 Education 22 National Training 24 Outreach 25 Orchestra 26 TSO Management 27 Chorus, Friends and Foundation 28 TSO Partners 30 TSO Benefactors 33 Annual Financial Report Adriana Kucˇerová and Pavol Breslik take a bow at the conclusion of Roméo et Juliette, Federation Concert Hall Hobart, 20 October 2018. TSO ANNUAL REPORT 2018 PAGE 01 “ Visiting conductors and artists frequently comment on how much they enjoy coming to Tasmania not only Chair because of the artistic calibre of the orchestra and chorus but also because of their obvious dedication and determination to produce the very best results.” 2018 was a year of significant change for the TSO. It was My thanks and congratulations to our excellent and committed the final year of the twice-extended term of our wonderful musicians who all worked hard to bring so much joy to audiences TSO Board Chief Conductor and Artistic Director, Marko Letonja; throughout the year. Visiting conductors and artists frequently TSO’s artistic standing and reputation have risen comment on how much they enjoy coming to Tasmania not only David Rich Chair because of the artistic calibre of the orchestra and chorus but immeasurably during his seven-year tenure. We were Don Challen AM Deputy Chair also because of their obvious dedication and determination to delighted to announce that Norwegian musician and Timothy Bugg AM produce the very best results. This is a true indication of why conductor, Eivind Aadland, who is well-known to the TSO, we should be so proud of the TSO! Marilyn Canterford (from May 2018) will become our new Chief Conductor and Artistic Director Peter Cretan Enabling and supporting the TSO’s artistic achievements, we from 2020. -
Adelaide Festoval Centre
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2011-12 September 2012 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ......................................................................................................... 4 Chairman’s Report .............................................................................................. 5 CEO & Artistic Director’s Report ......................................................................... 7 ROLE, PERFORMANCE AND GOVERNANCE ................................. 9 Adelaide Festival Centre Trust Act 1971............................................................. 9 Trustees .............................................................................................................. 9 Risk and Audit Committee ................................................................................ 10 Risk Management ............................................................................................. 10 Remuneration Committee ................................................................................. 10 Precinct Reference Group ................................................................................ 10 The Adelaide Festival Centre Foundation Board .............................................. 10 Organisational Chart ........................................................................................