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(Hons.) Karnatak Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System

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(Hons.) Karnatak Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System Syllabus of B.A. (Hons.) Karnatak Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI-110007 1 CHOICE BASED CREDIT SYSTEM IN B.A HONOURS KARNATAK MUSIC (VOCAL/INSTRUMENTAL) Semester CORE COURSE (14) Ability Skill Elective: Discipline Elective: Enhancement Enhancement Specific DSE (4) Generic (GE) Compulsory Course (SEC) (2) (4) Course(AECC) (2) I C 1 Theory: General (English/MIL GE-1 Musicology Communication)/ C 2 Practical : Stage Environmental Performance & Science Viva-Voce II C 3Theory: Environmental GE-2 Theory of Indian Music Science/(English/MI C 4 Practical : Stage L Communication) Performance & Viva-Voce III C 5 Theory: SEC-1 GE-3 Indian Musicology C 6 Practical : Stage Performance C 7 Practical : Viva Voce IV C 8 Theory : Indian SEC-2 GE-4 Music C 9 Practical : Stage Performance C 10 Practical : Viva Voce V C 11 Theory: *DSE-1 Indian Music Vocal/Instrumental C 12 Practical : Stage /Karnatak/Percussi Performance & Viva on Music: Voce (Tabla/Pakhawaj) *DSE-2 Vocal/Instrumental /Karnatak/Percussi on Music: (Tabla/Pakhawaj) VI C 13 Theory : Study of *DSE-3 Hindustani Music Vocal/Instrumental C 14 Practical : Stage /Karnatak/Percussi Performance & Viva on Music: Voce (Tabla/Pakhawaj) *DSE -4 Project Work: Vocal/Instrumental /Karnatak/Percussi on Music 2 *These courses shall be offered to the students of B.A. Honours, other than their own discipline. Syllabus for B.A. (Hons.) Karnatak Music ​ VOCAL/VIOLIN/VEENA - Choice Based Credit System Total Marks Credits SEM-I Course-101 : Theory 75+25 = 100 4 Course-102 : Practical 75+25 =100 8 SEM-II Course-103 : Theory 75+25 = 100 4 Course-104 : Practical 75+25 =100 8 SEM-III Course-105 : Theory 75+25 = 100 4 Course-106 : Practical 75+25 =100 8 Course- 107 : Viva-Voce 75+25 =100 8 SEM-IV Course-108 : Theory 75+25 = 100 4 Course-109 : Practical 75+25 =100 8 Course 110 : Viva-Voce 75+25 =100 8 SEM-V Course-111 : Theory 75+25 = 100 4 Course-112 : Practical 75+25 =100 8 SEM-VI Course-113 : Theory 75+25 = 100 4 Course-114 : Practical 75+25 =100 8 1400 88 3 Syllabus for B.A. (Hons.) Karnatak Music 2015-2016 VOCAL/VIOLIN/VINA - Choice Based Credit System IST SEMESTER Marks – 75 INTERNAL ASSESSMENT – 25 Total – 100 Course – 101 Theory-I Credits-4 General Musicology 1. Nada, Sruti, Swara, Vadi, Samvadi Definition and brief explanation of a) Nada – Ahata and Anahata Nada, Varieties in Ahata Nada b) Sruti – Nyuna, Pramana & Purna sruti c) Swara – Prakriti and Vikriti swaras, swara sthanas, d) Vadi, Samvadi, Anuvadi, Vivadi e) Tala, Laya, Kalapramana 2. Raga Lakshanas of prescribed ragas. 3. Raga classification – Janaka, Janya system, Varja & Vakra, Bhashanga, Upanga, Panchamantya, Dhaivatantya, Nishaadantya 4. Scheme of 35 talas, chapu tala and It’s varieties shadangas 5. Introduction to notation, melody, polyphony, harmony 6. Life and contribution of Musical Trinity 7. a) Classification of musical instruments in general b) Construction, tuning and playing technique of Tambura/Vina/Violin. ​ Practical-I Course – 102 Stage Performance and Viva Voce Marks – 75 INTERNAL ASSESSMENT – 25 Total – 100 Credits – 8 1. Simple Varnams in 2 degrees of speed. 2. 3 kritis of Tyagaraja, 2 Kritis of Muthuswamy Dikshitar, 1 kriti each of Syamasastri, Subbaraya Sastri, SwatiTirunal, Patnam Subramanya Iyer. 3. Prescribed Ragas, Shankarabharanam, Mohanam, Bilahari, Kharaharapriya, Pantuvarali, Kalyani, Kedaragowla, Keeravani, Anandabhairavi. Recommended Books for SEMESTER-I 1. Dictionary of South Indian Music Prof. P. Sambamoorthy 2. South Indian Music , Book –II - Prof. P. Samabamoorthy, Page No 19 3. South Indian Music , Book-III, Prof. P. Sambamoorthy, Page No. 105-107 4. Raga Classification – Page No. 1-18 Books-III, Book II Page NO.416, Book-II page 138 to 152 5. Sruti Vadyas- Sambamoorthy Page No. 52 to 89 6. Great Composers- Page No. 28 to 35, 66 to 94, 126 to 153 7. Ragas in Carnatic Music- Dr. S. Bhagyalakshmy , Page No. 81 to 365 8. Raga Nidhi – B. Subha Rao –Vol 1,2,3 & 4 9. Comparative Music – Dr. Gauri Kuppuswamy , Page 88 to 110. 10. The music of India- H.A. Popley- Page 98 to 124 4 IIND SEMESTER Course-103 Theory-II Marks – 75 Theory of Indian Music INTERNAL ASSESSMENT – 25 Total – 100 Credits – 4 1. Gamakas – Panchadasa and Dasavidha gamakas, Alankaras and its varieties, Kaku and its varieties 2. Ragalakshanas of the prescribed ragas 3. Scheme of 72 melakarta 4. Detailed study of Tala Dasa Pranas 5. Explanation of Melody, Polyphony, Harmony, Accoustics, pitch 6. Life History of Annamacharya, Kshetrajna, Narayanatirthar, Patnam Subramanya Iyer, Poochi Srinivasa Iyengar, Arunachala Kavirayar, Gopala Krishna Bharati, Jayadeva. 7. Notation of varnams in two degrees of speed, in Adi tala. Practical-II Course – 104 Stage Performance and Viva Voce Marks – 75 INTERNAL ASSESSMENT – 25 Total – 100 Credits- 8 1. Simple varnam in 2 degrees of speed. 2. 3 Kritis of Tyagaraja, 2 Kritis Dikshitar including 1 Navagraha Kriti, 1 Kriti each of Swati Tirunal, Syama Shastri, Ramnad Srinivas Iyengar. 3. Ragas prescribed:- Arabhi, Vasantha, Abhogi, Hamsadhvani, Shanmughapriya, Purvi Kalyani, Simhendra madhyamam, Kanada, Sudha Saveri. Recommended Books for SEMESTER-II 1. South Indian Music , Book-IV, Prof. P. Sambamoorthy, Page NO. 133 to 145 2. South Indian Music , Book-III , Prof. P. Sambamoorthy , Page NO. 38 to 68, 169 to 185 3. Comparative Music- Dr. Gauri Kuppuswami, Page NO. 70 to 100 4. Great Composers Book-1- Page Nos. 36 to 52 5. Great Composers , Books-II- Prof. P. Sambamoorthy Page 89 to 164. B.A. (H) IInd year IIIrd Semester Course - 105 Theory-III Marks – 75 INTERNAL ASSESSMENT – 25 Indian Musicology Total – 100 ​ Credits - 4 1. Historical Study of the following musical forms: Grama, Murchana, Jati, Anibadha, Nibadha. Marga, Desi, Gandharva. 2. Raga classification through ages from vedic times to period of Matanga. 3. Patronage of Music – Kings, Chieftains, Zamindars. 4. Biographies: 5 Vocal- Purandara Dasa, Annamacharya, Bhadrachala Ramadasa, ​ Kshetregna, Narayana Tirtha, P.S.Iyer, Swati Thirunal, Paidala Gurumurty Shastri, Poochi Srinivas Iyengar, Pachimirium Adiyappaiah, Arunachala Kavirayar, Gopala K. Bharati, Mahavaidyanatha Iyer. Violin - Malikkottai Govindaswamy Pillai , Tirukkodi Kaval Krishna Iyer and any 11 biographies from ​ the list given for Vocal . Vina – Mysore Doraiswamy Iyengar , S.Balachander and any 11 biographies from the list given for ​ Vocal 5. Notation of Varnam in 2 degree speed in Adi Tala 6. Raga Lakshana of prescribed ragas. Practical-III Course – 106 Stage Performance Marks- 75 INTERNAL ASSESSMENT – 25 Total – 100 Credits - 8 One advanced Swarajati, one advanced varnam in Ata tala (in two degrees of speed) 2 kritis of Muthuswamy Dikshitar (including one Navavaranam), one kriti each of Syama Sastry, Subbraya Sastri, Poochi Srinivasa Iyengar, Patnam Subramanya Iyer, Swati Tirunal, 2 Tyagaraja kritis (including one Pancharathnam) and one Ragamalika. Brief alapana of Kalyani, Kharaharapriya, Shankarabharanam, Mohanam and Kalpana Svaras in two speeds. III Semester Practical-IV Course – 107 Viva-Voce Marks- 75 INTERNAL ASSESSMENT – 25 Total – 100 Credits - 8 Recommended Books for SEMESTER-III 1. A Historical Study of Indian Music- Swamy Prajnanananda, Page No 5 to 73 2. Lakshana Granthas in Music- Dr. BhagyaLakshmi, Page 21 to 142 3. A Comparative Study of System V.N. Bhathkhande, Page 13 to 101 4. Great Musicians – Prof. P. Sambamoorthy Page No. 1 to 20, 77 to 86 5. Music Journals – Sangeet Natak Academy, Journal of Music Academy 6. Patnam Subramanya Iyer – “A Beacon light” among the post-Trinity composers by Dr. P.B. Kannakumar IVth Semester Course – 108 Theory-IV Marks – 75 INTERNAL ASSESSMENT – 25 Indian Music Total – 100 ​ Credits-4 1. Historical study of Tana, Gandharva, Marga, Desi, Prabandha, Alapa-Alapti 2. Raga Classification from medieval to modern times. 3. Patronage of music by Sabhas, Mass Media. Govt corporate 4. Biographies of Vocal - Gopala Naik, Vina Dhanamal, Mysore Vasudevachariyar, ​ Karaikudi Sambasivan, Vina Kuppayar, Chengalvarayasastri, Kavi Kunjara bharati, V.N.Bhatkhande, V.D.Paluskar, Ghanam Krishna Iyer, Subbaraya Shastri, Papanasam Sivan. Violin – Parur Sundaram Iyer , Mysore Chowdiah. And any 10 biographies from the list given for ​ Vocal Vina – Emani Shankar Shastri , Atoor Krishna Pisharoti and any 10 biographies from the list given for ​ Vocal 5. Introduction to musical forms figuring in Abhyasa gana 6. Raga lakshanas of the prescribed ragas. 7. Notation of Ata tala Varnam in two degrees 6 IV Semester Practical-V Course – 109 Stage Performance Marks – 75 INTERNAL ASSESSMENT – 25 Total – 100 Credits - 8 1. 2 Advanced Varnams (in two degrees of speed) 2. 2 Tyagaraja Kritis (including one pancharatna) 3. 2 Muthuswamy Dikshitar Kritis (including one Panchalinga kriti) 4. One kriti each of Syamasastri, Subbaraya Sastri, Papanasam sivan, Gopala Krishna Bharathi, Patnam Subramanya Iyer, one Javali, one Tillana, Brief alapana of Bhairavi, Bilahari, Saveri, Kambhoji, Madhyamavati, Suddhadhanyasi, Purvi- Kalyani 5. Prescribed Ragas & Kalpana Svaras in two speeds Todi, Dhanyasi, Gaula, Varali, Natakuranji, Suddha Dhanyasi, Hindolam, Darbar, Senjurutti, Malayamarutam, Atana. IV Semester Practical-VI Course – 110 Viva-Voce Marks – 75 INTERNAL ASSESSMENT – 25 Total – 100 Credits - 8 Recommended Books for SEMESTER-IV 1. A Historical Study of Indian Music- Swamy Prajnanananda, Page 1 to 73 2. A History of Indian Music Swamy Prajnananada , Page 83-96 3. Lakshanagagranthas in Music- Bhagyalakshmi, Page 82 to 365 4. Great Masters of Hindustani Music - Smt. Susheela Mishra. 5. Music Journals – Sangeet Natak Academi, Music Academy B.A. (H) IIIrd Year Semester System V semester Course – 111 Theory-V Marks – 75 INTERNAL ASSESSMENT – 25 Indian Music Total – 100 ​ Credits – 4 1. Notation of Kritis in Adi (Single Kalai) and Roopaka talas. 2. Raga lakshanas of the prescribed ragas. 3. Musical forms figuring in Sabha gana. 4. Detailed study of forms in manodharma sangita 5.
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