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Composition 592 and Music History 590 Graduate Seminar 2015 Spring Term the Classical Music of India Basic Bibliography

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Composition 592 and Music History 590 Graduate Seminar 2015 Spring Term the Classical Music of India Basic Bibliography Composition 592 and Music History 590 Graduate Seminar 2015 Spring term The Classical Music of India Basic Bibliography Basic Readings for Course Arnold, Alison. 2000. "Profile of South Asia and its Music" in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Catlin, Amy. 2000. "Karnatak Vocal and Instrumental Music" in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Howard, Wayne. 2000. "Vedic Chant" in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Kassebaum, Gayathri Rajapur. 2000. "Karnatak Raga" in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Kippen, James R. 2000. “Hindustani Tala” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Miner, Allyn. 2000. “Musical Instruments: Northern Area” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Nelson, David Paul. 2000. “Karnatak Tala” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Reck, David. 2000. “Musical Instruments: Southern Area” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Ruckert, George and Richard Widdness. 2000. “Hindustani Raga” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Slawek Stephen. 2000. “Hindustani Instrumental Music” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Wade, Bonnie C. 2000. “Hindustani Vocal Music: in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Background Reading Balsham, A. L. 1959. The Wonder That Was India. New York: Grove Press. Becker, Judith. 1986. “Is Western Art Music Superior?” MQ (341-59) De Bary, W. T. 1958. Sources of Indian Tradition, New York: Columbia University Press. Flood, Gavin 1996. An Introduction to Hinduism. Cambridge: Cambridge University Morris: Classical Music of India Bibliography page 1 Press. Keay, John 2000. India: A History. New York: Atlantic Monthly Press. Vedic Ritual and Recitation Heesterman, Jan, The Broken World of Sacrifice. Chicago: UChicago Press. Lannoy, Richard. 1971. The Speaking Tree a Study of Indian Culture and Society. London, New York: Oxford University Press. Smith, Brian K. 1989. Reflections on Ritual, Resemblence, and Religion. New York : Oxford University Press. O’Flaherty, Wendy. 1981. The Rig Veda : an anthology : one hundred and eight hymns, selected, translated and annotated. Harmondsworth, Middlesex, England, New York : Penguin Books. Staal, F., et.al., Altar of Fire. Delhi: Motilal Banarsidas. Medieval Hindu Devotionalism: Vaisnava and Saiva in Sanskrit and Vernacular Traditions Courtright, Paul B. 1985. Ganesa : Lord of Obstacles, Lord of Beginnings. London and New York: Oxford University Press. Gonda, J. 1970. Visnuism and Sivaism: a Comparison. London: Athlone P. Ramanujan, A.K. c.1981. Hymns for the Drowning : Poems for Visnu. Princeton, N.J. : Princeton University Press. Ramanujan, A.K. c.1994. When God is a Customer : Telugu Courtesan Songs. Berkeley: University of California Press. Sources on Tantra Padoux, André. c.1990. Vac: the Concept of the Word in Selected Hindu Tantras. Albany: State University of New York Press. Silburn, Lilian. c.1988. Kundalini : the energy of the depth: a comprehensive study based on the Scriptures of nondualistic Kashmir Saivism. Albany: State University of New York Press. History of Indian Music Rowell, Lewis. 1992. Music and Musical Thought in Early India. Chicago: University of Chicago Press. Rowell, Lewis. 2000. “Theoretical Treatises” in South Asia: The Indian Subcontinent. Morris: Classical Music of India Bibliography page 2 Alison Arnold, ed. New York: Garland Publishing, Inc. Nijenhuis, Emmiete 1974. Indian Music: History and Structure. Leiden: Brill. Simms, Robert. 2000. "Scholarship since 1300" in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Indian Classical Music Powers, Harold S. 1965. “Indian Music and the English Language: A Review Essay.” Ethnomusicology 9/1: 1-12. Kinnear, Michael S. 1985. A Discography of Hindustani and Karnatic Music. Westport. CT: Greenwood Press. Mehta, R. C. 1994. Directory of Doctoral Theses in Music. Bombay and Baroda: Indian Musicological Society. Wade, Bonnie. 1988. Music of India: The Classical Traditions. Englewood Cliffs, NJ, MD: Prentice-Hall. Karnatic Music Bhagyalekshmy, S. 1990. Ragas in Carnatic Music. Trivandrum: CBH Publications. Bhagyalekshmy, S. 1998. Carnatic Music Compositions. 2nd edition. Nagercoil: CBH Publications. Brown, Robert E. 1965. “The Mrdanga; A Study of Drumming in South India.” Ph.D. diss., University of California at Los Angeles. Catlin, Amy Ruth. 1980. “Variability and Change in Three Karnataka Kriti-s: A Study of South Indian Classical Music.” Ph.D. diss., Brown University. Chelladurai, P. T. 1980. The Spendour of South Indian Music. Dindigul, Tamilnadu: Vaigarai Publishers. Catlin, Amy Ruth. “Variability and Change in Three Karnataka Kriti-s: A Study of South Indian Classical Music.” Ph.D. diss., Brown University. Dhandapati, M. N. and D. Pattammal. 1991. Ragapravaham: Index to Carnatic Ragas. Madras: Fine Offset Printers. Diksitulu, Brahmasri Subbarama. C. 1904. Sangita Sampradaya Pradarsini. Volumes I - IV. English Translation in 1910-13 (republished in 2012), Pappu Venugopala Rao, ed. Madras: The Music Accademy Devnath, Lakshmi. 2013. An Incurable Romantic: The Musical Journey of Lalgudi Jayaraman. Nioda, Uttar Pradesh: Harper Collins Publishers. Groesbeck, Rolf. 1999. “Cultural Construction of Improvisation in Tayampaka, A Genre of Temple Instrumental Music in Kerala, India.” Ethnomusicology 43/1: 1-30. Higgens, Jon.. 1973. “The Music of Bharata Natyam.” Ph.D. diss., Wesleyan University. Morris: Classical Music of India Bibliography page 3 Jackson, William. 1992. “Features of the Kriti: A Song Form Developed by Tyagaraja.” Asian Music 24/1: 19-66. Jackson, William J. 1991. Tyagaraja: Life and Lyrics. Madras: Oxford University Press. Jackson, William. 2000. “Religious and Devotional Music: Southern Area” in South Asia: The Indian Subcontinent. Alison Arnold, ed. New York: Garland Publishing, Inc. Kaufmann, Walter. 1976. The Ragas of South India: A Catalogue of Scalar Material. Bloomington: University of Indiana Press. Krishna, T M. 2013. A Southern Music: The Karnatik Story. Nioda, Uttar Pradesh: Harper Collins Publishers. Kumar, K. and Stackhouse, J. Classical Music of South India: Karnatic Tradition in Western Notation. Stuyvesant, N.Y.: Pendragon Press. L'Armand, Kathleen, and Adrian L'Armand. 1983. “One Hundred Years of Music in Madras: A Case Study in Secondary Urbanization.” Ethnomusicology 27/3 :411- 38. Morris, Robert. 1990. “A Review of Classical Music of South India: Karnatic Tradition in Western Notation by Kanthimathi Kumar and Jean Stackhouse.” JMR (267- 71). Morris, Robert. 2001. “Variation and Process in South Indian Music: Some Kritis and their Sangatis.” Music Theory Spectrum 23/1: 75-89. Morris, Robert. 2004. “The Survival of Music: Musical Citizenship in South India,” Perspectives of New Music, 42:66-87. Morris, Robert. 2006. “Architectonic Composition in South Indian Classical Music: The ‘Navaragamalika Varnam’,” in Analytical Studies in World Music, Michael Tenzer, ed. London and New York: Oxford University Press. Morris, Robert and Chitravina N. Ravikiran. 2006. “Ravikiran's Concept of Melharmony: An Inquiry into Harmony in South Indian Ragas,” Music Theory Spectrum, 28/2:255-76. Nelson, David Paul. 1991. “‘Mrdangam' Mind: The 'Tani Avartanam’ in Karnatak Music.” Ph.D. diss.,Wesleyan University. Nelson, David Paul. 2008. Solkattu Manual: An Introduction to the Rhythmic Language of South Indian Music. Middleton, CT: Wesleyan University Press. Pesch, Ludwig. 1993. Raga Dhana: an Alpha-numerical Directory of Ragas. 2nd Edition. Irinjalakuda, Trichur, Kerala: Natana Kairali. Pesch, Ludwig. 1999. The Illustrated Companion to South Indian Classical Music. London and New York: Oxford. Powers, Harold, S. 1958. “The Background of the South Indian Raga-System.” Ph.D. diss., Princeton University. Powers, Harold S. 1984. “Musical Art and Esoteric Theism: Muttusvami Dikshitar's Anandabhairavi Kirtanams on Siva and Sakti at Tiruvarur.” In Discourses on Morris: Classical Music of India Bibliography page 4 Siva: Proceedings of a Symposium on the Nature of Religious Imagry. Michael W. Meister, ed. Bombay: Vakils, Feffer & Simons Ltd. Rajagopala Iyer, S. c. 1988. Sangeetha Akshara Hridaya: A New Approach to Tala Calculations. Bangalore: Gaanarasika Mandali. Rahn, Jay. 1981. “Structure, Frequency and Artificiality in South Indian Melas.” in T. Temple Tuttle, ed., Proceedings of the Saint Tyagaraja Music Festivals, 1978-81. Cleveland Ohio: The Greater Cleveland Ethnographic Museum. Ramakrishna, Lalita. 1991. The Varnam: A Special Form in Karnatak Music. New Delhi: Harmon Publishing House. Ramanathan, N. 1997. Essays on Tala and Laya. Bangalore: Percussive Arts Centre. Ramanujachari, C. c. 1970. The Spiritual Heritage of Tyagaraja. Madras: Sri Ramakrishna Math. Rao, B. Dayananda. 1995. Carnatic Music Composers: A Collection of Biographical Essays. Hyderabad: The Triveni Foundation. Reck, David B. 1990. “India/South India” in Worlds of Music. 2nd edition, Jeff Titon, ed. New York: Schirmer Books. Reck, David B.. 2000. “Musical Instruments:
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