Festivals 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lab on a Chip Systems for Biochemical Analysis, Biology and Synthesis
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Lab on a Chip Systems for Biochemical Analysis, Biology and Synthesis Towards Simple, Scalable Microfabrication Technologies Based on COC and LTCC Miguel Berenguel Alonso Tesi Doctoral Programa de Doctorat en Qu´ımica Directors: Mar Puyol and Juli´anAlonso Chamarro Departament de Qu´ımica Facultat de Ci`encies 2017 Mem`oriapresentada per aspirar al Grau de Doctor per Miguel Berenguel Alonso Vist i plau Mar Puyol Juli´anAlonso Chamarro Professora Agregada Catedr`atic Departament de Qu´ımica Departament de Qu´ımica Bellaterra, 6 de Juny de 2017 iii The present dissertation was carried out with the following financial support: CTQ2009-12128 Nuevas plataformas microflu´ıdicaspara la miniaturizaci´on de sistemas (bio)anal´ıticos integrados e intensificaci´onde procesos de producci´onde nanomateriales. Ministerio de Ciencia e Innovaci´on,co- funded by FEDER. 2009SGR0323 Convocat`oriade suport als Grups de Recerca de Catalunya. Departament d'Universitats, Recerca i Societat de la Informaci´o,Gen- eralitat de Catalunya. FI-DGR 2012 Pre-doctoral scholarship FI-DGR granted by the Ag`enciade Gesti´od'Ajuts Universitaris i de Recerca, Generalitat de Catalunya, and co-funded by the ESF. -
No Evidence for Phylosymbiosis in Western Chipmunk Species Kirsten Grond1,§,Kaycec.Bell2,†,Johnr.Demboski3,$, Malia Santos4,Jack M
FEMS Microbiology Ecology, 96, 2019, fiz182 doi: 10.1093/femsec/fiz182 Advance Access Publication Date: 15 November 2019 Research Article Downloaded from https://academic.oup.com/femsec/article-abstract/96/1/fiz182/5626339 by University of Connecticut user on 02 January 2020 RESEARCH ARTICLE No evidence for phylosymbiosis in western chipmunk species Kirsten Grond1,§,KayceC.Bell2,†,JohnR.Demboski3,$, Malia Santos4,Jack M. Sullivan4,¶ and Sarah M. Hird1,5,*,‡ 1Department of Molecular & Cell Biology, University of Connecticut, 91 N Eagleville Rd, Storrs, CT, 06269, USA, 2Department of Invertebrate Zoology, National Museum of Natural History, Smithsonian Institution, 10th and Constitution Ave, NW, Washington, DC, 20560, USA, 3Zoology Department, Denver Museum of Nature & Science, 2001 Colorado Blvd, Denver, CO, 80205, USA, 4Department of Biological Sciences, University of Idaho, Life Sciences South 252, Moscow, ID, 83844, USA and 5Institute of Systems Genomics, University of Connecticut, 67 N Eagleville Rd, Storrs, CT, 06269, USA ∗Corresponding author: University of Connecticut, Department of Molecular & Cell Biology, 91 North Eagleville Road, Unit 3125 Storrs, CT 06269-3125, USA. Tel: +860 486-6299; E-mail: [email protected] †Present address: Mammalogy Department, Natural History Museum of Los Angeles County, 900 Exposition Boulevard, Los Angeles, CA, 90007, USA One sentence summary: Gut microbiomes of western chipmunks species did not show the same pattern as would be expected based on their species phylogeny Editor: Cindy Nakatsu ‡Sarah M Hird, https://orcid.org/0000-0002-1998-9387 §Kirsten Grond, https://orcid.org/0000-0001-6197-7139 ¶Jack M Sullivan, https://orcid.org/0000-0003-0216-6867 $John R. Demboski, http://orcid.org/0000-0002-5163-4113 ABSTRACT Phylosymbiosis refers to a congruent pattern between the similarity of microbiomes of different species and the branching pattern of the host phylogeny. -
The Year's Best Music Marketing Campaigns
DECEMBER 11 2019 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 242 thE year’s best music marketing campaigns SANDBOX 2019 SURVEY thE year’s best music marketing campaigns e received a phenomenal Contents 15 ... THE CINEMATIC ORCHESTRA 28 ... KIDD KEO 41 ... MARK RONSON number of entries this year and 03 ... AFRO B 16 ... DJ SHADOW 29 ... KREPT & KONAN 42 ... RICK ROSS had to increase the shortlist W 17 ... BILLIE EILISH 30 ... LAUV 43 ... SAID THE WHALE 04 ... AMIR to 50 in order to capture the quality 05 ... BASTILLE 18 ... BRIAN ENO 31 ... LD ZEPPELIN 44 ... SKEPTA and breadth of 2019’s best music campaigns. 06 ... BEE GEES 19 ... FEEDER 32 ... SG LEWIS 45 ... SLIPKNOT We had entries from labels of all 07 ... BERET 20 ... DANI FERNANDEZ 33 ... LITTLE SIMZ 46 ... SAM SMITH sizes around the world and across 08 ... BIG K.R.I.T. 21 ... FLOATING POINTS 34 ... MABEL 47 ... SPICE GIRLS a vast array of genres. As always, 09 ... BON IVER 22 ... GIGGS 35 ... NSG 48 ... SUPERM campaigns are listed in alphabetical 10 ... BRIT AWARDS 2019 23 ... HOT CHIP 36 ... OASIS 49 ... THE 1975 order, but there are spot prizes 11 ... BROKEN SOCIAL SCENE 24 ... HOZIER 37 ... ANGEL OLSEN 50 ... TWO DOOR CINEMA CLUB throughout for the ones that we felt 12 ... LEWIS CAPALDI 25 ... ELTON JOHN 38 ... PEARL JAM 51 ... UBBI DUBBI did something extra special. Here are 13 ... CHARLI XCX 26 ... KANO 39 ... REGARD 52 ... SHARON VAN ETTEN 2019’s best in show. 14 ... CHASE & STATUS 27 ... KESHA 40 ... THE ROLLING STONES 2 | sandbox | ISSUE 242 | 11.12.19 SANDBOX 2019 SURVEY AFRO B MARATHON MUSIC GROUP specifically focusing on Sweden, Netherlands, Ghana, Nigeria, the US and France. -
June 2012 K Volume 30 5 Number 2
CARLETON-WILLARD VILLAGER JUNE 2012 k VOLUME 30 5 Number 2 Editor’s Corner T HE C ARLE T ON -W ILLARD VILLAGER Published quarterly by and for the residents and administration of Carleton-Willard Village, an ac- hey need us and we need them. In this issue our credited continuing care retirement community at Ttheme is “A Favorite Pet” and we have stories of loving relationships with our dogs, cats, birds, and a 100 Old Billerica Road, Bedford, Massachusetts 01730. cat and a chipmunk. Our pets surprise us with their intelligence and give us love so often sought from childhood through our adult lives. Residents are EDITOR continuing these relationships with the eight dogs James I. Stockwell and eight cats on campus and more to come. We have dusted off family albums to pick out ASSISTANT EDITOR fifty-year-old pictures to accompany our articles, Mary M. Cowham while other pictures have been borrowed from the Internet. Imagine Googling “Cat and Chipmunk ART AND COPY EDITOR Pictures” and instantly receiving a wide offering of C. Stuart Grover relevant pictures, one of which was selected for “A Pet with a Pet.” For those of us who no longer have a pet, the EDITORIAL BOARD campus birds and four legged creatures keep us Luis Fernandez-Herlihy • Audrey F. Fletcher company. Wild Turkeys cry for breakfast at dawn Edith F. Gilmore • Katharine Lawrence and rabbits scurry for cover at dusk. The statistics Peggy McKibben • Alice B. Morrish for our annual Spring Bird Count that took place Mary E. Welch on May 4-6 are included in the “Village Happen- ings” section. -
Warner Music Group Senior VP New Business & Ventures Alex Kamins
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 12, 2021 Page 1 of 33 Leader; Travis Denning Makes History INSIDE Executive of the Week: Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupWarner Nashville), debuts at No. Music 1 on Billboard’s lion Group audience impressions, Senior up 16%). VP New Top Country• Fare Play: Albums Could chart dated April 18. In its first week (ending April 9), it earnedSoundCloud’s 46,000 equivalent User- album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingCentric to Nielsen Streaming Music/MRC Data. Business & Venturesand total Country Airplay No. Alex 1 as “Catch” (Big Kamins Machine Label Group) ascends SouthsidePayouts Catchmarks On?Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and fourth top 10. It follows freshman LP BY DAN RYS Young’s first of six chart entries, “Sleep With- Montevallo• Are Real, which MCs arrived in at the summit in No - out You,” reached No. 2 in December 2016. He vemberGermany 2014 and Getting reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Over the weekend, Atlantic Records band Why Don’t senior vp new business and ventures Alex Kamins — MontevalloFake hasStreams? earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved million in album sales. -
De Lacey, Alex. 2020. 'Wot Do U Call It? Doof Doof': Articulations Of
de Lacey, Alex. 2020. ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies, 1(1), pp. 115-141. ISSN 2632-6825 [Article] https://research.gold.ac.uk/id/eprint/29864/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Articles. Received 29/10/19. Accepted 25/11/19. Alex de Lacey. Goldsmiths, University of London. https://orcid.org/0000-0002-4538-4138 Alex de Lacey is an Associate Lecturer at Goldsmiths, specialising in popular music. He teaches Popular Music within the department and his PhD thesis – entitled Level Up: Live Performance and Collective Creativity in Grime Music – was supported by the AHRC’s Consortium for the Humanities and Arts in the South East (CHASE). It was supervised by Professor Tom Perchard and Professor Keith Negus, and was successfully examined in November 2019 by Professor J. Griffith Rollefson and Professor Julian Henriques. In addition to his academic research, Alex writes for publications including Songlines, Red Bull and Complex, and he is an active participant in the London grime scene as a DJ and broadcaster. [email protected] Goldsmiths, University of London, New Cross, London, SE14 6NW, United Kingdom ‘Wot Do U Call It? Doof Doof’ ‘Wot Do U Call It? Doof Doof’: Articulations of glocality in Australian grime music Alex de Lacey Keywords: Grime Music, Mediation, Australia, Media Ecologies, Glocality, Transnational Flow, Hip-Hop, Youth Studies, Performance Practice Abstract: Grime music emerged at the turn of the millennium in the United Kingdom. -
Emeli Sandé Signs to Chrysalis Records
Emeli Sandé signs to Chrysalis Records August 20, 2021 LONDON, Aug. 20, 2021 (GLOBE NEWSWIRE) -- Emeli Sandé has signed a global record deal with the iconic Chrysalis Records as the label continues to grow its roster of artists since relaunching as a frontline label in February 2020. Emeli’s debut album Our Version of Events spent ten weeks at number 1 on the UK album charts and became the best-selling UK album of 2012. Heaven which married her soaring vocal with gospel and breakbeat reached Number 2 in the UK singles chart. In 2016, she released Long Live the Angels, which reached number 2 on the UK album chart and her last album Real Life went Top 10 in 2019. Across her career she has collaborated with a huge range of artists including David Guetta, Rudimental, Ghetts, Giggs, Bugzy Malone, Chip, Labrinth and Naughty Boy. A run of Brit Awards began in 2012 when she received the Critics’ Choice Award. That same year she performed both at the Opening and Closing ceremonies at the London Olympics including an incredible version of the hymn Abide With Me. In 2013 she won two more Brits for Best British Female Solo Artist and British Album of the Year. She was again honoured in 2017 winning the Brit Award for Best British Female Solo Artist. Emeli said, “I am thrilled by my new partnership with the legendary Chrysalis Records! I have been inspired by many of the artists on their impressive catalogue. I’m very proud to now be a part of this legacy. -
Stevenson Class of 2019 Takes Over Campus !"#$%&'()%*#+',*)-*..*/ Villager Staf Writer
THE VILLAGER Vol. XLII Number 1 Stevenson University Stevenson, Maryland September 14, 2015 Stevenson class of 2019 takes over campus !"#$%&'()%*#+',*)-*..*/ Villager staf writer !"#$% &'()'*+#"'(% "(% #$,% -''./0% +% -1",2 % 3''.% +#% #$,% *3+//% '2 % 4567% 1,),+3/% #$+#% #$,% 21,/$8+(% *3+//% '2 % 4567% $+/% +% $"9$%:,1*,(#+9,%'2 %1,/";,(#"+3%/#<;,(#/%+#% =#,),(/'(%>("),1/"#?@% A),1% 75% :,1*,(#% '2 % #$,% /#<;,(#% :':<3+#"'(%3"),/%'(%*+8:</0%B$"3,%'#$,1/% live of campus and commute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university was ofered to 3,436 students, which is an admit rate of 60 percent. G$,%#':%#$1,,%8+L'1/%1,:1,/,(#,;%-?% the freshman class are nursing, with 138 /#<;,(#/M% -</"(,//% +;8"("/#1+#"'(0% B"#$% Stevenson Flikr Photo Credit: 100 students; and biology, which has 94 /#<;,(#/@% In the freshman class, 37 percent 1,*'9("N,%#$,8/,3),/%#'%-,%"(%+%8"('1"#?% group. Just about 30 percent identify +/% J21"*+(% J8,1"*+(0% +(;% I@I% :,1*,(#% ";,(#"2?%+/%J/"+(@%G$,%/#<;,(#%:':<3+#"'(% consists of 63 percent females and 37 :,1*,(#%8+3,/@% G$,1,% "/% +(% "(*1,+/"(9% (<8-,1% '2 % out-of-state students -- 32 percent hail 21'8%'<#/";,%'2 %O+1?3+(;P/%-'1;,1/@% Q(*3<;"(9% O+1?3+(;0% /#<;,(#/% *'8,% The class of 2019 gather with their families for Convocation, above. -
Class, Race, Credibility, and Authenticity Within the Hip-Hop Music Genre
Journal of Sociological Research ISSN 1948-5468 2013, Vol. 4, No.2 Class, Race, Credibility, and Authenticity within the Hip-Hop Music Genre Matthew R. Hodgman Dept. of General Education, Goodwin College 1 Riverside Drive, East Hartford, CT, 06118, USA Tel: 1-860-528-4111 E-mail: [email protected] Doi:10.5296/jsr.v4i2.4503 URL: http://dx.doi.org/10.5296/jsr.v4i2.4503 Abstract After its advent in the 1970s, the rap music genre was represented almost exclusively by male black artists who honestly and realistically embodied a poor urban image. Images of black urban poverty in music videos and rap lyrics were consistently used by black artists to emphasize and authenticate who they were and where they came from. With the upsurge of white rap acts starting in the early 90s and continuing through the early 21st century, the means by which rap authenticity is measured have been permanently renegotiated. Before the emergence of white rappers, race was the primary signifier of rapper authenticity. After the success of white rappers such as Eminem new parameters of what constitute credibility and authenticity in the rap genre have been forged. This article discusses the significance of the continued presence of white rappers in hip-hop in terms of class and race in relation to artistic credibility within the rap genre. On a larger scale, this article considers questions related to cultural interloping upon a racially concentrated art form. It is concluded that class has generally emerged as the premier indicator or variable of authenticity throughout rap. Keywords: rap music, hip-hop music, Eminem, cultural studies, class studies 1. -
Subcultures, State and Society: the London Grime Scene's Challenge To
Graduate School of Social Sciences MSc Conflict Resolution and Governance Subcultures, State and Society: A Challenge to the London Grime Scene’s Socio-economic and Socio-political Circumstances A Study of Cultural Practices as Sites of Politics Author: Christy Coulson June 2017 Amsterdam Student ID: 11256923 Supervisor: dr. P.E. Polly Pallister-Wilkins Second Reader: dhr. dr. David Laws Word Count: 23889 1 2 Glossary The Met – Metropolitan Police COLP – City of London Police Scene – London-based community of actors that actively consumes and produces social and behavioural norms associated with grime music and the demographic of people that use grime music as a part of their identity in London. Grime’s socio-economic circumstances – Poverty, violence, drugs, segregation. Grime’s socio-political circumstances – Segregation, racial and aesthetic profiling, societal disregard, the harsh policing of the scene’s events. CCCS – Centre for Contemporary Cultural Studies Locked off – Shut down Acknowledgements This research and thesis would not have been possible without the educated, informative and passionate voices of those within the London grime scene. Their understandings of their own circumstances reinforced the importance of this research for me, as a researcher, and London society. I was genuinely shocked in my interactions with these people about the sophisticated manner in which these people articulated themselves and interacted with me, an outsider. It is with this knowledge that I commend my interviewees for their willingness to speak and their vast knowledge. Finally, I’d like to thank dr. Polly Pallister-Wilkins for her willingness and ability to challenge my thinking, engaging with me in both the complex and seemingly trivial issues of this research project. -
August 1999 Alerts
Aviation Maintenance Alerts AC No. 43-16A A L E R T S ALERT NO. 253 AUGUST 1999 Improve Reliability- Interchange Service Experience CONTENTS AIRPLANES AMERICAN CHAMPION.................................................................................................................. 1 BEECH................................................................................................................................................... 2 CESSNA ................................................................................................................................................. 5 DeHAVILLAND ................................................................................................................................... 8 DIAMOND ............................................................................................................................................. 8 LEAR ...................................................................................................................................................... 8 NAVION ................................................................................................................................................. 9 PIPER ..................................................................................................................................................... 9 HELICOPTERS BELL.....................................................................................................................................................11 EUROCOPTER ..................................................................................................................................12 -
T H E N E W E R a O F G R I
GRIME The big-name MCs, up-and-comers, and beats and bars you need to know for 2016 THE NEW ERA OF GRIME he Brit Awards, Crucially, that statement 25 February 2015. turned hip-hop heads overseas. Kanye West Since then, Skepta’s toured the T takes the stage, US, Stormzy’s shared airtime launching into the with Dr Dre on Apple’s Beats 1, premiere of All Day – a furious and Novelist has been leading metallic banger that’s muted to the new school of grime. All death on the live broadcast. He’s three were on stage with Yeezy. flanked by a legion of UK grime And yet no grime artist is in acts, all dressed in black – this year’s Brits nominations. “It’s dancing extremely aggressively another example of how racist according to one viewer. They the industry can be,” says Rinse caused quite a stir – not just FM’s J-Cush. “Grime’s the most because two of them were distinct sound coming out of the wielding flamethrowers. Have UK and it’s been ignored. I set up a look at Lionel Richie’s face on Skepta’s performance at MoMA YouTube if you don’t believe us. PS1 in 2014. About 5,000 people For many, that TV turned up. Now, I have kids from performance capped off grime’s New York emailing me all the time resurgence to the forefront of UK for new tunes – the same kids music. “Kanye knows the Brits that were at that gig. There’s no ain’t letting dons in there like that, limit to how big it’ll get.” so he kicked off the door for us,” Grime may continue to be SKEPTA IS TAKING tweeted Wiley, grime’s founding overlooked by the industry, GRIME WORLDWIDE father.