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EYE-CANDY-CATALOG-3.Pdf
EyeCandyCustomzus.com Hello. Eye Candy Pigments are mica pigments, which are powders which are typically used as an additive or colorant in applications such as Epoxy, Resin, Lacquer, Automotive Paints, Acrylics, Soap Molds, Art, and Cosmetics, just to name a few. Our pigments are NON-TOXIC, animal friendly, irritant, stain free, and most importantly gentle and Did You safe to your skin. The desire for pigments in these industries are limitless, as Eye Know... Candy pigments are proving to be the perfect solution for those Do-It-Yourselfers looking for a VERY cost effective way to customize their projects. At Eye Candy™ our vision is to create a better everyday experience for the many people who use our products. Our business idea supports this vision by offering The word ‘Mica’ originated the best possible service, selection, quality, and value.” in the Latin language and literally means ‘Crumb’. Eye Candy Pigments were originally being used within the automotive paint industry The mica rock is crushed as an additive for paint shops looking for alternative customization at an affordable and processed through price. This concept proved extremely successful and before long our growth and various stages until it takes popularity crossed over into the construction and craft industry markets. Whether the form of, well, little you’re a “DIY’er” or a business, an artist, woodworker, cosmetologist, soap maker, or crumbs. Just in case you automotive painter, we assure you that we have your best interests in mind when it were wondering! comes to our pigments and your projects. What’s the Use?.. -
The Kadokawa Culture Museum 80 | the “Ideal” Woman: Defying Beauty Standards in Japanese Sports
28 | Pretty Hurts: “Manly Men” are Not the Norm in Japan 52 | A Day of Chocolate 58 | The Kadokawa Culture Museum 80 | The “Ideal” Woman: Defying Beauty Standards in Japanese Sports AJET Issue No. 101 February 2020 Business & Language, Arts & Culture, Lifestyle, Community Business & Language, Arts Culture, 08 An Interview with WaniKani and Tofugu Founder, “Koichi” | Jaered Koichi Croes interviewed by Sarah Baughn 12 A Look Into the Mind of Nathanial Reed: Founder of ALT CREDITS & Training Online by Nathanial Reed 20 Leaping in at the Top by Derek Hurst 22 On Being a Renaissance Man in Japan, Canadian-Punk Style | Laurier Tiernan interviewed by Derek Hurst 28 Pretty Hurts: "Manly Men" are Not the Norm in Japan CONTENT by Brett Borthwick HEAD EDITOR HEAD WEB EDITOR 36 February Reviews & Recommendations | Multiple Alice Ridley Jessica Craven Rhema Baquero Contributors Alexa Fisher Lisa Paper 38 PlayStation 5: This is My Stop! by Nathan Post ASSITANT EDITOR SOCIAL MEDIA Damien Levi Hoong Shao Ting Clarissa Combe Hoong Shao Ting 42 February Releases by Rachel Fagundes Richard Pearce SECTION EDITORS 44 What’s That You Say? It’s Hatsumōde: Three Experiences Alice French COPY EDITORS Derek Hurst of “The First Shrine Visit” | Multiple Contributors Haroon Hussain Day Bulger Clarissa Combe Chelanna White Dianne Yett Shannon Stocker 52 A Day of Chocolate: Valentine’s Day Traditions in Japan Ryon Morrin Natalie Andrews Cameron Peagler by Haruka Matsuzaki Sheila Mulherin Jessica Craven Alice French GENERAL SECTION 54 Creative Writing Interview with -
Pandemija COVID-19 V Aziji Tradicionalni Humanizmi, Moderna Odtujenost in Retorike Sodobnih Ideologij
Pandemija COVID-19 v Aziji Tradicionalni humanizmi, moderna odtujenost in retorike sodobnih ideologij Slavnostni zbornik ob 25. obletnici ustanovitve Oddelka za azijske študije na Filozofski fakulteti Univerze v Ljubljani Jana S. Rošker (ur.) Ljubljana 2021 Pandemija_COVID-19_v_Aziji_FINAL.indd 1 28. 04. 2021 10:37:53 Pandemija covid-19 v Aziji: tradicionalni humanizmi, moderna odtujenost in retorike sodobnih ideologij Slavnostni zbornik ob 25. obletnici ustanovitve Oddelka za azijske študije na Filozofski fakulteti Univerze v Ljubljani Zbirka: Studia Humanitatis Asiatica (ISSN 2463-8900) Glavna urednica zbirke: Jana S. Rošker Urednica: Jana S. Rošker Lektoriranje: Rok Janežič Tehnični urednik: Jure Preglau Recenzentki: Irena Srdanović, Saša Istenič Kotar Oblikovanje in prelom: Nana Martinčič Slika na naslovnici: Gerd Altmann, Pixabay Založila: Znanstvena založba Filozofske fakultete Univerze v Ljubljani Izdal: Oddelek za azijske študije Za založbo: Roman Kuhar, dekan Filozofske fakultete Tisk: Birografika Bori, d. o. o. Ljubljana, 2021 Prva izdaja Naklada: 150 izvodov Cena: 19,90 EUR To delo je ponujeno pod licenco Creative Commons Priznanje avtorstva-Deljenje pod enakimi pogoji 4.0 Mednarodna licenca (izjema so fotografije). / This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 Interna- tional License (except photographs). Prva e-izdaja. Publikacija je v digitalni obliki prosto dostopna na https://e-knjige.ff.uni-lj.si/ DOI: 10.4312/9789610604464 Kataložna zapisa o publikaciji (CIP) pripravili v Narodni in univerzitetni knjižnici v Ljubljani Tiskana knjiga COBISS.SI-ID=58763011 ISBN 978-961-06-0447-1 E-knjiga COBISS.SI-ID=58698243 ISBN 978-961-06-0446-4 (PDF) Pandemija_COVID-19_v_Aziji_FINAL.indd 2 28. 04. 2021 10:37:53 Kazalo SPREMNA BESEDA UREDNICE Jana S. -
Odziv Japonskih Umetnikov Na Koronavirus: Percepcija Folklore Yōkaija in Njena Popularizacija1
Klara HRVATIN Odziv japonskih umetnikov na koronavirus: Percepcija folklore yōkaija in njena popularizacija1 1 Uvod »Umetnost je proti virusu seveda nemočna, toda z risanjem Amabie se lahko potolažimo vsaj s tem, da smo nekaj malega prispevali.« (Junya, voditelj skupine umetnikov yōkaijev iz Kjota, v Alt 2020) metniki so se po svetu na koronavirus različno odzvali. Na Japonskem je do izraza prišla umetniška produkcija lika, enega izmed yōkaijev (妖 U怪) ali bajeslovnega bitja, imenovanega Amabie (アマビエ). Navadno se pojavlja v obliki morske deklice, tako z živalskimi kot človeškimi potezami, prepoznavnimi po treh okončinah, dolgih laseh in kljunčkastih ustih z luskas- tim telesom. Gre za bajeslovni lik, ki naj bi po legendi napovedoval kugo in 1 Za pomoč pri pisanju članka se zahvaljujem japonskim umetnikom Yūheiju Takadi, Fusao Ha- segawi in Shunsukeju Satakeju, ki so odločilno pripomogli k samemu delu, ter prav tako kus- tosu Janiju Pirnatu, Sergeju Pečovniku in Bojanu Šibeniku. Pandemija_COVID-19_v_Aziji_FINAL.indd 159 28. 04. 2021 10:38:06 Klara HRVATIN ljudem svetoval, naj si med seboj delijo risbe njegove podobe, saj jih bodo obranile pred boleznijo. Lik Amabie je spomladi 2020 preplavil družbena omrežja in se počasi prele- vil v japonski simbol za covid-19. Prvi tvit na njegov račun se je 27. februarja pojavil na strani umetnika yōkaijev Orochidōja s sodobno sliko lika Amabie, kar naj bi zbudilo ponovno zanimanje zanj ter pomenilo klic po podobnih umetninah in objavah lika (Furukawa in Kansaku 2020, 532). Lik Amabie se namreč ni pojavil prvič, saj je del bogate kulturne zgodovine Japoncev že vsaj od leta 1846 – od takrat obstaja legenda o njegovih prvih opisih, ki po- javljanju Amabie in deljenju slik s podobami Amabie pripisujejo vrednost talismana za preprečitev pandemičnih bolezni. -
A Chimeric Being from Kyushu, Japan: Amabie's Revival During Covid‐19
A chimeric being from Kyushu, Japan Amabie’s revival during Covid-19 CLAUDIA MERLI This article explores how the resurgence of a forgotten records, Amabie appeared only once – emerging from Claudia Merli is Associate Professor of Cultural chimeric figure from the Japanese history of disasters and the sea and illuminated by a halo – to a local officer in Anthropology at Uppsala epidemics, the prophesizing yōkai Amabie, intersects with the Higo area, Kumamoto prefecture, in 1846. Like other University. Her research some central ecological and political discourses in the prophesizing yōkai, she left behind a message: ‘Good har- focuses on medical context of the Covid-19 pandemic, especially those asso- vest will continue for six years from the current year; if an anthropology, bodily practices and disaster anthropology, ciated with culinary practices, human rights and relations epidemic ever spreads, draw a picture of me and show it to primarily in Thailand. Since with other historical epidemics. This uncanny yōkai from everyone’ (Fig. 2). She did not appear again, and remained 2016, she has also carried out southern Japan in the pre-modern Edo period addresses in that sense an ‘outsider’ (see Komatsu 1987 for an anal- research in southern Japan’s Kyushu region, on local contemporary lives as they are caught in a suspension of ysis of spirits as mythical outsiders). 2 cosmologies, volcanic ash our usual temporal and spatial dimensions. Unlike the riverine kappa (河童) – another water yōkai and protective practices in the – Amabie does not seem to have a mischievous character. area of Sakurajima volcano Emerging from the seas of history The term yōkai has been used to define ‘all things beyond (Kagoshima prefecture). -
“Dimitrie Cantemir” Christian University Faculty Of
“DIMITRIE CANTEMIR” CHRISTIAN UNIVERSITY FACULTY OF FOREIGN LANGUAGES AND LITERATURES ANNALS OF “DIMITRIE CANTEMIR” CHRISTIAN UNIVERSITY LINGUISTICS, LITERATURE AND METHODOLOGY OF TEACHING VOLUME XIX No. 1/2020 1 This journal is included in IDB SCIPIO ICI Journals Master List 2019 http://analeflls.ucdc.ro [email protected] ISSN 2065 - 0868 ISSN-L 2065 - 0868 Each author is responsible for the originality of his article and the fact that it has not been previously published. 2 “DIMITRIE CANTEMIR” CHRISTIAN UNIVERSITY FACULTY OF FOREIGN LANGUAGES AND LITERATURES ANNALS OF “DIMITRIE CANTEMIR” CHRISTIAN UNIVERSITY LINGUISTICS, LITERATURE AND METHODOLOGY OF TEACHING VOLUME XIX No. 1/2020 3 “DIMITRIE CANTEMIR” CHRISTIAN UNIVERSITY BOARD Momcilo Luburici President Corina Adriana Dumitrescu President of the Senate Cristiana Cristureanu Rector Alexandru Ştefănescu Vice-Rector for Scientific Research EDITORIAL ADVISORY BOARD Florentina Alexandru Dimitrie Cantemir Christian University Nicolae Dobrisan Corresponding Member of Cairo Arabic Language Academy and of the Syrian Science Academy Damascus Mary Koutsoudaki University of Athens Greg Kucich Notre Dame University Dana Lascu University of Richmond Ramona Mihailă Dimitrie Cantemir Christian University Emma Morita Kindai University Efstratia Oktapoda Sorbonne, Paris IV University Julieta Paulesc Arizona State University Elena Prus Free International University of Moldova Silvia Tita University of Michigan Irina Mihai-Vainovski Dimitrie Cantemir Christian University Estelle Variot Aix en Provence -
Več O Vsebini Razstave Sprevod Nadnaravnih Bitij Yōkai Iz Japonske
Japonska fundacija Japonska fundacija (ustanovljena leta 1972) aktivno deluje na področju mednarodnih kulturnih izmenjav in sodeluje z več kot 130 državami po svetu. Osredotoča se na tri glavne programske sklope: umetnost in kulturna izmenjava, poučevanje japonskega jezika v tujini, Yōkai Parade: japonske študije in intelektualna izmenjava. Sprevod Z namenom, da bi poglobila poznavanje in razumevanje japonske umetnosti in kulture, nadnaravnih Supernatural sodeluje z muzeji po svetu pri razstavah tradicionalne in sodobne vizualne umetnosti vseh vrst. Poleg tega Fundacija organizira bitij yōkai Monsters potujoče razstave slik, keramike, obrti, grafik in fotografij in drugih - trenutno jih kroži po različnih krajih sveta okoli petnajst. iz Japonske from Japan Razstava Sprevod nadnaravnih bitij yōkai iz Japonske je najnovejša potujoča razstava Japonske fundacije. Predstavlja japonsko kulturo yōkaija, upodobljeno na zvitkih in lesoreznih tiskih nishiki-e ter skozi različne druge medije. Razstava Sprevod nadnaravnih bitij yōkai iz Kultura yōkaija se je na Japonskem ohranila The exhibition Yōkai Parade: Supernatural vse do danes in se je skozi stoletja razvijala v Japonske predstavlja edinstveno japonsko Monsters from Japan introduces Japan’s yōkai raznolikih oblikah. V vseh kulturah so si skrivnostne in kulturo yōkaija. Na zvitkih in lesoreznih tiskih culture that has been depicted in pictures scrolls nerazložljive pojave razlagali z različnimi nishiki-e, ki so brokatne slike oziroma vrsta podobami. Japonski yōkaiji so se v pripovedkah and nishiki - e, from ancient times onwards. pojavljali kot bitja, ki s svojo nadnaravno močjo v večplastnega in večbarvnega lesoreznega tiska, It focuses primarily on woodblock prints and ljudeh vzbujajo presenečenje in strah. Sčasoma je z razvojem znanosti in tehnologije prišlo do th th so upodobitve fantastičnega in nadnaravnega picture scrolls from the Edo period (17 – 19 pozitivne spremembe v odnosu ljudi do yōkaijev.