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Kathy Sledge Press
Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Sister Sledge My Guy Mp3, Flac, Wma
Sister Sledge My Guy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: My Guy Country: Japan Released: 1982 Style: Disco MP3 version RAR size: 1737 mb FLAC version RAR size: 1637 mb WMA version RAR size: 1348 mb Rating: 4.1 Votes: 696 Other Formats: MP3 FLAC APE MPC MMF DMF MP4 Tracklist Hide Credits My Guy A 3:45 Written-By – William Robinson* Il Macquillage Lady B 3:56 Music By, Lyrics By – Joni Sledge Companies, etc. Manufactured By – Warner-Pioneer Corporation Credits Producer, Arranged By – Sister Sledge Notes Japan issue with picture & lyric insert with die-cut company sleeve Barcode and Other Identifiers Other (Rights Society): JASRAC Other: ¥700 price on front of insert Other versions Category Artist Title (Format) Label Category Country Year 47000 Sister Sledge My Guy (7", Single) Cotillion 47000 US 1982 COT 11 710 Sister Sledge My Guy (7", Single) Cotillion COT 11 710 Germany 1982 COT 47000 Sister Sledge My Guy (7", Promo) Cotillion COT 47000 Canada 1982 47000 Sister Sledge My Guy (7", Single, sil) Cotillion 47000 New Zealand 1982 45-2202 Sister Sledge My Guy (7", Single) Hispavox 45-2202 Spain 1982 Related Music albums to My Guy by Sister Sledge Sister Sledge, Eddie Floyd, Detroit Emeralds, Sam & Dave - The Heart & Soul Of... Chic / Sister Sledge - Chic / Sister Sledge Mix Sister Sledge / Gerard Lenorman - We Are Family / L'Estate Se Ne Va Sister Sledge - We Are Family '98 Sister Sledge - We Are Family / He's The Greatest Dancer Sister Sledge - All American Girls Sister Sledge - Love Somebody Today Sister Sledge - Got To Love Somebody Sister Sledge - He's The Greatest Dancer Sister Sledge - He's Just A Runaway (A Tribute To Bob Marley). -
Pd Soul Power D
Mediendossier trigon-film SOUL POWER von Jeffrey Levy-Hinte, USA/Congo VERLEIH: trigon-film Limmatauweg 9 5408 Ennetbaden Tel: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org MEDIENKONTAKT Tel: 056 430 12 35 [email protected] BILDMATERIAL www.trigon-film.org MITWIRKENDE Regie: Jeffrey Levy-Hinte Kamera: Paul Goldsmith Kevin Keating Albert Maysles Roderick Young Montage: David Smith Produzenten: David Sonenberg, Leon Gast Produzenten Musikfestival Hugh Masekela, Stewart Levine Dauer: 93 Minuten Sprache/UT: Englisch/Französisch/d/f MUSIKER/ IN DER REIHENFOLGE IHRES ERSCHEINENS “Godfather of Soul” James Brown J.B.’s Bandleader & Trombonist Fred Wesley J.B.’s Saxophonist Maceo Parker Festival / Fight Promoter Don King “The Greatest” Muhammad Ali Concert Lighting Director Bill McManus Festival Coordinator Alan Pariser Festival Promoter Stewart Levine Festival Promoter Lloyd Price Investor Representative Keith Bradshaw The Spinners Henry Fambrough Billy Henderson Pervis Jackson Bobbie Smith Philippé Wynne “King of the Blues” B.B. King Singer/Songwriter Bill Withers Fania All-Stars Guitarist Yomo Toro “La Reina de la Salsa” Celia Cruz Fania All-Stairs Bandleader & Flautist Johnny Pacheco Trio Madjesi Mario Matadidi Mabele Loko Massengo "Djeskain" Saak "Sinatra" Sakoul, Festival Promoter Hugh Masakela Author & Editor George Plimpton Photographer Lynn Goldsmith Black Nationalist Stokely Carmichael a.k.a. “Kwame Ture” Ali’s Cornerman Drew “Bundini” Brown J.B.’s Singer and Bassist “Sweet" Charles Sherrell J.B.’s Dancers — “The Paybacks” David Butts Lola Love Saxophonist Manu Dibango Music Festival Emcee Lukuku OK Jazz Lead Singer François “Franco” Luambo Makiadi Singer Miriam Makeba Spinners and Sister Sledge Manager Buddy Allen Sister Sledge Debbie Sledge Joni Sledge Kathy Sledge Kim Sledge The Crusaders Kent Leon Brinkley Larry Carlton Wilton Felder Wayne Henderson Stix Hooper Joe Sample Fania All-Stars Conga Player Ray Barretto Fania All Stars Timbali Player Nicky Marrero Conga Musician Danny “Big Black” Ray Orchestre Afrisa Intern. -
Sister Sledge Love Somebody Today Mp3, Flac, Wma
Sister Sledge Love Somebody Today mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Love Somebody Today Country: Italy Released: 1980 Style: Disco MP3 version RAR size: 1829 mb FLAC version RAR size: 1403 mb WMA version RAR size: 1201 mb Rating: 4.9 Votes: 684 Other Formats: DTS FLAC AUD WAV ADX DXD MP4 Tracklist Hide Credits Got To Love Somebody A1 6:53 Backing Vocals – Alfa Anderson, Fonzi Thornton, Luci Martin, Michelle Cobbs A2 You Fooled Around 4:28 A3 I'm A Good Girl 4:11 A4 Easy Street 4:34 B1 Reach Your Peak 4:55 B2 Pretty Baby 4:03 B3 How To Love 4:32 B4 Let's Go On Vacation 5:08 Companies, etc. Made By – WEA Italiana S.P.A. Distributed By – WEA Italiana S.P.A. Credits Art Direction – Bob Defrin Bass – Bernard Edwards Concertmaster – Gene Orloff Drums – Tony Thompson Engineer – Bill Scheniman, Bob Clearmountain, Larry Alexander Engineer [Assistant] – Garry Rindfuss, Jeff Hendrickson, Peter Robbins, Ray Willard* Guitar – Nile Rodgers Keyboards – Andy Schwartz, Raymond Jones Mastered By – Joe Gastwirt Photography – Bill King Producer, Arranged By, Conductor, Written-By – Bernard Edwards & Nile Rodgers Saxophone – Eddie Daniels Strings – Cheryl Hong, Karen Milne, Valerie Heywood* Tenor Saxophone – Meco Monardo Trombone – Bob Milliken* Vocals – Sister Sledge Notes Produced for The Chic Organization Ltd. All songs published by Chic Music/BMI All songs recorded & mixed at Power Station Studios, New York Barcode and Other Identifiers Matrix / Runout (A Side Label): 16012/1 Matrix / Runout (B Side Label): 16012/2 Matrix / Runout (A Side Runout Groove): W-50693-A Matrix / Runout (B Side Runout Groove): W-50693-B Other (Rights Society): S.I.A.E. -
June 2021 ITG Journal
International Trumpet Guild® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet June 2021 ITG Journal The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on electronic devices for the sole use of the end-user • Print a single copy of this file • Quote fair-use passages of this file in not-for-profit research papers as long as the ITG Journal, date, and page number are cited as the source. The International Trumpet Guild®, under the umbrella of United States and international copyright laws, prohibits the following without prior writ ten permission from the Publications Editor of the ITG: • Duplication or distribution of this file or its contents in any manner that does not conform with the uses as stated above • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any party, including such a device intended to be used wholly within an institution. By scrolling past this page you agree to the fair use guidelines stated above. http://www.trumpetguild.org This cover sheet must accompany this file. The removal of this information is strictly prohibited and can result in expulsion from the organization and legal action. -
Cash Box Is Proud to Extend Its Congratulations to RICHARD IMAMURA, West Coast Editor MARK ALBERT
June 28, 1980 y^/VA/g" gLUtAAfJ i 0l tpvAc^. SEPTEMBER 26-30 MIAMI BEACH BAL HARBOUR AMERICANA HOTEL Roddy S. Shashoua President and Chairman USA HEADQUARTERS: International Music Industries, Ltd. 1414 Avenue of the Americas 6th Annual New York, New York 10019 U.S.A. Tel: (212) 489-9245' International Telex: 234107 Record/Video & Anne Stephenson Director of Operations ' Music Industry Market AUSTRALIA: FRANCE: General Public Relations Pty. Ltd. 18, avenue Matignon PO Box 451 75008 Paris, France Neutral Bay Junction 2089 Australia Tel: 622 5700 Tel: 9082411 Charles Ibgui, Telex: CLAUS AA26937 French Representative Harry Plant IF.YOU’RE IN THE Australian Representative UNITED KINGDOM: ITALY: MUSIC BUSINESS International Conferences & Via Correggio 27 Expositions Ltd. 20149 Milan, Italy 5 Chancery Lane, 4th Floor Tel: 482 456 YOU CAN’T AFFORD London WC2, England Tel: 404 0188/4567 Aldo Pagani, Telex: 896217 Roger THERE! G Italian Representative NOT TO BE - | . VOLUME XL1I — N HR 7 — June 28, 1980 THE INTERNATIONAL MUSIC RECORD WEEKLY DISH BOX GEORGE ALBERT President and Publisher MEL ALBERT EDITORML Bright Future Ahead Vice President and General Manager NICK ALBARANO It Marketing Director A full year has passed since the Founder’s Con- Recording Merchandisers (NARM). has already ALAN SUTTON ference of the Black Music Assn. (BMA) kicked off begun to heighten public awareness through its Editor In Chief the inaugural celebration of June as Black Music programs. J.B. CARMICLE Month. In that time, the BMA has grown and Communication isthe key. If information can pass General Manager, East Coast matured, and on the eve of its second convention, freely and efficiently, great headway can be made in JIM SHARP Director. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
The Daily Egyptian, March 31, 1980
Southern Illinois University Carbondale OpenSIUC March 1980 Daily Egyptian 1980 3-31-1980 The aiD ly Egyptian, March 31, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_March1980 Volume 64, Issue 122 Recommended Citation , . "The aiD ly Egyptian, March 31, 1980." (Mar 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in March 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ~. ~ Stafl ph<Jto b~ Brent Cramer SOl'Tfl RISI-:S :\G:\1:\--This is j.Jst ont' of manv· t'nactmPnt ht>ld in :\lakanda Sundav. Ellactlv Jikl' War uniforms. tents. guns. and nint' run-scalP nv·iJ groups of lhl' Wth Cl'ntury (.'or,ft'dt'ratt'S that took the original battll' 120 yt>ars ago. ''The St'cond Bat aim at tht>ir Yankt't' countt'rparts in a Ch·iJ War re- War cannons. Makanda's rendition of the baltiC' is tit' of :\lakanda Junction" fl'aturt'd authl'ntic Civil ODt' in a st>ri~ occuring a("ross tht' ("ountr.'·. SIU seeks funding hike 'EgypticlD to improve faculty pay By Paula Donner Waller 8outhem Illinois University son later cut it to !I percent. sities wert! ra:~kf'd 13th to 15th starr Writer "The area of greatest ("Oncern on the IBHE's capital im· Monday. March 31. 198&--Vol. iO. No. 122 SJU officials hav'! introduced is faculty salaries. H the provements priority list. -
Smash Hits Volume 31
frs^vi Februar SON ALBUMS T , -V- ! W — I'm hypnotised the I He got a bike by m A motorbike — I got the hots for a drive up t. He like the beat — I got the beat I He like the heat — I got the beat He like the beat — I got the motorbike beat I Chorus y My favourite treat on the motorbike seat Is me and Mr CC He gotta drive — When I arrive you can hear the wheels ^ squeal He is alive — I got the feel for some mean steel appeal f P He got the steel — The squeal appeal ^ He got the feel — The steel appeal P He got the steel — I got the motorbike beat ta Repeat chorus \ But shouldn't we slow down, we're heading for >town i:*:i*»i*"**^^'- On the motorbike ^ Right — give it a kick then I drive it away ^ He flash alright — Ride in the night and I sleep in the day He bike away — Take it away 1 He ride away — I gotta say r He gotta say — I got the motorbike beat J Repeat chorus I Overtake all the creeps I When we go down the street r Me and Mr CC I Words and music by Eugene Reynolds/Fay Fife ' Ltd J Reproduced by permission Dinsong U-' MOTORBIKE BEAT Feb 7-Feb 20 1980 Vol 2 No. 3 The Revillos 2 First of all, for all you puzzled Police fans who are wondering LIVING BY NUMBERS where Stewart Copeland and New Musik 4 Andy Summers got to in this THE PLASTIC issue — relax. -
Flasher Strikes Med Students
V olum/ogomore e 9 N u m b e r 50 UrVveraity-Purclu* University at Indienapoks M arch 19. 1980 Masengale to vie for Games spot IIIP1JI «K4« “Whether or not she makes “ I'm looking forward to try All-American athlete Tina the 14 member Olympic team, outs as a learning experience. Masengale. starter for the and even if the US does not go to Tina said “For the first time in IUPUI women’s basketball the Moscow Olympics, this will my life. 1 wish l-were a little tall team, will pit her skills against be good exposure for Tina." said er Tina's top game score this America’s best when she com IUPUI head coach. Kathy Tuck season was 20 points She was petes in Colorado Springs. Colo.. er. who herself has tried out recently chosen moat valuable March 24-25. for the Summer twice for the Olympic basketball player and top rebounder by her Olympic Games. team “Tina is a little apprehen teammates and coaches She and A top scorer for the past two sive. but this will help her dis other team members will be for seasons. Una plays center and cover her abilities on the nation forward, but will try out as al scale.'* Tucker said mally honored for their 10^9 sea guard in the open trials at Colo son during the IUPUI athletic rado. The 19-year-old sophomore (Tucker explained that sum awards program in April from Carmel averaged 17.2 mer Olympic competition is oing ahead She said that A computer technology major points per game in the 1979-80 at IUPUI. -
The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie .