Community Services Report 2011-2012

Home , Fabian Almazan, Lex Luger (musician), Richard Palmese, Steven Price (composer)

2 MISSION

2 INTRODUCTION

3–11 EDUCATION PROGRAMS AND IMPACT

11–15 PRESERVATION/ADVANCEMENT PROGRAMS AND IMPACT

16 COMMUNITY FEEDBACK

17 FUNDRAISING INITIATIVES

18-24 FINANCES AND SUPPORTERS

25 CONNECT AND CONTACT MISSION The GRAMMY Foundation was established by The Recording Academy in 1989 to cultivate the understanding, appreciation and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. INTRODUCTION Each year, the GRAMMY Foundation’s Community Services Report brings the missions of the GRAMMY Foundation — music education, preservation and advancement — to life with

accounts of programs and events held throughout the 2 year across the country. We continue to expand our initiatives and attract diverse participants, whether they are young people applying for our GRAMMY in the Schools programs, promising law students submitting papers for our Entertainment Law Initiative (ELI) Writing Competition, or archivists, librarians, and scientific researchers submitting grant proposals to our GRAMMY Foundation Grant Program. While the term “forward- thinking” defines the GRAMMY Foundation’s approach to our strategic growth, the Community Services Report is a retrospective account of our 2012 Fiscal Year (Aug. 1–July 31) and an ideal place to look back. This year, we’ve chosen to begin with a snapshot of our program participants over several years, and we hope you enjoy hearing about where they are now. Many past GRAMMY Campers, both summer program and Jazz Taylor Swift with students at a GRAMMY Camp — SoundCheck in Austin, TX.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org WHERE ARE THEY NOW?

Session participants, have gone on to impressive achievements in their professional careers. A few examples are:

STACEY FERREIRA (GRAMMY Camp summer 2009 and 2010) is co-founder and Vice President of MySocialCloud.com. She secured just less than $1 million in funding for her business from Richard Branson of Virgin Records, Jerry Murdock of Insight Venture Partners and Alex Welch of Photobucket. Today, Stacey and her brother/co-founder lead a team of nine staffers for their service that allows users to securely store usernames and passwords and automatically login to any website, as well as easily share, discover, store, and revisit content that people love online.

GRACE KELLY (GRAMMY Camp – Jazz Session 2008) just released her seventh album Grace at the tender age of 19, and has won numerous awards including: the ASCAP Young Jazz Composers Award in 2007, 2008, 2010, and 2011. She was named Jazz Artist Of The Year at the Boston Music Awards in 2008 and 2010, and Best Jazz Act for the last four consecutive years in the Phoenix Best Music Poll. She graduated from Berklee College of Music and started a teaching residency there in January 2012. She was also featured on CNN.com in a story titled “Making Of A Prodigy.”

KATIE THIROUX (GRAMMY Camp – Jazz Session 2003-2006) was awarded a presidential scholarship through Berklee College of Music, is playing gigs all over California, and jazz festivals including the Berklee Beantown Jazz Festival, Monterey 3 Jazz Festival, Münster Jazz Festival, Newport Beach Jazz Festival, Quito International Jazz Festival, and the San Miguel Allende International Jazz and Blues Festival, among others. She also released a debut album in 2011.

The majority of winners and finalists in our ELI Writing Competition are now practicing attorneys contributing to the field of entertainment law.

GOLDIE GABRIEL (ELI finalist, 2007) is the director of business and legal affairs at Warner/Chappell Music Inc. She recently successfully negotiated agreements for Dr. Dre, Sebastian Jacome, Kendrick Lamar, Lex Luger, Lil Wayne, Rick Ross, Marc Shaiman, and Waka Flocka Flame.

BRIAN PEARl (ELI Finalist, 2011) now serves as an associate in the entertainment litigation department at O’Melveny & Myers, LLP. Prior to that, he was a law clerk for the Honorable Stephen V. Wilson, United States District Court, Central District of California.

The recipients of our Grant Program, which will enter its 25th anniversary year in 2013, are impressive and inspiring. We’ve collected descriptions of funded projects dating back to 2000 and have featured three projects on our website at www. grammyfoundation.org. We invite you to check out these videos that tell the stories of Caffè Lena, America’s oldest continuously running folk music coffeehouse; the Herman Leonard Jazz Archive of the late photographer’s historically significant archive of 65,000 negatives; and the University of California, Los Angeles’ research project that studied the brain systems involved in emotional music perception in typically developing and autistic adolescents.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

Under the banner of GRAMMY in the Schools, the GRAMMY Foundation pro- GRAMMY Camp duces and supports music education programs for high school students across the Soundcheck Students Reached country throughout the year to help inspire the next generation of music makers. 2011-2012

GRAMMY Camp – SoundCheck Program Los Angeles Chapter (includes 22% The GRAMMY Camp – SoundCheck program allowed students to attend profes- Foundation/Museum events) sional soundchecks featuring a wide range of emerging and established touring artists, along with technical and industry professionals. The program aims to Washington D.C. Chapter 11% give young people perspectives on music careers through conversations about the necessary tools and education required for success. In 2012 the program Texas Chapter 11% migrated to The Recording Academy and was renamed GRAMMY U SoundCheck.

Pacific NW Chapter 11% GRAMMY Camp – Basic Training GRAMMY Camp – Basic Training New York Chapter 11% 4 is held on university campuses and other learning environments across Nashville Chapter 11% the country. The program provides students with insight into careers in Phladelphia Chapter 7% the music industry through daylong conferences featuring workshops with artists and industry professionals. The San Francisco Chapter 4% continued support of the Ford Motor Company Fund allowed us to offer Memphis Chapter 4% the GRAMMY Camp – Basic Training experience in three additional cities Chicago Chapter 4% in 2012. Since 1988, more than 212,000 students have benefitted from the GRAMMY Camp – Basic Florida Chapter 2% Training program. Atlanta Chapter 2%

Members of One Direction with students at a GRAMMY Camp — SoundCheck in San Diego. Photo: Tiffany Lo In 2012, GRAMMY Camp – SoundCheck conducted 45 events featuring a total of 34 artists across the United States.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

GRAMMY Camp 2012 BASIC TRAINING LOCATIONS GRAMMY Camp is an interactive residential summer program for high Anaheim, CA school students that focuses on all aspects of the commercial music | Disneyland industry. The curriculum is led by core faculty, guest artists, and music Anchorage, AK | East High School professionals across a wide range of career tracks. GRAMMY Camp Anchorage, AK | Bartlett High School covers all aspects of creating, performing, and recording music, and Austin, TX McCallum Fine Arts Academy culminates in media projects, recordings and/or showcase performances. | Billings, MT | Billings West High School In the summer of 2012 the eighth Billings, MT | Billings Senior High School annual installment of GRAMMY Los Angeles, CA | USC Thornton School of Music Camp was held at the University Miami, FL University of Miami of Southern California in Los | Angeles, at Converse Rubber New York, NY | Pace University Tracks studio in Brooklyn, N.Y., Portland, OR | David Douglas High School and, for the first time ever, an Portland, OR | Gresham High School additional session was offered 5 San Francisco, CA in Nashville at Black River | Marin School of the Arts Entertainment. GRAMMY Camp San Francisco, CA | Acalanes High School Los Angeles culminated with San Francisco, CA | Gateway High School a showcase concert at the El Wilmington, DE Calloway School for the Arts Rey Theatre, while GRAMMY | Camp New York wrapped with a launch party at the New School’s Tishman Auditorium and GRAMMY Camp Nashville wrapped with a launch party at Rocketown. In 2012, the program selected 136 high school students from 116 cities and 32 states for this unique music industry experience.

GRAMMY Winner Jimmy Jam moderates a music panel with Eman and Evan Bogart during GRAMMY Camp— Basic Training in Los Angeles.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

GRAMMY Camp Geographic Breakdown 2011-2012

From top: GRAMMY Camp New York — Converse Rubber Tracks studio in Brooklyn 37% West First ever GRAMMY Camp Nashville at Black River Entertainment 28% South 6

22% Northeast 13% Midwest

REGION BREAKDOWN Northwest Alaska • Hawaii • Idaho • Montana Oregon • Washington • Wyoming Southwest Arizona • California • Colorado • Nevada New Mexico • Texas • Utah Midwest Arkansas • Illinois • Indiana • Iowa • Kansas Kentucky • Michigan • Minnesota • Missouri Nebraska • North Dakota • Ohio The 2012 session of GRAMMY Camp was supported in part by AEG, Oklahoma • South Dakota • Wisconsin ASCAP Foundation Irving Caesar Fund, Audio Technica, Avid, Best Buy, Northeast BET, Black River Entertainment, CenterStaging, Coca-Cola, Converse, Connecticut • Delaware • Maine • Maryland Electronic Arts, the Ella Fitzgerald Charitable Foundation, Guitar Center, Massachusetts • New Hampshire • New Jersey the Hot Topic Foundation, JBL by Harman, KCRW, Kroesche Music New York • Pennsylvania • Rhode Island Vermont Group Line 6, Mackie, M-Audio, the Maurer Family Foundation, the • Virginia • Washington D.C. • West Virginia New School, The Recording Academy, Roland, Shure, Universal Music Southeast Group, and the USC Thornton School of Music. Alabama • Georgia • Florida, Louisiana • Mississippi • North Carolina South Carolina • Tennessee

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

GRAMMY Camp — Jazz Session The GRAMMY Camp – Jazz Session program selects top high school instrumentalists and singers for a once-in-a-lifetime experience to rehearse, perform and record together — often with GRAMMY-winning guest artists — at a series of high-profile GRAMMY Week events. The GRAMMY Foundation supports jazz as an indigenous American art form, and GRAMMY Camp – Jazz Session is vital to cultivating the next generation of jazz musicians. Many former GRAMMY Camp — Jazz Session members have gone on to have successful solo careers, and have performed with artists such as Terence Blanchard, Chick Corea, Gavin DeGraw, India.Arie, Branford Marsalis, Wynton Marsalis, and Christian Scott, as well as organizations such as the Jazz at Lincoln Center Orchestra and the New York Philharmonic. The GRAMMY Foundation covers all costs for this program, including round- trip airfare to Los Angeles and room and board to ensure that each selected applicant can attend, regardless of their financial situation. 7 In 2012, the GRAMMY Camp – Jazz Session program selected 28 high school singers and instrumentalists and two journal- ists representing 29 cities and 13 states. The GRAMMY in the Members of the Schools Media Team documents the GRAMMY Week experience GRAMMY Camp – for a range of GRAMMY Foundation websites and social media Jazz Session Choir platforms. Highlights included a performance with GRAMMY record at the famous winners Joe Lovano and Arturo O’Farrill at the Spaghettini Grill Capitol Studios & Lounge in Seal Beach, Calif., and also with GRAMMY winners Terri Lyne Carrington, Anthony Hamilton, and Esperanza Spalding at GRAMMY In The Schools Live! at the University of Southern California›s Grand Ballroom. In addition, approximately $2 million in scholarships was offered to ensemble members by Berklee College of Music, Manhattan School of Music, New School for Jazz and Contemporary Music, and the USC Thornton School of Music.

Members of the The GRAMMY Camp – Jazz Session program is supported in GRAMMY Camp – Jazz part by Best Buy, Converse and the Ella Fitzgerald Charitable Session perform at Foundation. Additional support is provided by Capitol Studios GRAMMY Camp –Basic & Mastering (EMI Music), CenterStaging, Gibson, Guitar Center, Training at the University of Southern California Shure, Spaghettini Fine Dining & Entertainment, and Zildjian.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

GRAMMY Signature Schools 2012 GRAMMY Signature School Recipients Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature Schools program honors top public high school 2012 GRAMMY SIGNATURE SCHOOLS music programs with cash grants. Understanding that many schools ENTERPRISE AWARD ($5,500 EACH) struggle to maintain a quality program — particularly in rural and urban Based primarily on financial need areas — the GRAMMY Foundation established the GRAMMY Signature Schools Enterprise Award for needs-based applications in under-served Bartlett High School | Anchorage, Alaska communities. Since the program’s inception, 716 public high schools Billings Senior High School | Billings, Mont. were selected as GRAMMY Signature Schools and have been awarded Chazy High School | Chazy, N.Y. $1,156,500 in grants. The GRAMMY Signature Schools program is approved David Douglas High School | Portland, Ore. by the National Association of Secondary School Principals and MENC: The East Anchorage High School | Anchorage, Alaska National Association for Music Education. In 2012, 18 public high schools Ewing High School | Trenton, N.J. representing 15 cities and 13 states were selected as GRAMMY Signature Fort Hayes Metropolitan Education Center | Columbus, Ohio Schools. Hialeah Gardens High School | Hialeah Gardens, Fla. Pahoa High & Intermediate School | Pahoa, Hawaii GRAMMY Signature Schools Community Award Philomath High School | Philomath, Ore. 8 Towers High School | Belvedere Park, Ga. Using the model of the GRAMMY Signature Schools program the GRAMMY Foundation has created the GRAMMY Signature Schools Community 2012 NATIONAL GRAMMY SIGNATURE SCHOOL ($15,000) Award. Through this program the GRAMMY Foundation identifies deserving Highest-ranking Signature School recipient public high school music programs to receive the award and a $2,000 grant. Funding for the program has come from GRAMMY Foundation partners Douglas Anderson School of the Arts | Jacksonville, Fla. Best Buy and the Hot Topic Foundation. 2012 GRAMMY SIGNATURE SCHOOLS GOLD ($5,000 EACH) The GRAMMY Foundation’s newly revamped www.grammyintheschools. Recognizes quality sting, wind/percussion & com website is an exciting and interactive resource for students, parents, choral performance ensembles teachers and anyone interested in careers in music. It also provides applications and information for all GRAMMY in the Schools programs, in Flower Mound High School | Flower Mound, Texas addition to student content. Green Valley High School | Henderson, Nev. Las Vegas Academy of International Studies, Performing and Visual Arts | Las Vegas, Nev. Prospect High School | Mount Prospect, Ill. Westwood High School | Austin, Texas

2012 GRAMMY SIGNATURE SCHOOL ($2,500) Recognizes excellent performance ensembles & high quality instruction Jeffersonville High School | Jeffersonville, Ind.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org EDUCATION PROGRAMS AND IMPACT

Teen Substance Abuse Awareness Through Music Contest Three original music compositions that highlight the dangers and impact of drug and alcohol use were selected as the winners of the GRAMMY Foundation and MusiCares Teen Substance Abuse Awareness through Music Contest.

The composers of all three winning entries attended the 54th Annual GRAMMY Awards Backstage Experience on Friday, Feb. 10, 2012, during GRAMMY open rehearsal day that included performances by Tony Bennett, Bruno Mars, Bruce Springsteen, and Carrie Underwood. The day began with a special backstage tour including the history of the show, expert technical and production information, backstage routes for the artists, and Paul McCartney’s dressing room. 11 All three winners were invited to a catered lunch in a private suite while watching the afternoon performances and received recognition certificates and gifts from MusiCares, the GRAMMY Foundation and the National Institute on Drug Abuse.

Additionally, earlier in the day, MusiCares, the GRAMMY Foundation, NIDA, the Phoenix House, and Amanda Raham (first place winner) were recognized and honored by the Los Angeles City Council and Councilman Richard Alarcón for the efforts made in his district for teens and their struggles with addiction.

Music Educator Award This year, at The Recording Academy’s spring 2012 Board of Trustees meeting in Los Angeles, a Music Educator Award was established and will be first presented at the Special Merit Awards Ceremony during GRAMMY Week beginning with the 56th GRAMMY Awards in 2014. A joint partnership and presentation of The Recording Academy and the GRAMMY Foundation, this special award will recognize current educators (kindergarten through college, public and private schools) who have made a significant and lasting contribution to the field of music education and who demonstrate a commitment to the broader cause of maintaining music education in schools. Information is available at www.grammymusicteacher.com.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Based on 134 Schools

PRESERVATION AND ADVANCEMENT PROGRAMS AND IMPACT

The GRAMMY Foundation’s preservation and advancement 2012 Preservation Grantees By Category initiatives foster dialogue about the compelling issues facing the music industry, support projects that increase the understanding of music and its role in society, and raise public awareness of the urgent need to preserve our nation’s recorded sound legacy.

The GRAMMY Foundation Grant Program The GRAMMY Foundation Grant Program, with funding provided by The Recording Academy and the GRAMMY Foundation, awards grants to organizations and individuals in two categories — scientific research 13% Jazz studies that advance our knowledge of the impact of music on the human 8% Blues/R&B/Other condition, and archive projects designed to preserve the music and 8% Latin recorded sound heritage of the Americas for future generations. The Grant 8% Latin Folk 12 Program continues to garner more qualified applications each year, resulting 8% Country in our abilities to fund outstanding, meaningful, and diverse projects. 21% Classical 17% Folk In 2012 grants were awarded to 18 recipients in the United States and 9% Other Canada. Research projects include a study that will investigate the effects of rhythmic auditory-induced therapies to improve upper-extremity function 2012 Research Grantees By Category in children with cerebral palsy; and preservation and archiving initiatives include a project that will protect an endangered collection of reel-to-reel tapes of concerts, rehearsals, and personal recording sessions by legendary pianist/composer Dave Brubeck.

In 2012 the GRAMMY Foundation awarded $250,000 in funding.

33% Neuroscience & Cognition and/or Emotion 17% Medical Treatment 33% Development Prevention Intervention 17% Neuroscience Prevention Intervention

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org PRESERVATION AND ADVANCEMENT PROGRAMS AND IMPACT

Preservation Implementation Oklahoma Historical Society — Oklahoma WGBH Educational Foundation — Boston | City | Awarded: $20,000 Caffè Lena — Saratoga Springs, N.Y. | Awarded: $17,250 Awarded: $19,691 The Oklahoma Historical Scoiety will archive Bob The goal of this project is to preserve and make Wills & His Texas Playboys recordings from the ‘40s available interviews from the landmark PBS television Caffè Lena will clean, store, digitally transfer, and on lacquer discs, including U.S. radio broadcast series “Rock & Roll.” They will be available to the provide access to its valuable, at-risk archive of transcriptions and 136 reel-to-reel tapes of ‘50s and public through WGBH’s Open Vault website and new fragile reel-to-reels of live performances and field ‘60s performances. Discs will be digitized and the radio pieces. The interviews are broadcast quality, recordings (1960–1989), and related oral histories project will create rich metadata for the collection to and WGBH will preserve them in a digital format and on audiocassettes. This unique historic collection ensure long-term preservation of this unique cultural make them accessible to the public. sheds light on the New York music scene and its heritage material. www.okhistory.org openvault.wgbh.org influence on the 20th century folk revival. The Library of Congress will serve as the final repository for these The Ravi Shankar Foundation — Encinitas, Preservation Planning archives. www.caffelena.org Calif. | Awarded: $16,420 This project will preserve, digitize, catalog, and Paul Anastasio — Shoreline, Wash. | 13 Carnegie Hall — New York | Awarded: Awarded: $4,000 $17,250 provide access to historic live and studio recordings from two of the most prolific points in Ravi Shankar’s This collection of Mexican violin music in Guerrero This project will preserve volumes 1–4 of the Robert career. These recordings are unavailable anywhere and Michoacán features Premio Nacional winner Shaw Choral Workshop Collection of Carnegie Hall’s else in any format and are at risk of deterioration in Juan Reynoso and 20 of his fellow violinists. This Archives — a unique and irreplaceable series of tapes their analog state. The result will be an accessible project will assist the copying, transcribing, collating, showcasing one of America’s greatest choral directors collection of Shankar’s most important performances, and indexing of this rare, beautiful and nearly extinct leading the finest young professional singers through greatly impacting scholarship and programming, both music. www.swingcatenterprises.com workshops and performances at Carnegie Hall. nationally and internationally. www.ravishankar.org www.carnegiehall.org Bowdoin International Music Festival — University of the Pacific — Stockton, Calif.| Brunswick, Maine | Awarded: $5,000 Los Angeles Philharmonic Association — Los Awarded: $8,983 The Bowdoin International Music Festival, a Angeles Awarded: $16,560 | Guided by a preservation survey of the tapes funded renowned summer music school and concert This grant will enable the digital transfer, storage, by a GRAMMY Foundation grant, this project will series, will celebrate its 50th anniversary in 2014. and management of the Swedlow Collection of stabilize and digitize 49 highly endangered reel-to-reel In advance of the anniversary, this project will 1,500 analog tapes recorded on a 3-track tape tapes of concerts, rehearsals and personal recording catalog, transfer, and selectively restore materials machine between 1953–1960. The collection sessions by pianist/composer Dave Brubeck. These in its recorded archive. Included are performances includes live recordings of such performers as Marian tapes offer unique, unreleased documentation of by some of the world’s top classical musicians Anderson, Louis Armstrong, Ella Fitzgerald, Mstislav Brubeck’s monumental contributions to jazz. and works by illustrious 20th- and 21st-century Rostropovich, and Nina Simone, among others. www.pacific.edu/library composers. www.bowdoinfestival.org www.laphil.com

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org PRESERVATION AND ADVANCEMENT PROGRAMS AND IMPACT

Louis Guida — Lexington, Ky. | Scientific Research University of Miami — Coral Gables, Fla. | Awarded: $5,000 Georgia Tech Research Corporation — Atlanta | Awarded: $20,000 This project will assess, prioritize, and prepare Awarded: $17,250 This project will explore and quantify infants’ ability material from a significant collection of African to entrain spontaneous movement with rhythmic Cerebral palsy is prevalent in one in 303 children in American gospel and blues from Memphis auditory understanding of motor development, the United States. Approximately one-half sustain and the Mississippi Delta for digitizing and and inform therapeutic intervention for deficits in upper-extremity dysfunction. Using rhythmicauditory preservation. The collection, housed at Indiana attention, speech, and extremity movement. cues to improve upper-extremity function has shown University Bloomington’s Black Film Center/ promise with adult post-stroke patients. There is limited Archive, includes field recordings, film footage Western University — London, Canada evidence of such music-based intervention in pediatric | and photographs from a five-year project led physical therapy. This project will investigate the effects Awarded: $19,500 by director Louis Guida that resulted in the of rhythmic auditory-induced interventions for children Despite the amazing level of shared neural international award-winning 1992 documentary with cerebral palsy. humanslab.ece.gatech.edu machinery between humans and nonhuman Saturday Night, Sunday Morning. primates, only humans appear to sense and react to The Research Institute at Nationwide Children’s musical rhythm. This ability has played a major role Irka Mateo — Brooklyn, N.Y.; Santiago, in the development of human culture for millennia. Dominican Republic | Awarded: $5,000 Hospital — Columbus, Ohio | Awarded: $16,846 The aim of this project is to understand the neural Rare recordings of Dominican folk music played processes that underpin our uniquely human 14 for popular religious events comprise primary The goal of this project is to create a healing ability to sense the beat in rhythmic sequences source material that expands and continues on environment through auditory stimulation within the by comparing brain responses across species with previous work done by Fradique Lizardo (1930– Neonatal Intensive Care Unit system that improves the most advanced magnetic resonance imaging 1997), housed at the Centro León. The goal of behavioral development and reduces length of methods available. www.jessicagrahn.com this project is to initiate preservation consultation stay in medically fragile babies. Through the use of efforts that focus on music recordings celebrating technology, this innovative program allows parents to Benjamin Zendel — Montreal, Canada have a presence at their baby’s bedside even when Liborio Mateo, a central religious leader and Awarded: $20,000 healer that lived in San Juan de la Maguana. they are away from the hospital. As we age it becomes more difficult to understand www.irkamateo.org www.nationwidechildrens.org speech in noisy environments because of changes in how the brain processes sound. It has been Northwest Folklife — Seattle Rotman Research Institute, Baycrest Centre for | recently demonstrated that this age-related decline Awarded: $4,000 Geriatric Care — Toronto, Canada | Awarded: $17,250 is mitigated in lifelong musicians, likely due to The Northwest Folklife Festival’s collection of neuro-plasticity induced by musical training. The This project will examine the potential benefits of live audio recordings documents 40 years of purpose of this project is to determine if music musical training on speech processing in elderly adults. the musical and cultural heritage of the Pacific lessons in older adults can improve the ability to Brain imaging techniques will be used to assess neural Northwest. The project will assess the collection understand speech in noise by improving the way activity at multiple tiers of the aging auditory system and design a multistage plan to stabilize, preserve the brain processes sound. and catalog those thousands of performances. and its correspondence to perception during active Northwest Folklife’s goal is to publicize the speech listening. Specifically, the project will assess the collection and make these historical records possibility that musicianship counteracts the negative available to the public via its website and at declines in hearing ability and speech understanding regional repositories. www.nwfolklife.org that commonly emerge late in life. research.baycrest.org

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org PRESERVATION AND ADVANCEMENT PROGRAMS AND IMPACT

The Music Preservation Project The Music Preservation Project is produced each year during GRAMMY Week to heighten public awareness of our work in protecting our cultural legacy. In 2012 “One Night Only: A Celebration Of The Live Music Experience” — the 14th Annual GRAMMY Foundation Music Preservation Project — sponsored by Seagate, celebrated renowned performers and key players behind the scenes and focused on the history, cultural contribution, and evolution of live concerts — from star-making clubs such as the Apollo Theatre to pioneering movements such as Live Aid and Woodstock. Hosted by television personality/entrepreneur Sharon Osbourne and GRAMMY winning guitar- ist Steve Vai, the evening featured live musical performances and historical footage. Performers included The Colburn Orchestra, Robert Cray, A Fine Frenzy, Dave Koz, Jonny Lang, Ledisi, LP, Shelby Lynne, Marc Martel, Beverly McClellan, Bret Michaels, Mavis Staples, and Trombone Shorty.

The GRAMMY Foundation was instrumental in writing and successfully passing the National Recording Preservation Act. This legislation created a National Recording Preservation Board that Bret Michaels performs at “One Night Only: A Celebration Of The works with the Librarian of Congress and the public to select entries for the National Recording Live Music Experience” — the 14th Annual GRAMMY Foundation Registry, ensuring the preservation of these designated historic recordings. Since the passage of 15 Music Preservation Project on Feb. 7, 2012, in Beverly Hills the act in 2000 and its reauthorization in 2008, 300 recordings have been added to the registry.

The Entertainment Law Initiative The Entertainment Law Initiative is comprised of three components: a legal seminar series, a national scholarship writing competition for law students, and a high-profile luncheon during GRAMMY Week that is attended by students, music attorneys, executives, and members of The Recording Academy. Since its inception in 1999, the Entertainment Law Initiative has provided $154,000 in scholarships to aspiring law students.

The Entertainment Law Initiative’s Annual Scholarship Luncheon enjoyed significant success in 2012. Attendance increased to more than 450 and revenue topped the $200,000 mark.

Spotify CEO and founder Daniel Ek gave the keynote address. Noted entertainment attorney and former MusiCares Board Chair John Branca received the ELI Service Award. (Top row, l-r) John Branca, ELI Service Award Recipient, and partner, Ziffren Brittenham LLP; Neil Portnow, President/CEO of The Recording Academy and ELI also continued its writing competition workshops at law schools around the country. The work- GRAMMY Foundation; Daniel Ek, ELI keynote speaker, and founder and CEO, shops are designed to demystify the process of entering the competition, increase submissions and Spotify; Scott Goldman, Vice President of the GRAMMY Foundation; (bottom row, awareness, and provide interaction with top entertainment attorneys. l-r) ELI essay competition finalists Trevor Roe; Jonathan Evans; Ryanne Perio; ELI writing competition winner J. Hardy Ehlers, and Sarah Abelson at the GRAMMY ELI’s Legal Seminar Series conducted panel presentations at the Benjamin N. Cardozo School of Foundation’s 14th Annual Entertainment Law Initiative Luncheon & Scholarship Presentation on Feb. 10, 2012, in Beverly Hills, Calif. Law in 2012, as well as DePaul University in Chicago.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org COMMUNITY FEEDBACK

I am so thankful to you and the GRAMMY Foundation for your “incredible recognition. You guys have demonstrated to me that there is a light at the end of the tunnel and that there is hope for our programs out there. I cannot stress enough to you how helpful this grant will be to our program. Thanks to the GRAMMY Foundation! You guys just made it possible for our program to have another successful year. — 2012 GRAMMY Signature Schools Enterprise ”Award Recipient

GRAMMY Camp has changed my daughter’s life. Although she has “known for years that the world of music was her calling, the opportunity to learn so much about the mechanics of the industry has added such an 16 important component. I believe this is a gift to all young musicians, and an insight and education that is imperative. — 2012 GRAMMY Camp Parent ”

I wanted to send a BIG thank you to GRAMMY Camp and GRAMMY in “the Schools! My son’s confidence is now booming. His networking skills are over the top and in the last six months I have watched him make a wonderful business for himself in our community. He is constantly reaching out for new business and looking for intern opportunities. His hunger for new knowledge daily is amazing. I love the connections he has made through GRAMMY Camp and how he keeps in close touch with all the artists around the world. They thrive on each other and seem to become even more creative along the way. Your support means the world to me. A student from GRAMMY Camp Los Angeles — 2012 GRAMMY Camp Parent ” performs onstage at the Showcase Concert at the El Rey Theatre on July 22, 2012.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FUNDRAISING INITIATIVES

GRAMMY Charity Online Auctions Throughout the year, the GRAMMY Foundation benefits from our GRAMMY Charity Online Auctions, which feature exclusive VIP experiences and memorabilia presented in partnership with Kompolt at www.ebay.com/ grammy and CharityBuzz at www.charitybuzz.com.

Highlights included the launch of the third annual Black Friday auction, Alicia Keys signs items for the GRAMMY Foundation which commenced the day after Thanksgiving and targeted the massive and MusiCares backstage amounts of shoppers looking for deals on the biggest shopping day of the during rehearsals for the year. The GRAMMY Foundation also brought one-of-a-kind experiences 54th Annual GRAMMY such as VIP concerts and meet-and-greets with artists and celebrities Awards on Feb. 12, 2012 including Kelly Clarkson, Foster The People, Fun., Kathy Griffin and Keith Urban along with a highly anticipated meet and greet with One Direction at Madison Square Garden in New York. Our auctions also featured exclusive music memorabilia signed by world-famous artists including Adele, Coldplay, Foo Fighters, Paul McCartney, Katy Perry, and Carrie 17 Underwood.

GRAMMY In The Schools Live! Katy Perry signs items for For the third year, the GRAMMY Foundation presented GRAMMY In the GRAMMY Foundation The Schools Live! — a celebration of music and education. Held during and MusiCares backstage GRAMMY Week, this event raised funds and awareness to support the during rehearsals for the 54th Annual GRAMMY education efforts of the GRAMMY Foundation. In 2012 GRAMMY In The Awards on Feb. 12, 2012 Schools Live! featured performances by members of the GRAMMY Camp — Jazz Session, student alumni from GRAMMY Camp and special guest artists and GRAMMY winners Teri Lynne Carrington, Anthony Hamilton, and Esperanza Spalding.

The GRAMMY Camp – Jazz Session Band performs at GRAMMY in the Schools Live!

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

The GRAMMY Foundation’s GRAMMY in the Schools initiatives would not be possible without the remarkable support received from a number of corporate partners:

Best Buy Best Buy continued its support for the GRAMMY Foundation through its sponsorship of the GRAMMY Signature Schools Community Award. Best Buy also made a contribution to the GRAMMY Foundation in honor of Aerosmith’s performance at the Best Buy Charity Classic.

Ford Motor Company Fund The Ford Motor Company Fund continued their longstanding support for GRAMMY Camp — Basic Training programs and GRAMMY Signature School awards in three selected markets 2012. Additionally, they supported GRAMMY In The Schools Live! 18

Converse Converse continued its support of the GRAMMY Foundation both financially and materially. Significant financial support was provided for GRAMMY Camp New York, and funded financial assistance for participating students. Converse also donated its Rubber Tracks Studio as the home of GRAMMY Camp New York.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS 2012 STATEMENT OF ASSETS FUNCTIONAL EXPENSES 2012

2012 FINANCIAL POSITION 2012 GRAMMY2011 GRAMMY 2011 & 2012 CURRENT ASSETS: Foundation Cash and Cash Equivalents $1,510,135 2012 $1,503,891 Foundation Accounts Receivable 197,152 Functional 28,208 2012 Prepaids and Deposits 126,429 GRAMMY 111,8722012 Revenue 2012 Product Inventory Expenses 21,600GRAMMY GRAMMY ______Foundation______GRAMMY TOTAL CURRENT ASSETS 1,833,716 1,665,571Foundation 42% Contribution/Sponsorship ______71% Program Services Foundation Functional Foundation 39% The Recording Academy Functional 14% Management and General NON CURRENT ASSETS: Revenue 1% Grants Expenses 15% Fundraising Revenue Property and Equipment, Net 1,385 11,393Expenses 18% Project Income Board-Designated Investments 3,938,716 3,966,948 42% Contribution/Sponsorship 71% Program Services 42%0% Investment Contribution/Sponsorship Income Deferred Compensation Asset 39,864 33,086 71% Program Services 39% The Recording Academy 14% Management and General 39% The Recording Academy ______14% Management and General 1% Grants 15% Fundraising 1% Grants TOTAL NONCURRENT ASSETS 3,979,965 4,011,427 15% Fundraising 18% Project Income ______19 18% Project Income 0% Investment Income TOTAL ASSETS $5,813,681 $5,676,998 ______0% Investment Income LIABILITIES AND NET ASSETS

CURRENT LIABILITIES: FUNCTIONAL EXPENSES 2011 Accounts Payables and Accrued Liabilities $256,244 $342,086 Deferred Revenue 426,743 340,728 Payable to Affiliate 828,021 624,356 401K Discretionary Liability 2011 ______2011 2011 TOTAL CURRENT LIABILITIES 1,511,008 GRAMMY 1,307,170 2011 ______GRAMMY GRAMMY DEFERRED COMPENSATION LIABILITY 39,864 Foundation 33,086 ______2011______GRAMMY TOTAL LIABILITIES 1,550,872 1,340,256Foundation Foundation ______Functional______2011 Foundation GRAMMYFunctional Revenue Revenue NET ASSETS: ExpensesExpenses GRAMMY Board Designated 3,938,716 Foundation 3,966,948 Other Unrestricted Net Assets 117,870 140,557 44% Contribution/Sponsorship 44% Contribution/Sponsorship 65% Program Program Services Services Foundation Temporarily Restricted 206,223 Functional 229,237 32% The Recording Academy 32% The Recording Academy 15% Management Management and Generaland General Investment Income reflects ______3% Grants 20% Fundraising Revenue 3% Grants market losses $127K in 2012 TOTAL NET ASSETS 4,262,809 Expenses 4,336,742 20% Fundraising 9% Project Income ______9% Project Income and market gains of $409K in 2011. TOTAL LIABILITIES AND NET ASSETS $5,813,681 $5,676,998 12% Investment Income ______44%12% Investment Contribution/Sponsorship Income ______65% Program Services 32% The Recording Academy 15% Management and General 3% Grants 20% Fundraising grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org 9% Project Income 12% Investment Income FINANCES AND SUPPORTERS 2012 STATEMENT REVENUES REVENUES 2012 OF ACTIVITIES 2012 20122011 GRAMMY 20011 & 2012 Contributions/Sponsorships 1,814,721 GRAMMY 1,992,242 2012Foundation Support from The Recording Academy 1,652,117 1,480,465 2012 Grants 23,077 2012Foundation 125,000 2012 GRAMMYFunctional Project Income 720,916 Revenue2012 384,043 GRAMMY Investment Income (5,323) GRAMMY 533,758 FoundationExpenses In-Kind Donations 59,269 GRAMMY 34,901 Foundation ______42% Contribution/Sponsorship 71% Program Services TOTAL REVENUES $4,264,777 Foundation $4,550,409Foundation Functional Functional ______Foundation Functional ______Revenue 39% The Recording Academy 14% Management and General RevenueRevenue 1% Grants Expenses Expenses 15% Fundraising 18% Project Income 42% Contribution/Sponsorship 71% Program Services 42% Contribution/Sponsorship 42%0% Investment Contribution/Sponsorship Income 71% Program Services 71% Program Services EXPENSES 39% The Recording Academy 14% Management and General 39% 39% The The Recording Recording Academy Academy 14% Management and General 14% Management and General 1% Grants 15% Fundraising 1% Grants 15% Fundraising Program Services $2,980,252 $2,606,611 18%1% Project Grants Income 15% Fundraising 18% Project Income 18% 0% Investment Project Income Income Management and General 618,337 597,236 0% Investment Income 20 Fundraising and Special Events 680,853 847,025 0% Investment Income In Kind Expenses 59,269 34,901 ______TOTAL EXPENSES 4,338,711 4,085,774 ______NET INCOME (LOSS) $(73,934) $464,635 REVENUES 2011 ______

Financial information is excerpted from The GRAMMY Foundation audited reports. Functional Expenses information is as reported on the IRS 990 filings. 2011 2011 2011 GRAMMY GRAMMY2011 GRAMMY Foundation GRAMMY Foundation2011 FoundationGRAMMY FoundationFunctional 2011Foundation Functional GRAMMY Expenses GRAMMYRevenueRevenue Expenses Foundation

44% 44% Contribution/Sponsorship Contribution/Sponsorship 65% Program Services 65% Program Services Foundation 44% Contribution/Sponsorship Functional 65% Program Services 32% The Recording Academy 15% Management and General 32% 32% The The Recording Recording Academy Academy 15% Management and General 15% Management and General 3% Grants 20% Fundraising Revenue 3% 3% Grants Grants Expenses 20% Fundraising 20% Fundraising 9% Project Income 9% 9% Project Project Income Income 12% Investment Income 12% Investment Income 44%12% Investment Contribution/Sponsorship Income 65% Program Services 32% The Recording Academy 15% Management and General 3% Grants 20% Fundraising grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org 9% • Project grammyfoundation.org Income 12% Investment Income FINANCES AND SUPPORTERS

$1,000,000 AND ABOVE The Gross Family Charitable Loeb & Loeb Mark Friedman Patti & Rusty Rueff Fund Foundation The National Academy of Maurer Family Foundation Gary Haber Recording Arts & Sciences, Inc. Hilton HHonors Giving Paul Schultz Back Program Elizabeth Moody John Hamm Sony Music Entertainment $100,000 TO $999,999 Mission Fish Myman Abell Fineman Heather Hoover Greenspan Light, LLP Sony Pictures Entertainment Best Buy Children’s Foundation Mitchell Silberberg & David S. Koz Knupp, LLP Nappy Boy, LLC SoundExchange Thomas Lane Campbell Sales Company Morgan Keegan & Prometheus Global Media Joseph Stallone Company, Inc. GRAMMY Museum Converse Proskauer Rose, LLP TastingRoom, Inc. Nomura Securities Guy P. Kroesche Ford Motor Company Fund Sony Music Distribution Michael Truesdell International, Inc. Herb Maeder LA Tennis Center / UCLA Warner Music Group Services Ame Van Dyke Davey Silverman Howard King Kim S. Pegula Venable, LLP Spotify John E. Lloyd Seagate Technology $1,000 TO $4,999 Bradley Wicklund Starkey Hearing Foundation LaPolt Law, P.C. 21 Universal Music Group Willard Ahdritz Maggie Zeman Ticketmaster The M&T Charitable Warp Speed Incorporated Rebekah Alperin Foundation $50,000 TO $99,999 Ziffren Brittenham, LLP Rocco Ancona Kristen Madsen UP TO $999 Best Buy Co., Inc. Carlos Arrom Manatt, Phelps & Phillips Maria Abdelnour

California Community $5,000 TO $9,999 Robert Aubry Davis Marin Community Kenneth Abdo Foundation Foundation Audio-Technica U.S., Inc. Robert J. Berg Imiuswi Aborigine Bruno Mascolo Borman Entertainment, Inc. Black Women in Justino Aguila $10,000 TO $49,999 Entertainment Law Ain McKendrick The Cain Foundation Foundation Fabian Almazan ASCAP Foundation Jeanne Meyer Irving Caesar Fund The Coca-Cola Company BMI Arturo Alvarez David Mooring Bobbie Bailey Foundation Electronic Arts, Inc. Bryan Cave, LLP Carlos H. Alvarez Griff Morris BET Fidelity Charitable Gift Anthony Cordova Jose Alvarez Fund Munger, Tolles & Olson Tim Bucher J Dilla Foundation Fredric Ansis Goldman, Sachs & Co. Tammy Murabito Dreamer Media, LLC Gallo of Sonoma Jameil Aossey Richard Palmese Kinsella Weitzman Jacklyn Armstrong The Ella Fitzgerald Charitable Iser Kump Garton Tractor Foundation Phoenix Restorations, Inc. ASCAP Debra L. Lee Monica Ferrell Greenberg Traurig, LLP Cat Rotunno (continued on next page) grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

Joy Auerbach Jason Boyarski Roberto Ciccarelli Katherine Dines Chelsea Fodero Tammie August Kyrill Bozhko James Clark Jerry Doby Chinue Foreman Jeffrey Babko Pierre Bradshaw Jeanette Clark Mylan Dockery Kevin Fox Luis Bacardi Sabelle Breer JaRon Clinkscales Brad Dollar Kenneth Freundlich Joshua Ballard Joe Brennan Frank Colalillo Jason Donald Lenner Korine Fujiwara Swagata Ban Banerjee Robin Brenner Denise Colletta Karishma Donde Matt Gaines Greg Barnhill Pauline Brickey Bethany Collins Mark Drury Stephen Gaines Hector Barrera Jennifer Brooks Jason Connelly Rick Duchateau Jose Gala Stuart Bascombe Angela Brown Ranjita Cornette Tiffany Pamela Edmondson Jeffrey Gallen, II Brett Bassock Quasan Browne Julie Correia Timothy Edson Gang, Tyre, Ramer & Brown Charity Fund Pat Bautz Rick Brulte Jim Cox David M. Ehrlich Gang, Tyre, Ramer & Torii BaybaeFace Brumberger Foundation, Inc. Carey Creed Francis Eldridge Anderson Brown, Inc 22 Pia Beaty Adam Bryant Frederick Croshal Shelton Ellerbe Patrick Garcia Katharine Beiter Matt Buguy Marti Cuevas Christine Ellis Susie Garcia Marshall Benbow Cliff Burems Robin K. Das Jerry Embree William Garcia Greg Bergdorf Ramsey Carey Ashley Davis Bob Emmer Avrom Gart Aaron Bing Alex Carillo Douglas S. Davis Iris K. Engels William Gartland Bird, Marella, Boxer, Dorothy Carter Nicolas Davoli Alex Evert Alejandra Garza Wolpert, Nessim, Drooks & Lincenberrg Jade Castillo Raul De Molina Daniel Facundo Patrick Gawrysiak Antoinette Bishop Michael Catania Albert DeGregoris Donna Fein Cynthia Anne Geary John Blackwell Debbie Cavalier Lillian Lois Deloatch Brad Ferringo George A. Gesner Diane Blagman Matthew Cavanaugh Gordon Deluse Corey Field Talia Ghaffari Jonathan Blaufarb Mario Cepeda Klaus Derendorf Arlene Fishbach David M. Given Paul Bock Angelin Chang Scott Dettmer Brad Fisher Karen Glenn Sarah Boddie John Howard Chase Steven Diamond Sam E. Fisher Henry Golis, Jr. Matthew Bost Dan Cherry Manuel Angel Diaz Evan Fitch Yvonne Gomez Sean Bouldin Mike Chiodo Clifton Dillon Jorel Flynn (continued on next page) grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

David Goodermuth Taynay Henderson Justin Keith Jason Mac Jason Mischel Gordon & Rees, LLP Robin Herman Mike Kerns Jennifer Mack Carolyn C. Mitchell Dariole Gordy Mary Hernandez Donny Khanhtignavong John Thomas Malachi Kelly Moneymaker Deborah Ann Gourman Howard Hertz Jacquelyn Khanich Christine Mallet Barrett Moore Desiree Goyette Hugh Hession Peter Kight Annie Mandel Johnnie Moore Steven P. Grant Ardell Hill Zachary King Richard Mann Larry Moore Edward R. Grauer Nakeshia Hill Earl Klugh Lisa Margolis Scott Moore Bibi Green David Hirshland Michael Klvana Doug Mark Blake Morrison Jaqueline W. Gridley Gary Hoey Yolanda Kondonassis Marcus Marshall Noah Mrnacaj Cassandra Grill Thomas W. Holmes, III Sandra Kratc Paul Marturano Kevin Nelson Kamil Grzych LeeAnn Houck Stacy Kray Ralph Mastrangelo Marquette Nelson

Joe Gunther Rachel Howard Kurstin Greg Kurstin Altheida Mayfield New Birth Baptist Church 23 John Haag Chris Huelsbeck Alexandra Lajoux Mary Mazurek Taylor Nicholls Michael Haddad Gwen Hughes Luis Lazo Deborah McAuley Michael Nisbet Antonio Hairston Stephen Hunley Marina A. Ledin Melissa McComas Ron Novak Eric Hall Stephen Inglis John Lee Dan McCormick Nina Nsilo-Swai Elissa Hambrecht Ted Jackson Susan Lenihan Beth Mcdonald Mary Nuss Joshua Hammer Robert M. Jaffe Kenneth Levinson Nion McEvoy Cornell O’Bryant Ward Michael Hampton Kevin Janeway Morgan Lieberthal Mary E. McFarland James O’Donnell Candice S. Hanson David L. Jarvis Lisa Linsky James McKinney Deidre O’Hara Duanduan Hao Khelia Johnson Locke Lord Bissel & Edwin F. McPherson Timothy Oldmixon Liddell, LLP Zachary Harding Mansa Johnson Zachary McPherson Jeremy S. Olsen Arietha I. Lockhart Brittany Harvey Damien Jones Ronald Medeiros Marius Olteanu Konstantina Lois J. Walter Hawkes Lawrence Jones Richard Meehan Thomas Page Pedro Lopez Loren Haynes Julie Ingram Enterprises Scott Meszaros Julius Papp Gianni Lorenzoni Monique Headley Chisenga Katongi Danno Metoyer Jean H. Park Heidi Lowy Mara Heisler Robert Kaus Bob Mikos Tracy Lyons (continued on next page) grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

Kanika Patawari Rafael Rodriguez Joseph Serling Andrew Tavel Sean Wells Brendettae J. Payne Leron Rogers Nicholas Sevilla Robyn Taylor Lee Whitaker Michael Peltzer Lawson Rollins Ali Shaheed Muhammad Shea Taylor Angela R. White Hilary Perkins Bettie Ross Udhav Sharma Terroirs, Inc. Ruth White Ric Peters Lukas Rossi Bradley M. Shenfeld Andrew Thielk Anthony Williams Hilary Petter Tai Rotan Steven Shepard Orville Thomas Christopher Williams Charles Pickett Paul Rothenberg Donna Sherman Tickets for Charity, LLC Dawn Williams Edward Pierson Fox Rothschild Hitoshi Shimoda Jason B. Tomarken Ethelbert Williams Johnny Polidano Ardie R. Rowe Jamie Shipp Geovanny Torres Mark Willis Stephen Polin Emma Rubenstein Shukat Arrow Hafer Weber Gwendolyn Troy Robert Wilson & Herbsman, LLP Eric Poole Howard Rubin Kevin Tsujihara Holdredge Wines Lori Silfen Brian Popkin Maurizio Ruggiero UCLA School of Law Austin Wintory 24 Fred John Silvestri Rikki Poulos Ana Ruiz Ayodele Vassall-Gore Schneor Wolf Janet N. Singleton Kawan Prather Michael Ruocco Maddie Vaughan Dennis Wolfe Michael Snoddy Victoria Preti Samantha Russell Mario Eduardo Vaz De Robert Xeno Daniel Sparks Mello Steven Price Catherine Sansone Kevin Yeanoplos Tania Stavreva Alexis Vear Gwendolyn Quinn Schatar Sapphira Hayley Young Gary Stewart Malvin (Dino) Vice Alan Ramer Evan Sawdey Alejandro Zamora Thomas Stokes Michele Vice-Maslin Jeremiah Reeves Adina Schecter Lena Zawaide Structured Asset Sales, LLC Elijah Vick Octavius (Ted) Reid, III Jonathan Schneider Dustin Suits German Villacorta Brent Reynolds Maribel Schumacher Ruth Surrey Joseph C. Walton Kari Reynolds Michael (Micky) Schuman Jack Sussman Caleb Washington Brian Risner Mindy Schwartz Hunter Sutherland Rudy Washington Devonte Roach Frank Scibilia Timothy Sutton Takayuki Watanabe Jaimison Roberts Sarah Scott Michael Tackett Tracy Watson Dominic Rodgers Wesley Seidman Miguel Hugo Tapia Georgeann Weisman Anthony Rodriguez Rick Senechal

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org YOUR SUPPORT

As our industry responds to current technological and economic shifts, the need to broaden and sustain our mission increases. Your help is more important now than ever. When considering a charity for your personal contribution or corporate affiliation, please remember that you can make a real difference in the lives of the people we serve through support of the GRAMMY Foundation.

To make a donation, please visit our website at www.grammyfoundation.org.

THE GRAMMY FOUNDATION

3030 Olympic Blvd. Santa Monica, CA 90404 25 Tel: 310.392.3777 Fax: 310.392.2188

www.twitter.com/grammyfnd www.instagram.com/grammyfdn www.youtube.com/grammyfoundation www.facebook.com/grammyintheschools

The GRAMMY Foundation Community Services Report is published by: The GRAMMY Foundation © 2011 GRAMMY Foundation Contents may not be reprinted without express written permission. The GRAMMY Foundation®, GRAMMY®, and The Recording Academy® and their respective logos are registered trademarks and service marks.

Unless otherwise noted, photos courtesy of The Recording Academy, photographed by WireImage.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org