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Earl Sweatshirt – Doris A
2/7/2014 Earl Sweatshirt – Doris | Manik Music About Us Album Rating Contact Us Staff For the musically obsessed… Home Reviews Features Manik Newswire Manik Baltimore Home » Featured Slider » Earl Sweatshirt – Doris Earl Sweatshirt – Doris Posted by Manik Music on Aug 21, 2013 in Featured Slider, Reviews | 0 comments A http://www.manikmusic.net/reviews/earl-sweatshirt-doris/ 1/6 2/7/2014 Earl Sweatshirt – Doris | Manik Music If the public’s reaction Kendrick Lamar’s infamous “Control” verse proved anything, it’s that America craves lyric-heavy, intelligent rap over the dumbed-down crap that had been fed to us for so long. While “artists” like Soulja Boy and Chief Keef have reason to worry, lyrically dexterous rappers are experiencing a renaissance. Spearheading this movement of talent-first rappers is Earl Sweatshirt of the Odd Future crew, underground rap’s greatest talent and secret weapon. Earl (Thebe Kgositsile) just released his debut studio album Doris, his first substantial work since his return to the spotlight. At the tender age of 16, the L.A. native released his eponymous mix-tape that turned quite a few heads – first due to his immense talent and young age, then due to his lyrics rife with stomach-churning violence. Upon its release, Earl had virtually vanished – his mother sent him to an at-risk youth camp in Samoa, which left crowds shouting “Free Earl” at concerts, fueling the towering hype and mystery that his mix-tape had garnered. Since his return a year ago, he’s had a few excellent guest spots – a verse on Frank Ocean’s Grammy-winning Channel Orange, a verse on the posse track “Oldie,” and a verse on Captain Murphy’s (a.k.a. -
Think Before You Ink Disturbing and Morbid and Is Con
·Entertainment Here Comes Treble OFWGKTA! By Ian Chandler _By Meg Bell By.Brent Bosworth heme: Ho Ho Hardcore Dean Martin - "Walking In a Win Theme: Yuletide cheer "Christmas Eve Sarjevo".- Trans Odd Future .was formed ant to cause your chuckle to re ter Wonderland" The day after Thanksgiving, IT be ·Siberian Orchestra by Tyler, the Creator, and they re emble \l spherical container filled You kids need a shot of old school gins. That is the constant streain .of Ol!e. of the mo!!t popular ~ode lea8ed their first album in 2008. The o the brim with a general gelatin . espresso in your puny little modem Christmas music on all radios: It Christmas songs, you can't have . members that form the group are ubstance? Listen hither, and may lattes. Taste this jazzy version of a seems like you can't escape jt. So Chri'stmas p laylist without this Tyler, the Creator; Earl Sweatshirt; our spirits be roused with the warm winter wonderland, sung by the instead, plug in your headphones "Thank God It's Christmas" Hodgy Beat;, Domo Genesis; Frank trelight of the seasoij. Dino lllmself. May it digest well with and give this mix a try. It's slire to Queen · · Ocean; Mike G; Left Brain; Taco ugust Burns Red"."" "Carol of the you and yours. Fun fact: "The King spread some holiday cheer. Any playlist with Queen is a win Bennett; Jasper Dolphin; Syd tha ells" of Cool" was born in Steubenville, "Baby It's Cold Outside" -Anthony ner, and this adds a bit of gl~m . -
The Intersectionality of Blackness and Disability in Hip-Hop: the Societal Impact of Changing Cultural Norms in Music
International Social Science Review Volume 96 Issue 4 Article 2 The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music Matthew Gavieta Follow this and additional works at: https://digitalcommons.northgeorgia.edu/issr Part of the Anthropology Commons, Communication Commons, Political Science Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Gavieta, Matthew () "The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music," International Social Science Review: Vol. 96 : Iss. 4 , Article 2. Available at: https://digitalcommons.northgeorgia.edu/issr/vol96/iss4/2 This Article is brought to you for free and open access by Nighthawks Open Institutional Repository. It has been accepted for inclusion in International Social Science Review by an authorized editor of Nighthawks Open Institutional Repository. The Intersectionality of Blackness and Disability in Hip-Hop: The Societal Impact of Changing Cultural Norms in Music Cover Page Footnote Matthew Gavieta is an undergraduate in the School of Industrial and Labor Relations at Cornell University, where he is the founder of the Cornell Intellectual Property and Ethics Club. This article is available in International Social Science Review: https://digitalcommons.northgeorgia.edu/issr/vol96/ iss4/2 Gavieta: The Intersectionality of Blackness and Disability in Hip-Hop The Intersectionality of Blackness and Disability in Hip-Hop: -
Earl Sweatshirt Shares 'Feet of Clay' Deluxe On
EARL SWEATSHIRT SHARES FEET OF CLAY DELUXE VERSION ON TAN CRESSIDA / WARNER RECORDS FEATURING NEW SONG “GHOST” GET DIGITAL DELUXE HERE – GET DELUXE CD HERE DOWNLOAD COVER ART HERE July 24, 2020 (Los Angeles, CA) – After releasing the vinyl deluxe version of his critically acclaimed FEET OF CLAY project on July 10, Earl Sweatshirt now shares the digital and CD deluxe forms of the project on Tan Cressida / Warner Records. The release includes Earl's new song “GHOST" featuring Navy Blue and produced by Black Noi$e, which follows his previously released track “WHOLE WORLD” featuring Maxo and produced by Alchemist. FEET OF CLAY arrived in 2019, creating a massive cultural impact with its masterfully constructed wordplay atop eclectic production, and has been met with praise across the media landscape from the likes of Pitchfork, The Wall Street Journal, Vulture, The New York Times, GQ and more. Recently, Earl announced Detroit artist Black Noi$e as the first signee to his Tan Cressida imprint and will be releasing Black’s forthcoming project OBLIVION on the label. Stay tuned. PRESS ON FEET OF CLAY: "Earl Sweatshirt is a guide who gets you lost on the excellent ‘Feet of Clay.’" – ROLLING STONE "This new, rejuvenated Earl Sweatshirt sounds clear-eyed and empowered." – GQ “[‘FEET OF CLAY’ is] further proof that Earl Sweatshirt is a generational talent.” – NME “Earl Sweatshit [has] cemented a signature mood and production style unlike anyone else’s.” – CONSEQUENCE OF SOUND “[‘FEET OF CLAY’ is] a woozy, raw, magical, and extremely short album from hip-hop’s most tantalizingly inscrutable rapper.” – PITCHFORK ABOUT EARL SWEATSHIRT Earl Sweatshirt is the virtuosic byproduct of Los Angeles’ fertile ground where hip hop sowed its seeds and historic cultural movements were born. -
And Where He Did
Vol. 2 No. 9 October 1992 $4.00 and where he did Volume 2 Number 9 I:URI:-KA STRI:-eT October 1992 A m agazine of public affairs, the arts and theology 21 CoNTENTS TOPGUN Michael McGirr reports on gun laws and the calls for capital punishment in the 4 Philippines. COMMENT In this year of elections we are only as good 22 as our choices, says Peter Steele. Andrew DON'T KISS ME, HARDY Hamilton looks at the Columbus quin James Griffin concludes his series on the centary, and decides that the past must be Wren-Evatt letters. owned as well as owned up to (pS). 6 25 ORIENTATIONS LETTERS Peter Pierce and Robin Gerster take their pens to Shanghai and Saigon; Emmanuel 7 Santos and Hwa Goh take their cameras to COMMISSIONS AND OMISSIONS Tianjin. ICAC chief Ian Temby Margaret Simons talks to Australia's top speaks for himself: p 7 crime-busters. 34 11 BOOKS AND ARTS Cover photo: A member of Was the oldest part of the Pentateuch CAPITAL LETTER the Tianjing city planning office written by a woman? Kevin Hart reviews in Jei Fang Bei Road, three books by Harold Bloom, who thinks the 'Wall Street' of Tianjin. 12 it was; Robert Murray sizes up Columbus BLINDED BY THE LIGHT and colonialism (p38 ). Cover photo and photos pp25, 29 and 30 Bruce Williams visits the Columbus light by Emmanuel Santos; house in Santo Domingo, and wonders who Photo p27 by Hwa Goh; will be enlightened. 40 Photos p12 by Belinda Bain; FLASH IN THE PAN Photo p41 by Bill Thomas; 15 Reviews of the films Patriot Games Cartoons pp6, 36 and 3 7 by Dean Moore; Zentropa, Edward II, and Deadly. -
Josephine Mary Alexander Phd Thesis
THE THEME OF THE WISE AND FOOLISH VIRGINS AS PART OF THE LAST JUDGEMENT ICONOGRAPHY IN FLANDERS AND ITALY IN THE LATE 15TH AND THE 16TH CENTURIES Josephine Mary Alexander A Thesis Submitted for the Degree of MPhil at the University of St Andrews 1981 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/15249 This item is protected by original copyright ABSTRACT The parable of the Wise and Foolish Virgins is told in Matthew's Gospel, Ch.25, v1-13, as an allegory of the Last Judgement. This thesis sets out to examine firstly, how closely the parable is related to the iconography of the Last Judgement in the art of the 15th and 16th centuries; secondly to demonstrate how its inter pretation came to be broadened by association with other biblical themes, themselves part of the Last Judgement iconography. Part I traces the origins and develop ment of the theme from early Christian times to the 15th century. In these early sources the artistic tradition of linking the parable to the Last Judgement was first established; the Wise and Foolish Virgins were also linked with Ecclesia and Synagogue and with the Virtues and Vices; and the typological tradition of biblical illustration broadened the theme further by pairing it with other biblical feasts. Appendix I is a handlist of the Wise and Foolish Virgins up till the late 15th century and it illustrates how popular the theme had become by the Middle Ages. -
President Obama Triumphs in Elections Despite Enthusiasm
TONovember INFORM, 9, 2012 TO EDUCATE, AND TO STIMULATE ACTION THE SPOKESMAN Friday, November 9, 20121 THE Volume 72 | ISSUE 1 CALENDAR: LAST DAY OF CLASSES NOV. 30TH | FINAL EXAMS DEC. 3-10TH Campus fares well in storm SPECIAL TO THE SPOKESMAN By JOUR 206: Intro to Editing Class “We had 200 people in town for my grandma’s 90th birthday party this weekend and the show went on as planned,” says Morgan State senior Faven Amanuel, explaining how she passed the time as Hurricane Sandy hit Baltimore this week. She was out and about, ferrying people around while worrying that she’d be ticketed by cops who’d ordered folks to stay home. Other students played it safe, hunkering down as recommended by area officials. Most gathered around in Morgan View and campus dorms watching TV, playing games, eating, surfing the net—and in general enjoying two unexpected days off. Morgan State survived the storm just fine. Hurricane Sandy hit Baltimore City Monday morning with heavy winds, pelting rain and blasts of cold air. But the school didn’t lose power, didn’t sustain any serious damage from fallen trees and PHOTOGRAPH COURTESY OF US NAVY VIA CREATIVE COMMONS had no significant flooding in buildings or on the grounds. No students, faculty or staff were injured and classes began President Obama triumphs in running normally on Wednesday. “We have many to thank for helping to us get through past few days not least among elections despite enthusiasm gap them those who are what I choose to call ‘Morgan’s first responders,’” wrote By ASHLEY COX votes from key states like Ohio, President Obama’s policies has changed President David Wilson in an email to Spokesman Staff Writer Pennsylvania and Colorado, he was under due to the increase of “basic survival need” the Morgan community on Tuesday. -
Powers of Horror; an Essay on Abjection
POWERS OF HORROR An Essay on Abjection EUROPEAN PERSPECTIVES: A Series of the Columbia University Press POWERS OF HORROR An Essay on Abjection JULIA KRISTEVA Translated by LEON S. ROUDIEZ COLUMBIA UNIVERSITY PRESS New York 1982 Library of Congress Cataloging in Publication Data Kristeva, Julia, 1941- Powers of horror. (European perspectives) Translation of: Pouvoirs de l'horreur. 1. Celine, Louis-Ferdinand, 1894-1961 — Criticism and interpretation. 2. Horror in literature. 3. Abjection in literature. I. Title. II. Series. PQ2607.E834Z73413 843'.912 82-4481 ISBN 0-231-05346-0 AACR2 Columbia University Press New York Guildford, Surrey Copyright © 1982 Columbia University Press Pouvoirs de l'horreur © 1980 Editions du Seuil AD rights reserved Printed in the United States of America Clothbound editions of Columbia University Press books are Smyth- sewn and printed on permanent and durable acid-free paper. Contents Translator's Note vii I. Approaching Abjection i 2. Something To Be Scared Of 32 3- From Filth to Defilement 56 4- Semiotics of Biblical Abomination 90 5- . Qui Tollis Peccata Mundi 113 6. Celine: Neither Actor nor Martyr • 133 7- Suffering and Horror 140 8. Those Females Who Can Wreck the Infinite 157 9- "Ours To Jew or Die" 174 12 In the Beginning and Without End . 188 11 Powers of Horror 207 Notes 211 Translator's Note When the original version of this book was published in France in 1980, critics sensed that it marked a turning point in Julia Kristeva's writing. Her concerns seemed less arcane, her presentation more appealingly worked out; as Guy Scarpetta put it in he Nouvel Observateur (May 19, 1980), she now intro- duced into "theoretical rigor an effective measure of seduction." Actually, no sudden change has taken place: the features that are noticeable in Powers of Horror were already in evidence in several earlier essays, some of which have been translated in Desire in Language (Columbia University Press, 1980). -
THE EMERGENCE of BUDDHIST AMERICAN LITERATURE SUNY Series in Buddhism and American Culture
THE EMERGENCE OF BUDDHIST AMERICAN LITERATURE SUNY series in Buddhism and American Culture John Whalen-Bridge and Gary Storhoff, editors The Emergence of Buddhist American Literature EDITED BY JOHN WHALEN-BRIDGE GARY STORHOFF Foreword by Maxine Hong Kingston and Afterword by Charles Johnson Cover art image of stack of books © Monika3stepsahead/Dreamstime.com Cover art image of Buddha © maodesign/istockphoto Published by STATE UNIVERSITY OF NEW YORK PRESS ALBANY © 2009 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval systemor transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production by Diane Ganeles Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data The emergence of Buddhist American literature / edited by John Whalen-Bridge and Gary Storhoff ; foreword by Maxine Hong Kingston ; afterword by Charles Johnson. p. cm. — (Suny series in Buddhism and American culture) Includes bibliographical references and index. ISBN 978-1-4384-2653-2 (hardcover : alk. paper) 1. American literature—Buddhist authors—History and criticism. 2. American literature—20th century—History and criticism. 3. American literature—Buddhist influences. 4. Buddhism in literature. 5. Buddhism and literature—United States. I. Whalen-Bridge, John, 1961– II. Storhoff, Gary, 1947– PS153.B83E44 2009 810.9’382943—dc22 2008034847 10 9 8 7 6 5 4 3 2 1 John Whalen-Bridge would like to dedicate his work on The Emergence of Buddhist American Literature to his two sons, Thomas and William. -
Download Download
AFROPESSIMISM VS. RHYME AS BLACKNESS PRAXIS Cahron Cross EDITORS’ NOTE: Cross’s original rap, linked here, is followed by a discussion of key themes and analysis of Earl Sweatshirt’s poetics. Afropessimism is, as Frank B. Wilderson writes, “less of a theory and more of a metatheory” that argues “Blacks are not Human subjects, but are instead structurally inert props.” It is a theory about theory that identifies anti-Black violence at the core of all Western theoretical frameworks, and furthermore, identifies the central pillar of what we know as civil society, constituting an ontological or “social death” of Blackness. For Wilderson, this death cannot be cured by liberative strategies built within a world of apriori anti-Blackness, and this includes Black artistic performance which obscures Black reality. But, as Kevin Eubanks explains, “Hip Hop exposes these structures [of violence], eectively mapping the edge of a claustrophobic boundary that separates black social life from white civil society.” Eubanks responds to Wilderson by reframing hip hop as a sort of counter-performance or Blackness in practice, and “in voicing the limits of its own performance, Hip Hop’s awareness generates a threatening and viable counter-position over and against those relations of domination in which it knows it is caught up.” Through this turn toward self knowledge and direct reflection, Eubanks argues, Blackness resurrects itself from social death and reconfigures afro-pessimism into optimism through “radical armation of a blackened world.” To reclaim their Blackness and agency in an anti-Black world, rappers employ various poetic techniques, simultaneously displaying and reimagining the limits of structure. -
Tyler, the Creator and a Perfect Circle Ready for Northside
2017-10-31 09:59 CET Tyler, The Creator and A Perfect Circle ready for NorthSide Sleaford Mods and Aurora will join them as the sale of one-day tickets starts Next year's festivals season was already kicked off in September with the announcement of five strong acts for NorthSide 2018, and now four more international acts are added that will ensure the line-up includes rock, hip hop, electronica, and punk. Tyler, The Creator Tyler Gregory Okonma was only 16 when he together with five friends formed the hip-hop collective Odd Future Wolf Gang Kill Them All. The innovative group later became the home of Frank Ocean and Earl Sweatshirt, who both contributed to the group's only official release from 2012. At this point Tyler, The Creator’s solo career was already in full swing, because of the success of the single "Sandwitches" and the anarchist debut album "Goblins". Earlier this year Pitchfork called his latest album “Flower Boy” his “most accomplished album” yet and praised the rapper for revealing a more sincere and mature side. Tyler, The Creator is at an artistic peak right now and with his amazing ability to deliver extremely energetic shows, we expect we will witness something unique when hits the stage at NorthSide. Tyler, The Creator will play Saturday June 9th at NorthSide 2018 A Perfect Circle The American guitarist Billy Howerdel played a bunch of his songs for Maynard James Keenan in the mid 90's, which left the Tool-singer so excited that he formed the band A Perfect Circle with Howerdel. -
Corpus Rubenianum Ludwig Burchard
CORPUS RUBENIANUM •fHt—Si! i'ftA J I' , - t LUDWIG BURCHARD PART XXIV THE COSTUME BOOK KRISTIN LOHSE BELKIN ARCADEim CORPUS RUBENIANUM LUDWIG BURCHARD AN ILLUSTRATED CATALOGUE RAISONNÉ OF THE WORK OF PETER PAUL RUBENS BASED ON THE MATERIAL ASSEMBLED BY THE LATE DR. LUDWIG BURCHARD IN TWENTY-SIX PARTS SPONSORED BY THE CITY OF ANTWERP AND EDITED BY THE "NATIONAAL CENTRUM VOOR DE PLASTISCHE KUNSTEN VAN DE xvide EN xvude EEUW” .-a. d'HULST, President - F. B a u d o u in , Secretary - r . pandeiaers, Treasurer N. DE POORTER, G. GEPTS, H. LIEBAERS, J.K . STEPPE, C. VAN DE VELDE, H. VLIEGHE SCIENTIFIC ASSISTANCE: P. HUVENNE, M. VANDENVEN THE COSTUME BOOK KRISTIN LOHSE BELKIN BRUSSELS - ARCADE - MCMLXXX NATIONAAL CENTRUM VOOR DE PLASTISCHE KUNSTEN m DE IMeTNlE 17ie EEUW To F.G. Grossmann in gratitude COPYRIGHT IN ANTWERP, BELGIUM, BY MERCATORFONDS, 1980 PRINTED IN BELGIUM - LEGAL DEPOSIT D I978/0721/88 ISBN 2-8005-0124-3 (2-8005-0036-0 complete edition) CONTENTS FOREWORD VII LIST OF ILLUSTRATIONS I SOURCES OF PHOTOGRAPHS 13 ABBREVIATIONS 1 5 AUTHOR’S PREFACE 21 INTRODUCTION 23 I. RUBENS AS COPYIST 23 II. THE COSTUME BOOK 32 I. PROVENANCE 32 II. MAJOR SOURCES 34 III. RECONSTRUCTION OF THE ORIGINAL COSTUME BOOK 4 3 IV. AUTHORSHIP AND DATING 48 V. PURPOSE AND LATER USE 50 CATALOGUE RAISONNÉ 6l INDEXES: I. COLLECTIONS 181 II. SUBJECTS 18 3 III. OTHER WORKS BY RUBENS MENTIONED IN THE TEXT 18 9 IV. NAMES AND PLACES 1 92 PLATES 209 FOREWORD The reader who is familiar with the organization of the Corpus Rubenianum Ludwig Burchard will have noticed that there is a change in the title of Part XXIV , which is now called The Coftume Book.