MIDDLE SCHOOL Curriculum Overview Sixth, Seventh, and Eighth Grade

Total Page:16

File Type:pdf, Size:1020Kb

MIDDLE SCHOOL Curriculum Overview Sixth, Seventh, and Eighth Grade MIDDLE SCHOOL Curriculum Overview Sixth, Seventh, and Eighth Grade Middle school students at SJCS focus on learning to take responsibility for themselves as they relate to others and the world around them as image bearers of God. The middle school program is designed specifically for this age: the transition from childhood to adolescence. The academic classes and extracurricular activities help to provide a smooth transition from the elementary to the secondary school years as well as a gradual shift from dependence to independence. Middle school education exposes students to a variety of ideas and activities as they learn to see God revealed in all of creation and learn to respond to Him. It focuses on teaching students a Love for God, a Desire to Learn, and a Commitment to Serve as students practice discernment and the skills needed to succeed in high school and life in the modern world. Highlights in Middle School • Middle school mixers and special events • 6th-8th Drama Production • 6th-8th Choir, 5th-8th Concert Band, 7th-8th Jazz Band • Monthly chapels incorporating student leadership • 6th grade multi-day field trip: Local Watershed Tour • 7th grade multi-day field trip: Spiritual Retreat • 8th grade field trip to the Oregon Shakespeare Festival in Ashland, Oregon • All-school Field Day • Student Council • Fine Arts Festival: Visual Art, Creative Writing, Public Speaking, Vocal Music, Instrumental Music • Service Projects • Seasonal Team Sports CURRICULUM OVERVIEW BIBLE- While Biblical principles are integrated into all areas of education at SJCS, the continuing systematic study of the Bible is critical to the students’ ability to live life God’s way. Grade 6- Walking with God and His People, Grade 6 (CSI) In sixth grade Bible, students will draw connections between the Old and New Testament through their review study of Jesus’ ministry, death, resurrection, and ascension. Insights will be gained into how to share the gospel message through the examples of Peter, Paul, and others. The curriculum includes a study of Colossians and the letters sent by the apostles to the early church. This is followed by a study of the Book of Revelations and God’s promise of everlasting life with Him. Grade 7- Walking with God and His People, Grade 7 (CSI) The seventh grade curriculum uses a thematic approach to Biblical study. After a short overview of Old Testament history, Grade 7 concentrates on Old Testament themes. We cover the feasts of Israel (the origin and meaning of each, plus how each feast relates to Christ), followed by a study of Job, the poetry and metaphors used in Proverbs, units on the prophets and on prayer, and end the year with a study of the intertestamental times, including the Maccabees. Each unit is designed to add to the student’s biblical understanding and strengthen his/her walk with God. Methods and materials used include using a study Bible, making Claymation iMovies, group projects, essays, and making a diorama. Grade 8- Walking with God and His People, Grade 8 (CSI) In eighth grade Bible students examine the New Testament from the birth of Christ through the life of the early church. Students complete a thorough research paper on one New Testament letter. Special attention is given to helping students develop their own ability to search and understand the Bible, and helping them to make personal applications regarding their own lifestyle choices. MATH- Connected Math Program (Pearson) Middle school math takes the many different strands of math and winds them together in ever increasing levels of complexity. Connected Math Program [CMP] is a coherent problem-centered curriculum that promotes an inquiry-based teaching-learning classroom environment. Important math ideas are identified and the essential understanding of these ideas are embedded in a carefully sequenced set of problems. The curriculum helps students grow in their ability to reason effectively. The CMP was funded by the National Science Foundation and developed for grades 6,7, and 8. It is a complete math curriculum that helps students develop understanding of important concepts, skills, procedures, and ways of thinking and reasoning in number, geometry, measurement, algebra, probability, and statistics. Teachers set up a classroom environment that promotes mathematical discourse around problem solving and reasoning. The CMP is guided by the following standard: All students should be able to reason and communicate proficiently in mathematics. They should have knowledge of and skill in the use of the vocabulary, forms of representation, materials, tools, techniques, and intellectual methods of the discipline of mathematics, including the ability to define and solve problems with reason, insight, inventiveness, and technical proficiency. LANGUAGE ARTS- Language is a dynamic and rich gift from God intended to be cultivated, celebrated, and applied in order to glorify God. Students in middle school language arts are taught to interpret and discern literature from a uniquely Christian point of view. Biblical principles are encouraged in reading, writing, listening (class read -aloud and in other student presentations), and speaking (presentation of projects, poetry, and classroom discussion). Grade 6- Writing/Grammar (Easy Grammar – Grade 6); Step Up to Writing Students continue to build a framework of writing skills through studying the parts of speech, multiple purposes of writing, and multiple genres of writing. They continue to build on their prior knowledge of paragraph structure by expanding their paragraphs to include facts from literature and more analysis. Students also become proficient in the writing process: brainstorming, prewriting, writing a first draft, editing, revising, and publishing. Reading – Novel Units, Supplementary Materials Students are exposed to a variety of short stories, poems, plays, novels, and activities in order to develop various skills such as comprehension, vocabulary development, summarization, and critical thinking. Students also practice recognizing and using literary terms. The curriculum includes the Accelerated Reading Program and multiple projects. Grade 7- Reading- Language of Literature. (McDougal Littell), Novel Units, Supplementary Materials Students build on previous experience by adding comparison and contrast skills. They also learn about new genres of literature including works of nonfiction, folk literature, science fiction, fantasy, and novel. The novel unit includes an in-depth study of one or more novels. Writing/Grammar-Easy Grammar; Step Up to Writing Seventh grade writing emphasizes using textual evidence to support an argument. They continue to improve their sentence structure by focusing on developing their individual voice as a writer and writing for a variety of different audiences. Students write in a variety of formats and focus on how the visual arts can add to their written message. Seventh graders also improve their grammatical skills by increasing their knowledge of paragraph and sentence structure, punctuation, and diagramming. Grade 8- Literature-Language of Literature. (McDougal Littell); Novel Units Students will continue to develop their skills in reading by doing units in non-fiction, short stories, drama, poetry, and novel. Units focus on teaching students to create quality analysis, while discussing how to be Christian readers and writers in the midst of a non-Christian world. Students read and write in a variety of genres. Writing/Grammar- Sentence Diagramming; Strunk and White’s Elements of Style Eighth grade grammar teaches student to diagram sentences. This ensures students have a complex understanding of the parts of speech. We then study Strunk and White’s Elements of Style, which focuses on proper mechanics and stylistic writing choices. Students analyze past and present writing samples, and seek to hone their writing skills. Students improve their research skills and, combined with literature, use them to analyze the world around them. HISTORY/GEOGRAPHY/SOCIAL STUDIES- Middle school Social Studies expands a student’s world to include not only the present time, but also major themes and events throughout national and world history. It expands students’ viewpoints to include not only our city and nation, but the cities and nations of the world. Students see how the world is broken by sin but also how it is being restored by God as His Kingdom expands. Students are challenged to see themselves as participants in world history--people whom God is using for His glory. Grade 6- Journey Across Time: The Early Ages. (Glencoe) Sixth graders begin the year learning about the earliest civilizations. We study the Mesopotamian and Egyptian civilizations and the impact of these civilizations on the ancient world. Unit two begins with the ancient Greeks and proceeds to the Hellenic Period after Alexander the Great, where we discuss the huge impact Hellenism had on the rest of the world. We also study Early India and Early China, continuing to look at their roles in shaping the world and culture. The rise of the Roman civilization provides us with the opportunity to do a formal debate, while the fall of the empire becomes the topic of a PBL (Project Based Learning) project. In our final unit, the rise of Islam, and throughout the year, we compare the religions of other people to what we believe as Christians today. The 6th grade history material is taught through various group and individual projects, discussions, writing essays, role-playing and acting out historical mini-plays.
Recommended publications
  • Akron Symphony: “American Journey” at E.J. Thomas Hall (September 19) by Daniel Hathaway
    Akron Symphony: “American Journey” at E.J. Thomas Hall (September 19) by Daniel Hathaway Pianist Philip Thomson joined music director Christopher Wilkins and the Akron Symphony Orchestra in a spirited concert on Saturday, September 19 at E.J. Thomas Hall. The “American Journey” began in Mexico with Aaron Copland’s El Salón México, stopped in Texarkana, Texas ​ ​ for Clint Needham’s Southern Air, and traveled to ​ ​ somewhere in the Wild West for Copland’s Rodeo before ​ ​ meeting up with George Gershwin in New York. Gershwin followed his 1924 Rhapsody in Blue a year ​ ​ later with a true concerto for piano and orchestra — the Concerto in F — which paid closer homage to classical ​ forms while taking its melodic, rhythmic, and harmonic cues from American music of the 1920s. Writing in the New York Tribune, the composer noted that the opening ​ movement is based on a Charleston rhythm, the slow movement is “a purer form” of the American blues, and the finale is “an orgy of rhythms, starting violently, and keeping the same pace throughout.” Longtime University of Akron piano professor Philip Thomson embraced the classical and contemporary elements of the concerto with equal enthusiasm, contributing ​ ​ technically brilliant and soulful playing throughout the engaging work. Wilkins and the orchestra wrapped colorful orchestral textures around Thomson’s fine fingerwork. The string section sounded full and vibrant, and soloists — especially principal trumpet Scott Johnston, English hornist Mary Kausek, and concertmaster Alan Bodman — added lusciously to the piano­orchestral conversation. The perpetual motion finale was as precise as it was thrilling. Copland’s El Sálon México was inspired by his visit to a seedy, south­of­the­border ​ ​ nightclub in 1932, his 1942 Rodeo by the success of a previous “cowboy ballet,” Billy the ​ ​ ​ Kid, in 1938.
    [Show full text]
  • Concert & Recital Programs Concert & Recital Programs
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 5-22-2010 Concert: Commencement Eve Concert: Blues in the Night: an American Journey Ithaca College Symphony Orchestra Stephen Peterson Ithaca College Choir Lawrence Doebler Ithaca College Marimba Ragtime Band See next page for additional authors Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Symphony Orchestra; Peterson, Stephen; Ithaca College Choir; Doebler, Lawrence; Ithaca College Marimba Ragtime Band; Stout, Gordon; Ithaca College Jazz Ensemble; and Titlebaum, Mike, "Concert: Commencement Eve Concert: Blues in the Night: an American Journey" (2010). All Concert & Recital Programs. 4399. https://digitalcommons.ithaca.edu/music_programs/4399 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors Ithaca College Symphony Orchestra, Stephen Peterson, Ithaca College Choir, Lawrence Doebler, Ithaca College Marimba Ragtime Band, Gordon Stout, Ithaca College Jazz Ensemble, and Mike Titlebaum This program is available at Digital Commons @ IC: https://digitalcommons.ithaca.edu/music_programs/4399 COMMMENCEMENT EVE CONCERT Conceived and directed by Dana Wilson Blues in the Night: an American Journey Infernal Dance (from Firebird) Igor Stravinsky Ithaca College
    [Show full text]
  • St. Louis Symphony Orchestra
    St. Louis Symphony Orchestra David Robertson, Music Director Augustin Hadelich, Violin WHEN: VENUE: Friday, Bing January 19, 2018 ConCert Hall 7:30 PM Program Program Notes Thomas Adès (b. 1971): Powder Her Face Suite (1995/2017) SLSO co-commission thomas adès, Benjamin Britten, and dmitri Overture – Shostakovich were all under the age of 30 Scene with Song – when they wrote the pieces on today’s Wedding March – program. adès’s opera, Powder Her Face , Waltz – and Shostakovich’s Symphony no. 1 Ode – launched their composers to fame, Paperchase – receiving international performances soon Hotel Manager’s Aria “It Is Too Late” – after their premieres. Britten’s Violin Finale Concerto has burned its way into the repertoire more slowly, increasingly recognized for its subtlety and beauty. Benjamin Britten (1913–1976): Violin Concerto, op. 15 (1939) Moderato con moto – there are also personal, professional, and Vivace – aesthetic connections between these three Passacaglia: Andante lento (un poco meno mosso) composers. in the 1960s, Britten and Shostakovich became friends, connected augustin Hadelich, violin by their mutual collaborator, the cellist Mstislav rostropovich. though two generations younger, adès, an englishman, —INTERMISSION— was artistic director of the aldeburgh Festival, which Britten founded in 1948. Dmitri Shostakovich (1906–1975): Symphony No. 1 in F minor, op. 10 (1925) all three works show a concern for public Allegretto; Allegro non troppo relevance, belying the narrative that 20th- Allegro century classical music invariably drifted Lento – toward academic obscurity. Here is a Lento; Allegro molto strand of complex musical artistry, attuned to audience understanding, running from 1926 to the present day. PROGRAM SUBJECT TO CHANGE .
    [Show full text]
  • Monday, October 17, 2011
    Friday, September 23, 2011 – Monday, October 17, 2011 Friday, September 23, 2011 8:00 PM Kodak Hall Eastman School Symphony Orchestra and Eastman Philharmonia. Neil Varon, conductor. Elizabeth Smith, soprano. Music of Fauré, Albert, and Berlioz. Satu rday, September 24, 2011 3:00 PM Hatch Recital Hall Eastman Community Music School Showcase Recital. 8:00 PM Kilbourn Hall Eastman Virtuosi. Bonita Boyd, John Hunt, and Nicholas Goluses, directors. Music of Takemitsu, Rodrigo, and Stravinsky. Sunday, Se ptember 25, 2011 1:00 PM Memorial Art Gallery, Going for Baroque – Philip Hövelman. A 25 -minute presentation and mini -recital on the Italian Baroque organ. and Fountain Court Free with gallery admission. 3:00 PM 2:30 PM St. Michael’s Church , Eastman at St. Michael’s Concert Series – Voices Vocal Ensemble. William Weinert, director. Music of J.S. 124 Evergreen Street Bach. For more information, please call 325-4040. 3:00 PM Hatch Recital Hall Faculty Artist Series – Tony Caramia, piano. An American Journe y. Tickets $10 sold one hour before concert time at the door only. Free to UR ID holders, subject to availability. Monday, September 26, 2011 8:00 PM Kodak Hall Eastman Wind Orchestra and Eastman Wind Ensemble. Mark Davis Scatterday, conductor. Reed Chamberlin and Christopher Unger, assistant conductors. William Cahn, timpani. Music of Husa, Camphouse, Holst, Danyew, Cahn, and Sierra. Tuesday, September 27, 2011 8:00 PM Kilbourn Hall Ossia. Music of Monk, Wolfe, Evans, Mellos, and Pärt. Thursday, Septe mber 29, 2011 7:00 PM Hatch Recital Hall Student Degree Recital – Howard Na, piano. Candidate for the Doctor of Musical Arts degree from the studio of Rebecca Penneys.
    [Show full text]
  • Album Booklet
    COMPOSING WITHOUT THE PICTURE CONCERT WORKS BY FILM COMPOSERS RICHARD HARWOOD • SOLO CELLO TOCH • RÓZSA • MORRICONE • WILLIAMS • GUNNING MARIANELLI • HEFFES • VELÁZQUEZ • WALLFISCH RES10121 Ernst Toch (1887-1964) Dario Marianelli (b. 1963) Impromptu for Cello Solo in 12. I Think I Do Remember Him (1994) * [8:00] Composing Without the Picture Three Movements, Op. 90c (1963) for solo cello 1. Andante cantabile [2:52] 2. Allegretto grazioso [1:19] Alex Heffes (b. 1971) 3. Adagio, con espressione – quasi 13. Theme from Concert Works by Film Composers der letzte Kampf [4:34] ‘Touching The Void’ (2013) * [6:46] for solo cello and bass drum With thanks to FilmFour / Darlow Smithson Productions Miklós Rózsa (1907-1995) 4. Toccata Capricciosa, Op. 36 (1977) [7:04] Richard Harwood solo cello for solo cello Fernando Velázquez (b. 1976) 14. Tarde, una tarde de mayo (2013) * (Late one afternoon in May) [4:37] Ennio Morricone (b. 1928) for solo cello Riflessi (1989/90) per violoncello solo 5. Riflesso No. 1 [5:19] Benjamin Wallfisch (b. 1979) 6. Riflesso No. 2 [3:03] 15. Prelude (2013) * [2:52] 7. Riflesso No. 3 [8:43] for solo cello John Williams (b. 1932) Total playing time [80:20] Three Pieces (2000) for solo cello 8. Rosewood [6:33] About Richard Harwood: 9. Pickin’ [2:36] 10. The Long Way North [7:13] ‘[...] probably the greatest young 'cello talent since Jacqueline du Pré’ The Strad Christopher Gunning (b. 1944) 11. Variations On A Slavic ‘[...] an articulate musician with zest, spontaneity, technical assurance Theme (2012) * [8:41] and a lovely sense of line […] a major talent’ for solo cello BBC Music Magazine * world premiere recording Composing Without the Picture work with most of the featured living composers on the album, recording many of This new collection of concert works for their film scores.
    [Show full text]
  • American Journey Mark B
    2012-2013 ConCERTS FoR YounG PEoPLE Atlanta Symphony Orchestra Education & Community Engagement Staff the American Journey Mark B. Kent, Vice President for Education and Community Engagement Niki Baker, Manager of Ensembles and Instruction through Janice Crews, D.M.A., Professional Learning Teaching Artist Tiffany Jones, Education Associate – Sales and Recruitment MUSIC Ahmad Mayes, Community Programs Manager with the Atlanta Symphony Orchestra With deepest gratitude… Major support is provided by the This project is supported in part by an award City of Atlanta Office of Cultural Affairs. from the National Endowment for the Arts Major funding for this program is This program is supported in part by the Georgia Council provided by the Fulton County Board of for the Arts through the appropriations of the Georgia Commissioners under the guidance of General Assembly. GCA also receives support from its the Fulton County Arts Council. partner agency, the National Endowment for the Arts. The Atlanta Symphony Orchestra thanks the following organizations for their support of our Education and Community Programs. The support of these corporations, foundations and individuals is invaluable in helping us reach and educate diverse communities. Abraham J. & Phyllis Katz Foundation The Helen Plummer Charitable Foundation Brown & Moore Associates, LLC Publix Super Markets & The Coca-Cola Company Publix Super Markets Charities, Inc. Delta Air Lines Remillard & Associates, Inc. E Z Agape Foundation SunTrust Bank Trusteed Foundation – Georgia Pacific Walter H. and Marjory M. Rich MEET THE InterContinental Hotels Group Memorial Fund Cover art by Elle SchusterCover art by Elle Schuster Links, Inc., Azalea City Chapter SunTrust Foundation Orchestra The Society, Inc., Greater Atlanta Chapter Livingston Foundation, Inc.
    [Show full text]
  • AN American Journey
    : >VELL'S LITERATURE SERIES, No. 223. 30 CEN AVELING AN American Journey BY EDWARD AVELING NEW YORK LOVELL, GESTEFELD & COMPANY 125 EAST 23D STREET Imued Monthly. Annual Subscription, $5.oa June, 1892. AN AMERICAN JOURNEY BY EDWARD , AVELING NEW YORK LOVELL, GESTEFELD & COMPANY 125 East 23D Street \ PREFACE. The writer of the notes upon America that follow left Liverpool on August 31, 1886, and returned to Liverpool on January 3, 1887. During the fifteen weeks' stay in the United States, forty-four towns in all were visited, and in his capacity as lecturer, journalist, and dramatic critic, the writer came into contact with a great number of Americans of all grades of society, and all shades of opinion. He only claims for his notes that they are the unprejudiced record, made at the time and on the spot, of things as they appeared to him. He is conscious that in many cases they are the results of first impressions ; but, at all events, first impressions are more frequent than any other, and it may not be useless for Americans to see, not now for the first time, how they strike a stranger coming in their midst. Almost the whole of these sketches are reprints from articles sent to England during the writer's stay in America. He desires to express his thanks to-the edi- tors of the New York World, Boston Herald, Topical Times, Court and Society Review, Journalist, Pall Mall Gazette, and Journal of Education, of London, and the Sunday Chronicle, of Manchester, for permission to use his contributions to their respective journals.
    [Show full text]
  • Master Players Festival & School
    UNIVERSITY OF DELAWARE MASTER PLAYERS CONCERT SERIES & BLUE RESOURCES USA PRESENT MASTER PLAYERS FESTIVAL & SCHOOL Small Festival, Big Artists July 25 - August 6, 2017 (“American Musical Journey” for interested travelers: July 21– 25 and August 6 - 7) Application Deadline: February 15, 2017 Presented by the acclaimed University of Delaware Master Players Concert Series, and Blue MPF is an intensive 12-day international festival offering world-class concerts, exhibitions, and Resources USA, an arts education consulting firm, Master Players Festival & School (MPF) is exceptional training for musicians and visual artists ages 14 and up*. Musicians learn from held on the beautiful campus of the University of Delaware. world-renowned faculty through lessons, master classes, theory & composition workshops, chamber music coaching, orchestral studies, competitions, and jazz workshops. Art and Design participants learn digital, animation, illustration, printmaking, painting, sculpture, photo and video skills. Through the unique MPF Arts Education Fair (an American high school and college conference), MPF also prepares young artists for their future education and a career spanning the United States and China. *For students under the age of 14 (by July 25, 2017), apply for “MPF Little Masters Program” The University of Delaware is located in Newark, Delaware, within easy driving distance of Washington, DC, Philadelphia, and New York City. Festival & School For APPLICATION and SCHOLARSHIP information Co-Sponsored by & documentary films of MPF 2016
    [Show full text]
  • American Classics Catalogue 2021 Cat
    AMERICAN CLASSICS CATALOGUE 2021 CAT. NO. COMPOSER TITLE FEATURED ARTISTS UPC Tracy Dahl, Maria Kanyova, Soprano / Jennifer DeDominici, Melissa Malde, Julie Simson, Mezzo- 1 8.669022-24 ADAMO, Mark (b. 1962) Nixon in China [3 CDs] Soprano / Marc Heller, Tenor / Robert Orth, Chen-Ye 730099902274 Yuan, Baritone / Thomas Hammons, Bass-Baritone / Opera Colorado Chorus / Colorado SO / Marin Alsop Prologos from Lysistrata / Late Victorians / Little Women Emily Pulley, Soprano / Andrew Sullivan, Narrator / 2 8.559258 ADAMO, Mark (b. 1962) 636943925829 Suite Dotian Levalier, Harp / Eclipse CO / Sylvia Alimena Martina Muhlpointner, Soprano / Markus Alexander I was Looking at the Ceiling and Then I Saw the Sky Neisser, Tenor / Kimako Xavier Trotman, Baritone / 3 8.669003-04 ADAMS, John (b. 1947) 730099690324 [2CDs] Jeannette, Friedrich, Lilith Gardell, Darius de Haas, Jonas Holst, Vocals / Holst Sinfonietta / Klaus Simon 4 8.559854 ADAMS, John (b. 1947) NEW My Father Knew Charles Ives • Harmonielehre Nashville SO / Giancarlo Guerrero 636943985427 Piano Music (Complete) – Phrygian Gates / American 5 8.559285 ADAMS, John (b. 1947) Ralph van Raat, Maarten van Veen, Piano 636943928523 Berserk / China Gates / Hallelujah Junction Shaker Loops / Short Ride in a Fast Machine / The Nathan Gunn, Baritone / Bournemouth SO / Marin 6 8.559031 ADAMS, John (b. 1947) 636943903124 Wound-Dresser / Berceuse élégiaque (after Busoni) Alsop Chloë Hanslip, Violin / Charles Owen, Piano / Royal 7 8.559302 ADAMS, John (b. 1947) Violin Concerto (+CORIGLIANO / WAXMAN) 636943930229 PO / Leonard Slatkin ADAMS, Samuel Samuel Adams, Electronics / National Orchestral 8 8.559822 Drift and Providence (+BARBER / THOMPSON) 636943982228 (b. 1985) Institute Philharmonic / James Ross David Fulmer, Violin / Randolph Kelly, Viola / Amir ADLER, Samue 9 8.559743 Cantos / Close Encounters / 5 Snapshots Eldan, Cello / Kurt Muroki, Double Bass / Ricardo 636943974322 (b.
    [Show full text]
  • AN American Journey
    : >VELL'S LITERATURE SERIES, No. 223. 30 CEN AVELING AN American Journey BY EDWARD AVELING NEW YORK LOVELL, GESTEFELD & COMPANY 125 EAST 23D STREET Imued Monthly. Annual Subscription, $5.oa June, 1892. PREFACE. The writer of the notes upon America that follow left Liverpool on August 31, 1886, and returned to Liverpool on January 3, 1887. During the fifteen weeks' stay in the United States, forty-four towns in all were visited, and in his capacity as lecturer, journalist, and dramatic critic, the writer came into contact with a great number of Americans of all grades of society, and all shades of opinion. He only claims for his notes that they are the unprejudiced record, made at the time and on the spot, of things as they appeared to him. He is conscious that in many cases they are the results of first impressions ; but, at all events, first impressions are more frequent than any other, and it may not be useless for Americans to see, not now for the first time, how they strike a stranger coming in their midst. Almost the whole of these sketches are reprints from articles sent to England during the writer's stay in America. He desires to express his thanks to-the edi- tors of the New York World, Boston Herald, Topical Times, Court and Society Review, Journalist, Pall Mall Gazette, and Journal of Education, of London, and the Sunday Chronicle, of Manchester, for permission to use his contributions to their respective journals. EDWARD AVELING. 65 Chancery Lane, W. C. , DISTANCES IN CROSSING THE ATLANTIC.
    [Show full text]
  • JOHN TURNER DISCOGRAPHY William Alwyn – Chamber Music
    JOHN TURNER DISCOGRAPHY William Alwyn – Chamber Music and Songs Naxos 8.570340 (2007) Madeleine Mitchell (violin), Roger Chase (viola), Andrew Ball (piano), Jeremy Huw Williams (baritone), Iain Burnside (piano), Bridge String Quartet, John Turner (recorder) Alwyn: Chaconne for Tom, for recorder and piano William Alwyn – Mirages and other song-cycles Naxos 8.570201 (2008) Elin Manahan Thomas (soprano), Jeremy Huw Williams (baritone), John Turner (recorder), Iain Burnside (piano) Alwyn: Seascapes Ancient Sorceries: Music for countertenor and recorder Guild GMCD 7348 (2010) Nicholas Clapton (countertenor), John Turner (recorder), Ian Thompson (harpsichord), Jonathan Price (cello) Richard Steinitz: Hymn to Apollo at Delphi, for countertenor, recorder and harpsichord Arthur Butterworth: Ancient Sorceries, for countertenor, recorder and harpsichord Stephen Hough: Three Grave Songs, for countertenor, recorder and cello Nicholas Marshall: Cat and Mouse, for countertenor, recorder and harpsichord John McCabe: Two Latin Elegies, for countertenor, recorder, cello, harpsichord and bells John Gardner: Six by Four, for countertenor, recorder, cello and harpsichord John Joubert: Crabbed Age and Youth, for countertenor, recorder, cello and harpsichord Animal Heaven Metier MSVCD92036 (2000) Alison Wells (soprano) John Turner (recorder) Ketih Elcombe (harpsichord), Jonathan Price (cello) Edward Harper: Lights Out, for soprano, recorder, harpsichord and cello Lyell Cresswell: A Prayer to Appease the Spirit of the Land, for soprano and recorder Kenneth Leighton:
    [Show full text]
  • The Percussion Music of Marc Mellits: 1994-2016
    THE PERCUSSION MUSIC OF MARC MELLITS: 1994-2016 by Oliver Neil Molina An essay submitted in partial fulfillment of the requirements for the Doctor of Musical Arts degree in Music in the Graduate College of The University of Iowa May 2019 Essay Supervisor: Professor Daniel Moore Copyright by OLIVER MOLINA 2019 All Rights Reserved Graduate College The University of Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL ____________________________ DMA ESSAY _________________ This is to certify that the DMA Essay of Oliver Neil Molina has been approved by the Examining Committee for the essay requirement for the Doctor of Musical Arts degree in Music at the May 2019 graduation. Thesis Committee: ____________________________________________ Daniel Moore, Essay Supervisor ____________________________________________ Richard Mark Heidel ____________________________________________ Kevin Kastens ____________________________________________ David Gompper ____________________________________________ David Puderbaugh To Marc Mellits ii ACKNOWLEDGEMENTS There are several people I would like to thank for helping me reach this stage of my life. First and foremost, I would like to thank my essay supervisor and committee chair, Daniel Moore. Your support and guidance over the years has allowed me to achieve my current success and has prepared me for a career in music. Thank you for allowing me to learn from you and for not giving up on me when things looked bleak. I also thank my committee members, Richard Mark Heidel, Kevin Kastens, David Gompper, and David Puderbaugh, for your time, support, and guidance through this process. I have learned a great deal from you, and your passion and excellence in music is acknowledged. I would also like to thank my percussion teachers, who have inspired me to strive for my best: my high school band director, Rhett Cox, for allowing me to grow under his tutelage and realize that I wanted to spend a life in music, and my percussion professors, Jeff Moore and Chalon Ragsdale, who have helped shape me into the musician and person I am today.
    [Show full text]