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American Love Stories: Narrative Ethics and the Novel from Stowe to James
American Love Stories: Narrative Ethics and the Novel from Stowe to James By Ashley Carson Barnes A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dorothy Hale, Chair Professor Samuel Otter Professor Dorri Beam Professor Robert Alter Fall 2012 1 Abstract American Love Stories: Narrative Ethics and the Novel from Stowe to James by Ashley Carson Barnes Doctor of Philosophy in English University of California, Berkeley Professor Dorothy Hale, Chair “American Love Stories” argues for the continuity between two traditions often taken to be antagonistic: the sentimental novel of the mid-nineteenth century and the high modernism of Henry James. This continuity emerges in the love stories tracked here, from Harriet Beecher Stowe’s Uncle Tom’s Cabin and Elizabeth Stuart Phelps’s The Gates Ajar, through Nathaniel Hawthorne’s The Blithedale Romance and Herman Melville’s Pierre, to Elizabeth Stoddard’s The Morgesons and James’s The Golden Bowl. In these love stories—the other side of the gothic tradition described by Leslie Fiedler—desire is performed rather than repressed, and the self is less a private container than a public exhibit. This literary-historical claim works in tandem with the dissertation’s argument for revising narrative ethics. The recent ethical turn in literary criticism understands literature as practically engaging the emotions, especially varieties of love, that shape our social lives. It figures reading as a love story in its own right: an encounter with a text that might grant us intimacy with an authorial persona or else spurn our desire to grasp its alterity. -
20Th-Century Repertory
Mikrokosmos List 655. - 2 - March 2020 ....20TH-CENTURY REPERTORY 1 Absil, Jean: Threne pour le Vendredi Saint/R.Bernier: Ode a unce Madone CULTURA 50679 A 10 (orch)/Feldbusch, Eric: 3 Poems of G.Lorca (narr, orch) - cond.de Haene, Ghyros , (Records International jacket) S 2 Alvarez Del Toro, Federico: Sinfonia "El Espiritu de la Tierra" (marimba & orch); ANGEL SAM 35080 A 25 Oratorio en la Cueva de la Marimba - cond.comp (gatefold) (p.1985) S 3 Alvarez del Toro, Federico: Gneiss (orch, 4 soli, tape); Ozomatli (voices, metal orch, DISCOS PUE DP. 1060 A 40 percussion & tape) - cond.comp S 4 Andriessen, Hendrik: Kuhnau Variations, Ricercare/L.Orthel: Sym 2 - Hague PO, PHILIPS A 2047 A 10 cond.Otterloo 5 Andriessen, Hendrik: Omaggio/Flothuis: Round/Straesser: Herfst/ Henkemans: DONEMUS DAVS 6903 A 10 Villonnerie/Kox: Cyclophony V - cond.Fournet, Nobel, Hupperts, Voorberg all live with scores S 6 Andriessen, Henrik: Sym 1/ Paap: Garlands of Music/ Horst: Reflexions Sonores - DONEMUS DAVS 6804 A 10 cond.Hupperts, Otterloo, Haitink all live with scores S 7 Andriessen, Jurriaan: Movimenti/ Delden: Piccolo Con/ Kox: Cyclofonie 1/ DONEMUS DAVS 6602 A 10 Badings: Sym 9 - cond.Rieu, Hupperts, Zinman all live with scores S 8 Andriessen, Jurriaan: Sym 4 (Aves)/Prokofiev: Lieutenant Kije Suite/Roussel: Rap PHILIPS D 88037 A 8 Flamande - cond.Hermans, Moonen (gatefold) 9 Andriessen, Louis: Nocturnen/Flothuis, Marius: Canti e Giuochi/Orthel, Leon: DONEMUS DAVS 6504 A 8 Scherzo II - E.Lugt sop, cond.Haitink, Jordans (complete score) 1965 10" 10 Badings: -
20Th-Century Repertory
Mikrokosmos List 650. - 2 - October 2019 ....20TH-CENTURY REPERTORY 1 Absil: Clarinet Quartet/Pelemans, Willem: Clar Quartet/Cabus, Peter: Clar ZEPHYR Z 18 A 10 Quartet/Moscheles: Prelude et fugue - Belgian Clarinet Quartet (p.1982) S 2 Albrecht, Georg von: 2 Piano Sonatas; Prelude & Fugue; 3 Hymns; 5 Ostliche DA CAMERA SM 93141 A 8 Volkslieder - K.Lautner pno 1975 S 3 Alpaerts, Flor: James Ensor Suite/Mortelmans: In Memoriam/E.van der Eycken: DECCA 173019 A 8 Poeme, Refereynen - cond.Weemaels, Gras, Eycken S 4 Amelsvoort: 2 Elegies/Reger: Serenade/Krommer-Kramar: Partita EUROSOUND ES 46442 A 15 Op.71/Triebensee: Haydn Vars - Brabant Wind Ensemble 1979 S 5 Antoine, Georges: Pno Quartet Op.6; Vln Sonata Op.3 - French String Trio, MUSIQUE EN MW 19 A 8 Pludermacher pno (p.1975) S 6 Badings: Capriccio for Vln & 2 Sound Tracks; Genese; Evolutions/ Raaijmakers: EPIC LC. 3759 A 15 Contrasts (all electronic music) (gold label, US) 7 Baervoets: Vla Con/P.-B.Michel: Oscillonance (2 vlns, pno)/C.Schmit: Preludes for EMI A063 23989 A 8 Orch - Patigny vla, Pingen, Quatacker vln, cond.Defossez (p.1980) S 8 Baily, Jean: 3 Movements (hn, tpt, pf, string orch)/F.M.Fontaine: Concertino, DGG 100131 A 8 Fantasie symphonique (orch) - cond.Baily S 9 Balanchivadze: Pno Con 4 - Tcherkasov, USSR RTVSO, cond.Provatorov , (plain MELODIYA C10. 9671 A 25 Melodiya jacket) S 10 Banks, Don: Vln Con (Dommett, cond.P.Thomas)/ M.Williamson: The Display WORLD RECO S 5264 A 8 (cond.Hopkins) S 11 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013. -
January 1946) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1946 Volume 64, Number 01 (January 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 01 (January 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/199 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 7 A . " f ft.S. &. ft. P. deed not Ucende Some Recent Additions Select Your Choruses conceit cuid.iccitzt fotidt&{ to the Catalog of Oliver Ditson Co. NOW PIANO SOLOS—SHEET MUSIC The wide variety of selections listed below, and the complete AND PUBLISHERS in the THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS BMI catalogue of choruses, are especially noted as compo- MYRA ADLER Grade Pr. MAUDE LAFFERTY sitions frequently used by so many nationally famous edu- payment of the performing fee. Christmas Candles .3-4 $0.40 The Ball in the Fountain 4 .40 correspondence below reaffirms its traditional stand regarding ?-3 Happy Summer Day .40 VERNON LANE cators in their Festival Events, Clinics and regular programs. BERENICE BENSON BENTLEY Mexican Poppies 3 .35 The Witching Hour .2-3 .30 CEDRIC W. -
Jake Owen “Life’S Whatcha Make It” Tour Live at the Ted Constant Center October 5, 2018, with Special Guests David Lee Murphy and Morgan Wallen
FOR IMMEDIATE RELEASE: JAKE OWEN “LIFE’S WHATCHA MAKE IT” TOUR LIVE AT THE TED CONSTANT CENTER OCTOBER 5, 2018, WITH SPECIAL GUESTS DAVID LEE MURPHY AND MORGAN WALLEN Tickets Available Friday, August 24th at 10AM Exclusively Through YnotTix.com Norfolk, VA-(August 20, 2018) The Ted Constant Center, located at Old Dominion University and operated by Spectra Venue Management, announces Jake Owen to perform his “Life’s Whatcha Make It Tour,” live on October 5, 2018. Special guests David Lee Murphy and Morgan Wallen will join the multi-platinum entertainer. Tickets go on-sale this Friday, August 24, 2018, at 10am to include price levels of $25.00, $39.75, and $59.75, and are available at Ynottix.com, by calling 877-YNOT-TIX, or by visiting the Constant Center Box Office located at 4320 Hampton Blvd. Norfolk, Virginia 23508. About Jake Owen: Owen is a dynamic entertainer who has had seven No. 1 singles to date and is an ACM award-winning artist. “I Was Jack (You Were Diane)” recently reached the No. 1 position on the country airplay charts, marking his seventh career No. 1 hit, with over 25M streams. His other six No. 1’s include the 2X PLATINUM anthem “Barefoot Blue Jean Night,” PLATINUM-certified hits “Beachin’,” “Anywhere with You,” “Alone with You,” “The One That Got Away,” and, GOLD-certified “American Country Love Song.” Owen's fifth studio album, AMERICAN LOVE, debuted at No. 1 on Billboard’s Top Country Albums chart and No. 4 on the Billboard 200 all-genre chart. Most recently, Owen signed a new label deal with Big Loud Records, reuniting him with award-winning producer Joey Moi. -
Adam Lay Ybounden Sebastian ADAMS
Adam Lay yBounden Sebastian ADAMS Commissioned by RTÉ lyric fm Adam Lay yBounden Adam Lay yBounden is a text written in England around 1400. Mediaeval thinkers believed that Adam (and other notable Old Testament figures) were stuck in limbo until the crucifixion of Christ, and this idea is the subject of the text, which is ‘macaronic’, meaning it combines different languages1. I got to know these words from a beautiful setting of them by Boris Ord which I used to sing as a choirboy in St Bartholomew’s Church in Dublin. The strange text is tense and explosive, and the idea that the whole story hinged on a stolen apple drew me in as a small child, and I looked forward to singing it every advent – I think I was by far my favourite carol. When I was commissioned to write a carol by RTÉ lyric fm, the text jumped at me as I began working on a frosty winter evening. My setting is dedicated to Malcolm Wisener, who was my choirmaster and without whom I could never have become a composer. Synopsis: Adam lay bound in limbo for so long that 4000 winters passed without his noticing. And his imprisonment was simply because of the apple that he took from Eve, according to the ancient books. But if Adam hadn’t eaten the apple, then Mary never would have become Queen of Heaven, because Christ would not have been born man and died for our sins. Because of this, the time when the apple was eaten is blessed, and we must praise God. -
Akron Symphony: “American Journey” at E.J. Thomas Hall (September 19) by Daniel Hathaway
Akron Symphony: “American Journey” at E.J. Thomas Hall (September 19) by Daniel Hathaway Pianist Philip Thomson joined music director Christopher Wilkins and the Akron Symphony Orchestra in a spirited concert on Saturday, September 19 at E.J. Thomas Hall. The “American Journey” began in Mexico with Aaron Copland’s El Salón México, stopped in Texarkana, Texas for Clint Needham’s Southern Air, and traveled to somewhere in the Wild West for Copland’s Rodeo before meeting up with George Gershwin in New York. Gershwin followed his 1924 Rhapsody in Blue a year later with a true concerto for piano and orchestra — the Concerto in F — which paid closer homage to classical forms while taking its melodic, rhythmic, and harmonic cues from American music of the 1920s. Writing in the New York Tribune, the composer noted that the opening movement is based on a Charleston rhythm, the slow movement is “a purer form” of the American blues, and the finale is “an orgy of rhythms, starting violently, and keeping the same pace throughout.” Longtime University of Akron piano professor Philip Thomson embraced the classical and contemporary elements of the concerto with equal enthusiasm, contributing technically brilliant and soulful playing throughout the engaging work. Wilkins and the orchestra wrapped colorful orchestral textures around Thomson’s fine fingerwork. The string section sounded full and vibrant, and soloists — especially principal trumpet Scott Johnston, English hornist Mary Kausek, and concertmaster Alan Bodman — added lusciously to the pianoorchestral conversation. The perpetual motion finale was as precise as it was thrilling. Copland’s El Sálon México was inspired by his visit to a seedy, southoftheborder nightclub in 1932, his 1942 Rodeo by the success of a previous “cowboy ballet,” Billy the Kid, in 1938. -
Ancient English Christmas Carols 1400 to 1700
Klirtetes THE NEW MEDIEVAL LIBRARY THE NEW MEDIEVAL LIBRARY THE CHATELAINE OF VERGI. Translated by ALICE KEMP- WELCH. With Introduction by L. BRANDIN. THE BOOK OF THE DUKE OF TRUE LOVERS. Translated and edited by ALICE KEMP- WELCH. OF THE TUMBLER OF OUR LADY. Translated and edited by ALICE KEMP-WELCH. THE LEGEND OF THE HOLY FINA, VIRGIN OF SANTO GEMINIANO. Translated and edited by M. MANSFIELD. THE BABEES' BOOK : Medieval Manners for the Young. Modern ised and edited by EDITH RlCKERT. THE BOOK OF THE DIVINE CONSOLATION OF SAINT ANGELA DA FOLIGNO. Translated by MARY G. STEECJ- MANN. With an Introduction by ALGAR THOROLD. EARLY ENGLISH ROMANCES OF LOVE. Edited by EDITH RlCKERT. EARLY ENGLISH ROMANCES OF FRIENDSHIP. Edited by EDITH RICKERT. THE CELL OF SELF-KNOW LEDGE : Seven Early English Mystical Treatises. Edited by EDMUND G. GARDNER, M.A. ANCIENT ENGLISH CHRISTMAS CAROLS MCCCC TO MDCC COLLECTED & ARRANGED BY EDITH RICKERT CHATTO &" WINDUS : LONDON NEW YORK : DUFFIELD 6f CO. 1910 r, TO E.Q.R. and F.E.R. MY SISTERS FOR WHOSE UNWEARIED ASSISTANCE IN THE PREPARATION OF THIS LITTLE VOLUME I AM DEEPLY GRATEFUL CONTENTS PART I CAROLS OF THE NATIVITY PAGE VIRGO ROSA VIRGINUM 3 ECCE ANCILLA DOMINI 28 IN DIE NATIVITATIS 41 O JESU PARVULE 59 GLORIA IN EXCELSIS DEO ...... 96 REGES DE SABA VENIENT no NUNC GAUDET ECCLESIA 121 APPENDIX I 131 APPENDIX II 139 NOTES 149 PART II CAROLS OF THE DIVINE MYSTERY MlRABILE MlSTERIUM 159 IN DULCI IUBILO ..... 203 ix CONTENTS PART III CAROLS OF YULETIDE FESTIVITY PAGE PROFACE 217 WASSAIL 243 CAPUT APRI DEFERO 256 VENI CORONABERIS 262 APPENDIX I 269 APPENDIX II 287 NOTES 299 GLOSSARY 303 INDEX TO FIRST LINES . -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide.