Abbas Kiarostami's 24 Frames
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BCCS Requires Students to Complete Volunteer Work
Volume 4 Fall 2018 Issue 1 “Life starts all over again when it gets crisp in the fall.” – F. Scott Fitzgerald BCCS Requires Students to Complete Volunteer Work By: Luke Bortolotto, 10th Grade Boston Collegiate Charter School by an adult and this adult cannot be your has an 80 hour community service parent or guardian. Once verified, you requirement for graduation, but don’t feel must submit your service to Ms. bad, our peers around the city, at schools Montesano’s mailbox. like Boston Latin School, Boston Latin Academy, The John D. O’Bryant, Boston College High School, Mount Alvernia High School, and others all require students to volunteer. In 2004, Boston Collegiate Charter School’s first graduates were required to complete 60 hours of community service, that requirement increased in 2008 to 80 hours of community service. According to a document titled “Community Service Graduation Requirements” given to incoming BCCS Freshmen in Collegiate Skills class, every student is required to To make it easier and give it more complete a minimum of 80 hours of time, students can start your community community service in order to graduate. service in the second semester of 8th Community service provides students with grade. If it were to be spread out over four the opportunity to give back to, and and half years, their service requirement is become active members of their only about 20 minutes per week. If you communities while providing service to have any questions regarding community those in need. service hours or opportunities, you should meet with Ms. Montesano in the High Hundreds of students have School Main office or schedule an graduated from Boston Collegiate Charter appointment with Ms. -
Japanese Cinema’S Logic], Tokyo: SanIchi Shobo¯
14 DARK VISIONS OF JAPANESE FILM NOIR Suzuki Seijun’s Branded to Kill (1967) Daisuke Miyao I think that motion pictures should create events by themselves . They should not restrict themselves to merely recreating what has actually happened . Once such events created on the screen occur in reality, motion pictures begin to have a relationship with the society for the first time. (Suzuki Seijun quoted in Ueno 1991: 114) Suzuki Seijun’s 1967 film Branded to Kill (Koroshi no rakuin – hereafter Branded) – the story of a contract killer being dismissed by a gangster organization – created a controversial real life incident when Nikkatsu, one of Japan’s oldest film studios, dismissed Suzuki, then one if its contract directors, ten months after its release. On April 25, 1968, Suzuki was directing the television series Aisai-kun konbanwa: aru ketto¯ [Good Evening, Mr Devoted Husband: A Duel]. He received a telephone call from the secretary of Hori Kyu¯saku, the president of Nikkatsu, and was told that the studio would not pay his salary for April. Just like that, Suzuki Seijun was fired from Nikkatsu. To be sure, Branded had not been a financial and critical success. The film journal Kinema Junpo¯ reported that the release of Branded on a double feature with A Bug That Eats Flowers (Hana wo ku¯ mushi, Nishimura Sho¯goro¯, 1967) ‘resulted in less than 2,000 viewers at Asakusa and Shinjuku and about 500 in Yu¯rakucho¯ on the second day’ (quoted in Ueno 1986: 336). Indeed, Yamatoya Atsushi (1994: 38), one of Branded’s screenwriters, recalls that the Nikkatsu theater in Shinjuku where the film was originally screened was more or less empty on its opening day. -
Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Operation Overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Operation overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Emmert, James Clinton, "Operation overlord" (2002). LSU Master's Theses. 619. https://digitalcommons.lsu.edu/gradschool_theses/619 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. OPERATION OVERLORD A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by James Clinton Emmert B.A., Louisiana State University, 1996 May 2002 ACKNOWLEDGEMENTS This thesis could not have been completed without the support of numerous persons. First, I would never have been able to finish if I had not had the help and support of my wife, Esther, who not only encouraged me and proofed my work, but also took care of our newborn twins alone while I wrote. In addition, I would like to thank Dr. Stanley Hilton, who spent time helping me refine my thoughts about the invasion and whose editing skills helped give life to this paper. Finally, I would like to thank the faculty of Louisiana State University for their guidance and the knowledge that they shared with me. -
The Last Samurai. Transcultural Motifs in Jim Jarmusch's Ghost
Adam Uryniak Jagiellonian University in Kraków, Poland The Last Samurai. Transcultural Motifs in Jim Jarmusch’s Ghost Dog: The Way of the Samurai Abstract Ghost Dog: Way of the Samurai by - tions of USA, Europe and Japan. Jarmusch’s work can be example of contemporary culture trend named by Wolfgang WelschaJim Jarmusch transculturality. is a film combining According tocinematic his theory tradi the identity of the man is dependent on foreign elements absorbed by the culture in which he lives. Two main inspirations for the director are samurai tradition and bushido code origins of these elements, Jarmush is able to construct a coherent, multi-level narra- tive,on one at thehand, same and time tradition maintaining of gangster distance film ontowards the other. American Despite traditions. the culturally Referencing distant works by transgressive directors (J. P. Melville, Seijun Suzuki) Jarmusch becomes the spokesperson for the genre evolution and its often far-fetched influences. Ghost Dog combines the tradition of American gangster cinema and Japanese samurai (1999) is a collage of various film motifs and traditions. Jarmusch films. The shape of the plot refers to the Blaxploitation cinema, andyakuza direct moviesinspiration, by Seijun expressed Suzuki. by Allspecific this isquotations, spiced up arewith the references gloomy crime to Japanese novels literatureby Jean-Pierre and zen Melville, philosophy. as well In as an brutal interview and withblack Janusz humour-filled Wróblewski di- rector commented on his actions: 138 Adam Uryniak I mix styles up in order to get distance. Not in order to ridicule the hero. And why does the gangster style dominate? I will answer indirectly.. -
Title Call # Category Lang./Notes
Title Call # Category Lang./Notes K-19 : the widowmaker 45205 Kaajal 36701 Family/Musical Ka-annanā ʻishrūn mustaḥīl = Like 20 impossibles 41819 Ara Kaante 36702 Crime Hin Kabhi kabhie 33803 Drama/Musical Hin Kabhi khushi kabhie gham-- 36203 Drama/Musical Hin Kabot Thāo Sīsudāčhan = The king maker 43141 Kabul transit 47824 Documentary Kabuliwala 35724 Drama/Musical Hin Kadının adı yok 34302 Turk/VCD Kadosh =The sacred 30209 Heb Kaenmaŭl = Seaside village 37973 Kor Kagemusha = Shadow warrior 40289 Drama Jpn Kagerōza 42414 Fantasy Jpn Kaidan nobori ryu = Blind woman's curse 46186 Thriller Jpn Kaiju big battel 36973 Kairo = Pulse 42539 Horror Jpn Kaitei gunkan = Atragon 42425 Adventure Jpn Kākka... kākka... 37057 Tamil Kakushi ken oni no tsume = The hidden blade 43744 Romance Jpn Kakushi toride no san akunin = Hidden fortress 33161 Adventure Jpn Kal aaj aur kal 39597 Romance/Musical Hin Kal ho naa ho 41312, 42386 Romance Hin Kalyug 36119 Drama Hin Kama Sutra 45480 Kamata koshin-kyoku = Fall guy 39766 Comedy Jpn Kān Klūai 45239 Kantana Animation Thai Kanak Attack 41817 Drama Region 2 Kanal = Canal 36907, 40541 Pol Kandahar : Safar e Ghandehar 35473 Farsi Kangwŏn-do ŭi him = The power of Kangwon province 38158 Kor Kannathil muthamittal = Peck on the cheek 45098 Tamil Kansas City 46053 Kansas City confidential 36761 Kanto mushuku = Kanto warrior 36879 Crime Jpn Kanzo sensei = Dr. Akagi 35201 Comedy Jpn Kao = Face 41449 Drama Jpn Kaos 47213 Ita Kaosu = Chaos 36900 Mystery Jpn Karakkaze yarô = Afraid to die 45336 Crime Jpn Karakter = Character -
9. List of Film Genres and Sub-Genres PDF HANDOUT
9. List of film genres and sub-genres PDF HANDOUT The following list of film genres and sub-genres has been adapted from “Film Sub-Genres Types (and Hybrids)” written by Tim Dirks29. Genre Film sub-genres types and hybrids Action or adventure • Action or Adventure Comedy • Literature/Folklore Adventure • Action/Adventure Drama Heroes • Alien Invasion • Martial Arts Action (Kung-Fu) • Animal • Man- or Woman-In-Peril • Biker • Man vs. Nature • Blaxploitation • Mountain • Blockbusters • Period Action Films • Buddy • Political Conspiracies, Thrillers • Buddy Cops (or Odd Couple) • Poliziotteschi (Italian) • Caper • Prison • Chase Films or Thrillers • Psychological Thriller • Comic-Book Action • Quest • Confined Space Action • Rape and Revenge Films • Conspiracy Thriller (Paranoid • Road Thriller) • Romantic Adventures • Cop Action • Sci-Fi Action/Adventure • Costume Adventures • Samurai • Crime Films • Sea Adventures • Desert Epics • Searches/Expeditions for Lost • Disaster or Doomsday Continents • Epic Adventure Films • Serialized films • Erotic Thrillers • Space Adventures • Escape • Sports—Action • Espionage • Spy • Exploitation (ie Nunsploitation, • Straight Action/Conflict Naziploitation • Super-Heroes • Family-oriented Adventure • Surfing or Surf Films • Fantasy Adventure • Survival • Futuristic • Swashbuckler • Girls With Guns • Sword and Sorcery (or “Sword and • Guy Films Sandal”) • Heist—Caper Films • (Action) Suspense Thrillers • Heroic Bloodshed Films • Techno-Thrillers • Historical Spectacles • Treasure Hunts • Hong Kong • Undercover -
Tekko 2019 – Presented by Brave World Anime Presented by Brave Presentedbybrave Anime World
4/10/2019 Tekko 2019 – Presented By Brave World Anime Presented World BraveAnime Presented By 1 4/10/2019 Presented World BraveAnime Presented By Brave World Anime Tekko 2019 Presented Thursday April 11, 2019 Follow Us at BraveWorldAnime on Facebook, Twitter and Instagram Visit our website at braveworldanime.com 2 4/10/2019 • Panelist introduction • Panel overview • Topics • Basics • Character Profiles Brave World Anime • Exploring the Settings www.braveworldanime.com • Main Points • Spoilers Spoiler Free 3 4/10/2019 2 Minutes 4 4/10/2019 •Started – December 27, 2017 •Monthly Comic Alive manga anthology •Art by Meme Yoimachi •Original anime project •Well developed characters •Coming of age story •Great animation •Veteran staff 5 4/10/2019 •Role: Director Atsuko Ishizuka •Past Roles: • Hanayamata – Director • No Game No Life – Director • The Pet Girl of Sakurasou - Director •Role: Script / Series Composition Juuki Hanada •Past Roles • Chobits – Screenplay • Chuunibyou – Series Composition • Steins; Gate– Script / Series Composition • No Game, No Life – Series Composition 6 4/10/2019 Takahiro •Role: Character Designer Yoshimatsu •Past Roles • Hunter x Hunter (2011) – Character Designer • Overlord – Animation Director • Trigun – Character Design •Role: Music Yoshiaki Fujisawa •Past Roles: • Land of the Lustrous - Music • Love Live - Music • No Game, No Life – Music • Review Starlight – Music 7 4/10/2019 •Performed By: Saya 1 Minute 30 Seconds •Performed By: Main Cast • Kana Hanazawa • Inori Manase • Yuka Iguchi • Saori Hayami 1 Minute 30 -
Bromantic Comedy As a Sub-Genre
KADIR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES EXPLORING GENRE’S NATURAL BORDERS: BROMANTIC COMEDY AS A SUB-GENRE GRADUATE THESIS ESMA KARTAL September, 2013 Esma Kartal M. A. Thesis 2013 EXPLORING GENRE’S NATURAL BORDERS: BROMANTIC COMEDY AS A SUB-GENRE ESMA KARTAL Submitted to the Graduate School of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in CINEMA AND TELEVISION KADIR HAS UNIVERSITY September, 2013 KADIR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES EXPLORING GENRE’S NATURAL BORDERS: BROMANTIC COMEDY AS A SUB-GENRE ESMA KARTAL APPROVED BY: (Assoc. Prof. Melis Behlil) (Advisor) (Kadir Has University) (Assoc. Prof. Murat Akser) (Kadir Has University) (Asst. Prof. Çağrı Yalkın) (Kadir Has University) APPROVAL DATE: 4 September 2013 “I, Esma Kartal, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis.” _______________________ ESMA KARTAL ABSTRACT EXPLORING GENRE’S NATURAL BORDERS: BROMANTIC COMEDY AS A SUB- GENRE Esma Kartal Master of Arts in Cinema and Television Advisor: Assoc. Prof. Melis Behlil September, 2013 This thesis aims to investigate a recent trend in contemporary American cinema, which I call “bromantic comedy.” These comedy films have been increasingly coming out since the early 2000s. They are defined by their considerable use of gross-out humor, and their depiction of the average American male. Bromantic comedies direct their attention to homosocial interaction, or “bromance”, as well as heterosexual relationships. Since it is a fairly recent phenomenon, there is little relevant academic research conducted on the genre. -
PAJ77/No.03 Chin-C
AIN’T NO SUNSHINE The Cinema in 2003 Larry Qualls and Daryl Chin s 2003 came to a close, the usual plethora of critics’ awards found themselves usurped by the decision of the Motion Picture Producers Association of A America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the Motion Picture Academy of Arts and Sciences). This became the rallying cry of the Independent Feature Project, as those producers who had created some of the most notable “independent” films of the year tried to find a way to guarantee visibility during award season. This issue soon swamped all discussions of year-end appraisals, as everyone, from critics to filmmakers to studio executives, seemed to weigh in with an opinion on the matter of screeners. Yet, despite this media tempest, the actual situation of film continues to be precarious. As an example, in the summer of 2003 the distribution of films proved even more restrictive, as theatres throughout the United States were block-booked with the endless cycle of sequels that came from the studios (Legally Blonde 2, Charlie’s Angels: Full Throttle, Terminator 3, The Matrix Revolutions, X-2: X-Men United, etc.). A number of smaller films, such as the nature documentary Winged Migration and the New Zealand coming-of-age saga Whale Rider, managed to infiltrate the summer doldrums, but the continued conglomeration of distribution and exhibition has brought the motion picture industry to a stultifying crisis. And the issue of the screeners was the rallying cry for those working on the fringes of the industry, the “independent” producers and directors and small distributors. -
Operation-Overlord.Pdf
A Guide To Historical Holdings In the Eisenhower Library Operation OVERLORD Compiled by Valoise Armstrong Page 4 INTRODUCTION This guide contains a listing of collections in the Dwight D. Eisenhower Library relating to the planning and execution of Operation Overlord, including documents relating to the D-Day Invasion of Normandy on June 6, 1944. That monumental event has been commemorated frequently since the end of the war and material related to those anniversary observances is also represented in these collections and listed in this guide. The overview of the manuscript collections describes the relationship between the creators and Operation Overlord and lists the types of relevant documents found within those collections. This is followed by a detailed folder list of the manuscript collections, list of relevant oral history transcripts, a list of related audiovisual materials, and a selected bibliography of printed materials. DWIGHT D. EISENHOWER LIBRARY Abilene, Kansas 67410 September 2006 Table of Contents Section Page Overview of Collections…………………………………………….5 Detailed Folder Lists……………………………………………….12 Oral History Transcripts……………………………………………41 Audiovisual: Still Photographs…………………………………….42 Audiovisual: Audio Recordings……………………………………43 Audiovisual: Motion Picture Film………………………………….44 Select Bibliography of Print Materials…………………………….49 Page 5 OO Page 6 Overview of Collections BARKER, RAY W.: Papers, 1943-1945 In 1942 General George Marshall ordered General Ray Barker to London to work with the British planners on the cross-channel invasion. His papers include minutes of meetings, reports and other related documents. BULKELEY, JOHN D.: Papers, 1928-1984 John Bulkeley, a career naval officer, graduated from the U.S. Naval Academy in 1933 and was serving in the Pacific at the start of World War II. -
Shopping for Fangs
Shopping for Fangs Dir: Quentin Lee and Justin Lin, USA, 1997 A review by Luca Prono, Bologna, Italy Marketed as a manifesto on "GenerAsian X" and representative of a new generation of Asian American film-makers, Shopping for Fangssuccessfully adds a new dimension to the theme of the quest for a hyphenated identity. Most of the characters in the film are apparently completely assimilated to the American ways and do not explicitly brood over the possible clash between their Asian cultural heritage and their present Americanized life-styles. Yet, as the film progresses, it becomes clear that its central characters are living in a phase of transition between different identities. As Edward O'Neill has pointed out, the film itself mirrors self-reflexively this transition in its narrative, one that borrows liberally from such diverse genres as horror, melodrama, thriller and martial arts. Its situations and characters derive from a wide assortment of film icons ranging from John Woo and Quentin Tarantino to Alfred Hitchcock and Brian De Palma, from Kim Novak to Marilyn Monroe. Therefore, Shopping for Fangsaffirms a typically post-modern mode of identity, one that "celebrates the picaresque possibilities of inventing and changing identities, of being different from oneself, of assuming other people's lives and living them as theatrical experience." Set in Los Angeles, the film follows the three parallel, and, for some brief moments, interlocking narratives of Trinh, a lesbian waitress who constantly wears a blond wig and sunglasses, Katherine, an unhappy wife suffering from periods of blackouts and Phil, a lonely accountant working for the corporation of Katherine's husband.