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Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2005 Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Modern Literature Commons Recommended Citation Westlake, David Michael, "Fantasy and Imagination: Discovering the Threshold of Meaning" (2005). Electronic Theses and Dissertations. 477. http://digitalcommons.library.umaine.edu/etd/477 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING BY David Michael Westlake B.A. University of Maine, 1997 A MASTER PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) The Graduate School The University of Maine May, 2005 Advisory Committee: Kristina Passman, Associate Professor of Classical Language and Literature, Advisor Jay Bregrnan, Professor of History Nancy Ogle, Professor of Music FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING By David Michael Westlake Thesis Advisor: Dr. Kristina Passman An Abstract of the Master Project Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) May, 2005 This thesis addresses the ultimate question of western humanity; how does one find meaning in the present era? It offers the reader one powerful way for this to happen, and that is through the stories found in the pages of Fantasy literature. It begins with Frederick Nietzsche's declaration that, "God is dead." This describes the situation of men and women in his time and today. -
Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
ISSN: 2342-2009 Fafnir vol 2, iss 1, pages 29–30 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org A Book review: Andrzej Wicher, Piotr Spyra & Joanna Matyjaszczyk (eds.) – Basic Categories of Fantastic Literature Revisited. Markku SoikkeliSoikeli Andrzej Wicher, Piotr Spyra, and Joanna Matyjaszczyk (eds.). Basic Categories of Fantastic Literature Revisited. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. ISBN-13: 978-1443866798. A collection of academic articles is like a collection of short stories: the differences between articles (or stories) are more interesting than the thematic similarities. The free play of imagination is breaking even the genre rules, and that is exactly what makes the stories (or articles on genre texts) so interesting. This Polish-British collection Basic Categories of Fantastic Literature Revisited (2014) is aiming to rethink the concept of the fantastic as it is defined in the theory of Tzvetan Todorov. As stated in Todorov's Introduction à la littérature fantastique (1970), there are three modes of fiction outside the great barrier of mainstream literature: the marvellous (with recognizable supernatural elements), the uncanny (with explanations about exceptional things), and the fantastic (with ambivalent signs of the non-natural). Todorov's definition of the fantastic is usually considered to be more anachronistic than the texts that it is used for, but there still remains the mystery of readers’ pleasure in the kind of "Todorovian hesitation". And it is here where this Polish-British collection of twelve researchers steps in. According to the publisher's info-blurb, the articles are "unified by a highly theoretical focus." But is there anything "highly theoretical" in Todorov's legacy? It may be a valuable goal to rethink the usability of Todorov's view of the fantastic, but the articles in this collection consist of quite usual academic matter with emphasis on case studies. -
Meta-Con-2014-FINAL.Pdf
Convention Operations and Answers General Rules Weapon and Large Prop Rules Our convention has a number of rules, policies, and regulations All weapons and large props must be inspected and approved by our that help make the convention run smoothly and be as fun as operations or security staff at the convention. We will then “peace mark” possible for everyone. We encourage you to read our rules to un- them, by affixing a ribbon or mark that indicates we have checked them, and, if necessary “peace bond” them by using ribbon or ties to keep derstand what is expected to help make the best, most success- your weapon from being drawn or used (for example, by someone who ful, and most fun weekend possible. In addition to these general doesn’t know the rules and sneaks up behind you and grabs it). Attend- conduct policies, we also have rules and guidelines for cosplay, ees must realize that it is a privilege to bring large props and weapons press, exhibitors, and others. Violations of these rules and respon- to the convention, and everyone must take great care to be careful not sibilities can result in loss of privileges, up to and including ejec- to damage things, whack people, or otherwise do anything that seems tion without refund, legal action, or involvement of the authorities. dangerous. We allow certain specific prop weapons and large prop items, but anything not listed below is not allowed. Please understand that due Rule Number One: Do not do anything that could make the to crowding, space, or safety issues, we may have to change the rules mid-convention at any time. -
Protoculture Addicts
PA #88 // CONTENTS PA A N I M E N E W S N E T W O R K ' S ANIME VOICES 4 Letter From The Publisher PROTOCULTURE¯:paKu]-PROTOCULTURE ADDICTS 5 Page 5 Editorial Issue #88 (Summer 2006) 6 Contributors Spotlight SPOTLIGHTS 98 Letters 25 BASILISK NEWS Overview Character Profiles 8 Anime Releases (R1 DVDs) Story Primer 10 Related Products Releases Shinobi: The live-action movie 12 Manga Releases By Miyako Matsuda & C.J. Pelletier 17 Anime & Manga News 32 URUSEI YATSURA An interview with Robert Woodhead MANGA PREVIEW An Introduction By Zac Bertschy & Therron Martin 53 ES: Eternal Sabbath 35 VIZ MEDIA ANIME WORLD An interview with Alvin Lu By Zac Bertschy 73 Convention Guide 78 Interview ANIME STORIES Hitoshi Ariga 80 Making The Band 55 BEWITCHED AGNES 10 Tips from Full Moon on Becoming a Popstar Okusama Wa Maho Shoujo 82 Fantasia Genre Film Festival By Miyako Matsuda & C.J. Pelletier Sample fileKamikaze Girls 58 BLOOD + The Taste Of Tea By Miyako Matsuda & C. Macdonald 84 The Modern Japanese Music Database Part 35: Home Page 19: Triceratops 60 ELEMENTAL GELADE By Miyako Matsuda REVIEWS 63 GALLERY FAKE 86 Books Howl’s Moving Castle Novel By Miyako Matsuda & C.J. Pelletier Le Guide Phénix Du Manga 65 GUN SWORD Love Hina, Novel Vol. 1 By Miyako Matsuda & C.J. Pelletier 87 Live-Action Lorelei 67 KAMICHU! 88 Manga Kamisama Wa Chugakusei 90 Related Products By Miyako Matsuda CD Soundtracks 69 TIDELINE BLUE Otaku Unite! By Miyako Matsuda & C.J. Pelletier 91 Anime More on: www.protoculture-mag.com & www.animenewsnetwork.com 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ LETTER FROM THE PUBLISHER A N I M E N E W S N E T W O R K ' S PROTOCULTUREPROTOCULTURE¯:paKu]- ADDICTS Over seven years of writing and editing anime reviews, I’ve put a lot of thought into what a Issue #88 (Summer 2006) review should be and should do, as well as what is shouldn’t be and shouldn’t do. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
The World of Fantasy Literature Has Little to Do with the Exotic Worlds It Describes
The world of fantasy literature has little to do with the exotic worlds it describes. It is generally tied to often well-earned connotations of cheap writing, childish escapism, overused tropes copied and pasted straight out of The Lord of the Rings, and a strong commercial vitality. Perhaps it is the comforting predictability that draws me in—but the same could be said of the delight that I feel when some clever author has taken the old and worn hero-cycle and turned it inside out. Maybe I just like dragons and swords. It could be that the neatly packaged, solvable problems within a work of fantasy literature, problems that are nothing like the ones I have to deal with, such as marauding demons or kidnappings by evil witches, are more attractive than my own more confusing ones. Somehow they remain inspiring and terrifying despite that. Since I was a child, fantasy has always been able to captivate me. I never spared much time for the bland narratives of a boy and his dog or the badly thought-out antics of neighborhood friends. I preferred the more dangerous realms of Redwall, populated by talking animals, or Artemis Fowl, a fairy-abducting, preteen, criminal mastermind. In fact, reading was so strongly ingrained in me that teachers, parents and friends had to, and on occasion still need to, ask me to put down my book. I really like reading, and at some point that love spilled over and I started to like writing, too. Telling a story does not have to be deep or meaningful in its lessons. -
Seven Seas March 2016 a Centaur’S Life, Vol
Seven Seas March 2016 A Centaur’s Life, vol. 8 Story & Art by Kei Murayama Being a teenager is never easy...especially for a centaur! A Centaur’s Life is an ongoing manga series with a wholly unique take on the slice-of-life genre—it focuses on the daily school life of supernatural creatures. This ongoing manga series features quirky and adorable artwork presented in oversized editions that include a color insert in each volume. imeno is a sweet, shy girl, who, like many teens her age, struggles Hwith the trials and tribulations of attending high school. The difference is she’s a centaur; but she’s not alone. In fact, all of her classmates are supernatural creatures, sporting either horns, wings, tails, halos, or some other unearthly body appendage. Yet despite their fantastical natures, Himeno and her best friends—the dragon- winged Nozomi, and Kyoko with her spiraled horns—are down-to- earth, fun-loving teenagers who grapple with issues of life and love in a mostly normal daily school setting. (cover in development) MANGA A Centaur’s Life will appeal to fans of slice-of-life manga like Trade Paperback Yotsuba&!, and of supernatural schools like Rosario + Vampire. ISBN: 978-1-626922-36-5 $12.99/US | $14.99/CAN Kei Murayama is a Japanese manga author and artist whose A Cen- taur’s Life won the eighth Comic Ryujin Award in Japan. 5.8” x 8.2”/ 175 pages Age: Older Teen (16+) On Sale: March 29, 2016 ALSO AVAILABLE: MARKETING PLANS: • Promotion at gomanga.com • Promotion on Twitter, Tumblr, and Facebook ALSO AVAILABLE: A Centaur’s Life, vol. -
UHD Plans to Keep Returning Students Safe Amid Pandemic
Student Run Since Volume One Thursday, August 27, 2020 | Vol. 65, Iss. 1 In This Issue............ continue as noted in Gator Life...........................2 UHD plans to keep returning Step 2 ORANGE. If the change to Step News..................................6 3 YELLOW occurs Opinions............................13 while planning the Arts and Entertainment......16 students safe amid pandemic spring semester and By Sheryl Sellers the previous semes- ry? The list below includes until Sept. 8. ter (fall) was at Step Returning to the some concise but important 1 RED or Step 2 ORANGE, fall semester under the information regarding which Step 2 ORANGE: Sept. 8 - additional hybrid, online pandemic that disrupted the students can enter campus TBA interactive and low capacity spring semester can feel and when. This is up to date face-to-face classes will be overwhelming. Students are as of Aug. 26. The difference in scheduled for that coming coming back to a semester classroom instruction modes semester. like never before. The virus Step 1 RED: Aug. 24 - between Step 1 RED and During Step 3 contamination between Sept. 7 Step 2 ORANGE regards YELLOW, students will be spring and fall turned for population density. It is allowed on campus for class- the worse rather than for the Classes will be held anticipated that hybrid, face- es or to use services based on Faculty Spotlight better. Students check and online or online interactive, to-face and online interactive availability. Students will be double check their classes see Gator Life, Page 4 i.e. class held via Zoom at will operate as scheduled if allowed to drop in at Student and the mode of instruction the stated class time. -
Press Release
Contact: Kristyn Souder Communications Director Email: [email protected] Phone: (267)536-9566 PRESS RELEASE Zenkaikon Convention Returns to Lancaster in April Over 3000 fans of anime and science fiction expected to attend. Hatboro, PA – November 17, 2013: On April 25-27, 2014, Zenkaikon will hold its eighth annual convention at the Lancaster County Convention Center in Lancaster, Pennsylvania. This will be the convention’s second time in the Center after an extremely successful 2013 event which brought over three thousand fans of Japanese animation (anime), comics (manga), gaming, and science fiction to downtown Lancaster. Zenkaikon expects to welcome a similar attendance for its 2014 convention. Many convention attendees don costumes of their favorite characters to attend the annual convention. Planned convention events include a variety of educational panels and workshops hosted by volunteers and guests; anime and live action screenings; a costume and skit competition (the "Masquerade"); a hall costume contest; performances by musical guests; a live action role play ("LARP") event; video game tournaments and tabletop gaming; a formal ball and informal dances; and an exhibit hall of anime-themed merchandise and handmade creations from artists. A number of Guests of Honor have already been announced for Zenkaikon 2014. Prolific voice actress Brina Palencia, known for her many roles in anime and video games including Summer Wars (Natsuki), Black Butler (Ciel Phantomhive), Hetalia (Chibitalia), and Borderlands (Mad Moxxi); and Doug Walker, best known as The Nostalgia Critic who reviews movies and TV shows from childhood, will be hosting panels and meeting attendees. LA-based Japanese rock band Lolita Dark, and steampunk band The Extraordinary Contraptions will each be performing two concerts and participating in programming. -
Toward a Theory of the Dark Fantastic: the Role of Racial Difference in Young Adult Speculative Fiction and Media
Journal of Language and Literacy Education Vol. 14 Issue 1—Spring 2018 Toward a Theory of the Dark Fantastic: The Role of Racial Difference in Young Adult Speculative Fiction and Media Ebony Elizabeth Thomas Abstract: Humans read and listen to stories not only to be informed but also as a way to enter worlds that are not like our own. Stories provide mirrors, windows, and doors into other existences, both real and imagined. A sense of the infinite possibilities inherent in fairy tales, fantasy, science fiction, comics, and graphic novels draws children, teens, and adults from all backgrounds to speculative fiction – also known as the fantastic. However, when people of color seek passageways into &the fantastic, we often discover that the doors are barred. Even the very act of dreaming of worlds-that-never-were can be challenging when the known world does not provide many liberatory spaces. The dark fantastic cycle posits that the presence of Black characters in mainstream speculative fiction creates a dilemma. The way that this dilemma is most often resolved is by enacting violence against the character, who then haunts the narrative. This is what readers of the fantastic expect, for it mirrors the spectacle of symbolic violence against the Dark Other in our own world. Moving through spectacle, hesitation, violence, and haunting, the dark fantastic cycle is only interrupted through emancipation – transforming objectified Dark Others into agentive Dark Ones. Yet the success of new narratives fromBlack Panther in the Marvel Cinematic universe, the recent Hugo Awards won by N.K. Jemisin and Nnedi Okorafor, and the blossoming of Afrofuturistic and Black fantastic tales prove that all people need new mythologies – new “stories about stories.” In addition to amplifying diverse fantasy, liberating the rest of the fantastic from its fear and loathing of darkness and Dark Others is essential. -
Toaru Majutsu No Index / Toaru Kagaku No Railgun Age and Gender Backgrounds
Toaru Majutsu no Index / Toaru Kagaku no Railgun (A Certain Magical Index + A Certain Scientific Railgun) Jumpchain Version 0.1 By Kinunatzs The story is set in a world where supernatural powers exist through science, and magic exists through religion. Academy City, Japan, is at the forefront of science. Besides being thirty years ahead of the world technologically, more than three-fourths of this peculiar city's population consists of students developing their psychic abilities as Espers in various institutions. A city of not only scientifically advanced superhuman students, but in a world where magic is also real. The world where supernatural abilities are a reality. Individuals who possess special powers acquired via science are called Espers. Those Espers who gain their abilities without the aid of special scientific instruments, whether at birth, are referred to as Gemstones. Others, known as Magicians, gain their powers upon mastering the power of magic, either from obtaining knowledge from different mythologies or by using mystical artifacts, though the existence of magicians is a secret to the public. While Magicians align themselves with different beliefs, Espers are aligned with scientific institutions. This leads to a power struggle between the magic and science factions for control of the world. You would start one year before Year before the Index Arc begins and will be spending the next ten years trying to survive in this world. +1,000cp Age and Gender Roll 1d8+10 to determine your age and your gender is the same as it was previously, either of these may be changed for 50cp a piece.