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1 Fecha Del CVA 21/11/2018 Parte A. DATOS PERSONALES Nombre Y Fecha del CVA 21/11/2018 Parte A. DATOS PERSONALES Nombre y Apellidos Begoña Alonso Ruiz DNI Edad Núm. identificación del Researcher ID investigador Scopus Author ID Código ORCID 0000-0002-5062-6998 A.1. Situación profesional actual Organismo Universidad de Cantabria Dpto. / Centro Historia Moderna y Contemporanea / Facultad de Filosofía y LetrasHistoria Moderna y Contemporanea Dirección Dpto. Historia Moderna y Contemporánea. Facultad de Filosofía y Letras, Universidad de Cantabria. Avda. de los Castros s/n, 39005, Santander Teléfono (+34) Correo electrónico [email protected] 942202237 Categoría profesional Coordinadora UC master Interuniversitario Fecha inicio 2017 UC-UAM-USC "Monarquia de España, siglos XVI-XVIII" Espec. cód. UNESCO Palabras clave A.2. Formación académica (titulo, institución, fecha) Licenciatura/Grado/Doctorado Universidad Año "Arquitectura y territorio en la España del Universidad Autónoma de Madrid 2000 Antiguo Régimen" Licenciado en Filosofía y Letras Sección UNIVERSIDAD AUTONOMA DE 1989 Historia Opción Historia del Arte MADRID A.3. Indicadores generales de calidad de la producción científica Como referencias sobre la calidad científica de la investigación realizada puede considerarse el hecho de que he participado (en diversos grados, desde equipo de investigación a dirección) en proyectos de investigación financiados por instituciones como el Ministerio de Educación y Ciencia, el Ministerio de Economía y Competitividad, la Fundación Carolina, Caja Cantabria, la Junta de Castilla y León y la Fundaçao para a Ciencia e a Tecnologia del Gobierno portugués. Destacaría mi actividad como investigadora principal de 3 proyectos de plan nacional y uno autonómico; actividad que ha derivado en la organización de diversos seminarios nacionales y varios congresos internacionales sobre arte tardogótico (Santander, 2010, Sevilla, 2014 y Lisboa, 2017). Asimismo, soy miembro de 2 redes internacionales de investigación: la red “Gobernanza de los puertos atlánticos” y la Red Temática de Investigación Cooperativa Internacional sobre Arte Tardogótico (siglos XV-XVI) de la que he sido coordinadora del Comité Científico entre 2013 y 2017 (www.tardogotico.net), así como una Red de excelencia avalada por un proyecto ministerial (DOCOGOTHIC). En relación con esta trayectoria investigadora se encuentran mis publicaciones en revistas indexadas nacionales como Archivo Español de Arte, Goya, Cuadernos de Arte, Reales Sitios, Anuario, BSAA, De Arte, Anales de Historia del Arte, Artigrama, Studia Historica, Príncipe de Viana, Laboratorio de Arte, Boletín del Museo e Instituto “Camón Aznar”, Liño, e internacionales como Architectural History (Society of Architectural Historians of Great Britain, 2012), Anuario IEHS (Univ.de Tandill, Argentina, 2009) o Artis (Univ. Lisboa, Portugal, 2004). Cuento con numerosas ponencias invitadas en congresos nacionales (destacaría los de Roma y España, 2007, La piedra postrera, 2007) e internaciones (el congreso Internacional “Isabel la Católica y su época” en 2004; Leeds en 2005, el Congreso internacional de 1 Historia de la Construcción en Cottbus en 2009, el congreso de Historia del arte Portugués de 2012, elCongreso internacional “L´abside” en Palermo, 2014 o el Seminario "Gothic architecture in Spain"en el Courtland Institute de la Universidad de Londres, 2017) y mis trabajos se encuentran distribuidos por las bibliotecas más importantes del mundo (véase http://www.worldcat.org/wcidentities/lccn-n92- 108006#identitiesoverview), así como referenciados en las principales bases de datos. En resumen, como producto de mi actividad investigadora he realizado mas de medio centenar de publicaciones científicas (libros, capítulos de libros y artículos) y más de tres 404 aportaciones a congresos nacionales e internacionales y conferencias y seminarios. Tengo reconocidos 3 Sexenios de Investigación la CNEAI: 1995-2003, 2004-2009 y 2010-2016. En la actualidad soy Vicepresidenta del Comité Español de Historia del Arte, subdirectora del Dpto. de Historia Moderna y Contemporánea de la UC y coordinadora en la UC del Master Interuniversitario de estudios avanzados en Historia Moderna "Monarquía de España, siglos XVI-XVIII" UC-UAM-USC. Parte B. RESUMEN LIBRE DEL CURRÍCULUM Mi actividad investigadora se ha centrado en el estudio de la arquitectura de la Alta Edad Moderna y la Baja Edad Media: sus artistas, los medios de producción o la promoción artística. Al mundo de la cantería dediqué mi memoria de licenciatura (El arte de la Cantería. Los maestros trasmeranos de la Junta de Voto, 1991) y una larga etapa de mi actividad predoctoral (Artistas cántabros de la Edad Moderna, Santander, 1991). Con la tesis doctoral sobre los arquitectos de la familia Rasines ahondaba en el conocimiento de la arquitectura tardogótica, tema del que son prueba obras como Patronos y coleccionistas. Los Condestables de Castilla y el arte (Valladolid, 2005), Ars et Scientia. Estudios sobre arquitectos y arquitectura (Valladolid, 2008), La traça de la iglesia de Sevilla (Sevilla, 2009), Los últimos arquitectos del Gótico (Madrid, 2010), La arquitectura taEn la actualidad soy Vicepresidenta del Comité Español de Historia del Arte, subdirectora del Dpto. de Historia Moderna y Contemporánea de la UC y coordinadora en la UC del Master Interuniversitario de estudios avanzados en Historia Moderna "Monarquía de España, siglos XVI-XVIII" UC-UAM-USC. rdogótica castellana entre Europa y América (Madrid, 2011), Arquitectura Tardogótica en la Corona de Castilla: trayectorias e intercambios (2014) o 1514: arquitectos tardogóticos en la encrucijada. Tengo acreditados 3 sexenios de investigación y 4 quinquenios docentes. Parte C. MÉRITOS MÁS RELEVANTES (ordenados por tipología) C.1. Publicaciones 1 Artículo científico. Begoña Alonso Ruiz; A. Jiménez Martín. 2012. A Fifteenth-Century Plan of the Cathedral of Seville ARCHITECTURAL HISTORY. The Society of Architectural Historians of Great Britain. 55, pp.57-77. ISSN 0066-622X. 2 Libro o monografía científica. Editor. 2011. La arquitectura tardogótica castellana entre Europa y América Silex, Madrid. ISBN 978-84-7737-558-6. 3 Libro o monografía científica. Begoña Alonso Ruiz; A. Jiménez Martín. 2009. La Traça de la iglesia de Sevilla Excmo. Cabildo Metropolitano Catedral de Sevilla. ISBN 978-84-612-6253-3. 4 Libro o monografía científica. Begoña Alonso Ruiz; F. Pereda; M.C. De Carlos. 2005. Patronos y Coleccionistas. Los condestables de Castilla y el arte. Ss. XV- XVII.Servicio de Publicaciones de la Universidad de Valladolid. ISBN 84-8448-344-4. 5 Libro o monografía científica. Begoña Alonso Ruiz. 2003. Arquitectura tardogótica en Castillla: los Rasines Universidad de Cantabria; Colegio Oficial de Arquitectos de Cantabria. ISBN 84-8102-304-3. 6 Libro o monografía científica. Begoña Alonso Ruiz; et al. (5/1). 2018. La formación artística:creadores-historiadores-espectadores.Editorial Universidad de Cantabria. 2 volúmenes. ISBN 9788481028485. 7 Libro o monografía científica. Begoña Alonso Ruiz; J.C. Rodríguez Estévez. 2016. 1514. Arquitectos tardogóticos en la encrucijada.Editorial Universidad de Sevilla. ISBN 978-84-472-1799-1. 2 8 Libro o monografía científica. Begoña Alonso Ruiz; O. Villanueva Zubizarreta. 2008. Ars et scientia. Estudios sobre arquitectos y arquitectura, (S.XIII-XXI).Castilla Ediciones. 9 Libro o monografía científica. Begoña Alonso Ruiz. 2000. Una familia de arquitectos góticos en el Renacimiento español: los Rasines Universidad Autónoma de Madrid. 10 Libro o monografía científica. 1992. El arte de la Cantería. Los maestros trasmeranos de la Junta de Voto Universidad de Cantabria y Asamblea Regional de Cantabria.. pp.0-220. ISBN 84-87412-69-6. C.2. Proyectos 1 Los diseños de arquitectura de tradición gótica en la Penínusla Ibérica entre los siglos XVII y XVIII. Inventario y catalogación Programa Estatal de Fomento de la Investigación Científica y Técnica de Excelencia. Javier Ibáñez Fernandez. (Universidad de Zaragoza). 01/01/2018- 31/12/2020. Miembro de equipo. 2 Promoción artística y cultura cortesana en castilla durante los reinados de Juan II y Enrique IV (1405-1474) Ministerio de Economia, Industria y Competitividad. Proyectos Excelencia. Agencia Estatal de Investigación. Fernando Villaseñor Sebastián. (Universidad de Cantabria). 01/01/2018-31/12/2020. 3 ARQUITECTURA TARDOGÓTICA EN LA CORONA DE CASTILLA: TRAYECTORIAS E INTERCAMBIOS. Plan Nacional I+D+i, ref. HAR2011-25138 Begoña Alonso Ruiz. (Universidad de Cantabria). 01/01/2012-31/12/2014. 40.172 €. 4 MAGISTER. ARQUITECTURA TARDO-GOTICA EM PORTUGAL: PROTAGONISTAS, MODELOS E INTERCÂMBIOS ARTISTICOS (SÉC. XV-XVI). Proyecto del Ministerio da Ciencia, Tecnología e Ensino Superior de Portugal (Universidad de Lisboa (Portugal)). 01/01/2012-31/12/2014. 5 ARQUITECTURA Y PODER: EL TARDOGOTICO CASTELLANO ENTRE EUROPA Y AMERICA Begoña Alonso Ruiz. (Universidad de Cantabria-Plan nacional I+D+i. ref. HAR2008-04912/ARTE). 01/01/2009-31/12/2011. 23.958 €. 6 Acción Complementaria. LA ARQUITECTURA TARDOGÓTICA CASTELLANA ENTRE EUROPA Y AMÉRICA. ref.HAR-2009-06030-E Begoña Alonso Ruiz. (Universidad de Cantabria). 14/07/2009-30/07/2010. 12.000 €. 7 PATRIMONIO TARDOGÓTICO EN CASTILLA: LOS ARQUITECTOS (1440-1575) Begoña Alonso Ruiz. (Universidad de Valladolid-Plan nacional I+D+i, ref. HUM2004-02530). 13/12/2004-13/12/2007. 17,36 €. 8 LOS TALLERES ARTÍSTICOS DE LAS CATEDRALES CASTELLANAS EN EL ÚLTIMO PÈRIODO GÓTICO (1430-1530)" Begoña Alonso Ruiz. (Universidad de Valladolid. JUNTA DE CASTILLA Y LEÓN. Consejería de Educación. Programa de Apoyo a proyectos
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