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Gènes Et Mythes Littéraires : Pour Un Modèle Biologique Du Dynamisme Mythique
G`eneset mythes litt´eraires: pour un mod`elebiologique du dynamisme mythique Abolghasem Ghiasizarch To cite this version: Abolghasem Ghiasizarch. G`eneset mythes litt´eraires: pour un mod`elebiologique du dy- namisme mythique. Litt´eratures. Universit´eGrenoble Alpes, 2011. Fran¸cais. <NNT : 2011GRENL001>. <tel-00596834> HAL Id: tel-00596834 https://tel.archives-ouvertes.fr/tel-00596834 Submitted on 30 May 2011 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. THÈSE Pour obtenir le grade de DOCTEUR DE L’UNIVERSITÉ DE GRENOBLE Spécialité : Imaginaire Arrêté ministériel : 7 août 2006 Présentée par « Abol Ghasem / GHIASIZARCH » Thèse dirigée par « Philippe / WALTER » préparée au sein du Laboratoire CRI – Centre de Recherche sur l’Imaginaire (EA 610) dans l'École Doctorale Langues, Littératures et Sciences Humaines GÈNES ET MYTHES LITTÉRAIRES : POUR UN MODÈLE BIOLOGIQUE DU DYNAMISME MYTHIQUE Thèse soutenue publiquement le « 14 janvier 2011», devant le jury composé de : M. Jean Bruno RENARD Professeur à l’Université Montpellier 3, Président M. Claude THOMASSET Professeur à l’Université Paris IV Sorbonne, Rapporteur M. Philippe WALTER Professeur à l’Université Grenoble 3, Membre GÈNES ET MYTHES LITTÉRAIRES : POUR UN MODÈLE BIOLOGIQUE DU DYNAMISME MYTHIQUE 2 REMERCIEMENT Qui ne remercie pas le peuple, ne remercie pas Dieu non plus. -
Le Robāʿiyāt Di Ẓohuri Toršizi Nel Manoscritto Numero 14041Della Ketābxānẹ Ye Šurā Ye Eslāmi Di Tehrān
Corso di Laurea in Lingue e civiltà dell’Asia e dell’Africa mediterranea [LM20-14] Tesi di Laurea (a.a. 2016/2017) Le robāʿiyāt di Ẓohuri Toršizi nel manoscritto numero 14041della Ketābxānẹ ye šurā ye eslāmi di Tehrān Relatore Ch. Prof. Daniela Meneghini Correlatore Ch. Prof. Seyyedehzohreh Nasirisalosh Laureando Piero Donnini Matricola 832953 Anno Accademico 2016 / 2017 Indice 1. Introduzione ............................................................................................................. I 2. Biografia di Ẓohuri Toršizi ...................................................................................... 1 3. Ẓohuri Toršizi nelle tadkerẹ e nelle storie letterarie ................................................ 7 4. Ẓohuri Toršizi tra zabān e voquʿ e sabk e hendi ...................................................... 21 5. Il genere robāʿi ........................................................................................................ 29 6. Il contenuto del manoscritto 14041 della Ketābxānẹ ye majles e šurā ye eslāmi e altri manoscritti delle opere di Ẓohuri Toršizi ................................................................ 33 7. Legenda.................................................................................................................... 35 8. Le robāʿiyāt di Ẓohuri Toršizi ................................................................................. 37 9. Conclusioni .............................................................................................................. 115 10. Bibliografia -
The Grounds of Sufis' Aversion of Sharia
’ The Grounds of Sufis Aversion of Sharia Hassan Yusofian1 Received: 2018/09/22 Accepted: 2020/12/05 Abstract Of alleged Islamic mystics, there are few who have been negligent of sha- ria and have sometimes established their aversion of sharia on reasons. In this descriptive-analytic research, I analyze such aversion, aiming to con- sider certain deviations among the Sufis and mystics from compliance with sharia. Their grounds for aversion of sharia include the following: (a) the truth is not in need of sharia, which is explicitly or implicitly indicated by some of these mystics; (b) the guardian of the saints is contrasted to the prophethood of prophets. Certain pseudo-mystics cite hadiths attributed to the Prophet to talk of the infallibility of the saints in the sense that eve- rything is permitted for them; (c) a sacred goal justifies the deployment of non-sharia means. Thus, they believe that certain mystics made love to handsome teenage boys not because of personal lusts, but because of see- ing the divine beauty in their faces, and (d) intoxication removes religious duties. This applies mostly to the so-called “the sane of the insane” whose reason is taken away from them by God and are thus set free from duties. Keywords Sharia, tariqa (path), truth, aversion of sharia, guardianship, pederasty, intoxication. 1. Associate professor, Imam Khomeini Educational and Research Institute, Qom, Iran: hasanuso- [email protected]. ’ * Yusofian, H. (1400). The Grounds of Sufis Aversion of Sharia. Jornal of Naqd va Nazar (Philoso- phy and -
Florescence of Revolution in Shafaq's Poetry Kamaladdini, Seied Mohammad Bagher
www.ssoar.info Florescence of revolution in Shafaq's poetry Kamaladdini, Seied Mohammad Bagher Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Kamaladdini, S. M. B. (2015). Florescence of revolution in Shafaq's poetry. International Letters of Social and Humanistic Sciences, 56, 116-119. https://doi.org/10.18052/www.scipress.com/ILSHS.56.116 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de International Letters of Social and Humanistic Sciences Online: 2015-07-17 ISSN: 2300-2697, Vol. 56, pp 116-119 doi:10.18052/www.scipress.com/ILSHS.56.116 © 2015 SciPress Ltd., Switzerland Florescence of revolution in Shafaq’s poetry Seyed Mohammad Bagher Kamaladdini Persian literature and language branch, Yazd Payam-e-Noor University E-mail address: [email protected] Keywords: poetry, spring, revolution, Shafaq, Yazd ABSTRACT. Blossoms of Persian poetry, although inspired by the pure nature, gradually took the attractive qualities of mysticism. In traditions, the Holy Quran is called the burgeoning of hearts and the greatest prophet (peace be upon him) is referred to as the burgeoning of souls. Spring in Persian literature is sometimes the symbol of improvement and deliverance and at other times is considered as the symbol of the afterlife. Actually, this is the highest symbol of spring in Persian literature. Desert land of Yazd bears fragrant flowers, in spite of its natural wrath, tickles the taste of souls of the pious people. -
Muslim Saints of South Asia
MUSLIM SAINTS OF SOUTH ASIA This book studies the veneration practices and rituals of the Muslim saints. It outlines the principle trends of the main Sufi orders in India, the profiles and teachings of the famous and less well-known saints, and the development of pilgrimage to their tombs in India, Pakistan and Bangladesh. A detailed discussion of the interaction of the Hindu mystic tradition and Sufism shows the polarity between the rigidity of the orthodox and the flexibility of the popular Islam in South Asia. Treating the cult of saints as a universal and all pervading phenomenon embracing the life of the region in all its aspects, the analysis includes politics, social and family life, interpersonal relations, gender problems and national psyche. The author uses a multidimen- sional approach to the subject: a historical, religious and literary analysis of sources is combined with an anthropological study of the rites and rituals of the veneration of the shrines and the description of the architecture of the tombs. Anna Suvorova is Head of Department of Asian Literatures at the Institute of Oriental Studies, Russian Academy of Sciences, Moscow. A recognized scholar in the field of Indo-Islamic culture and liter- ature, she frequently lectures at universities all over the world. She is the author of several books in Russian and English including The Poetics of Urdu Dastaan; The Sources of the New Indian Drama; The Quest for Theatre: the twentieth century drama in India and Pakistan; Nostalgia for Lucknow and Masnawi: a study of Urdu romance. She has also translated several books on pre-modern Urdu prose into Russian. -
Gendered 'Landscape': Jahanara Begum's Patronage, Piety and Self
DISSERTATION Titel der Dissertation ―Gendered ‗Landscapes‘: Jahan Ara Begum‘s (1614-1681) Patronage, Piety and Self-Representation in 17th C Mughal India‖ Band 1 von 1 Verfasser Afshan Bokhari angestrebter akademischer Grad Doktor der Philosophie (Dr. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 092315 Dissertationsgebiet lt. Studienblatt: Kunstgeschichte Betreuerin/Betreuer: Univ. Prof. Dr. Ebba Koch TABLE OF CONTENTS Title Page 0 Table of Contents 1-2 Curriculum Vitae 3-5 Acknowledgements 6-7 Abstract 8 List of Illustration 9-12 Introduction 13-24 Figures 313-358 Bibliography 359-372 Chapter One: 25-113 The Presence and Paradigm of The „Absent‟ Timurid-Mughal Female 1.1 Recent and Past Historiographies: Ruby Lal, Ignaz Goldziher, Leslie Pierce, Stephen Blake 1.2 Biographical Sketches: Timurid and Mughal Female Precedents: Domesticity and Politics 1.2.1 Timurid Women (14th-15th century) 1.2.2 Mughal Women (16th – 17th century) 1.2.3 Nur Jahan (1577-1645): A Prescient Feminist or Nemesis? 1.2.4 Jahan Ara Begum (1614-1681): Establishing Precedents and Political Propriety 1.2.5 The Body Politic: The Political and Commercial Negotiations of Jahan Ara‘s Well-Being 1.2.6 Imbuing the Poetic Landscape: Jahan Ara‘s Recovery 1.3 Conclusion Chapter Two: 114-191 „Visions‟ of Timurid Legacy: Jahan Ara Begum‟s Piety and „Self- Representation‟ 2.1 Risala-i-Sahibiyāh: Legacy-Building ‗Political‘ Piety and Sufi Realization 2.2 Galvanizing State to Household: Pietistic Imperatives Dynastic Legitimacy 2.3 Sufism, Its Gendered Dimensions and Jahan -
Role of Persians at the Mughal Court: a Historical
ROLE OF PERSIANS AT THE MUGHAL COURT: A HISTORICAL STUDY, DURING 1526 A.D. TO 1707 A.D. PH.D THESIS SUBMITTED BY, MUHAMMAD ZIAUDDIN SUPERVISOR: PROF. DR. MUNIR AHMED BALOCH IN THE AREA STUDY CENTRE FOR MIDDLE EAST & ARAB COUNTRIES UNIVERSITY OF BALOCHISTAN QUETTA, PAKISTAN. FOR THE FULFILMENT OF THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY 2005 DECLARATION BY THE CANDIDATE I, Muhammad Ziauddin, do solemnly declare that the Research Work Titled “Role of Persians at the Mughal Court: A Historical Study During 1526 A.D to 1707 A.D” is hereby submitted for the Degree of Doctor of Philosophy and it has not been submitted elsewhere for any Degree. The said research work was carried out by the undersigned under the guidance of Prof. Dr. Munir Ahmed Baloch, Director, Area Study Centre for Middle East & Arab Countries, University of Balochistan, Quetta, Pakistan. Muhammad Ziauddin CERTIFICATE This is to certify that Mr. Muhammad Ziauddin has worked under my supervision for the Degree of Doctor of Philosophy. His research work is original. He fulfills all the requirements to submit the accompanying thesis for the Degree of Doctor of Philosophy. Prof. Dr. Munir Ahmed Research Supervisor & Director Area Study Centre For Middle East & Arab Countries University of Balochistan Quetta, Pakistan. Prof. Dr. Mansur Akbar Kundi Dean Faculty of State Sciences University of Balochistan Quetta, Pakistan. d DEDICATED TO THE UNFORGETABLE MEMORIES OF LATE PROF. MUHAMMAD ASLAM BALOCH OF HISTORY DEPARTMENT UNIVERSITY OF BALOCHISTAN, QUETTA PAKISTAN e ACKNOWLEDGMENT First of all I must thank to Almighty Allah, who is so merciful and beneficent to all of us, and without His will we can not do anything; it is He who guide us to the right path, and give us sufficient knowledge and strength to perform our assigned duties. -
Metapragmatics of Playful Speech Practices in Persian
To Be with Salt, To Speak with Taste: Metapragmatics of Playful Speech Practices in Persian Author Arab, Reza Published 2021-02-03 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/4079 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/402259 Griffith Research Online https://research-repository.griffith.edu.au To Be with Salt, To Speak with Taste: Metapragmatics of Playful Speech Practices in Persian Reza Arab BA, MA School of Humanities, Languages and Social Science Griffith University Thesis submitted in fulfilment of the requirements of the Degree of Doctor of Philosophy September 2020 Abstract This investigation is centred around three metapragmatic labels designating valued speech practices in the domain of ‘playful language’ in Persian. These three metapragmatic labels, used by speakers themselves, describe success and failure in use of playful language and construe a person as pleasant to be with. They are hāzerjavāb (lit. ready.response), bāmaze (lit. with.taste), and bānamak (lit. with.salt). Each is surrounded and supported by a cluster of (related) word meanings, which are instrumental in their cultural conceptualisations. The analytical framework is set within the research area known as ethnopragmatics, which is an offspring of Natural Semantics Metalanguage (NSM). With the use of explications and scripts articulated in cross-translatable semantic primes, the metapragmatic labels and the related clusters are examined in meticulous detail. This study demonstrates how ethnopragmatics, its insights on epistemologies backed by corpus pragmatics, can contribute to the metapragmatic studies by enabling a robust analysis using a systematic metalanguage. -
Ajnabi, Or the Xenological Uncanny in Iranian Modernism
Copyright ©2021 Johns Hopkins University Press. This article is scheduled to appear in NEW LITERARY HISTORY, Volume 52, Issue 1, January, 2021. Please cite from the published version. Abstract: Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here the xenological uncanny. This article examines Iranian modernism through the lens of trauma theory, whereby the other is indistinguishable from the self. The three works we discuss—Sadeq Hedayat’s Blind Owl (1937), Bahram Sadeqi’s Heavenly Kingdom (1961), and Hushang Golshiri’s Prince Ehtejab (1968)—each delineate a different register in the xenological uncanny. Our lineage reveals how modernist Persian prose recapitulates a trajectory of possession and dispossession by the foreign and in the process brings about the traumatic recognition of a foreign voice within the self. In focusing on the divided modernist self from a Persian point of view, we identify an unrecognized trajectory for the uncanny within global literary modernism. Keywords: modernism, modernity, trauma, selfhood, xenology, uncanny, prose, fiction, Iran, Persian, Islamic law, Freud, Sadeq Hedayat, Bahram Sadeqi, Hushang Golshiri Ajnabi, Or the Xenological Uncanny in Iranian Modernism European modernity is often understood to be constituted -
Remapping Persian Literary History, 1700–1900 Remapping Cupidatat Non Proident
SCHWARTZ KEVIN L. EDINBURGH HISTORICAL STUDIES Lorem ipsum dolor sit amet, consectetur adipiscing elit, OF IRAN AND THE PERSIAN WORLD sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat Remapping Persian Literary History, 1700–1900 Remapping cupidatat non proident. Cupidatat in culpa qui officia deserunt mollit anim id est laborum.” Persian Literary Section 1.10.32 of “de Finibus Bonorum et Malorum”, written by Cicero in 45 BC History, “Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque 1700–1900 ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Kevin L.Schwartz Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?” Cover image: © The British Library Board, Tarjūmah-’ al-Masālik wa al-Mamālik in Abū Isḥāq Ibrāhīm b. Muḥammad al-FārisīManuscript No or BL Shelfmark: IO Islamic 1026 KEVIN L. -
Intimations of Immortality, an Evening of Persian Poetry 4Th July 2019 the Other of Poems As Read Or Discussed: Dr Sarah Stewart
1 Intimations of Immortality, An Evening of Persian Poetry 4th July 2019 The other of poems as read or discussed: Dr Sarah Stewart: 1. Bundahishn (story of Creation), 1.13a (translated by Prods Oktor Skjaervo) with image of Gayomard from Ilustrated mss. from Shahnameh. 2. Story of Zal and the simurgh from Shahnameh. Story in Dick Davis, The Epic of the Kings, pp. 35-9. The great saena bird of Zoroastrian mythology referred to the Avesta (Yasht 14.41). 3. Story of Siyavash, The Epic of the Kings, Dick Davis, pp, 91-2. Ancient ordeal by fire in the Avesta (Yasht 12.3-5) 4. Story of ordeal in Vis us Ramin. Dick Davis, Vis u Ramin, pp. 163-4. 5. Arda Viraf Nameh (story of the righteous Viraf) John Rylands Library https://www.fihrist.org.uk/catalog/manuscript_6906 Narguess Farzad links Sarah's presentation to Bruce Wannell’s through the image of ‘Simurgh’ as seen in the Conference of the Birds, and the Hoopoe's description of the Seven Valleys that the mystical seeker must traverse before attaining union with the ‘beloved’. Translations by Dick Davis. Bruce Wannell read the following poems: Shakespeare Sonnet 65 Rubaiyat of Umar Khayyam Ghazal (lyrics) of Hafez Rumi Ode by Vahshi-Bafqi Ghazal by Bidel Narguess Farzad concluded with: Sepehri’s poems detailed below in, She quoted W. B. Yeats: ‘The Cloths of Heaven I have spread my dreams under your feet; Tread softly because you tread on my dreams.’ 2 Ghazal by Fatemeh Shams: 'When They Broke Down the Door', Sarah read the English translation of this poem by Dick Davis Please find below the text of the English translation of some of the Poems read: پیام ماهی ها :’Excerpts from Sepehri’s ‘The Message of the Goldfish I’d gone to the garden pond To catch a glimpse of my loneliness, reflected in water… But there was hardly any in the pond. -
Esoteric Keys of Mīrzā ʿabd Al-Qādir Bīdel
ESOTERIC KEYS OF MĪRZĀ ʿABD AL-QĀDIR BĪDEL by NASIM FEKRAT (Under the Direction of Kenneth Lee Honerkamp) ABSTRACT Bīdel is considered the most difficult poet in Persian poetry. This study explores the complexity of his language through three key words: incapacity, mirror, and bewilderment. I argue that these are umbrella terms, which cover a range of concepts, images, metaphors, and symbols, and through understanding them, we find the keys to unlock the mysteries of Bīdel’s thinking; not knowing them, the inner subtlety and significance of his works cannot be understood. The goal of this examination is to see how Bīdel’s own ontological exploration yields a description of human relationship with the Divine. INDEX WORDS: Mīrzā ʿAbd al-Qadir Bīdel, Sabk-i Hindi, Sufism, Persian Poetry, Incapacity, Mirror, Bewilderment, Imagination, Theosophy ESOTERIC KEYS OF MĪRZĀ ʿABD AL-QĀDIR BĪDEL by NASIM FEKRAT BA, Dickinson College, 2013 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2018 © 2018 Nasim Fekrat All Rights Reserved ESOTERIC KEYS OF MĪRZĀ ʿABD AL-QĀDIR BĪDEL by NASIM FEKRAT Major Professor: Kenneth Lee Honerkamp Committee: Alan Godlas Carolyn Jones Medine Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2018 DEDICATION To my mother, Hawa, who suffered throughout her life. iv ACKNOWLEDGEMENTS This thesis is the culmination and final product of people who gave me the tools and knowledge. Foremost, I would like to express my gratitude to my advisor Dr.