Decca Opera Series

Total Page:16

File Type:pdf, Size:1020Kb

Decca Opera Series CD 1 CD 1 ERSTER AKT ACT ONE Raum mit Kapelle. Eine Bank am vergitterten A room and chapel. A bench by the barred Fenster, ein Tisch. Links eisenbeschlagenes Tor. window; a table. Left a door studded with iron Hinten eine auseinanderschiebbare Holztüre in nails. At the back a sliding door leading to the die Armensünderkapelle, die durch eine ganz chapel for those condemned to death, which is niedere Türe mit dem alten Gefängnisgang connected by a low door to a passage into the verbunden gedacht ist; in der Kapelle Altar, old prison; the chapel contains the altar, a stool, Schemel, holzgeschnitztes, strenges Bild. a severe wooden carving. There is no trace of Nirgends herrscht Realismus. Die Gestalten sind realism. The characters are timeless both in in Tracht und Bewegung zeitlos. their garments and their movements. Der Vorhang teilt sich langsam bei noch dunkler The curtain rises slowly while the stage is still Bühne. Während aus der Kapelle, zu der die dark. Mighty and delicate organ notes can be Türe auseinandergeschoben ist, gewaltige und heard through the open chapel door; gradually zarte Orgelklänge dringen, verbreitet sich an unearthly light spreads over the darkened zugleich mehr und mehr ein sphärisches Licht, stage, making it possible to distinguish the das Raum und Gegenstände unterscheiden läßt; room and its contents: the young Stranger is auf der Bank sitzt der junge Fremde in Ketten, sitting on the bench in chains, his head resting den Kopf in die Hände gestützt. Das Licht sucht on his hands. The light picks him out, travelling ihn, geht seine Schultern entlang, umrahmt sein along his shoulders, framing his head and Haupt, verweilend. Von oben tönen Stimmen. remains there. Voices can be heard from above. Stimmen Voices 1 Selig sind die Liebenden. Blessed are they that love. Die der Liebe sind, sind nicht des Todes. Those who have loved shall not die. Und auferstehen werden, And those who died for love die dahingesunken sind um Liebe. shall rise again. Erste Szene Scene 1 Der Chorus sopra terram ist langsam The chorus sopra terram has gradually faded verklungen, ein wirklicher, warmer away; now the true warm light of early evening Frühabendschein füllt jetzt den Raum. Der alte fills the room. The old Porter has entered from Pförtner ist aus dem Gefängnisgang in die the passage into the chapel, bearing a jug of Kapelle getreten, einen Krug mit Wasser und ein water and a piece of bread in his hands. Stück Brotes in der Hand. Der Fremde The Stranger 2 Wie warm, wie schön! How warm, how lovely! Jetzt gehn die Menschen heim Now folk are returning home aus ihrem schweren Tagwerk. from the day’s hard labours. Vor ihrem Hause rauscht ihnen die Linde, The lime tree outside their house rustles, die Kinder rufen sie, the children call them, ein Weib steht vor dem Tor und wartet. a woman stands by the gate, waiting. Der Pförtner (hat ein Buch aus der Kapelle The Porter (having fetched a book from the genommen, schließt ihre Türe, stellt den Krug chapel, closes the door; he places the jug by the neben den Gefangenen, legt Brot und Buch auf side of the prisoner and puts the bread and the den Tisch) book on the table) Da, eßt und trinkt. Come, eat and drink. Brot und Trunk für den Leib, Bread and water for the body, Gottes Wort für die Seele. the Lord’s word for the soul. 1 Korngold: Das Wunder der Heliane Der Fremde The Stranger Habt Dank, habt Dank. I thank you, I thank you. Der Pförtner The Porter Wollt Ihr nicht essen? Will you not eat? Der Fremde The Stranger Mich hungert nicht. I am not hungry. Der Pförtner (öffnet eine Luke des vergitterten The Porter (opens a part of the barred Fensters) window) Hier. Licht fürs Aug’, There. Light for your eyes, ein ehrlich Gespräch für das Gemüt. honest talk for the soul. (menschlich) (kindly) Denkt Ihr an Eure Heimat? Are you thinking of your home? Der Fremde The Stranger Ich habe keine Heimat. I have no home. Der Pförtner The Porter In der Armensünderzelle seid Ihr. You are in the condemned cell. Was habt Ihr Schweres wohl verbrochen? What dreadful crime have you committed? (Der Fremde schweigt.) (The Stranger is silent.) Nun, redet’s Euch vom Herzen! Come, ease your mind! Der Fremde (blickt ihn an) The Stranger (looks at him) Ich bin jung. I am young. (nach einer Weile, ausbrechend, tief) (after a time, a profound outburst) Daß die Freude ausgelöscht wird I cannot bear it in der Welt, ertrag’ ich nicht! that the world’s joy is extinguished! Der Pförtner (nickt) The Porter (nods) Wir kennen wenig Freude hier im Land. This country knows little of joy. Der Fremde The Stranger Die Wächter rings der dumpfen Angst, I drove the guards of mindless fear mit meinen Fäusten stieß ich sie vom Posten. from their posts with my fists. Aus Sklavengräbern, vor den Sarg der Stadt I led the wretched people, the slaves, führt’ ich die armen Menschen! from their graves, away from this coffin of a city. Im Abend, in der klaren, goldnen Kühle In the clear golden cool of evening umfaßten sie sich, they embraced one another, riefen, atmeten, jauchzten. called out, breathed, rejoiced. Der Pförtner (nickt) The Porter (nods) Seit Ihr ins Land kamt, Since you have entered this country ist alle Ruh dahin! all peace has gone! Vor Euch her laufen sie wie die Kinder, They run ahead of you like children, um diese Mauern drängen sie sich närrisch! they crowd around the walls like mad. Seid Ihr ein Zaub’rer, Are you a sorcerer daß selbst der König Euch gewahrt? that even the King has noticed you? 2 Korngold: Das Wunder der Heliane Der Fremde (hat sich erhoben, soweit die The Stranger (has risen to his feet as far as the Ketten ihn freigeben, gesteigert) chains allow; passionately) Da ahnten die Menschen, People sensed daß Gott sie geschaffen, that God had created them zu lieben und geliebt zu werden. to love and to be loved. Aufschluchzend, aus dem Dunkeln Sobbing, they raised their lips hielten sie die Lippen ins Helle — from darkness into the light — Mich, aber mich, mich packt’ eine Faust But I, I was grabbed by a fist und riß mich von den Atmenden, and snatched from those who breathed, warf mich tief, and hurled far, tief hinab in ein Grab. far into the deep, into a grave. Der Pförtner (nahe bei ihm, leiser) The Porter (standing close, more softly) Der König fürchtet Euch. The King fears you. Schwer hält er seine Hände über uns — His hands lie heavy upon us — es heißt, er hat noch nie gelacht. they say that he has never laughed. Selbst der Königin, der Herrin Heliane, He begrudges freedom gönnt er nicht Freiheit — even to his Queen, the Lady Heliane — und keiner weiß, ob er sie liebt. and no one knows whether he loves her. Doch ist sie milde, wie sie schön ist. But she is as kind as she is beautiful. Ihr Auge sieht, wie alle leiden, Her eyes observe the suffering of all, von Sehnsucht krank, sick with longing, und könnte sie nach ihrem Herzen — and if she had her way — glaubt mir, believe me, no one would lie in chains in this kein Gebundener wär’ im Land. land. (nimmt die Schlüssel hervor) (pulls out his keys) Kommt her! Die Ketten lös’ ich Euch. Come here! I’ll take off your chains. Der Fremde (blickt ihn an) The Stranger (looks at him) Du Guter! How good you are! Der Pförtner The Porter Nein. Auftrag hab’ ich, Euch zu lösen. No. I have been ordered to unchain you. Der Fremde (zitternd) The Stranger (trembling) Auftrag?! Rede! Wie siehst du mich an? Ordered? Speak! Why do you look at me like Ist mir ... darf ich ...? that? Am I ... may I...? Der Pförtner The Porter 3 Ich weiß die Antwort nicht, I do not know the answer, ich bin nur Schließer. I’m just a turnkey. Heut Nacht seid Ihr ohne Ketten. Tonight you are to be without chains. (Er öffnet die Eisen.) (He undoes the chains.) Und einer kommt zu Euch noch heute abend A man is coming to you this very night und bringt Euch Botschaft. to bring you a message. Bereitet Euch, ihn zu empfangen. Prepare to receive him. (Die Eisen klirren nieder.) (The chains rattle to the ground.) Der Fremde The Stranger Zu mir? Mit Botschaft?! To me? A message? (aufschreiend) (shouting) So werd’ ich frei?! Shall I be free? So werd’ ich wiedersehn die Straßen und die Shall I see streets and houses Häuser? once again? 3 Korngold: Das Wunder der Heliane Über mir wird Himmel sein, Will there be sky above me, und Sterne werden and will the stars sich ins Auge mir schmiegen enfold my eyes mütterlichen Lichts? with their maternal light? (überströmend) (enraptured) Lebendiges darf wieder ich nehmen Shall I again be able to embrace an die Brust — a living thing — und eines Mundes Atem anrühret and will a human breath touch mein Gesicht?! O ja, ich fühls, my face? Yes, I feel it, der Bote meines Glücks ist nah! the messenger of my happiness is near! Zu lang war ich allein — I have been alone for too long — nun will ein Mensch, now a human being, ein Bruder, der mich kennt, mich erlösen! a brother who knows me, will save me! Frühling naht. The spring is coming. Frühling brennt. The spring is burning. Bruder! Bruder! Komm!! Komm!! Brother! Brother! Come!! Come!! Ich bin dir aufgetan!! I am ready to receive you!! (Der Herrscher tritt ein: hoch, bleich, häßlich.
Recommended publications
  • Deutsche Nationalbibliografie 2014 T 07
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 07 Stand: 16. Juli 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT07_2014-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Schiller Zeitreise Mp3, Flac, Wma
    Schiller Zeitreise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Zeitreise Country: Germany Released: 2016 Style: Ambient, Downtempo, Synth-pop, Trance MP3 version RAR size: 1417 mb FLAC version RAR size: 1682 mb WMA version RAR size: 1153 mb Rating: 4.5 Votes: 353 Other Formats: VQF XM MPC AIFF WAV DMF DTS Tracklist Hide Credits CD1-01 –Schiller Zeitreise I 2:18 CD1-02 –Schiller Schwerelos 6:20 CD1-03 –Schiller The Future III 5:40 Ile Aye CD1-04 –Schiller Mit Stephenie Coker 4:12 Vocals [Uncredited] – Stephenie Coker CD1-05 –Schiller Tiefblau 5:09 Der Tag...Du Bist Erwacht CD1-06 –Schiller Mit Jette von Roth 4:18 Vocals [Uncredited] – Jette von Roth CD1-07 –Schiller Somerregen 3:43 Playing With Madness CD1-08 –Schiller Mit Mia Bergström 5:01 Vocals [Uncredited] – Mia Bergström Leben...I Feel You CD1-09 –Schiller Mit Heppner* 3:51 Vocals [Uncredited] – Peter Heppner In Der Weite CD1-10 –Schiller 5:32 Vocals [Uncredited] – Anna Maria Mühe CD1-11 –Schiller Ultramarin 4:47 CD1-12 –Schiller Berlin - Moskau 4:33 CD1-13 –Schiller Salton Sea 4:49 CD1-14 –Schiller Mitternacht 4:28 CD1-15 –Schiller Polastern 4:29 Once Upon A Time CD1-16 –Schiller Backing Vocals [Uncredited] – Carmel Echols, 3:49 Chaz Mason, Samantha Nelson Dream Of You CD1-17 –Schiller Mit Heppner* 3:57 Vocals [Uncredited] – Peter Heppner Denn Wer Liebt CD1-18 –Schiller Mit Anna Maria Mühe 4:20 Vocals [Uncredited] – Anna Maria Mühe CD2-01 –Schiller Zeitreise II 4:01 Leidenschaft CD2-02 –Schiller Mit Jaki Liebezeit 4:50 Drums [Uncredited] – Jaki Liebezeit Morgentau
    [Show full text]
  • Alwyn Miss Julie
    SUPER AUDIO CD Alwyn Miss Julie Anna Patalong soprano Rosie Aldridge mezzo-soprano Samuel Sakker tenor Benedict Nelson bass-baritone Sakari Oramo William Alwyn,1978 William Courtesy of The William Alwyn Foundation William Alwyn (1905 – 1985) Miss Julie (1973 – 76) An Opera in Two Acts Based on the Play by August Strindberg (1849 – 1912) Libretto by William Alwyn Miss Julie .......................................................................Anna Patalong soprano Jean, the Count’s valet ...............................Benedict Nelson bass-baritone Kristin, the cook .............................................Rosie Aldridge mezzo-soprano Ulrik, the gamekeeper ................................................... Samuel Sakker tenor The action takes place in the Count’s country house in Sweden on Midsummer Night in 1895. BBC Symphony Orchestra Igor Yuzefovich leader Sakari Oramo 3 COMPACT DISC ONE Acte I Scene 1 25:40 1 [Orchestral Introduction.] Allegro. Valse Tempo – A tempo, grazioso – 1:04 2 Jean: ‘Miss Julie is crazy’ – 1:36 3 Kristin: ‘But the Count...’ – 4:41 4 Jean: ‘By God, I’m thirsty!’ – 3:18 5 Miss Julie: ‘Kristin, Kristin, Kristin!’ – 2:28 6 Jean: ‘Well, I’ve travelled around’ – 4:28 7 Miss Julie: ‘There’s a new dance starting’ – 2:01 8 Miss Julie: ‘You know why I came here tonight?’ – 1:48 9 Miss Julie: ‘Midsummer Night, O, night of magic’ – 3:38 10 Kristin: ‘I’m ready, Jean!’ 0:34 4 Scene 2 35:14 11 [Orchestral Introduction.] Andante sostenuto (Poco adagio) – Poco più mosso (a tempo di valse) – Andante sostenuto – Poco più
    [Show full text]
  • American Square Dance Vol. 59, No. 1
    AMERICAN Fr') SQUAREDANCE "The International Magazine of Square Dancing" Come fobs sos in "'away in Cover art by Jane Hensel Submitted by Stan Burdick $3.50 January 2004 MME 14111URSTS TA'PE & RECORD SERVICE Welcome to our new address... ...now Hosted by DOSADO.COM! • www.Dosado.com/Music ALL Square & Round Dance information together on one web site! Enhanced and simplified navigation and additional listing categories! Single Click 100% Secure Onine Shopping - Why Settle for Less? 3...... ... ... ..... k w oo I.. o Now ...... ... 4 Isw wo mar. Wwaf woe.. Ma 0 "wow r wan a PIF ft Eb L., I. irotta ta. 0W 4- 4 a .13 a ft _ad Et I 4...5- J j . Um Row e I keno F.mble Well - . WI 001re Mew.14.1 ^", -- ,. ., ... v. It ,....% •••000, 1, tfasoofQ11,10 St.<•, ff a.• A ,.Go to.. .... Simmer. %upping Cad HAIIIHIPIIIST'S Cad Total 1000 Tape I Record Service_ . ••••••• ow. 11004.7110 0 oa. ..0 01 111•111A.••••11,11 1121111-111111.1/11R1 I Ihhe eeheLet . ALL1.115/11/11 121RILIIIIIPLI . INALILAIIMI I tallaitillIbISLILIMILIMILLEI I INIRMAINUPERIPRIZIR r WILERIUMU INVM 110INI41STI ti SEARCH" • 1E1 ..--....., T f j. ,...0 ....• J.....(va lat Of P-0.11:a 0.1 Mt.. Oa IS . 4.0.0. at. ,... MOO Wo row P80. % w.f....w.f... Airan. not CM fire. .N. .-..r ofall,......• 'ft a-f• low. an so. ...so, ow WO, POP aloft Wow.. , • a www Dosed° com%hisir We salute our men and women fighting for fre.e4orn. 1-800-445-7388 H.,,,,,„,.• lope 4 Recnd cot., Aillaladbe I ....:If .
    [Show full text]
  • Schiller Timeline (The Very Best of 1998-2011) Mp3, Flac, Wma
    Schiller Timeline (The Very Best Of 1998-2011) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Timeline (The Very Best Of 1998-2011) Country: Poland Released: 2011 Style: Ambient, Downtempo, Synth-pop, Trance MP3 version RAR size: 1283 mb FLAC version RAR size: 1409 mb WMA version RAR size: 1958 mb Rating: 4.8 Votes: 886 Other Formats: TTA AIFF AUD MIDI AAC AU VOC Tracklist Hide Credits CD-1 –Schiller Nightflight 5:47 I Feel You CD-2 –Schiller With Heppner* Vocals [Uncredited] – Peter HeppnerWritten-By – 3:48 Peter Heppner A Beautiful Day CD-3 –Schiller Vocals [Uncredited] – IsgaardWritten-By – M. v. 3:45 Schlieffen* Das Glockenspiel CD-4 –Schiller 3:48 Written-By – M. v. Schlieffen* Let Me Love You –Schiller With Kim CD-5 Vocals [Uncredited] – Kim SandersWritten-By – Kim 3:32 Sanders Sanders Sehnsucht –Schiller With Xavier CD-6 Vocals [Uncredited] – Xavier NaidooWritten-By – 3:59 Naidoo Xavier Naidoo Time For Dreams CD-7 –Schiller With Lang Lang 3:11 Piano [Uncredited] – Lang Lang Miles And Miles –Schiller With Moya CD-8 Vocals [Uncredited] – Moya Brennan*Written-By – 4:37 Brennan* Moya Brennan* –Schiller With Mike Morning Dew CD-9 4:02 Oldfield Guitar [Uncredited] – Mike Oldfield Breathe Vocals [Uncredited] – SeptemberWritten-By – A. CD-10 –Schiller With September 4:13 Bhagavan*, Jonas Torsten von der Burg*, Niclas Torsten von der Burg* CD-11 –Schiller Azure 5:18 Schiller CD-12 –Schiller 5:54 Written-By – M. v. Schlieffen* You –Schiller With Colbie CD-13 Vocals [Uncredited] – Colbie CaillatWritten-By – 4:13 Caillat Colbie Caillat, Tim James Fagan* Dream Of You CD-14 –Schiller With Heppner* Vocals [Uncredited] – Peter HeppnerWritten-By – M.
    [Show full text]
  • Three Seasons: Program Notes of the Thailand Philharmonic Orchestra, 2011-14
    Three Seasons: Program Notes of the Thailand Philharmonic Orchestra, 2011-14 James J. Ogburn, Ph. D. Malcolm Arnold (1921-2006)......................................................................................10 Guitar Concerto, Op. 67 (1959) ...............................................................................10 Aleksandr Grigori Arutiunian (1920-2012).............................................................11 Trumpet Concerto in A-flat Major (1950, Armenian Philharmonic Orchestra, Aykaz Messlayan, trumpet) .....................................................................................11 Johann Sebastian Bach (1685-1750)............................................................................12 Concerto for 2 Pianos in C Minor, BWV1060 (dates unknown).............................13 Bela Bartok (1881-1945) .............................................................................................14 Concerto for Orchestra Sz. 116, BB 123 (1943)......................................................15 Viola Concerto, op. posth., BB128 (1945) ..............................................................16 Luigi Bassi (1833-1871) ..............................................................................................17 Ludwig van Beethoven (1770-1827) ...........................................................................18 Piano Concerto no. 3 in C minor, Op. 37 (1803).....................................................19 Piano Concerto no. 5, op. 73 in E-flat Major ‘Emperor’ (1809, premiered on 28
    [Show full text]
  • Austrian Films Review /2014/ Austrian Films Review /2014/ Austrian Films 2014 – Review
    Austrian Films Review /2014/ Austrian Films Review /2014/ Austrian Films 2014 – Review Owned by: Austrian Film Commission Stiftgasse 6 1070 Vienna – Austria tel +43 1 526 33 23 [email protected] www.AustrianFilm.Com www.afc.at Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer Graphic design: Perndl+Co / Josef Perndl, Aleksandra Gustin, Claudette Hanzl Printed by: REMAprint Litteradruck, Vienna Contents Austrian Films 2014 Introduction 4 Fiction Films 7 Documentary Films 31 Coproductions 67 TV Features 75 Next Generation 91 Directors 102 Films 102 Producers 103 World Sales 105 5 Introduction 2014 was a remarkable year for Austrian films. the psychological chamber piece THE HOLDUP. In But also a very sad one. retrospect it seems like a hand of fate had picked the title of what was to be his last film: CROSSING THE If one looks at the big picture his films add up to some BORDERS. uncanny kind of modern Odyssey. Michael Glawogger restlessly roamed the continents, passionately Had it not been overshadowed by these traumatic observing the wonders and the horrors that would events 2014 would have been just another very bright await him in some of the most remote corners of our and successful film year in all respects. New Austrian world. The harsher the environment and the more films have been doing extremely well. With the fes- unsettling the situations he had to deal with as a tivals (we registered a new record of more than 600 filmmaker and as a human being, the more at ease festival participations of Austrian films), but also he seemed to feel.
    [Show full text]
  • UNIVERSAL MUSIC • American Authors – Oh What a Life • Dierks
    American Authors – Oh What A Life Dierks Bentley – Riser David Nail – I’m A Fire New Releases From Fontana North Inside!!! And more… UNI14-08 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: BECK – MORNING PHASE Bar Code: Cat. #: B001983802 Price Code: SP Order Due: Feb 13, 2014 Release Date: Feb 25, 2014 02537 64975 6 4 File: Alternative Genre Code: 2 Box Lot: 25 Key Tracks: Blue Moon Waking Light Super Short Sell Cycle Artist/Title: BECK – MORNING PHASE (Vinyl) – vinyl is one way sale Bar Code: Cat. #: B001983901 Price Code: Q 02537 64974 Order Due: Feb 13, 2014 Release Date: Feb 25, 2014 6 7 File: Alternative Genre Code: 2 Box Lot: Beck has signed to Capitol Records, and will release ‘Morning Phase’, the first album of all new material since 2008's universally acclaimed Modern Guilt on February 25th 2014. The new record has been described as a companion piece of sorts to Beck's 2002 classic Sea Change. Featuring many of the same musicians who played on that record, Morning Phase harkens back to the stunning harmonies, song craft and staggering emotional impact of Sea Change, while surging forward with infectious optimism. Morning Phase will be released on CD, vinyl, and digital download. BUY HERE’s WHY: -Beck has a >2x Platinum sales base in Canada, his first album of new material in 6 years. -Massive press looks being secured around release.
    [Show full text]
  • Anregungen Foer Musikstuecke.Pdf
    Interpret Titel Jahr Zeit Stil Auf welcher CD 1 10cc I´m not in love 1975 06:04 Ballade Dream V 2 2 Unlimited Do what's good for me 1996 03:51 Disco Hits Unlimited 3 2 Unlimited Faces 1996 03:32Disco Hits Unlimited 4 2 Unlimited Get ready for this 1996 03:44 Disco Hits Unlimited 5 2 Unlimited Here i go 1996 03:18 Disco Hits Unlimited 6 2 Unlimited Jump for joy 1996 03:44 Disco Hits Unlimited 7 2 Unlimited Let the beat control your body 1996 03:40 Disco Hits Unlimited 8 2 Unlimited Maximum overdrive 1996 03:43 Disco Hits Unlimited 9 2 Unlimited No limit 1996 03:32 Disco Hits Unlimited 10 2 Unlimited No one 1996 03:28Disco Hits Unlimited 11 2 Unlimited Nothing like the rain 1996 04:02 Ballade Hits Unlimited 12 2 Unlimited Spread your love 1996 04:44 Disco Hits Unlimited 13 2 Unlimited The magic friend 1996 03:46 Disco Hits Unlimited 14 2 Unlimited The real thing 1996 03:41 Disco Hits Unlimited 15 2 Unlimited Tribal dance 1996 03:42 Disco Hits Unlimited 16 2 Unlimited Tribal dance 1993 03:22 Disco 17 2 Unlimited Twilight zone 1996 04:12 Disco Hits Unlimited 18 2 Unlimited Workaholic 1996 03:36 Disco Hits Unlimited 19 20-2XL 31 Flavas 03:11 Disco Party Power Pack 9 20 2529 ft Rah Digga Sexual Healing 2007 04:03 R&B Black Top 20 Juni 2007 21 2jam Feat. MC Junior JC Jeans on 2006 03:48 Stimmungsmusik 22 4 non Blonds Whats up 1992 04:55 Disco FH Rock classic 23 4 Strings Outro 2008 00:40 Alternative 24 4 THE CAUSE Stand by me 1986 03:39 Disco 25 4 the Cause Stand by me 1998 03:44 Ballade 26 50 Cent A Baltimore Love 2005 04:15 RAP The Massacre
    [Show full text]
  • 10837909681304908886.Pdf
    Zilberman February 21, 2020 – April 4, 2020 von / Kuratiert Curated by | Berlin Jürgen Kaumkötter Jürgen HEBA Y. AMIN ▪ MAJA BAJEVIĆ ▪ HERTA MÜLLER ▪ ELSE LASKER-SCHÜLER Maja Bajevic How do you want to be governed?, 2009 After Rasa Todosijevic, 1976 Single channel video on monitor, color, sound | Ein-Kanal-Video auf Monitor, Farbe, Ton 10:40 min. 2 3 4 5 Heba Y. Amin Heba Y. Amin Portrait of Woman with Theodolite II, 2019 Survey of German Landscapes by Night (New Morgenthau Plan) I, 2019 Archival pigment print | Archiv-Pigmentdruck Archival pigment print | Archiv-Pigmentdruck 200 x 150 cm 200 x 150 cm 6 7 8 9 Yvan Goll Atom Elegy Typescript | Typoskript, 1945 Published in | veröffentlicht in Fruit from Saturn, 1946 10 11 12 13 In Homesickness is a Blue Room Im Heimweh ist ein blauer Saal Jürgen Kaumkötter Jürgen Kaumkötter "Im Heimweh ist ein blauer Saal" (In Homesickness is a Blue Room) – this work by Herta „Im Heimweh ist ein blauer Saal“ – dieser Titel von Herta Müller wird in die großen Müller will have its place in the major lines of tradition in our German-speaking cultural Traditionslinien unserer deutschsprachigen Kulturgeschichte eingefügt werden. In history. In literature, blue is more than a colour. I don’t wish to tread on thin ice with a der Literatur ist Blau mehr als eine Farbe. Ich möchte mich nicht auf das Glatteis einer comprehensive interpretation and colour symbolism. Colours are too important for Herta umfassenden Interpretation und Farbsymbolik begeben. Farben sind für Herta Müller zu Müller to be dealt with briefly here by me.
    [Show full text]
  • NICK WATERHOUSE Herausgeber 04 Kylie Minogue | Sean Paul Aktiv Musik Marketing Gmbh & Co
    GRATIS | MÄRZ 2014 Ausgabe 6 KYLIE MINOGUE SEAN PAUL MIMI & THE MAD NOiSE FACTORY MIGHTY OAKS MARIA GADÚ AMI UNHEILIG NICK PHARRELL WILLIAMS WATERHOUSE INHALT InHALT EDITION – Impressum 03 NICK WATERHOUSE HERAUSGEBER 04 KYLIE MINOGUE | SEAN PAUL AKTIV MUSIK MARKETING GMBH & CO. KG 05 BOB DYLAN | GEORGE MICHAEL | ROD STEWART Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 MIGHTY OAKS | MIMI & THE MNF PERSÖnlICH HAFTende GESellSCHAFTERIN: 07 MADELINE JUNO | JULIAN LE PLAY AKTIV MUSIK MARKETING DAS GEZEICHNETE ICH VERWALTUNGS GMBH & CO. KG 08 MARIA GADÚ | AMI Steintorweg 8, 20099 Hamburg 09 UNHEILIG | LUXUSLÄRM SITZ: Hamburg, HR B 100122 10 PHARRELL WILLIAMS | THE NOTWIST GESCHÄFTSFÜHRER Jörg Hottas JOAN AS POLICE WOMAN Fon: 040/468 99 28-0 Fax: 040/468 99 28-15 11 GARY BARLOW | ELBOW | ZEDD E-MaiL: [email protected] 12 NEUHEITEN 15 PETER KRAUS | MICHELLE | HÖHNER NEUHEITEN REDAKTIONS- UND ANZEIGENLEITUNG 16 Daniel Ahrweiler (verantwortlich für den Inhalt) 21 ROCK UND METAL 22 JAZZ 24 PLATTENLÄDEN MITARBEITER DIESER AUSGABE Marcel Anders (ma), Kai Florian Becker (kfb), Helmut Blecher (hb), Dagmar Leischow (dl), Nadine Lischick (nli), AuF TOUR Ilka Mamero, Patrick Niemeier (nie), Henning Richter (hr), Steffen Rüth (sr) FOTOGRAFEN DIESER AUSGABE Innovative Leisure (1, 3 Nick Waterhouse), Tony Mot- tram (2 The Brew), William Baker (4 Kylie Minogue), Warner Music (4 Sean Paul), Universal Music (5 George Michael, 6 Mighty Oaks, 7 Madeline Juno, 9 Luxuslärm, 11 Gary Barlow, 13 Mike Oldfield), Tom Beard (6 MiMi & The MAD NOiSE FACTORY), Kidizin Sane (7 Julian Le THE BREW (UK) Play), Bella Lieberberg (7 Das Gezeichnete Ich), Marcos Die Jungs von The Brew (UK) begeistern mit Siebziger- Hermes (8 Maria Gadú), Konrad Fersterer (8 Ami), Erik Jahre-Blues und modernem Rock.
    [Show full text]
  • Xerox University Microfiims 300 North Zeeb Road Ann Arbor, Michigan 48106 75- 15,265 MARSHALL, John M
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understaiding of the dissertation.
    [Show full text]