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The Case of Alberto Carocci (1926-1939)
Habitus and embeddedness in the Florentine literary field: the case of Alberto Carocci (1926-1939) Article Accepted Version La Penna, D. (2018) Habitus and embeddedness in the Florentine literary field: the case of Alberto Carocci (1926- 1939). Italian Studies, 73 (2). pp. 126-141. ISSN 1748-6181 doi: https://doi.org/10.1080/00751634.2018.1444536 Available at http://centaur.reading.ac.uk/75567/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/00751634.2018.1444536 Publisher: Taylor and Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Habitus and Embeddedness in the Florentine Literary Field: The Case of Alberto Carocci (1926-1939) Daniela La Penna Department of Modern Languages and European Studies, University of Reading, Reading, UK [email protected] 1 Habitus and Embeddedness in the Florentine Literary Field: The Case of Alberto Carocci (1926-1939) This article intends to show how the notion of embeddedness, a concept derived from network theory, can improve our understanding of how a journal’s reliance on regional and national intellectual networks impacts the journal’s performance. The study takes as test case Alberto Carocci’s editorship of Solaria. -
Italo Calvino the Sun and the Moon Cesare Cases
OCTOBER 1986 THE ITALIAN REVIEW OF BOOKS - LIT. 5.000 Tullio Pericoli: Italo Calvino Italo Calvino The Sun and the Moon by Natalia Ginzburg Cesare Cases: Rethinking the Absurd Salvatore Settis: The Importance of Being Originai Giorgio Caproni: Sbarbaro s Asparagus Francis Haskell: The Enlightenment of Franco Venturi pag. 2 L'INDICE N.8 • dei libri del meseBì A Note front the Editor As the subtitle of this special issue indicates, "L'In- Wie der Untertitel dieser Sonderausgabe verrat, dice" likes to think of itself as the Italian review of books. versteht sich "L'Indice" als die italienische True, it is a mere two years old: but it has illustrious Buchkritikzeitschrift. Sie existiert zwar erst seit zwei foster parents, and like most children it strives to live up Jahren, hat aber dafiir illustre Vorfahren und ist bemiiht, to their fame while maintaining a distinct identity of its ihren Ruf zu nahren, indem sie eine klare Eigenidentitat own. Though published in Italian, it hopes to build up a aufrechterhàlt. Obwohl sie nur auf Italienisch erscheint, readership in other countries. hofft sie auf weitere Leserschaft aufierhalb Italiens. This special issue in English offers a sample for those Diese Sonderausgabe auf Englisch bietet eine who do not read Italian but are interested in Italian Kostprobe fiir diejenigen, die zwar kein Italienisch books. It is, of course, much briefer than a regular verstehen, aber an italienischen Buchern interessiert sind. monthly issue (only 16 pages instead of 48, reviewing up- Natiirlich ist sie mit nur 16 gegeniiber 48 Seiten einer wards of a hundred books); stili, we trust that it will give regularen Monatsausgabe, welche iiber 100 the reader a good idea of the kind of service "L'Indice" of- Neuerscheinungen rezensiert, wesentlich kiirzer gefafit; fers. -
Italy's Post-War Culture and Its Fascist Past
An entirely new land? Italy’s post-war culture and its fascist past Article Accepted Version Leavitt IV, C. L. (2016) An entirely new land? Italy’s post-war culture and its fascist past. Journal of Modern Italian Studies, 21 (1). pp. 4-18. ISSN 1354-571X doi: https://doi.org/10.1080/1354571X.2016.1112060 Available at http://centaur.reading.ac.uk/45857/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/1354571X.2016.1112060 Publisher: Taylor and Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online ‘An Entirely New land’? Italy’s Post-War Culture and its Fascist Past Charles L. Leavitt IV, University of Reading Abstract: Scholarship has for decades emphasised the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This essay proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945: parenthesis, disease, flood, childhood, and discovery. While the current critical consensus would lead us to expect a cultural conversation characterised by repression and evasion, an analysis of these five post-war metaphors instead reveals both a penetrating re-assessment of Italian culture after Fascism and an earnest adherence to the cause of national re-vitalisation. -
The Palazzeschi Archive at the University of Florence
Simone Magherini The Palazzeschi Archive at the University of Florence The ‘Aldo Palazzeschi’ Study Centre, established in 1999 and directed by Gino Tellini, is based at the Department of Literature and Philosophy at the University of Florence and has the task of preserving, exploring and publishing the literary estate which the writer left behind at his death in Rome on 17 August 1974. The collection has been complemented over the years by new manuscripts and doc- uments related to the life and work of Palazzeschi. The Study Centre promotes research into Palazzeschi and the literary culture of the historical avant-garde, in Italy and in other countries, and publicizes its holdings by means of editions, exhibitions, multimedia materials, and the organization of conferences, meet- ings, scientific seminars, and so on. It also promotes international collaboration concerned with the critical reflection on Italian literature. The Centre has undertaken, since 2000, in collaboration with other Italian and foreign institutions and universities, the creation of a digital database that brings together in an integrated manner an inventory and catalogue of its hold- ings, as well as digital reproductions of documents in paper and audiovisual forms. It also provides electronic tools for the study of manuscripts of literary interest. The ‘Aldo Palazzeschi’ Study Centre is in charge of editing a number of publi- cation series: the Quaderni Palazzeschi (Palazzeschi Notebooks) and Letteratura e storia (Literature and History) for research carried out by students of the Univer- sity of Florence; the Carte Palazzeschi (Palazzeschi Papers), in which letters and documents kept in the Palazzeschi archive are published; the Biblioteca Palazz- eschi (Palazzeschi Library), which gives an account of the initiatives promoted by the Centre. -
Nella Casa Dei Libri. 7 La Storia Raccontata
Nella Casa dei libri. 7 La storia raccontata: il vero e il verosimile del narratore Il ‘900: proposte di lettura Emigrazione Ulderico Bernardi, A catàr fortuna: storie venete, d’Australia e del Brasile, Vicenza, Neri e Pozza, 1994 Cesare Bermani, Al lavoro nella Germania di Hitler, Torino, Bollati Boringhieri, 1998 Piero Brunello, Pionieri. Gli italiani in Brasile e il mito della frontiera, Roma, Donzelli, 1994 Piero Brunello, Emigranti, in Storia d’Italia. Le regioni dall’unità ad oggi. Il Veneto, Torino, Einaudi, 1984 Savona - Straniero (a cura di), Canti dell’emigrazione, Milano, Garzanti, 1976 Emilio Franzina, Merica! Merica!, Verona, Cierre, 1994 Emilio Franzina, Dall’Arcadia in America, Torino, Fondazione Giovanni Agnelli, 1994 Paolo Cresci e Luciano Guidobaldi (a cura di), Partono i bastimenti, Milano, Mondadori, 1980 Elio Vittorini, Conversazione in Sicilia, Milano, Mondadori, 1980 Prima guerra mondiale Carlo Emilio Gadda, Giornale di guerra e di prigionia, Milano, Garzanti,1999 Emilio Lussu, Un anno sull’Altopiano, Torino, Einaudi, 1945 Paolo Monelli, Le scarpe al sole, Vicenza, Neri Pozza, 1994 Renato Serra, Lettere in pace e in guerra, Torino, Aragno, 2000 Mario Rigoni Stern, Storia di Tonle, Torino, Einaudi, 1978 Mario Rigoni Stern, L’anno della vittoria, Torino, Einaudi, 1985 Mario Rigoni Stern, Ritorno sul Don, Torino, Einaudi, 1973 Primo dopoguerra Corrado Alvaro, Gente in Aspromonte, Milano, Garzanti, 1970 Romano Bilenchi, Il capofabbrica, Milano, Rizzoli, 1991 Carlo Levi, Cristo si è fermato a Eboli, Torino, Einaudi, 1945 Mario Rigoni Stern, Le stagioni di Giacomo, Torino, Einaudi, 1995 Fascismo Vitaliano Brancati, Il bell’Antonio, Milano, Bompiani, 2001 Giorgio Boatti, Preferirei di no, Torino, Einaudi, 2001 Carlo Cassola, La casa di via Valadier, Milano, Rizzoli, 2001 Alba de Céspedes, Nessuno torna indietro, Milano, 1966 Vittorio Foa, Lettere della giovinezza. -
'An Entirely New Land'? Italy's Post-War Culture and Its Fascist Past
Journal of Modern Italian Studies ISSN: 1354-571X (Print) 1469-9583 (Online) Journal homepage: http://www.tandfonline.com/loi/rmis20 ‘An entirely new land’? Italy’s post-war culture and its Fascist past Charles L. Leavitt IV To cite this article: Charles L. Leavitt IV (2016) ‘An entirely new land’? Italy’s post-war culture and its Fascist past, Journal of Modern Italian Studies, 21:1, 4-18 To link to this article: http://dx.doi.org/10.1080/1354571X.2016.1112060 Published online: 08 Apr 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rmis20 Download by: [Charles Leavitt] Date: 08 April 2016, At: 11:59 JOURNAL OF MODERN ITALIAN STUDIES, 2016 VOL. 21, NO. 1, 4–18 http://dx.doi.org/10.1080/1354571X.2016.1112060 ‘An entirely new land’? Italy’s post-war culture and its Fascist past Charles L. Leavitt IV University of Reading ABSTRACT Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945: parenthesis, disease, flood, childhood and discovery. While the current critical consensus would lead us to expect a cultural conversation characterized by repression and evasion, an analysis of these five post-war metaphors instead reveals both a penetrating reassessment of Italian culture after Fascism and an earnest adherence to the cause of national revitalization. -
Si Ringrazia Per La Collaborazione Tecnica Collaborazione La Per Ringrazia Si
[email protected] - www.bncrm.beniculturali.it www.bncrm.beniculturali.it - [email protected] fi bnc-rm.uf e.mail: 064989.344 Tel Biblioteca nazionale centrale di Roma - Viale Castro Pretorio 105 - 00185 Roma 00185 - 105 Pretorio Castro Viale - Roma di centrale nazionale Biblioteca Gra fi ca: Arturo ca: Ferrari Si ringrazia per la collaborazione tecnica collaborazione la per ringrazia Si Giuseppe Ungaretti Eugenio Montale Edoardo Sanguineti Elio Pagliarani Filippo Tommaso Marinetti Aldo Palazzeschi Sibilla Aleramo Franco Fortini Umberto Saba Camillo Sbarbaro Sandro Penna Giorgio Caproni Mario Luzi Attilio Bertolucci Salvatore Quasimodo Amelia Rosselli Dino Campana Andra Zanzotto Italo Svevo Luigi Pirandello Italo Calvino Pier Paolo Pasolini Elsa Morante Natalia Ginzburg Anna Maria Ortese Alberto Moravia Elio Vittorini Anna Banti Lalla Romano Cesare Pavese Giorgio Bassani Tommasi Landolfi Carlo Emilio Gadda Primo Levi Leonardo Sciascia Vitaliano Brancati Ennio Flaiano Corrado Alvaro Nanni Balestrini Romano Bilenchi Massimo Bontempelli Dino Buzzati Achille Campanile Sergio Corazzini Giovanni Comisso Alfonso Gatto Guido Gozzano Luigi Malerba Giorgio Manganelli Alda Merini Marino Moretti Goffredo Parise Enrico Pea Guido Piovene Clemente Rebora Alberto Savinio Ignazio Silone Mario Soldati Federigo Tozzi Cesare Zavattini Sibilla Aleramo Giovanni Arpino Carlo Betocchi Libero Bigiaretti Maria Bellonci Massimo Bontempelli Dino Campana Carlo Cassola Giuseppe Cassieri Alba de Cespedes Grazia Deledda Giacomo Debenedetti Andrea Zanzotto -
Dal Neorealismo Alla ”Generazione Di Mezzo” Attraverso La Tematica Dell’Incontro
Dal Neorealismo alla ”Generazione di mezzo” attraverso la tematica dell’incontro. Vittorini, Pratolini, Cassola e Bassani Anna Cosma To cite this version: Anna Cosma. Dal Neorealismo alla ”Generazione di mezzo” attraverso la tematica dell’incontro. Vittorini, Pratolini, Cassola e Bassani. Humanities and Social Sciences. 2014. dumas-01080111 HAL Id: dumas-01080111 https://dumas.ccsd.cnrs.fr/dumas-01080111 Submitted on 4 Nov 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Dal Neorealismo alla “Generazione di mezzo" attraverso la tematica dell’incontro. Vittorini, Pratolini, Cassola e Bassani. Anna Cosma Sous la direction de Enzo Neppi (ugr3) et Guido Baldassari (unipd) Université Stendhal – Grenoble 3: Département Langues, littératures et civilisation étrangères. Università degli studi di Padova : Dipartimento di studi linguistici e letterari. Mémoire de master 2 recherche - 39 crédits – 17/20 Spécialité ou Parcours : Spécialité Etudes françaises -
The Italian Novel of Formation and Uses of Literary Realism During Fascism, 1929–1938
Limited Developments, Limits of the “Real”: The Italian Novel of Formation and Uses of Literary Realism during Fascism, 1929–1938 by Kathleen Emma Gaudet A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Italian Studies University of Toronto © Copyright by Kathleen Emma Gaudet 2016 Limited Developments, Limits of the “Real”: The Italian Novel of Formation and Uses of Literary Realism during Fascism, 1929–1938 Kathleen Emma Gaudet Doctor of Philosophy Graduate Department of Italian Studies University of Toronto 2016 Abstract This thesis examines a cluster of six Italian realist novels of formation, all initially released between 1929 and 1938 and written by young intellectuals who came of age during the fascist period—Alberto Moravia’s Gli indifferenti, Umberto Barbaro’s Luce fredda, Carlo Bernari’s Tre operai, Elio Vittorini’s Il garofano rosso, Fausta Cialente’s Natalia, and Alba de Céspedes’ Nessuno torna indietro. In each case, the author’s ideological intentions influenced not only his or her decision to employ realism and the general form of the romanzo di formazione but also the shape of the protagonist’s path toward maturation and the characteristics of the realism with which this process is narrated. Despite significant variances between them, the primary works included in the corpus show major commonalities that make it possible to begin to define a typology of the Italian realist novel of formation of the period roughly spanning the 1930s. Aesthetically, they involve prose that is mostly realist but incorporates non-realist traits, the result of the authors’ experimentation with techniques derived from the contemporary avant- garde. -
Italian Intellectuals in Persia
Italian Intellectuals in Persia The Utopia of the Historical Landscape and the Critical Conscience of a Generation ANNA IRENE DEL MONACO1 Abstract: Starting from a documentary by Pier Paolo Pasolini proposing a comparison between Orte and Yazd regarding the barbarism of building speculation and the destruction of the historical landscape, the essay recomposes a cultural story, within and outside the Italian borders, and links authors who belong to the same cultural generation, born within the first two decades of the 20th century, looking at the historic city as a complex landscape to inspire and learn from for the construction of the future city. Keywords: Pasolini-Quaroni, Orte-Orvieto-Yazd, landscape urbanism, historical centers. Pasolini-Orte-Yazd References to historical Persian cities are not uncommon in the works of Pier Paolo Pasolini. In the collection Scritti Corsari, the author describes Isfahan as one of the most beautiful cities in the world, around which a “new, modern, and ugly” city was born2. In his short 1973 film called “La forma della città”, after having analyzed the town Orte, documenting the ravaged landscape, and denouncing the urban speculation and absence of controls that have thwarted the preservation of the historical landscape harmoniously erected on the hills, Pasolini touches on the risk of destruction of the city of Yazd. 1. Associate Professor of Architecture and Urban Design, Sapienza University of Rome; email: [email protected]. 2. PASOLINI 1973: «It was 1972. I was, that September, in the town of Isfahan, in the heart of Persia. An underdeveloped country. as it is horribly referred to, fully launched. -
Firenze 1937-1947: Letteratura E L’Indifferenza Engagée
The University of Manchester Research Firenze 1937-1947: Letteratura e l’indifferenza engagée DOI: 10.1080/00751634.2018.1444541 Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Billiani, F. (2018). Firenze 1937-1947: Letteratura e l’indifferenza engagée. Italian Studies, 73(2), 142-157. https://doi.org/10.1080/00751634.2018.1444541 Published in: Italian Studies Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Firenze 1937-1947: Letteratura e l’indifferenza engagée Francesca Billiani (The University of Manchester) [email protected] This work was supported by the Arts and Humanities Research Council UK, under grant no. H5141700 Abstract This article explores the literary journal Letteratura (Florence, 1937-1947) both to assess its role and position within the Italian cultural landscape in the years of transition from the Fascist dictatorship to the Republic and to provide a broader reflection on literary journals’ profile and activity under repressive regimes. -
Il Tema Dell'amicizia in Alcuni Romanzi Di Formazione Italiani (Moravia, Bassani, Morante)
Il tema dell'amicizia in alcuni romanzi di formazione italiani (Moravia, Bassani, Morante) Student: Ivar Østby Veileder: Francesco Venturi Masterprogram: Italiensk Universitetet i Oslo Institutt for litteratur, områdestudier og europeiske språk Vårsemesteret 2020 Indice Riassunto................................................................................................................4 Ringraziamenti......................................................................................................6 1. Parte prima.....................................................................................................7 1.1 Introduzione...................................................................................................7 1.2 Elementi della storia del Bildungsroman.....................................................8 1.2.1 Il romanzo di formazione nel Settecento e nell'Ottocento........................8 1.2.2 Il Novecento italiano...................................................................................11 1.2.3 Gli ultimi romanzi di formazione..............................................................20 1.3 Il progetto …...........................................................................................22 1.3.1 Lo scopo..................................................................................................22 1.3.2 Metodologia............................................................................................22 1.3.3 Letteratura e fonti..................................................................................23