Ingrid Laubrock Sleepthief the Madness of Crowds Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Ingrid Laubrock Sleepthief the Madness of Crowds Mp3, Flac, Wma Ingrid Laubrock Sleepthief The Madness Of Crowds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Madness Of Crowds Country: Switzerland Released: 2011 Style: Free Improvisation MP3 version RAR size: 1538 mb FLAC version RAR size: 1676 mb WMA version RAR size: 1908 mb Rating: 4.6 Votes: 318 Other Formats: VOX FLAC AIFF MMF AUD AU VQF Tracklist 1 Extraordinary Popular Delusions 8:04 2 You Never Know What's In The Next Room 10:31 3 The Slow Poisoners 5:09 4 There She Goes With Her Eye Out 5:06 5 South Sea Bubble 4:49 6 Haunted Houses 4:52 7 Does Your Mother Know You're Out? 10:30 8 Tulipmania 7:37 9 Hindsight Is Always 20 / 20 7:55 Companies, etc. Recorded At – Brooklyn Recording Mixed At – The Blue Studio Mastered At – The Blue Studio Published By – Intakt Records Credits Cover [Cover Art] – Malene Bach Design [Graphic] – Jonas Schoder Drums – Tom Rainey Dulcimer [Marxophone] – Ingrid Laubrock, Liam Noble Liner Notes – Harry Lachner Liner Notes [Translation] – Isabel Seeberg Mastered By – Andrew Tulloch Mixed By – Katherine Miller Music By – Ingrid Laubrock, Liam Noble, Tom Rainey Photography By – Cees van de Ven Piano – Liam Noble Recorded By – Andy Taub, Ben Liscio Saxophone [Saxophones] – Ingrid Laubrock Notes Recorded September 9, 2010 at Brooklyn Recording Studio Mixed and mastered at The Blue Studio, London Barcode and Other Identifiers Barcode (Text): 7 640120 191894 Barcode (Scanned): 7640120191894 Rights Society: SUISA Label Code: LC 11625 Related Music albums to The Madness Of Crowds by Ingrid Laubrock Sleepthief The Tri-Centric Orchestra : Blake, Bynum, Laubrock - Agora, Questions of Transfiguration, Vogelfrei Anja - We're The Houses Amok Amor - We Know Not What We Do Schubert - Ingrid Haebler, Ludwig Hoffmann - Piano Music For Four Hands Oriole - Every New Day Aki Takase - David Murray - Cherry Sakura Barry Guy & Blue Shroud Band - The Blue Shroud Aki Takase / Louis Sclavis - Yokohama.
Recommended publications
  • Subjective (Re)Positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers *
    Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers * Marc Hannaford NOTE: The examples for the (text-only) PDF version of this item are available online at: h+p:,,www.mtosmt.org,issues,mto.10.12.1,mto.17.12.1.hanna ord.php 4E5WORDS: Feminist music theory, gender, improvisation, jazz, Shannon 7arne+, Caroline Davis, Ingrid 9aubrock, 9inda Oh, Anna Webber A7STRACT: This article analyzes the music o :ve emale improvisers. I employ these women’s lived experiences o discrimination as a basis or my analysis o improvisation in terms o what I call subjective (re)positioning. Given these women’s experiences o discrimination, trust means something ar richer than musically working together during per ormance. Trusting improvising partners create a conceptual space in which musicians are able to position and reposition themselves, thus expressing agency. Received March 2016 Volume 23, Number 2, June 2010 Copyright © 2017 Society for Music Theory A/B At a recent per ormance o improvised music at a venue in New 5ork, some musicians and I noticed that the cover o the March 2015 DWomen’s Eistory Month” issue o The New York Jazz Record eatured male pianist Vijay Iyer on the cover. Our jokes about dishpan hands soon gave way to melancholy: it seems that, despite some jazz progressivists, neo-classicists, and academics arguing that jazz is a site or the realization o egalitarian or democratic ideals ( 7urns 2004 , Fischlin 2012 , Nicholls 1012 ), there is still work to be done. (1) A1B This article analyzes music by composer,improvisers Shannon 7arne+, Caroline Davis, Ingrid 9aubrock, 9inda Oh, and Anna Webber in conjunction with interviews I conducted with each o them ( 7arne+ 1015 , Davis 2015 , 9aubrock 2015 , Oh 2015 , Webber 2015 ).
    [Show full text]
  • Air Artist Agency
    Air Artist Agency, in GERMANY & AUSTRIA MARCH 2011 Air Artist Agency, THE CONCEPT I was welcomed and In March 2011, six of Britain’s most exciting and forward-thinking bands will invited to England in be descending on Germany and Austria to perform 72 gigs over the period of two weeks. 12 clubs in 12 different cities will be running a ‘Brit-Jazz- the friendliest of ways. Week’ and hosting performances from a different one of the bands London is without each night. doubt Europe´s capital Between them, the bands have been recognised by the MOBO and for culture. There are MOJO Awards, Mercury Music Prize and just about every British Jazz a dozen great concerts Award available! They have all toured internationally but this is the to go to every day, all first time any of them will be presented in Germany and Austria in museums are free and such a big way. the local music scene is With influences as diverse as Indian music, Hip-Hop, Rap, Trip-Hop and vibrant, energetic and Rock, the bands involved are ex-Portishead Jazz-Rockers Get The Blessing, imaginative with a great saxophonist Jason Yarde, Indo-Jazz Clarinettist Arun Ghosh, pianist Kit Downes, mixture of artists from The Julian Siegel Quartet and rapper-saxophonist Soweto Kinch. all sorts of backgrounds; We are organising full German/Austrian press coverage for the event and one of a true melting pot of the main aims of the project is to launch each of the bands in this territory and build the foundations for regular touring in Germany and Austria.
    [Show full text]
  • TONY MALABY (B
    TONY MALABY (b. 1964) PALOMA RECIO Tony Malaby, tenor saxophone; Ben Monder, electric guitar; Eivind Opsvik, bass; Nasheet Waits, drums 80688-2 1. Obambo 5:04 2. Lucedes 4:36 3. Alechinsky 10:06 4. Hidden 4:14 5. Boludos 2:51 6. Puppets 2:19 7. Sonoita 5:46 8. Loud Dove 12:07 9. Third Mystery 7:38 10. Musica Callada 3:07 TT: 57:58 These are strange times to be making music. Despite the recent change in political currents and a re- examination of national identity, the bottom-line question persists, “Is anything really going to be different?” In this context creative musicians go about the business of making a life and making music. The questions to be reckoned with rise to the surface as always, initiating valiant attempts to squeeze out some creative response to the inexorable truth; answers come with great difficulty and spawn new questions. It is a cycle of thought that deposits one in a temporarily liberating space with a license to go for it . one more time. Tony Malaby has been going for it on a regular basis since relocating to the New York area in 1995. Among the many projects that he has initiated, this quartet is of particular interest. My perspective on his music is unique: I have observed Tony’s compositional development over the past decade and had the chance to produce two of his recordings, including this one. Over that period of time we have had occasional discussions of formative processes and approaches to composition and improvisation.
    [Show full text]
  • 132 New on Maybe Monday
    New on INTAKT RECORDS www.intaktrec.ch One marker of bassist Michael Formanek's creativity and versatility is the range of distinguished musicians of several generations he's worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson. Starting in the '80s he played long stints with Stan Getz, Fred Hersch and Freddie Hubbard. Formanek is also a composer and leader of various bands. One of his principal recording and international touring vehicles has been his acclaimed quartet with Tim Berne, Craig Taborn and Gerald Cleaver. His occasional groups include the 18-piece all-star Ensemble Kolos- sus, roping in many New York improvisers he works with. Currently his primary focus is the Michael Formanek Elusion Quartet with Tony Malaby, Kris Davis, and Ches Smith. In putting together the Elusion Quartet, interpreting his music with these specific musicians, Michael Formanek says he sought “a more direct connection to emotions: mine, theirs and the listener’s.” Hank Shteamer writes in the liner notes: "As one zeroes in on the details of Time Like This, it's clear that this sort of emotional immediacy permeates the album. You hear it in Kris Davis’ flowing, balletic solo on “A Fine Mess”; in Tony Malaby's ululating tenor cries on “The Soul Goodbye”; in Ches Smith’s raucous grooves on “That Was Then”; or the leader’s poised, sinewy lines on “Culture of None.” Elusive? MicHaeL FOrManek Certainly. But as this album proves, under the right conditions, with the eLusiOn QuarTeT right personnel, it’s still out there." Der New Yorker Bassist und Komponist Michael Formanek präsen- TIME LIKE THIS tiert mit seinem Elusion Quartett ein neues, wegweisendes Projekt.
    [Show full text]
  • Wallace Roney Joe Fiedler Christopher
    feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career.
    [Show full text]
  • Kris Davislooks to Discover the Piano's Full Potential
    Outerto the Kris Davis looks to discover the piano’s full potential. ReachesBY TED PANKEN t 7 a.m., 90 minutes before our scheduled morning, after which, Davis told me later, she treated herself interview on Christmas Eve morning, Kris to a rare “day off” that entailed practice, exercise and hanging Davis sent an email: “bad night of sleep — out with her son. call you when I’m up — around 9:30.” We Between our conversations, Davis had pursued her were supposed to speak the previous night, customarily industrious schedule, which included a commute but she emailed me before the appointed from her Ossining, New York, home to Manhattan to teach time to say that a second consecutive day of recording piano and guide the Herbie Hancock Ensemble at the New an orchestral album with saxophonist Ingrid Laubrock at School; a two-hours-each-way drive to teach jazz piano at Manhattan’s Power Station left her too punchy “to do you Princeton; and two long rehearsals with Laubrock. The day much good.” When we finally connected at 9:30 sharp, Davis after our second talk, she led a new trio with Eric Revis and explained that she’d been up most of the night soothing her Johnathan Blake at a John Zorn-produced evening at the New A4-year-old son through serial nightmares. School’s Tishman Auditorium, then worked three consecutive It was our second rescheduling moment of the week. Six nights as a sidewoman, first in saxophonist Jure Pukl’s quintet days earlier, we postponed our first scheduled interview when at the Cornelia Street Café in Greenwich Village, then in a Davis awoke in the morning with a stomach virus her son had quintet assembled by Revis to play a newly commissioned suite picked up at school.
    [Show full text]
  • HDO 191 Redux
    HDO 191 Redux El contrabajista y compositor Pablo Martín Caminero pasará por HDO para presentar Salto al vacío, su nueva grabación que presentará el 11 de noviembre en el Festival de Jazz de Madrid. En la entrega 191 de HDO se podrá escuchar la voz de este músico, y también música de esta nueva grabación. En HDO 191 Redux está disponible un adelanto del programa, en menos de seis minutos, que estará disponible próximamente en Tomajazz. HDO 190. En concierto con… René Marie [Podcast] La cantante René Marie va a actuar en nuestro país en el IV San Miguel Jamboree Jazz Club Festival en Barcelona (sábado 5 de noviembre de 2016), el Festival Internacional de Jazz de Madrid (miércoles 9), y el Festival de Jazz de Palencia (viernes 11). Esta veterana (nació en 1955), decidió dedicarse por entero al jazz a una edad muy poco habitual: 42 años y tras un ultimátum de su marido, que le planteó elegir entre él o el jazz… y eligió el jazz. Gran cantante, que se mueve con mucha comodidad por distintos registros, y compositora, deja buena muestra de ello tanto en sus conciertos, como en sus grabaciones. En HDO 190 revisamos sus tres últimas grabaciones: Sound of Red (que ya sonó en HDO 149), I wanna be Evil, y Black Lace Freudian Sleep. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz. HDO 189. Ingrid Laubrock: her voice and her musics… interview by Pachi Tapiz [Podcast] Ingrid Laubrock will play in Spain. Her Anti-House 4 (Laubrock herself, Mary Halvorson, Kris Davis, Tom Rainey) will play at Jamboree (Barcelona), Bogui Jazz (Jazz Con Sabor a Club – Festival Internacional de Jazz de Madrid), and Campus Jazz Festival in Cádiz.Pachi Tapiz interviews her in the HDO Tomajazz podcast.
    [Show full text]
  • Freier Download BA 104 Als
    BAD 104 ALCHEMY Gone, gone, gone... [31 May 2019] Roky Erickson (The 13th Floor Elevators), 71 [01 Jun 2019] Michel Serres (Philosoph der Parasiten, Gemenge und Gemische), 88 [06 Jun 2019] Dr. John Mac Rebennack (the Night Tripper w/ New Orleans R&B), 77 [22 July 2019] Brigitte Kronauer (Teufelsbrück, Zwei schwarze Jäger), 78 [11 Sep 2019] Daniel Johnston (American singer-songwriter), 58 [30 Sep 2019] Gianni Lenoci (italienischer NowJazz-Pianist), 56 [06 Oct 2019] Ginger Baker (Trommelfeuerkopf bei Cream, Air Force...), 80 [03 Nov 2019] Katagiri Nobukazu (der Drummer von Ryorchestra) Hirnschlag BA's Top Ten 2019 Arashi - Jikan (PNL) d.o.o.r - Songs from a Darkness (poise) Fire! Orchestra - Arrival (Rune Grammofon) Kamilya Jubran & Werner Hasler - Wa (Everest) Land of Kush - Sand Enigma (Constellation) Les Comptes De Korsakoff - Nos Amers (Puzzle) MoE & Pinquins - Vi som elsket kaos (ConradSound) Stephanie Pan - Have Robot Dog, Will Travel (Arteksounds) Andrew Poppy - Hoarse Songs (Field Radio) La STPO - L'Empreinte (The Legacy) (Azafran Media) Die Macht eines Buches, ganz gleich welchen Buches, ... liegt darin, daß es eine offenstehende Tür ist, durch die man abhauen kann. Ich unterstreiche abhauen. Julien Green ...ein Kraut Schmerzenlos, einen Tropfen Todvorbei, einen Löffel Barmherzigkeit. Alles auf des Messers Schneide: Lachen, Weinen, Worte. Ernst Wiechert Honoré de Balzac - Verlorene Illusionen Karl Heinz Bohrer - Granatsplitter Charlotte Brontë - Erzählungen aus Angria Albert Camus - Der Fall ... Das Exil und das Reich Joseph Conrad - Taifun Jean-Pierre Gibrat - Mattéo: August 1936 André Gide - Die Verliese des Vatikan Julien Green - Der Geisterseher; Tagebücher 1996 bis 1998 Ernst Jünger - Eumeswil [nochmal] Daniel Kehlmann - Tyll Esther Kinsky - Hain Sibylle Lewitscharoff - Blumenberg Henry de Montherlant - Das Chaos und die Nacht [noch besser als beim ersten Mal] Walter Muschg - Tragische Literaturgeschichte Raymond Queneau - Mein Freund Pierrot Hugo Pratt - Corto Maltese: Das Goldene Haus von Samarkand ..
    [Show full text]
  • Thumbscrew-Never Is Enough PR
    Bio information: THUMBSCREW Title: NEVER IS ENOUGH (Cuneiform Rune 478) Format: CD / VINYL (DOUBLE) / DIGITAL www.cuneiformrecords.com FILE UNDER: JAZZ How much is too much when it comes to THUMBSCREW? The All-Star Collective Trio Delivers a Decisive Answer with Their Sixth Album NEVER IS ENOUGH a Riveting Program of Originals by Tomas Fujiwara, Mary Halvorson and Michael Formanek A funny thing happened while Thumbscrew was hunkered down at City of Asylum, the Pittsburgh arts organization that has served as a creative hotbed for the collective trio via a series of residencies. Late in the summer of 2019 the immediate plan was for drummer Tomas Fujiwara, guitarist Mary Halvorson and bassist Michael Formanek to rehearse and record a disparate program of Anthony Braxton compositions they’d gleaned from his Tri-Centric Foundation archives, pieces released last year on The Anthony Braxton Project, a Cuneiform album celebrating his 75th birthday. At the same time, the triumvirate brought in a batch of original compositions that they also spent time refining and recording, resulting in Never Is Enough, a brilliant program of originals slated for release on Cuneiform. There’s a precedent for twined projects by the trio serving as fascinating foils for each other. In June 2018, Cuneiform simultaneously released an album of Thumbscrew originals, Ours, and Theirs, a disparate but cohesive session exploring music by the likes of Brazilian choro master Jacob do Bandolim, pianist Herbie Nichols, and Argentine tango master Julio de Caro. Those albums were also honed and recorded during a City of Asylum residency. While not intended as the same kind of dialogue, The Anthony Braxton Project and Never Is Enough do seem to speak eloquently (if cryptically) to each other.
    [Show full text]
  • Downbeat.Com December 2020 U.K. £6.99
    DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Kris Davis: Good Citizen
    ACCOUNT Home > Features > Kris Davis: Good Citizen Kris Davis: Good Citizen The pianist-composer takes stock of her journey UPDATED APRIL 26, 2019 – DAVID R. ADLER Kris Davis (left) and Ingrid Laubrock at NYC's The Stone in June 2014 Kris Davis debuts Infrasound at Roulette in Brooklyn, Jan. 2014 • • • • t’s no small honor to land a six-night residency at the Stone, a dark and cramped room in Lower Manhattan that nonetheless remains one of the world’s leading avant-garde music venues. Recent I invitees have included Bill Laswell, Joe Lovano, Steve Coleman, Tim Berne and Uri Caine. When we met up with pianist Kris Davis, she was preparing for her own six nights in residence, from June 24-29. To look over the lineups was to think anew about her proliVc output and steady ascent as one of the most distinctive musicians of her time. Davis was planning a solo piano set along the lines of her CDs Aeriol Piano and Massive Threads. She would lead the quintet heard on her 2013 Clean Feed release Capricorn Climber. She’d also play in bands led by drummer Tom Rainey, bassist Kermit Driscoll and saxophonist Ingrid Laubrock. “On Friday I’m doing a pared- down version of Infrasound,” Davis said, referring to the band with four bass clarinets that premiered early this year at Brooklyn’s Roulette. “On Sunday, Ingrid, [guitarist] Mary Halvorson and I are playing trio. I call that Death Rattle because I wanted something so unfeminine. We have a really cool connection between the three of us, though it ended up being kind of tonal and pretty.
    [Show full text]
  • Sylvie Courvoisier Is a Pianist, Composer and Improviser
    Sylvie Courvoisier is a pianist, composer and improviser. Born in Lausanne, Switzerland, Courvoisier moved to New York in 1998 and has lived in Brooklyn since that time. She has led multiple groups and has been commissioned to write music for concerts, radio, dance, and theater. Courvoisier has recorded nine albums as a bandleader, 25 as a co-leader, and over 30 albums as a side-person, notably on ECM, Tzadik and Intakt Records . Courvoisier has performed and recorded with John Zorn, Wadada Leo Smith, Joey Baron, Ellery Eskelin, Nate Wooley, Fred Frith, Yusef Lateef, Tim Berne, Joëlle Léandre, Erik Friedlander, Butch Morris, Tony Oxley, Herb Robertson, and Tomazs Stanko, among others. She has toured widely across the United States, Australia, Canada, Europe, and Japan. Since 1998, Courvoisier regularly performs Solo, in Duo with Mark Feldman. Since 2013, she is the leader of her own Trio with Drew Gress and Kenny Wollesen; their critically acclaimed album, D'AGALA (Intakt 2018) was included in the New York Times and the Los Angeles Times Best Albums of the year lists. Courvoisier is a co-leader of the Sylvie Courvoisier Mark Feldman Quartet with Drew Gress and Tom Rainey, the VWCR Quartet with Ken Vandermark, Nate Wooley and Tom Rainey and TISM Quartet with Tom Rainey, Ingrid Laubrock and Mark Feldman. Since 2017, she plays in duo with Mary Halvorson. Since 2000, she has been a member of Mephista, an improvising collective trio with Ikue Mori and Susie Ibarra.Courvoisier regularly performs in a number of John Zorn's groups and compositional projects including Cobra and the Masada and Bagatelle Marathon.
    [Show full text]