HDO 191 Redux

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HDO 191 Redux El contrabajista y compositor Pablo Martín Caminero pasará por HDO para presentar Salto al vacío, su nueva grabación que presentará el 11 de noviembre en el Festival de Jazz de Madrid. En la entrega 191 de HDO se podrá escuchar la voz de este músico, y también música de esta nueva grabación. En HDO 191 Redux está disponible un adelanto del programa, en menos de seis minutos, que estará disponible próximamente en Tomajazz. HDO 190. En concierto con… René Marie [Podcast] La cantante René Marie va a actuar en nuestro país en el IV San Miguel Jamboree Jazz Club Festival en Barcelona (sábado 5 de noviembre de 2016), el Festival Internacional de Jazz de Madrid (miércoles 9), y el Festival de Jazz de Palencia (viernes 11). Esta veterana (nació en 1955), decidió dedicarse por entero al jazz a una edad muy poco habitual: 42 años y tras un ultimátum de su marido, que le planteó elegir entre él o el jazz… y eligió el jazz. Gran cantante, que se mueve con mucha comodidad por distintos registros, y compositora, deja buena muestra de ello tanto en sus conciertos, como en sus grabaciones. En HDO 190 revisamos sus tres últimas grabaciones: Sound of Red (que ya sonó en HDO 149), I wanna be Evil, y Black Lace Freudian Sleep. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz. HDO 189. Ingrid Laubrock: her voice and her musics… interview by Pachi Tapiz [Podcast] Ingrid Laubrock will play in Spain. Her Anti-House 4 (Laubrock herself, Mary Halvorson, Kris Davis, Tom Rainey) will play at Jamboree (Barcelona), Bogui Jazz (Jazz Con Sabor a Club – Festival Internacional de Jazz de Madrid), and Campus Jazz Festival in Cádiz.Pachi Tapiz interviews her in the HDO Tomajazz podcast. In this special release sounds her voice and four of her last recordings: Strong Place (Intakt, 2012) and Roulette of the Cradle (Intakt, 2015) by Ingrid Laubrock – Antihouse; Serpentines (Intakt, 2016) her next-to- come release; and Zürich Concert (Intakt, 2015) by Ingrid Laubrock Octet. Text: © Pachi Tapiz, 2016 Photography: © Joan Cortès, 2016 Pachi Tapiz presents, produces and edits HDO podcast at Tomajazz: Ingrid Laubrock Anti-House: Strong Place (Intakt, 2012) Ingrid Laubrock, Mary Halvorson, Kris Davis, Tom Rainey Ingrid Laubrock Anti-House: Roulette of the Cradle (Intakt, 2015) Ingrid Laubrock, Mary Halvorson, Kris Davis, John Hébert, Tom Rainey, Oscar Noriega Ingrid Laubrock: Serpentines (Intakt, 2016) Ingrid Laubrock, Peter Evans, Miya Masaoka, Craig Taborn, Sam Pluta, Dan Peck, Tyshawn Sorey Ingrid Laubrock Octet: Zürich Concert (Intakt, 2015) Ingrid Laubrock Saxophone, Mary Halvorson ,Tom Arthurs ,Ted Reichman ,Liam Noble ,Ben Davis ,Drew Gress ,Tom Rainey INSTANTZZ: Noesis Trio con Perico Sambeat (Teatro Rialto, Valencia. 2016-09-29) [Especial Jazzeñe 2016 IV] [Galería fotográfica] III Jazzeñe. Organizado por Fundación SGAE. Fecha: Jueves, 29 de septiembre de 2016. 22:00 Lugar: Teatro Rialto. Valencia. Grupo: Noesis Trio con Perico Sambeat Perico Sambeat: saxo alto y EWI Iván Cebrián: guitarra eléctrica Vicente Porcar: batería .

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Subjective (Re)Positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers *
Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers * Marc Hannaford NOTE: The examples for the (text-only) PDF version of this item are available online at: h+p:,,www.mtosmt.org,issues,mto.10.12.1,mto.17.12.1.hanna ord.php 4E5WORDS: Feminist music theory, gender, improvisation, jazz, Shannon 7arne+, Caroline Davis, Ingrid 9aubrock, 9inda Oh, Anna Webber A7STRACT: This article analyzes the music o :ve emale improvisers. I employ these women’s lived experiences o discrimination as a basis or my analysis o improvisation in terms o what I call subjective (re)positioning. Given these women’s experiences o discrimination, trust means something ar richer than musically working together during per ormance. Trusting improvising partners create a conceptual space in which musicians are able to position and reposition themselves, thus expressing agency. Received March 2016 Volume 23, Number 2, June 2010 Copyright © 2017 Society for Music Theory A/B At a recent per ormance o improvised music at a venue in New 5ork, some musicians and I noticed that the cover o the March 2015 DWomen’s Eistory Month” issue o The New York Jazz Record eatured male pianist Vijay Iyer on the cover. Our jokes about dishpan hands soon gave way to melancholy: it seems that, despite some jazz progressivists, neo-classicists, and academics arguing that jazz is a site or the realization o egalitarian or democratic ideals ( 7urns 2004 , Fischlin 2012 , Nicholls 1012 ), there is still work to be done. (1) A1B This article analyzes music by composer,improvisers Shannon 7arne+, Caroline Davis, Ingrid 9aubrock, 9inda Oh, and Anna Webber in conjunction with interviews I conducted with each o them ( 7arne+ 1015 , Davis 2015 , 9aubrock 2015 , Oh 2015 , Webber 2015 ).
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