PU M P a Master of Performing Arts Theatre Arts

Total Page:16

File Type:pdf, Size:1020Kb

PU M P a Master of Performing Arts Theatre Arts PU M P A Master of Performing Arts Theatre Arts 1 of 100 180 PU_2015_354 Posting the right person at the right place is called_______________. Recruitment Deployment Induction Coaching 2 of 100 166 PU_2015_354 Ms. Vijaya Mehta has earned distinction in which of the field? Film Direction Classical Dance Theatre Journalism 3 of 100 137 PU_2015_354 Koodiyattam is a:- Festival of Andhra Pradesh Traditional dance of Kerala Dress prepare in Goa None of the above 4 of 100 142 PU_2015_354 How many Acts are in William Shakespeare’s plays? Three Six Four Five 5 of 100 196 PU_2015_354 Durand Cup is associated with? Table Tennis Swimming Football Hockey 6 of 100 203 PU_2015_354 Who was first President of United States? Abraham Lincoln Franklin D. Roosevelt George Washington John Adams 7 of 100 161 PU_2015_354 Masks Wearing as one of the ritual offering by the devotees in the occasion of Dasserra Festival at:- Kurangani Muthumalaiamman Temple of Tamil Nadu Saamundeeswari Temple of Mysore Trowpadhi Temples of Tamil Nadu Kulasekaranpattinam Mutharamman Temple of Tamil Nadu 8 of 100 191 PU_2015_354 [‘Mālavikāgnimitram’, a play was written by:- Asvaghosa Kalidasa Bhasa Sudraka 9 of 100 210 PU_2015_354 Which of the following were the first two states in India which established Panchayati Raj in 1956? Rajasthan and Maharashtra Rajasthan and Odisha Rajasthan and Andhra Pradesh Rajasthan and Punjab 10 of 100 198 PU_2015_354 Forest Research Institute of India is located in:- Rishikesh Ghaziabad Dehradun Delhi 11 of 100 138 PU_2015_354 The last Mahakumbh of the 20th Century was held at:- Nasik Allahabad Ujjain Haridwar 12 of 100 204 PU_2015_354 Normal Human blood pressure is:- 120/80 120/70 130/70 110/110 13 of 100 140 PU_2015_354 The sacred book of the Parsis is called:- Bible Zend Avesta Gita Torah 14 of 100 141 PU_2015_354 How many plays did William Shakespeare write? 10 15 24 37 15 of 100 212 PU_2015_354 Which among the following political party of India has an election symbol almost close to the election symbol of Republican Party of USA? Janta Dal (United) Telugudesam Party Bahujan Samaj party Samajwadi party 16 of 100 110 PU_2015_354 In which year National Anthem was first sung? 1913 1912 1911 1914 17 of 100 150 PU_2015_354 With which one of the following movements is the slogan "Do or die" associated? Quit India Movement Civil Disobedience Movement Non-Cooperation Movement Swadeshi Movement 18 of 100 108 PU_2015_354 World Dance Day celebrated on:- June 17th September 5th April 29th January 16th 19 of 100 131 PU_2015_354 Kathakali is a folk dance prevalent in which state? Orrisa Kerala Manipur Karnataka 20 of 100 211 PU_2015_354 Which among the following is / are parts of Nagar panchayat? 1. Notified Area Committee 2. Town Area Committee 3. District Planning Committee Choose the correct option from the codes given below:- Only 1 & 3 Only 1 & 2 Only 2 & 3 1, 2 & 3 21 of 100 206 PU_2015_354 __________________is classical dance form of Uttar Pradesh. Kathakali Mohiniattam Kuchipudi Kathak 22 of 100 107 PU_2015_354 World Theatre Day observed on? March 27th March 26th January 24th February 26th 23 of 100 173 PU_2015_354 National Archives is located at? Bombay New Delhi Dehradun Calcutta 24 of 100 174 PU_2015_354 World Literacy Day is observed on:- Sep 5 Oct 24 Sep 8 Aug 6 25 of 100 143 PU_2015_354 Who is the Shrew in the play The Taming of the Shrew? Matilda Bianca Katherine Cleopatra 26 of 100 213 PU_2015_354 What is the other word for audition? Demo Trial Hearing Casting call 27 of 100 214 PU_2015_354 What is drama without dialogue called? Play One Act Play Mime Skit 28 of 100 167 PU_2015_354 Dr. M. S. Swaminathan has distinguished himself in which of the following fields? Chemistry Agriculture Medicine Astrophysics 29 of 100 106 PU_2015_354 Teacher’s Day celebrated on:- June 17th January 16th October 17th September 5th 30 of 100 111 PU_2015_354 Madhubani painting is famous in which of the following state? Kerala Bihar Tamil Nadu Uttar Pradesh 31 of 100 109 PU_2015_354 Which Indian Academy is promoting dance, drama and music? Sangeet Natak Academy Lalit Kala Academy Sahitya Academy National School of Drama 32 of 100 135 PU_2015_354 The dance encouraged and performed from the temple of Tanjore was:- Bharatnatyam Odissi Mohiniattam Kathakali 33 of 100 205 PU_2015_354 Human Rights Day is celebrated annually all over the world on which of the following dates? 11th December 9th December 8th December 10th December 34 of 100 160 PU_2015_354 Who among the following invented Zero? Aryabhatta Varahamihira Tamilan Bhaskara I 35 of 100 136 PU_2015_354 The headquarters of the Sahitya Akademi is at:- New Delhi Mumbai Chennai Kolkata 36 of 100 171 PU_2015_354 Who is the author of the book 'My Experiments with Truth'? Jarnes Morris Michael Anderson Winston Churchill Mahatma Gandhi 37 of 100 193 PU_2015_354 Which range does Indus river originates from? South easter part of Kashmir Rotang pass Himalayas Northern slopes of Kailash Range North eastern part of Kashmir 38 of 100 172 PU_2015_354 A Play, ‘Nagamandala’ was written by:- K.A. Gunasekaran Vijay Tendulkar S. Ramanujam Girish Karnat 39 of 100 165 PU_2015_354 The 'Cannes Award' is given for excellence in which field? Literature Journalism Films Economics 40 of 100 195 PU_2015_354 When was Quit India Movement or the August Movement Launched? 1941 1942 1944 1943 41 of 100 169 PU_2015_354 A Play 'Mirchchhakatika' was written by:- Shudraka Kalhana Vikramaditya Kalidasa 42 of 100 133 PU_2015_354 Natya Shastra the main source of India classical dances was written by:- Tandu Muni Abhinav Gupt Bharat Muni Narad Muni 43 of 100 113 PU_2015_354 The famous song ‘Saare Jaha se Achha’ is composed by_________________. Ravindra Nath Tagore Bankim Chandra Chattopadhya Mohammad Iqbal None of the above 44 of 100 114 PU_2015_354 Boat race is part of which of the following festival? Navratri Onam Pongal Bihu 45 of 100 163 PU_2015_354 Saraswathi Samman is given annually for outstanding contribution to:- Education Fine Arts Literature Classical Music 46 of 100 215 PU_2015_354 What is a duologue? Soliloquy A dialogue with only one person A duologue is a conversation or dialogue between 2 people. It’s like a monologue 47 of 100 132 PU_2015_354 The national song of India was composed by:- Bankim Chandra Chatterji Rabindranath Tagore Jai shankar prasad Iqubal 48 of 100 105 PU_2015_354 World AIDS Day observed on? October 30th September 12th December 1st November 1st 49 of 100 164 PU_2015_354 Who among the following is the recipient of the first Dayawati Modi Award for art, culture and education? Amitabh Bachchan Dharmavir Bharti B. V. Karanth Ashok Vajpeyi 50 of 100 190 PU_2015_354 Mr._______________Playwright cum Theatre Director had been nominated as a member of the Upper House of Indian Parliament, the Rajya Sabha (1972–1978) Habib Tanvir Badal Sircar Darmavir Bharathi B V Karanth 51 of 100 162 PU_2015_354 Name the author of the drama, ‘Oedipus Rex’? Sophocles Samuvel Beckett Shakespeare Aristophanes 52 of 100 134 PU_2015_354 The ratio of width of our National flag to its length is:- 3 : 4 3 : 5 2 : 3 2: 4 53 of 100 197 PU_2015_354 Duncan Passage separates:- South andaman and little Andaman Andaman and Nicobar North and South Andaman Rutland Island and Little Andaman 54 of 100 130 PU_2015_354 NSD is an Institution for teaching_________________. Drama Dance Performing Arts Painting 55 of 100 192 PU_2015_354 Who is the founder of Wikipedia? Byron Looper Jimmy Wales Rickard Eriksson Peer Schneider 56 of 100 194 PU_2015_354 Who was the Chairman of the Constitution Drafting committee and Architect of Indian constitution? Rajendra Prasad Jawahar Lal Nehru Dr.Bhimrao Ambedkar C. Rajagopalachar 57 of 100 112 PU_2015_354 The word ‘Sathyameva Jayate’ is taken from_________________. Mundaka Upanishad Sam Veda Atharva Veda Yajur Veda 58 of 100 168 PU_2015_354 Who wrote the book 'War and Peace'? Leo Tolstoy Charles Dickens Mahatma Gandhi Kipling 59 of 100 170 PU_2015_354 The film 'Salaam Bombay' was directed by:- Aparna Sen Shyam Benegal Mrinal Sen Mira Nair 60 of 100 207 PU_2015_354 Sattriya is a classical dance form of which State? Andhra Pradesh Uttar Pradesh Assam Manipur 61 of 100 252 PU_2015_354 Clowder is a group of:- Teddies Wolfs Dogs Cats 62 of 100 240 PU_2015_354 What is the medieval unit of measuring wine? Pinch Spinter Butt Pint 63 of 100 236 PU_2015_354 Which song of Michael Jackson is related to Black Americans? Keep it in the closet They don’t care about us Beat it Heal the world 64 of 100 220 PU_2015_354 First Indian talkie film “Alam Ara” is directed by? Grish garnad Sathyajitrey Ardeshi Irani Mirnal Sen 65 of 100 230 PU_2015_354 Who is called as ‘The father of Modern Italy’? Plato Hammurabi Rousseau Garibaldi 66 of 100 256 PU_2015_354 How many US Presidents have been assassinated? 2 3 5 4 67 of 100 237 PU_2015_354 Pick out the novel written by Jane Austen? Peril at the End House Pride and Prejudice Frankenstein Alice in wonderland 68 of 100 235 PU_2015_354 Which king was known as ‘Dakshinapateshwara’? Pulikesill Chandragupta ll Harsh l Binbisara l 69 of 100 257 PU_2015_354 Tajikistan is in:- Central Asia North Europe East Africa South east Asia 70 of 100 253 PU_2015_354 What is the destination of the Titanic? Los Angeles Chicago Hamilton New York 71 of 100 222 PU_2015_354 Who is called the “Father of Indian Cinema”? Dada Saheb Phalke John Abraham Shivaji Ganesan Sathyajitrey 72 of 100 224 PU_2015_354 First Silent Feature Film of India? Alam Ara Jesus Raja Harichandra Pundalik 73 of 100 254 PU_2015_354 Which city is known
Recommended publications
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Intellectuals and the Maoists
    Intellectuals and the Maoists Uddipan Mukherjee∗ A revolution, insurgency or for that matter, even a rebellion rests on a pedestal of ideology. The ‘ideology’ could be a contested one – either from the so-called leftist or the rightist perspective. As ideology is of paramount importance, so are ‘intellectuals’. This paper delves into the concept of ‘intellectuals’. Thereafter, the role of the intellectuals in India’s Maoist insurgency is brought out. The issue turns out to be extremely topical considering the current discourse of ‘urban Naxals/ Maoists’. A few questions that need to be addressed in the discourse on who the Maoist intellectuals are: * Dr. Uddipan Mukherjee is a Civil Service officer and presently Joint Director at Ordnance Factory Board, Ministry of Defence, Government of India. He earned his PhD from the Tata Institute of Fundamental Research, Department of Atomic Energy. He was part of a national Task Force on Left Wing Extremism set up by the think tank VIF. A television commentator on Maoist insurgency, he has published widely in national and international journals/think-tanks/books on counterinsurgency, physics, history and foreign policy. He is the author of the book ‘Modern World History' for Civil Services. Views expressed in this paper are his own. Uddipan Mukherjee Are the intellectuals always anti-state? Can they bring about a revolution or social change? What did Gramsci, Lenin or Mao opine about intellectuals? Is the ongoing Left- wing Extremism aka Maoist insurgency in India guided by intellectuals? Do academics,
    [Show full text]
  • The Changing Role of Women in Hindi Cinema
    RESEARCH PAPER Social Science Volume : 4 | Issue : 7 | July 2014 | ISSN - 2249-555X The Changing Role of Women in Hindi Cinema KEYWORDS Pratima Mistry Indian society is very much obsessed with cinema. It is the and Mrs. Iyer) are no less than the revered classics of Ray or most appealing and far reaching medium. It can cut across Benegal. the class and caste boundaries and is accessible to all sec- tions of society. As an art form it embraces both elite and Women have played a number of roles in Hindi movies: the mass. It has a much wider catchment area than literature. mythical, the Sati-Savitri, the rebel, the victim and victimizer, There is no exaggeration in saying that the Indian Cinema the avant-garde and the contemporary. The new woman was has a deep impact on the changing scenario of our society in always portrayed as a rebel. There are some positive portray- such a way as no other medium could ever achieve. als of rebels in the Hindi movies like Mirch Masala, Damini, Pratighat, Zakhm, Zubeida, Mritudand and several others. Literature and cinema, the two art forms, one verbal in form The definition of an ideal Indian woman is changing in Hindi and the other visual, are not merely parallel but interactive, Cinema, and it has to change in order to suit into a changing resiprocative and interdependent. A number of literary clas- society. It has been a long hundred years since Dadasaheb sics have been made popular by the medium of cinema. Phalke had to settle for a man to play the heroine in India’s first feature film Raja Harishchandra (1913) and women in During its awesome journey of 100 years, the Indian Cinema Hindi cinema have come a long way since then.
    [Show full text]
  • Alternative Cinema(S) of South Asia/ Submission of Abstracts: 20Th August 2020
    H-Film Alternative Cinema(s) of South Asia/ Submission of Abstracts: 20th August 2020 Discussion published by Elif Sendur on Wednesday, July 22, 2020 GGSIP University, New Delhi, Shivaji University, Kolhapur contact email: [email protected] South Asia in Alternative Cinema(s) Concept Note South-Asian Cinema comprises the body of cinematic works produced in South–Asian Countries - India, Sri Lanka, Nepal, Bangladesh, Maldives, Bhutan, Pakistan and Afghanistan. It offers an indispensable source for understanding the vicissitudes of the region addressing its social, political and cultural issues. It is significant to note that for South–Asian Cinema has been a site of national, religious, ethnic and cultural debates. These films are a valuable source to understand social, cultural and political dynamics of the region. Despite its seemingly common problems such as the issues of minorities, women, violence, fluid contact zones, disputed borders and challenges of modernity, the region is also known for its cultural, religious, ethnic and linguistic diversity. Though there are superficial similarities yet each country/region has its unique dynamics, social system, cultural practices and circumstances. The complex nature of the region demands critical engagement and nuanced understanding of its society, culture, politics and art. The present project shifts the focus from mainstream cinema to all kinds of alternative cinema(s). Since there are many forms of alternate cinematic expressions, it is proposed to call in alternate cinema(s). The present project invites original research papers/chapters from film scholars, film writers and filmmakers reflecting on Parallel Cinema or New Wave or New Cinema or Avant Garde in the past and Indies, new cinema or New (Middle) Cinemas, short films or experimental films in the post-liberalization era across South Asia to understand region specific issues.
    [Show full text]
  • EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
    UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col.
    [Show full text]
  • 100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta
    Alphaville: Journal of Film and Screen Media no. 21, 2021, pp. 239–243 DOI: https://doi.org/10.33178/alpha.21.21 100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta. Rowman & Littlefield, 2019, 283 pp. Darshana Chakrabarty Among the many film industries of South Asia, the Indian film industry is the most prolific, specifically Hindi language film, more commonly known as Bollywood, which produces almost four hundred films annually. Bollywood films dominate the national market. These films have also been exported successfully to parts of the Middle East, Africa, and the Asiatic regions of the former Soviet Union, as well as to Canada, Australia, the UK, and the US. The success of these films abroad is largely down to the presence of Indian communities living in these regions; as the conventional melodramatic plot structures, dance numbers and musicals tend to deter Western audiences. Within India and abroad “the traditional division between India’s popular cinema and its ‘art’ or ‘parallel’ cinema, modelled after India's most prestigious film-director Satyajit Ray, often produced the uncritical assumption that Indian films are either ‘Ray or rubbish’” (Chaudhuri 137). Recently, Indian film criticism has begun focusing on popular Indian cinema, assessing the multi-discursive elements of the cinematic creations. Bollywood “gained prominence within academia due to its growing popularity and unique manner of glorifying Indian familial values” (Sinha 3). From a history and origin of Indian motion pictures to selecting films that best represent the diversity, integrity and heritage of the nation, 100 Essential Indian Films by Rohit K. Dasgupta and Sangeeta Dutta is a concise book on Indian cinema for connoisseurs and for film enthusiasts taking an interest in India’s classic and contemporary cinema.
    [Show full text]
  • Singhal Appointed to the Corporate Advisory Board of Cause
    CAUSE ENTERTAINMENT “We Can…” MANAGAMENT TEAM & ADVISORY BOARD Private & Confidential MANAGEMENT TEAM Uday Singh plays an integral role in advising and defining the organization’s vision. Additionally he plays a key role in the green-lighting process of the projects that both DMCA and Cause Entertainment associate with. Under his leadership the SPE India emerged as the most successful Hollywood studio in India. It was the #1 Studio for 6 years in a row starting 2002 and 9 years overall. He has the unique distinction of crossing the Rupees 1 Billion mark in ticket sales 4 times (US$25mn) in a short span of 6 years. Under his leadership SPE bagged the distribution of Disney and Miramax and SPE distributed all the Disney films since 1998 till 2008. He built a grassroots distribution model and has distributed over 400 films and has dubbed them into 6 different Indian languages and built a new business opportunity. He grew Uday Singh the Hollywood share of the pie from 0.5% to 5% of the Indian Market. Ex-CEO PVR Uday piloted Sony into the Hindi Film Industry by getting Government approvals to Pictures, Ex-CEO distribute and produce local films in 1998. In 2005, once again under his stewardship, Sony Pictures SPE Films India created history, when it launched the production of “Saawariya”, a Principal Director, unique collaboration with one of India's most well known and acclaimed directors, Cause Sanjay Leela Bhansali, to co- produce Sony's (and Hollywood’s) first Indian film. In 2005 Entertainment he helped establish the Home Entertainment division for SPE and that business brought in another $ 4mn per year.
    [Show full text]
  • Let's Talk About Films – Again!
    Follow Us: Today's Edition | Thursday , October 4 , 2012 | Search IN TODAY'S PAPER Front Page > Calcutta > Story Front Page Like 30 Tw eet 4 0 Nation Tw eet Calcutta Bengal Let’s talk about films – again! Opinion International In 1947, a group of cinephiles started a film society that Business revolutionised Bengali cinema and brought it into the forefront of world cinema. The group of cinephiles in Sports question? Satyajit Ray, Chidananda Dasgupta, Bansi Entertainment Chandragupta, Harisadhan Dasgupta…. The society Sudoku was the Calcutta Film Society (CFS). The first film Sudoku New BETA screened there was Sergei Eisenstein’s Battleship Crossword Potemkin. Jumble Regular screenings of world cinema gave access to the Gallery best of cinema across the globe. There were regular Horse Racing addas on films and eminent people delivered lectures at Press Releases the society, film-makers of the stature of Jean Renoir Travel and John Huston. By now it is part of folklore the influence that Renoir had on the young Ray and how WEEKLY FEATURES Pather Panchali was made a few years down the line. 7days Graphiti There was a bulletin that was published where the contributors were the likes of Knowhow Chidananda Dasgupta, Satyajit Ray and Harisadhan Dasgupta and those are some of Jobs the best pieces of film-writing to come out from Bengal. Ray’s Our Films, Their Films Careergraph was written in that period of his life. Salt Lake The Calcutta Film Society has dwindled ever since, more so in the last few decades. CITIES AND REGIONS Concomitantly, the culture of discussing and debating films, or a film culture as started Metro by the CFS, has faded into oblivion in the current Bengali film industry.
    [Show full text]
  • Man of Many Acts
    The Sunday Tribune - Spectrum Page 1 of 2 Sunday, July 27, 2008 Man of many acts Shoma A. Chatterji on Soumitra Chatterjee, who has been honoured with the National Award for Best Actor FOR 50 years, from Satyajit Ray to Tapan Sinha to Mrinal Sen to Gautam Ghosh and Aparna Sen, all major directors have utilised Soumitra Chatterjee’s enormous talent that creates unforgettable cinema. The peerless thespian was nominated for the National Award once, for his performance in Gautam Ghose’s Dekh a, but had declined the award while other awards, titles, felicitations and tributes kept flowing in. This includes the Padma Bhushan, a BBC documentary on his life and works called Gaach , meaning ‘tree’ and the Sangeet Natak Akademi Award for his contribution to theatre. He has directed and acted in more than 10 significant plays with Soumitra Chatterjee has acted in about 300 films some successful shows abroad. He has authored more than 10 books on poetry, beginning with Jalapropater Dharey Dandabo Bole ( To Stand by the Waterfall ) in 1975. Today, he takes the National Award for Best Actor for his performance in Suman Ghosh’s Padakkhep in his stride with the quiet calm that is this actor’s hallmark. "A serious interest in cinema started with the first Film Festival held in Calcutta after my parents shifted to Calcutta from Howrah. For the first time, I watched Bicycle Thieves , Miracle in Milan , Fall of Berlin , with friends equally interested in cinema. These films changed my entire thinking about cinema. We saw Renoir’s River , shot completely in India.
    [Show full text]
  • Festival of Indian Film at WIPO
    Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 A GOVERNMENT OF INDIA B Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 Co-Organized by: World Intellectual Property Organization (WIPO) Ministry of Information and Broadcasting, Government of India Permanent Mission of India to the United Nations and other international organizations in Geneva 1 at WIPO (main building) 34 chemin des Colombettes, Geneva GOVERNMENT OF INDIA 100 Years Indian Cinema A Century of Creativity India’s Permanent Representative to the United Nations in Geneva Dilip Sinha said “India is proud of its film industry. It not only The World Intellectual Property entertains, but is a massive Organization (WIPO) is pleased source of employment and wealth to host a festival of Indian films generation, largely because of from December 3 to 7, 2012 at its a robust copyright system that Geneva headquarters to mark 100 encourages creativity.” This, he years of Indian cinema. added, is the main reason that 2 WIPO was chosen as a venue India is the world’s largest producer to host the 100 hundred year of feature films with over 1200 celebration of Indian cinema. releases a year, in more than 25 languages. Indian films entertain “The Indian Government has well beyond the country’s borders, consistently supported and finding acclaim at international film facilitated the development of festivals and pleasing audiences the film industry to ensure that it around the world. continues to flourish and expand,” said Secretary, Ministry of “From the black and white silent Information and Broadcasting, Uday animations of the early 20th Kumar Varma.
    [Show full text]
  • Dukeengage 2017 Program Profile – Kochi, Kerala, India
    DUKEENGAGE-KOCHI, KERALA, INDIA This program is organized by Global Vision International (GVI) and STA Travel in collaboration with DukeEngage. Program Dates: May 27- July 22 Service Focus Assisting with community development, education, workshops and other activities ensuring equal opportunities for women, youth or people with disabilities in Southern India. Children/youth services Health/human services Women’s advocacy/women’s empowerment Program Leader(s) Zeno Wijtten is Global Vision International’s India Country Director and a conservation biologist with a strong interest in integrated conservation and the role of community development, livelihood changes and empowerment in peri-urban areas. Publications include texts on wildlife ecology, conservation as well as peri-urban development. Jill Walker is Global Vision International’s Deputy Director of Programs. Formerly an environmental educator, Jill has been managing community development and conservation programs in the Asia region since 2007, based from Thailand, and focuses on providing support and training for all of GVI’s programs worldwide. Christine Theron is Global Vision International’s Educational Partnership Manager. She has previously worked in NPO Operations Management, working with vulnerable girl youth and has a post graduate degree in Development Studies. Her professional background has been centered in the education sector. Kenneth S. Rogerson, DukeEngage Faculty Fellow; Associate Professor of the Practice in the Sanford School of Public Policy and Director of Undergraduate Studies in the Sanford School of Public Policy. Overview During their eight weeks in Kerala in the South of India, students will be working alongside local experts, residents and stakeholders, to provide opportunities for learning, attaining skills, building capacity or providing much needed stimulation.
    [Show full text]
  • Patriarchy and Prejudice: Indian Women and Their Cinematic Representation
    International Journal of Languages, Literature and Linguistics, Vol. 3, No. 3, September 2017 Patriarchy and Prejudice: Indian Women and Their Cinematic Representation Abina Habib social and cultural roles, which carry into the mainstream Abstract—Nurtured by Indian culture and history women’s film industry and they end up being cast in similar roles. role in commercial Indian films is that of a stereotypical woman, Inspired by ‘Manusmriti’- an age old Dharmashastra written from the passive wife of Dadasaheb Phalke’s Raja by Manu for followers of Hindu faith – a female actor is Harishchandra’ (1913) to the long-suffering but heroic mother-figure of Mother India (1957) to the liberated Kangana never allowed to transgresses the scriptural paradigm that Ranaut of Queen (2014), it has been a rather long and mediates women's role as always in obedience and servitude challenging journey for women in Hindi cinema. Although this to man, like Sita – the scriptural paradigm of femininity. The role has been largely redefined by the Indian woman and beginning of the woman's acting career seems to be governed reclaimed from the willfully suffering, angelic albeit voiceless by social norms and they mostly ended up playing the roles of female actor, the evolution is still incomplete. Culture and tradition mean different things for different women, but there is a daughter, taking care of her siblings, helping the mother in always the historical context of what it entails in the form of the kitchen, and marrying the man of her father's choice, ownership. What this paper seeks to unravel is what being a another typical role assigned to women is that of a great woman means in Indian cinema.
    [Show full text]