COMIC COMIC MUTT and JEFF by BUD FISHER
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
MUNDANE INTIMACIES and EVERYDAY VIOLENCE in CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in Partial Fulfilm
MUNDANE INTIMACIES AND EVERYDAY VIOLENCE IN CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Kaarina Louise Mikalson, 2020 Table of Contents List of Figures ..................................................................................................................... v Abstract ............................................................................................................................. vii Acknowledgements .......................................................................................................... viii Chapter 1: Introduction ....................................................................................................... 1 Comics in Canada: A Brief History ................................................................................. 7 For Better or For Worse................................................................................................. 17 The Mundane and the Everyday .................................................................................... 24 Chapter outlines ............................................................................................................. 30 Chapter 2: .......................................................................................................................... 37 Mundane Intimacy and Slow Violence: ........................................................................... -
American Comics Group
Ro yThomas’ Amer ican Comics Fanzine $6.95 In the USA No. 61 . s r e d August l o SPECIAL ISSUE! H 2006 t h g i r FABULOUS y MICHAEL VANCE’S p o C FULL-LENGTH HISTORY OF THE e v i t c e p s e R 6 0 AMERICAN 0 2 © & M T COMICS GROUP– s r e t c a r a h C STANDARD NEDO R STANDARD //NEDO R ; o n a d r o i G COOMMIICCSS – k c i D 6 & THE SANGOR ART SHOP! 0 0 2 © t -FEATURING YOUR FAVORITES- r A MESKIN • ROBINSON • SCHAFFENBERGER WILLIAMSON • FRAZETTA • MOLDOFF BUSCEMA • BRADBURY • STONE • BALD HARTLEY • COSTANZA • WHITNEY RICHARD HUGHES • & MORE!! 08 1 82658 27763 5 Vol. 3, No. 61 / August 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Production Assistant Eric Nolen-Weathington Cover Artist Dick Giordano Cover Colorist Contents Tom Ziuko And Special Thanks to: Writer /Editorial: Truth, Justice, &The American (Comics Group) Way . 2 Heidi Amash Heritage Comics Dick Ayers Henry R. Kujawa Forbidden Adventures: The History Of The American Comics Group . 3 Dave Bennett Bill Leach Michael Vance’s acclaimed tome about ACG, Standard/Nedor, and the Sangor Shop! Jon Berk Don Mangus Daniel Best Scotty Moore “The Lord Gave Me The Opportunity To Do What I Wanted” . 75 Bill Black Matt Moring ACG/Timely/Archie artist talks to Jim Amash about his star-studded career. -
Comics and Graphic Novels for Young People
27 SPRING 2010 Going Graphic: Comics and Graphic Novels for Young People CONTENTS Editorial 2 ‘Remember Me’: An Afrocentric Reading of CONFERENCE ARTICLES Pitch Black 14 Kimberley Black The State of the (Sequential) Art?: Signs of Changing Perceptions of Comics, Manga and Graphic Novels and the Holocaust 15 Graphic Novels in Britain 3 Rebecca R. Butler Mel Gibson Copulating, Coming Out and Comics: The High From Tintin to Titeuf: Is the Anglophone Market School Comic Chronicles of Ariel Schragg 16 too Tough for French Comics for Children? 4 Erica Gillingham Paul Gravett Is Henty’s History Lost in Graphic Translation? The Short but Continuing Life of The DFC 5 Won by the Sword in 45 pages 17 David Fickling Rachel Johnson Out of the Box 6 Sequences of Frames by Young Creators: The Marcia Williams Impact of Comics in Children’s Artistic Development 18 Raymond Briggs: Blurring the Boundaries Vasiliki Labitsi among Comics, Graphic Novels, Picture Books and Illustrated Books 7 ‘To Entertain and Educate Young Minds’: Janet Evans Graphic Novels for Children in Indian Publishing 19 Graphic Novels in the High-School Malini Roy Classroom 8 Bill Boerman-Cornell Strangely Familiar: Shaun Tan’s The Arrival and the Universalised Immigrant Experience 20 Britain’s Comics Explosion 9 Lara Saguisag Sarah McIntyre Journeys in Time in Graphic Novels from Reading between the Lines: The Subversion of Greece 21 Authority in Comics and Graphic Novels Mariana Spanaki Written for Young Adults 10 Ariel Kahn Crossing Boundaries 22 Emma Vieceli Richard Felton Outcault and The Yellow Kid 10 Dora Oronti Superhero Comics and Graphic Novels 22 Jessica Yates As Old as Clay 11 Daniel Moreira de Sousa Pinna Composing and Performing Masculinities: Of Reading Boys’ Comics c. -
Table of Contents
MASTER LIST OF CONTENTS Volume 1 Master List of Contents .............................................vii Clumsy..................................................................... 162 Publisher’s Note .........................................................xi Color Trilogy, The ................................................... 166 Introduction ............................................................... xv Complete Essex County, The ................................... 170 Contributors ............................................................xvii Complete Fritz the Cat, The .................................... 174 Contract with God, And Other A.D.: New Orleans After the Deluge........................... 1 Tenement Stories, A ...........................................179 Adventures of Luther Arkwright, The .......................... 5 Curious Case of Benjamin Button, The................... 183 Adventures of Tintin, The ............................................ 9 David Boring ........................................................... 187 Age of Bronze: The Story of the Trojan War ............. 15 Dead Memory .......................................................... 190 Age of Reptiles .......................................................... 20 Dear Julia ............................................................... 194 Airtight Garage of Jerry Cornelius .......................... 24 Deogratias: A Tale of Rwanda ................................ 198 Alan’s War: The Memories of G.I. Alan Cope........... 28 Diary of a Mosquito -
Identity and Form in Alternative Comics, 1967 – 2007
IDENTITY AND FORM IN ALTERNATIVE COMICS, 1967 – 2007 Emma Tinker UCL 2008 1 I, Emma Tinker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT Identity and Form in Alternative Comics, 1967 – 2007 In the late 1960s, underground cartoonists established the comic book form as a space for the exploration of personal identity. “Alternative” comics grew out of this tradition as subsequent writers produced work independently of the major comics publishers, aimed at an adult audience and encompassing a broad range of visual styles and narrative content. Throughout the past forty years, British, US and Canadian writers and artists have used this medium to explore questions of selfhood and perception, often implicitly or overtly relating these issues to the form, history and conventions of the comic book itself. Two main threads run through this discussion of the representation of selfhood: childhood and memory on the one hand and sexuality and gender on the other. This thesis argues that for many creators there exists a useful analogy between the comic book form and mental processes, specifically between the fractured, verbal-visual blend of the comics page and the organisation of human memory. It further suggests that the historical association of comics first with childhood, and subsequently with male adolescence, has conditioned the representation of selfhood in adult comics. Comic book consumption has often centred on a community of predominantly young, white, male, socially marginal readers, buying and collecting serialised narratives. -
Auroran Lights
AURORAN LIGHTS The Official E-zine of the Canadian Science Fiction & Fantasy Association Dedicated to Promoting the Prix Aurora Awards and the Canadian SF&F Genre (Issue # 17 – July 2015) 1 TABLE OF CONTENTS 03 – EDITORIAL CSFFA SECTION 05 – How to Join CSFFA (so you can vote for the Aurora Awards). 05 – How to download Voter’s Package of nominated works for you to read. 05 – How to vote for the Aurora Awards. 06 – CSFFA deadlines timeline. 06 – Canvention 35 reminder. PRODOM SECTION 08 – MILESTONES – New Comic shop in Edmonton, Edge announces new imprint, Melissa Mary Duncan art show, I Love You Judy Merril! & Leacock Summer Festival. 08 – AWARDS – 2015 Aurora Award Ballot Nominees (Pro), BC Book Prize finalist, Hugo nominees, Philip K. Dick Award, BSFA Awards, Ditmar Awards. 13 – CONTESTS – Friends of the Merril short story contest winners, Gernsback SF Short story Contest, Writers Trust of Canada Retreat program. 14 – EVENTS – Robert Charles Wilson Book Signing, Bundoran Press appearances, On Spec Magazine appearances. 15 – POETS & POEMS – Morrigan’s Song by Colleen Anderson, The Cry of the Autumn Stars by Matt Fuller Dillon, 2015 Ryhsling poetry Awards. 15 – PRO DOINGS – Robert Charles Wilson, Robert J. Sawyer, Ron Friedman, Lynda Williams, Matthew Hughes, Randy McCharles, & Robert Runté. 10 – CURRENT BOOKS & STORIES – Signal to Noise by Silvia Moreno-Garcia, Death’s Door by William DeSouza, The Affinities by Robert Charles Wilson, Faces by E.C. Blake (Edward Willett), Two- Year Man by Kelly Robson. 12 – UPCOMING BOOKS & STORIES – We Stand on Guard by Brian K. Vaughn & Steve Skroce, The Cave Beneath the Sea by Edward Willett, A Holo for Ameris by Jade Brienne, Torrent of Tears by Jenny Madore, Spit Test by Jennifer Lott, The Playground of Lost Toys edited by Collen Anderson & Ursula Pflug, nEvermore! Tales of Murder, Mystery, and the Macabre edited by Nancy Kilpatrick and Caro Soles, Professor Challenger: New Worlds, Lost Places edited by J.R. -
'Zones of Intelligibility:' the Trial of Louis Riel and Nineteenth-Century
‘Zones of Intelligibility:’ The Trial of Louis Riel and Nineteenth-Century Canadian Media Sorouja Moll A Thesis In the Department of Humanities Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Humanities) at Concordia University Montreal, Quebec, Canada December 9, 2013 © Sorouja Moll, 2013 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Sorouja Moll Entitled: ‘Zones of Intelligibility:’ The Trial of Louis Riel and Nineteenth-Century Canadian Media and submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: _________________________________________Chair Dr. M. Kanji _________________________________________External Examiner Dr. K. Anderson _________________________________________ External to Program Dr. H. Igloliorte _________________________________________Examiner Dr. C. Nelson _________________________________________Examiner Dr. M. Evans _________________________________________Thesis Supervisor Dr. Y. Jiwani Approved by ________________________________________________ December 9, 2013 _______________________________________ ii ! ABSTRACT ‘Zones! of Intelligibility:’ The Trial of Louis Riel and Nineteenth-Century Canadian Media! Sorouja Moll, Ph.D. Concordia University, 2013 ‘‘Zones of Intelligibility’: The Trial of Louis Riel and Nineteenth-Century -
Comics and Conflict: Arw and Patriotically Themed Comics in American Cultural History from World War Ii Through the Iraq War
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 Comics and Conflict: arW and Patriotically Themed Comics in American Cultural History From World War Ii Through the Iraq War Cord A. Scott Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Scott, Cord A., "Comics and Conflict: arW and Patriotically Themed Comics in American Cultural History From World War Ii Through the Iraq War" (2011). Dissertations. 74. https://ecommons.luc.edu/luc_diss/74 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Cord A. Scott LOYOLA UNIVERSITY CHICAGO COMICS AND CONFLICT: WAR AND PATRIOTICALLY THEMED COMICS IN AMERICAN CULTURAL HISTORY FROM WORLD WAR II THROUGH THE IRAQ WAR A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY CORD A. SCOTT CHICAGO, ILLINOIS AUGUST 2011 Copyright by Cord A. Scott, 2011 All rights reserved. ACKNOWLEDGEMENTS This dissertation is not the product of a single person, but also reflects the contributions of many who helped in its creation and refinement. While the final result (and mistakes) are mine alone, I was assisted by many people whose help and input must be acknowledged. -
Comics and Critical Consciousness Sean Carleton
RESEARCH NOTE /NOTE DE RECHERCHE Drawn to Change: Comics and Critical Consciousness Sean Carleton One of the last projects that activist and academic Howard Zinn com- pleted before his death in 2010 was a comic book.1 With the help of historian Paul Buhle and cartoonist Mike Konopacki, Zinn released A People’s History of American Empire in 2008 as an illustrated adaptation of material from his bestselling book, A People’s History of The United States.2 The comic book is narrated by Zinn, and it depicts him at a teach-in during the height of the Iraq 1. Based on my reading of the scholarly literature on comics as well as my experience as a comics writer, I use the umbrella term “comics.” Comics, or comic books, are also commonly referred to as “floppies,” “periodicals,” “pamphlets,” “sequential art,” “graphic novels,” and “graphic histories” in English, “bande dessinée” and “bande dessinée Québécois” in French, and “manga” in Japanese. While I disagree with comics theorist Scott McCloud’s exclusion of the written word from his definition of comics as “juxtaposed pictorial and other images in deliberate sequence,” I do support his claim that “the best definition for comics will, I think, be the most expansive.” See Scott McCloud, Understanding Comics: The Invisible Art (New York: William Morrow Paperbacks, 1993), 199. My intention in using the term “comics” is to encourage a broad discussion about the possibilities of a medium that generally, though not strictly or exclusively, blends varying forms of text and visuals to convey meaning. For overviews of the terminology debate on “comics” see McCloud, Understanding Comics; Robert C. -
Whose Book Is It Anyway? EFFERIES a View from Elsewhere on Publishing
J ANIS EDITED BY JANIS JEFFERIES AND SARAH KEMBER J Whose Book is it Anyway? EFFERIES A View from Elsewhere on Publishing, Copyright and Creativity AND S EDITED BY JANIS JEFFERIES AND SARAH KEMBER ARAH K Whose Book is it Anyway? is a provoca� ve collec� on of essays that opens out the copyright EMBER debate to ques� ons of open access, ethics, and crea� vity. It includes views – such as ar� st’s perspec� ves, writer’s perspec� ves, feminist, and interna� onal perspec� ves – that ( are too o� en marginalized or elided altogether. EDS The diverse range of contributors take various approaches, from the scholarly and the .) essayis� c to the graphic, to explore the future of publishing based on their experiences as publishers, ar� sts, writers and academics. Considering issues such as intellectual property, copyright and comics, digital publishing and remixing, and what it means (not) to say one is an author, these vibrant essays urge us to view central aspects of wri� ng and publishing Whose Book is it Anyway? in a new light. Whose Book is it Anyway? Whose Book is it Anyway? is a � mely and varied collec� on of essays. It asks us to reconceive our understanding of publishing, copyright and open access, and it is essen� al reading for anyone invested in the future of publishing. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com A View from Elsewhere on Publishing, Cover image: Photo by Toa He� iba on Unsplash at: h� ps://unsplash.com/photos/DakD� DHMSA Copyright and Creativity Cover design: Anna Ga� .