Verleihkatalog Download
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
General Information About Poland - Climate
CONTENTS: 1. GENERAL INFORMATION ABOUT POLAND - CLIMATE .................................................3 - GEOGRAPHY ...........................................4 - BRIEF HISTORY ........................................4 - MAJOR CITIES .........................................5 - FAMOUS PEOPLE .....................................6 2. USEFUL INFORMATION - LANGUAGE ...........................................11 - NATIONAL HOLIDAYS ............................14 - CURRENCY ............................................15 - AVERAGE COSTS ...................................15 - TRADITIONAL CUISINE............................16 - BEFORE YOUR COMING – CHECK-LIST ...17 3. GENERAL INFORMATION ABOUT RADOM - HISTORY OF RADOM .............................18 - EVENTS .................................................19 - GETTING TO RADOM FROM WARSAW ..21 - PUBLIC TRANSPORT in RADOM .............21 - MUST SEE PLACES .................................22 - WHERE TO GO… ...................................25 - WHERE TO EAT… ..................................25 - WHERE TO PARTY… ..............................26 4. EVERYDAY THINGS - LAW ......................................................27 - IMPORTANT CONTACT INFORMATION ...27 - ACCOMMODATION ...............................27 - HOTELS - HALLS OF RESIDENCE - YOUTH HOSTELS - HELP .....................................................28 - EMERGENCY CALLS - EMERGENCY CONTACT: - POLICE OFFICES - HOSPITALS - CHEMISTRIES - EXCHANGE OFFICES - POST OFFICES - SHOPPING ...........................................29 5. -
DIE BRÜCKE Ein Film Von Bernhard Wicki
DIE BRÜCKE Ein Film von Bernhard Wicki Filmbegleitheft von Michael Schaudig unter Mitarbeit von Elisabeth Wicki-Endriss Bayerisches Staatsministerium für Unterricht und Kultus Impressum Gesamtverantwortung: Elisabeth Wicki-Endriss / Bernhard Wicki Gedächtnis Fonds e.V. Leitung der Jugendkinotage: Steffi Stadelmann, Marianne Falck Koordination im Bayerischen Staatsministerium für Unterricht und Kultus: Dr. Ernst Wagner Redaktion dieses Filmbegleitheftes: Steffi Stadelmann Lektorat: Steffi Stadelmann, Marianne Falck Autor dieses Filmbegleitheftes: Dr. Michael Schaudig unter Verwendung von Materialien des Filmbegleitheftes von Elisabeth Wicki-Endriss von 2004 Bildnachweis: Filmmuseum Berlin – Deutsche Kinemathek Filmstills: Dr. Michael Schaudig Layout und Satz: Wolfgang Perez Druck: Verband Druck und Medien Bayern 1. Auflage, München 2005 Printed in Germany ISSN 1860-1294 Vertrieb Bernhard Wicki Gedächtnis Fonds e.V. Pagodenburgstr. 2, 81247 München Tel.: 089 / 811 52 67, Fax: 089 / 81 08 93 45 E-Mail: [email protected] Homepage: www.bernhardwicki.de „Ich habe immer versucht, nicht Theorien und Leitsätze zu verkaufen, sondern Leben, weil ich glaube, dass das der einzige Weg ist, an Menschen heranzukommen, wenn sie sich in einem Stück Leben wiedererkennen.“ Bernhard Wicki DIE BRÜCKE Editorial »Jugendkinotage – Die Brücke« und Jugendfilmclubs Grenzen zu überwinden, eine gemeinsame Sprache zu sprechen, vor der Besorgnis erregenden Eskala- tion der Gewalt zu warnen, ist Bernhard Wickis Vermächtnis und Ziel des Bernhard Wicki Gedächtnis Fonds e.V. In unserer multinationalen und multikulturellen Gesellschaft, in der Ausgrenzungen an der Tagesordnung sind, will er Wegbegleiter für Heranwachsende sein, für deren Identitätsbildung und Willensentscheidung gegen jegliche Art von Gewalt und Verfolgung von Menschen anderer geistiger Prägung. »Film kann die Welt nicht verändern oder verbessern, er kann aber Stimmung schaffen.« (Bernhard Wicki) Das Medium Film besitzt eine enorme emotionale und suggestive Kraft. -
The Independent Producer: Michael Klinger and New Film History
RESEARCH ARTICLE Creativity and commerce: Michael Klinger and new film history Andrew Spicer* School of Creative Arts, University of the West of England, Bristol BS3 2JT, UK The crisis in film studies and history concerning their legitimacy and objectives has provoked a reinvigoration of scholarly energy in historical enquiry. „New film history‟ attempts to address the concerns of historians and film scholars by working self-reflexively with an expanded range of sources and a wider conception of „film‟ as a dynamic set of processes rather than a series of texts. The practice of new film history is here exemplified through a detailed case study of the independent British producer Michael Klinger (active 1961-1987) with a specific focus on his unsuccessful attempt to produce a war film, Green Beach, based on a memoir of the Dieppe raid (August 1942). This case study demonstrates the importance of analysing the producer‟s role in understanding the complexities of film-making, the continual struggle to balance the competing demands of creativity and commerce. In addition, its subject matter – an undercover raid and a Jewish hero – disturbed the dominant myths concerning the Second World War, creating what turned out to be intractable ideological as well as financial problems. The paper concludes that the concerns of film historians need to engage with broader cultural and social histories. Keywords: British film industry; film history; film producers; Second World War; Jewishness; Michael Klinger; Green Beach 1 *Email [email protected] The crisis in film studies, historiography, and new film history As a discipline, film studies is currently experiencing a crisis of legitimation. -
Oliver Twist in Roman Polanski’S Film “Oliver Twist”
AN ANALYSIS OF INFERIORITY FEELING FACED BY OLIVER TWIST IN ROMAN POLANSKI’S FILM “OLIVER TWIST” THESIS BY: WINAROH ANDANI 07360072 ENGLISH DEPARTMENT FACULTY OF TEACHER TRAINING AND EDUCATION UNIVERSITY OF MUHAMMADIYAH MALANG 2012 i AN ANALYSIS OF INFERIORITY FEELING FACED BY OLIVER TWIST IN ROMAN POLANSKI’S FILM “OLIVER TWIST” THESIS This thesis is submitted to meet one of the requirements to achieve Sarjana Degree in English Education BY: WINAROH ANDANI 07360072 ENGLISH DEPARTMENT FACULTY OF TEACHER TRAINING AND EDUCATION UNIVERSITY OF MUHAMMADIYAH MALANG OCTOBER 2012 ii This thesis written by Winaroh Andani was approved on October 24th, 2012. By: Advisor I, Advisor II, Rina Wahyu Setyaningrum, M. Ed. Dian Inayati, M. Ed. iii This thesis was defended in front of the examiners of the Faculty of Teacher Training and Education of University of Muhammadiyah Malang and accepted as one of the requirements to achieve Sarjana Degree in English Education on October 24th, 2012 Approved by: Faculty of Teacher Training and Education University of Muhammadiyah Malang Dean, Dr. M. Syaifuddin, M. M Examiners: Signatures: 1. Dra. Erly wahyuni, M.Si 1. ………………………. 2. Rahmawati Khadijah Maro, S. Pd, M. PEd 2. ………………………. 3. Rina Wahyu Setyaningrum, M. Ed. 3. ………………………. 4. Dian Inayati, M. Ed. 4. …………………….... iv ACKNOWLEDGEMENTS Alhamdulillah, all praise be to Allah SWT, the Merciful and Charitable. Because of the guidance, blessing and affection, the writer can finish this thesis. The writer would like to express her deepest gratitude to Rina Wahyuni Setyaningrum, M. Ed, her first advisor and Dian Inayati, M. Ed, her second advisor, for their suggestions, valuable guidance and advice during the consultation period, and their comments and corrections during the completion of this thesis. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Gilde Filmpreis 1977-2007
2007 (Filmkunstmesse Leipzig) Internat.: VOLVER (Regie: Pedro Almodóvar, Verleih: Tobis) National: EMMAS GLÜCK (Regie: Sven Taddicken, Verleih: Pandora) Dok.film: FULL METAL VILLAGE (Regie: Sung Hyung Cho, Verleih: Flying Moon) 2006 (Filmkunstmesse Leipzig) Internat.: WIE IM HIMMEL (Regie: Kay Pollak, Verleih: Prokino) Gilde Filmpreis 1977 – 2014 National: DAS LEBEN DER ANDEREN (Regie: Florian Henckel von Donnersmarck, Verleih: WDS) Dok.film: WE FEED THE WORLD – ESSEN GLOBAL (Regie: Erwin Wagenhofer, Verleih: Delphi) 2014 (Filmkunstmesse Leipzig) Internat.: GRAND BUDAPEST HOTEL 2005 (Filmkunstmesse Leipzig) (Regie: Wes Anderson, Verleih: 20th Century Fox) Internat.: DAS MEER IN MIR BOYHOOD (Regie: Alejandro Amenábar, Verleih: Tobis) (Regie: Richard Linklater, Verleih: Universal) National: SOPHIE SCHOLL – DIE LETZTEN TAGE National: DIE ANDERE HEIMAT – CHRONIK EINER SEHNSUCHT (Regie: Marc Rothemund, Verleih: X Verleih) (Regie: Edgar Reitz, Verleih: Concorde) Dok.film: RHYTHM IS IT! Dok.film: DAS SALZ DER ERDE (Regie: Thomas Grube, Enrique Sánchez Lansch,Verleih: Piffl Medien) (Regie: Wim Wenders & Juliano Ribeiro Salgado, Verleih: NFP marketing & distribution) 2004 (Filmkunstmesse Leipzig) Kinderfilm: RICO, OSKAR UND DIE TIEFERSCHATTEN Internat.: Gold - LOST IN TRANSLATION (Regie: Neele Leana Vollmar, Verleih: 20th Century Fox) (Regie: Sofia Coppola, Verleih: Constantin) Silber – DOGVILLE 2013 (Filmkunstmesse Leipzig) (Regie: Lars von Trier, Verleih: Concorde) Internat.: DAS MÄDCHEN WADJDA National: Gold – GEGEN DIE WAND (Regie: Haifaa -
Agatambor.Pdf
TWÓRCA Nowa polska półka filmowa seria KULTURA i JĘZYK POLSKI dla CUDZOZIEMCÓW „LEKSYKON POLSKI” TWÓRCA Agnieszka Tambor Nowa polska półka filmowa 100 filmów, które każdy cudzoziemiec zobaczyć powinien Uniwersytet Śląski Wydawnictwo Gnome Katowice 2018 Współpraca przy tworzeniu haseł ADAM ANTONIEWICZ (aa) AGATA RUDZIŃSKA (ar) JUSTYNA BUDZIK (jb) Recenzent WACŁAW M. OSADNIK © Copyright 2015 by Uniwersytet Śląski w Katowicach Wszelkie prawa zastrzeżone Redakcja i korekta KAROLINA POSPISZIL Projekt okładki i szaty graficznej MAREK FRANCIK Publikacja sfinansowana ze środków UNIWERSYTETU ŚLĄSKIEGO W KATOWICACH Współfinansowano ze środków Fotografia na okładce JAROSŁAW ROLAND KRUK Wydanie drugie ISBN 978-83-63268-58-9 Złożono czcionkami Myriad Pro i Minion Pro Printed in UE GNOME — Wydawnictwa Naukowe i Artystyczne ul. Drzymały 18/6, 40-059 Katowice, Poland tel.: 603370713 e-mail: [email protected] Spis treści Wstęp 9 TWÓRCA trzeba obejrzeć 15 NÓŻ W WODZIE (Knife in the Water) 15 ZIEMIA OBIECANA (The Promised Land) 16 PIERWSZA MIŁOŚĆ (First Love) 18 CHINATOWN 19 BARWY OCHRONNE (Camouflage) 21 SEKSMISJA (Sexmission) 22 EUROPA, EUROPA 24 DRAKULA (Bram Stoker’s Dracula) 25 89 MM OD EUROPY (89 mm from Europe) 26 LISTA SCHINDLERA (Schindler’s List) 28 TRZY KOLORY. BIAŁY (Three Colors: White) 30 ŚMIERĆ JAK KROMKA CHLEBA (Death as a Slice of Bread) 31 HELIKOPTER W OGNIU (Black Hawk Down) 33 MARZYCIEL (Finding Neverland) 34 PLAC ZBAWICIELA (Saviour’s Square) 35 KOPIA MISTRZA (Copying Beethoven) 37 SWEENEY TODD: DEMONICZNY GOLIBRODA Z FLEET -
Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel Von Donnersmarck's Das Leben Der Anderen
Oxford German Studies ISSN: 0078-7191 (Print) 1745-9214 (Online) Journal homepage: http://www.tandfonline.com/loi/yogs20 Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel von Donnersmarck's Das Leben der Anderen Daniela Berghahn To cite this article: Daniela Berghahn (2009) Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel von Donnersmarck's DasLebenderAnderen , Oxford German Studies, 38:3, 321-333, DOI: 10.1179/007871909x475625 To link to this article: https://doi.org/10.1179/007871909x475625 Published online: 19 Jul 2013. Submit your article to this journal Article views: 298 Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=yogs20 Oxford German Studies, Vol. 38, No. 3, 2009 REMEMBERING THE STASI IN A FAIRY TALE OF REDEMPTION: FLORIAN HENCKEL VON DONNERSMARCK’S DAS LEBEN DER ANDEREN Daniela Berghahn Royal Holloway, University of London Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘Modus des emotionalen Nacherlebens’ (2006), this article examines von Donnersmarck’s début feature Das Leben der Anderen in relation to the surge of recent films about the Nazi past and the Holocaust. The award-winning Stasi-film uses similar narrative paradigms to Schindler’s List and The Pianist, thereby invoking the association between Stasi and Nazi and exploiting familiar cinematic stereotypes. Like in these ‘Greuelmärchen’ (Bathrick, 2000), historical truth is sacrificed for melodrama and suspense. Das Leben der Anderen re-imagines the burdened and traumatic memory of the Stasi as a universal tale of redemption. -
Roman Polanski Pathé Présente / Presents
UN FILM DE / A FILM BY ROMAN POLANSKI PATHÉ PRÉSENTE / PRESENTS UN FILM DE / A FILM BY ROMAN POLANSKI AVEC / WITH NASTASSJA KINSKI PETER FIRTH LEIGH LAWSON ET / AND JOHN COLLIN DAVID MARKHAM ROSEMARY MARTIN RICHARD PEARSON CAROLYN PICKLES PASCALE DE BOYSSON INTERNATIONAL SALES PATHÉ ARIELLE DOMBASLE PARIS OFFICE SCÉNARIO / SCREENPLAY BY 2, rue Lamennais - 75008 Paris - France Tel: +33 1 71 72 33 05 GÉRARD BRACH ROMAN POLANSKI JOHN BROWNJOHN DISTRIBUTION PATHÉ LONDON OFFICE D’APRÈS LE ROMAN «TESS D’URBERVILLE» DE THOMAS HARDY 2, rue Lamennais 6 Ramillies Street - London W1F 7TY - UK 75008 Paris Tel: +44 207 462 4429 BASED ON THE NOVEL “TESS OF THE D’URBERVILLES” BY THOMAS HARDY France Tél. : 01 71 72 30 00 www.patheinternational.com PRODUIT PAR / PRODUCED BY www.pathefilms.com [email protected] CLAUDE BERRI SYNOPSIS THE STORY ans l’Angleterre du XIXe siècle, un paysan du Dorset, John Durbeyfield, découvre par hasard D qu’il est le dernier descendant d’une grande famille d’aristocrates. Motivé par le profit qu’il pourrait tirer de cette noblesse perdue, Durbeyfield envoie sa fille aînée, Tess, se réclamer de cette parenté chez la riche famille des d’Urberville. Le jeune Alec d’Urberville, charmé par la beauté de sa «délicieuse cousine», accepte de l’employer et met tout en œuvre pour la séduire. Tess finit par céder aux avances d’Alec et, enceinte, retourne chez ses parents où elle donne naissance à un enfant qui meurt peu de temps après. Fuyant son destin, Tess s’enfuit de son village et trouve un emploi dans une ferme où personne ne connaît son malheur. -
One, Two, Three BILLY WILDER 30 38 46 Last Year at Marienbad 54 West Side Story 62 70 Breakfast at Tiffany's 78 the Longest
1961 1962 1963 1964 One, Two, Three BILLY WILDER 30 The Longest Day KEN ANNAKIN, 86 Contempt JEAN-LUC GODARD 174 A Fistful of Dollars 236 ANDREW MARTON, BERNHARD WICKI BOB ROBERTSON = SERGIO LEONE The Hustler ROBERT ROSSEN 38 Cleopatra JOSEPH L. MANKIEWICZ 182 Lawrence of Arabia DAVID LEAN 94 Goldfinger GUY HAMILTON 242 Jules and Jim FRANÇOIS TRUFFAUT 46 The Silence INGMAR BERGMAN 190 To Kill a Mockingbird 102 A Hard Day's Night RICHARD LESTER 248 Last Year at Marienbad 54 The Birds ALFRED HITCHCOCK ROBERT MULLIGAN 198 ALAIN RESNAIS The Pink Panther 256 1 Charade STANLEY DONEN 206 8 /2 FEDERICO FELLINI 110 BLAKE EDWARDS West Side Story 62 Tom Jones TONY RICHARDSON 214 ROBERT WISE, JEROME ROBBINS What Ever Happened 118 My Fair Lady GEORGE CUKOR 264 to Baby Jane? ROBERT ALDRICH Dr. Strangelove or: How I 222 Accattone PIER PAOLO PASOLINI 70 Zorba the Greek MICHAEL CACOYANNIS 272 Learned to Stop Worrying and The Man Who Shot Liberty 126 Breakfast at Tiffany's 78 Love the Bomb STANLEY KUBRICK The Pawnbroker SIDNEY LUMET 280 Valance JOHN FORD BLAKE EDWARDS The Leopard LUCHINO VISCONTI 230 Mary Poppins ROBERT STEVENSON 288 The Eclipse MICHELANGELO ANTONIONI 134 The Trial ORSON WELLES 142 Cape Fear J. LEE THOMPSON 150 The Manchurian Candidate 160 JOHN FRANKENHEIMER Lolita STANLEY KUBRICK 166 4 5 001-029_MOVIES_OF_THE_1960S_BU_GB_49337.IND12001-029_MOVIES_OF_THE_1960S_BU_LITHO_49337.IND12 4 4 01.07.1903.06.19 11:1614:25 001-029_MOVIES_OF_THE_1960S_BU_GB_49337.indd001-029_MOVIES_OF_THE_1960S_BU_LITHO_49337.IND12 5 5 15.07.1903.06.19 10:3114:25 1965 1966 1967 1968 Darling JOHN SCHLESINGER 294 Django SERGIO CORBUCCI 362 Bonnie and Clyde ARTHUR PENN 468 2001: A Space Odyssey 556 STANLEY KUBRICK Repulsion ROMAN POLANSKI 302 Alfie LEWIS GILBERT 368 Casino Royale VAL GUEST, 474 KEN HUGHES, JOHN HUSTON, Bullitt PETER YATES 564 Alphaville JEAN-LUC GODARD 310 Seconds JOHN FRANKENHEIMER 374 JOSEPH MCGRATH, ROBERT PARRISH Barbarella ROGER VADIM 570 The Sound of Music ROBERT WISE 316 Persona INGMAR BERGMAN 380 The Jungle Book 482 If…. -
Nazi German Filmography & Tvography
Nazi German Filmography & TVography-1 Nazi German Filmography Compiled from publications by Sabine Hake, German National Cinema, 2nd ed. (2008), and Axel Bangert, The Nazi Past in Contemporary Germany (2014). Tended to exclude Holocaust related, but if a film was set in a concentration camp with a non-Jewish subject focus, I included here. I have a separate Holocaust filmography. I did include costume dramas, fictional characters set in historical events, and films claiming to be a historical account. Some documentaries are included if I bumped into them or found them referenced by Bangert and Hake. (21 July 2018) Film Title (English titles listed Year Director and Description. ahead of original German titles) 12th Man, The (Den 12. 2018 Dir. Harald Zwart. Inspired by a true story of Jan Baalsrud’s escape from the Nazis after mann) having been captured as a resistance fighter. According to the Wiki description this film emphasizes Baalsrud’s rescuers. 13 Minutes (Elser – Er 2015 Dir. Oliver Hirschbiegel. “…tells the true story of George Elser’s failed attempt to hätte die Welt assassinate Adolf Hitler in November 1939.” https://en.wikipedia.org/wiki/13_Minutes verändert) 2 or 3 Things I know 2005 Dir. Malte Ludin. “… is a documentary film in which German director Malte Ludin examines about Him (2 oder 3 the impact of Nazism in his family. Malte's father, Hanns Ludin, was the Third Reich's Dinge, die ich von ihm ambassador to Slovakia. As such, he signed deportation orders that sent thousands of Jews weiβ) to Auschwitz. Hanns Ludin was executed for war crimes in 1947.” https://en.wikipedia.org/wiki/2_or_3_Things_I_Know_About_Him A Time to Love and a 1958 Dir. -
ROMAN POLANSKI PLAYTIME Presents a Production by LEGENDE & R.P
AN OFFICER AND A SPY A FILM BY ROMAN POLANSKI PLAYTIME PRESENTS A PRODUCTION BY LEGENDE & R.P. PRODUCTIONS JEAN DUJARDIN LOUIS GARREL | EMMANUELLE SEIGNER | GREGORY GADEBOIS AN OFFICER AND A SPY (J’ACCUSE) A FILM BY ROMAN POLANSKI FRANCE, ITALY | 1.85 | 132 MIN INTERNATIONAL SALES InternationaL Press ItaLIAN DistriBUTION ItaLIAN Press PLaytiME Way to BLUE 01 DistriBUTION WAY TO BLUE 5 RUE NICOLAS FLAMEL CHRISTELLE RANDALL, GLOBAL PUBLICITY DIRECTOR RAI CINEMA S.P.A. PAOLA PAPI, REGIONAL DIRECTOR 75004 PARIS, FRANCE T +44 207 749 8444 / [email protected] PIAZZA ADRIANA, 12 - 00193 ROMA T +39 33 8238 5838 / [email protected] T +33 1 53 10 33 99 T +39 06.33179601 WWW.PLAYTIME.GROUP MARISA WOODHAM, PUBLICITY ACCOUNT MANAGER T +44 7917 712610 / [email protected] VENICE SCREENINGS Press & industry screenings: Fri 30 | 8:30 AM | Sala Darsena Fri 30 | 11:15 AM | Sala Grande Festival screenings: Fri 30 | 7:15 PM | Sala Grande (Official Premiere) Fri 30 | 8:30 PM | Palabiennale Sat 31 | 10:30 AM | Palabiennale SYNOPSIS On January 5, 1895, Captain Alfred Dreyfus, a young promi- sing officer, is degraded for spying for Germany and is sen- tenced to life imprisonment on Devil’s Island. Among the wit- nesses to his humiliation is Georges Picquart, who is promoted to run the military counter-intelligence unit that tracked him down. But when Picquart discovers that secrets are still being handed over to the Germans, he is drawn into a dangerous labyrinth of deceit and corruption that threatens not just his honour but his life.