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The World at the Time of Messel: Conference Volume
T. Lehmann & S.F.K. Schaal (eds) The World at the Time of Messel - Conference Volume Time at the The World The World at the Time of Messel: Puzzles in Palaeobiology, Palaeoenvironment and the History of Early Primates 22nd International Senckenberg Conference 2011 Frankfurt am Main, 15th - 19th November 2011 ISBN 978-3-929907-86-5 Conference Volume SENCKENBERG Gesellschaft für Naturforschung THOMAS LEHMANN & STEPHAN F.K. SCHAAL (eds) The World at the Time of Messel: Puzzles in Palaeobiology, Palaeoenvironment, and the History of Early Primates 22nd International Senckenberg Conference Frankfurt am Main, 15th – 19th November 2011 Conference Volume Senckenberg Gesellschaft für Naturforschung IMPRINT The World at the Time of Messel: Puzzles in Palaeobiology, Palaeoenvironment, and the History of Early Primates 22nd International Senckenberg Conference 15th – 19th November 2011, Frankfurt am Main, Germany Conference Volume Publisher PROF. DR. DR. H.C. VOLKER MOSBRUGGER Senckenberg Gesellschaft für Naturforschung Senckenberganlage 25, 60325 Frankfurt am Main, Germany Editors DR. THOMAS LEHMANN & DR. STEPHAN F.K. SCHAAL Senckenberg Research Institute and Natural History Museum Frankfurt Senckenberganlage 25, 60325 Frankfurt am Main, Germany [email protected]; [email protected] Language editors JOSEPH E.B. HOGAN & DR. KRISTER T. SMITH Layout JULIANE EBERHARDT & ANIKA VOGEL Cover Illustration EVELINE JUNQUEIRA Print Rhein-Main-Geschäftsdrucke, Hofheim-Wallau, Germany Citation LEHMANN, T. & SCHAAL, S.F.K. (eds) (2011). The World at the Time of Messel: Puzzles in Palaeobiology, Palaeoenvironment, and the History of Early Primates. 22nd International Senckenberg Conference. 15th – 19th November 2011, Frankfurt am Main. Conference Volume. Senckenberg Gesellschaft für Naturforschung, Frankfurt am Main. pp. 203. -
Obtaining World Heritage Status and the Impacts of Listing Aa, Bart J.M
University of Groningen Preserving the heritage of humanity? Obtaining world heritage status and the impacts of listing Aa, Bart J.M. van der IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Aa, B. J. M. V. D. (2005). Preserving the heritage of humanity? Obtaining world heritage status and the impacts of listing. s.n. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 23-09-2021 Appendix 4 World heritage site nominations Listed site in May 2004 (year of rejection, year of listing, possible year of extension of the site) Rejected site and not listed until May 2004 (first year of rejection) Afghanistan Península Valdés (1999) Jam, -
The Restoration of Medieval Stained Glass*
The Restoration of Medieval Stained Glass* Gottfried Frenzel The victim ofits own composition and ofmodem air tiny particles. The particles fall out of each panel: thus pollution, Europe's most radiant art is now threat- the window disintegrates. ln England stained-glass windows are exposed to ened ~'ith destruction. The efforts at preservation heavy smog. Canterbury Cathedral displays the re- depend on knowledge of the glass. sults. The cathedral includes the Trinity chapel and its Light bas long served religion as a :symbol. It has ambulatory , or processional aisle, which incorporates signified creation (" Let there be lighlt" was the first the chapel called the Corona, constructed between 1174 and 1220. ln both chapels some of the stained command of the Creator) as weIl as salvation (John glasshas been attacked. Pits have formed, which have the Evangelist saw the Heavenly Jerusalem illumi- nated as if made " of jasper" and its walls " like clear now perforated the panels, leaving them quite porous, so that acid raiD cao reach the ioDer surface of the glass") The earthly reflections of such visions, glass and eat into the paintwork there. achieved throughout the Middle Ages by means of France is the classic repository of stained glass. A light, were the period' s most brilliant works of art: the single cathedral, the one in Chartres, is decorated with stained glass windows of Romanesque and Gothic more than 2,000 square meters of stained glass from chapels, churches, minsters and cathedrals. For al- the 12th and 13th centuries, the period when the art most a millennium, in the caseof the earliest stained- reachedits peak in France. -
Early Medieval Europe
Early Medieval Europe 1 Early Medieval Sites in Europe 2 Figure 16-2 Pair of Merovingian looped fibulae, from Jouy-le-Comte, France, mid-sixth century. Silver gilt worked in filigree, with inlays of garnets and other stones, 4” high. Musée d’Archéologie nationale, Saint-Germain-en-Laye. 3 Heraldic Motifs Figure 16-3 Purse cover, from the Sutton Hoo ship burial in Suffolk, England, ca. 625. Gold, glass, and cloisonné garnets, 7 1/2” long. British Museum, London. 4 5 Figure 16-4 Animal-head post, from the Viking ship burial, Oseberg, Norway, ca. 825. Wood, head 5” high. University Museum of National Antiquities, Oslo. 6 Figure 16-5 Wooden portal of the stave church at Urnes, Norway, ca. 1050–1070. 7 Figure 16-6 Man (symbol of Saint Matthew), folio 21 verso of the Book of Durrow, possibly from Iona, Scotland, ca. 660–680. Ink and tempera on parchment, 9 5/8” X 6 1/8”. Trinity College Library, Dublin. 8 Figure 16-1 Cross-inscribed carpet page, folio 26 verso of the Lindisfarne Gospels, from Northumbria, England, ca. 698–721. Tempera on vellum, 1’ 1 1/2” X 9 1/4”. British Library, London. 9 Figure 16-7 Saint Matthew, folio 25 verso of the Lindisfarne Gospels, from Northumbria, England, ca. 698–721. Tempera on vellum, 1’ 1 1/2” X 9 1/4”. British Library, London. 10 Figure 16-8 Chi-rho-iota (XPI) page, folio 34 recto of the Book of Kells, probably from Iona, Scotland, late eighth or early ninth century. Tempera on vellum, 1’ 1” X 9 1/2”. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork*
$UFKLWHFWXUDO Bork, R 2014 Dynamic Unfolding and the Conventions of Procedure: Geometric +LVWRULHV Proportioning Strategies in Gothic Architectural Design. Architectural Histories, 2(1): 14, pp. 1-20, DOI: http://dx.doi.org/10.5334/ah.bq RESEARCH ARTICLE Dynamic Unfolding and the Conventions of Procedure: Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork* This essay explores the proportioning strategies used by Gothic architects. It argues that Gothic design practice involved conventions of procedure, governing the dynamic unfolding of successive geometrical steps. Because this procedure proves difficult to capture in words, and because it produces forms with a qualitatively different kind of architectural order than the more familiar conventions of classical design, which govern the proportions of the final building rather than the logic of the steps used in creating it, Gothic design practice has been widely misunderstood since the Renaissance. Although some authors in the nineteenth and twentieth centuries attempted to sympathetically explain Gothic geometry, much of this work has been dismissed as unreliable, especially in the influential work of Konrad Hecht. This essay seeks to put the study of Gothic proportion onto a new and firmer foundation, by using computer-aided design software to analyze the geometry of carefully measured buildings and original design drawings. Examples under consideration include the parish church towers of Ulm and Freiburg, and the cross sections of the cathedrals of Reims, Prague, and Clermont-Ferrand, and of the Cistercian church at Altenberg. Introduction of historic monuments to be studied with new rigor. It is Discussion of proportion has a curiously vexed status in finally becoming possible, therefore, to speak with reason- the literature on Gothic architecture. -
Treasures of Mankind in Hessen
Hessen State Ministry of Higher Education, Research and the Arts United Nations World Heritage Educational, Scientific and in Germany Cultural Organization Treasures of Mankind in Hessen UNESCO World Cultural Heritage · World Natural Heritage · World Documentary Heritage Hessisches Ministerium für Wissenschaft und Kunst Hessen State Ministry of Higher Education, Research and the Arts Mark Kohlbecher Presse- und Öffentlichkeitsarbeit Rheinstraße 23 – 25 65185 Wiesbaden Germany www.hmwk.hessen.de Landesamt für Denkmalpflege Hessen Hessen State Office for the Preservation of Historic Monuments Prof. Dr. Gerd Weiß UNESCO-Welterbebeauftragter des Landes Präsident des Landesamtes für Denkmalpflege in Hessen Schloss Biebrich Rheingaustraße 140 65203 Wiesbaden Germany www.denkmalpflege-hessen.de CONTENTS 1 Editorial · Boris Rhein 2 Heritage is a commitment Introduction · Prof. Dr. Gerd Weiß 4 Protecting and preserving WORLD CULTURAL HERITAGE Gateway to the Early Middle Ages 6 Lorsch Abbey A romantic river 10 Upper Middle Rhine Valley The frontier of the Roman Empire 14 Upper German-Raetian Limes The primeval force of water 18 Bergpark Wilhelmshöhe WORLD NATURAL HERITAGE The Pompeii of Palaeontology 22 Messel Pit Fossil Site Publication details: Leaving nature to its own devices 26 Published by: The Hessen Ministry of Higher Education, Research and the Arts • Rheinstraße 23 – 25 • Ancient Beech Forests of Germany: the Kellerwald 65185 Wiesbaden • Germany • Editor: Gabriele Amann-Ille • Authors: Gabriele Amann-Ille, Dr. Ralf Breyer, Dr. Reinhard Dietrich, Kathrin Flor, Dr. Michael Matthäus, Dr. Hermann Schefers, Jutta Seuring, Dr. Silvia WORLD DOCUMENTARY HERITAGE Uhlemann, Dr. Jennifer Verhoeven, Jutta Zwilling • Layout: Christiane Freitag, Idstein • Illustrations: Title A modern classic 30 page: top row, from left to right: Saalburg: Saalburg archive; Messel Fossil Pit: Darmstadt State Museum; Burg Fritz Lang’s silent film “Metropolis” Ehrenfels: Rüdesheim Tourist AG, photo: K. -
My Geo-Naturepark Bergstrasse-Odenwald
MY GEO-NATUREPARK BERGSTRASSE-ODENWALD “When you’re floating up there in the space station, looking down on this small blue planet, and when you then see how much blackness there is all around, then it seems down- right grotesque that human beings wage war against each other or burn down the forests we need for our survival. That is my message.” Alexander Gerst German geophysicist and ESA astronaut, International Space Station ISS* * Quote by ESA astronaut Alexander Gerst, source: dpa interview, Hamburger Abendblatt, 14 November 2014 (https://www.abendblatt.de/ratgeber/wissen/article134322280/Wir-haben-nur-diese-eine-Erde.html) Experience the Geopark Experience the History Page 6 Experience the Geopark … of the Earth My Felsenmeer … Experience Nature Page 12 My Orchard Page 10 Meadows … The Geo-Naturepark Page 18 MY GEO-NATUREPARK 4 Experience Wonders Experience the History of the Earth Page 23 Satisfy My Page 8 Our Caves, Curiosity … Unesco Global Geopark Fossils, and Geotopes … Experience Nature My World … Page 14 Page 32 Experience Nature Page 24 Experience Leisure Time My River Experience Culture Experience Culture My Activities in Landscapes and My Rivers, Monks, a Great Landscape … Holms … Herbs, and „Panaceas“… My Vines Page 26 and Roman Page 30 Treasures … Page 20 Experience Culture Page 28 My Castles and Manors … MY GEO-NATUREPARK 5 Experience Leisure Time My Hiking BERGSTRASSE-ODENWALD Pleasure … Page 39 i Everything Plays Together Information … Page 34 Our planet Earth is the home for all life that has developed on it. What is close to our heart deserves our protection. Our enthusiasm and our commitment. -
Protection Issues in Selected European Historic Towns and Their Contemporary Development
E3S Web of Conferences 45, 00043 (2018) https://doi.org/10.1051/e3sconf/20184500043 INFRAEKO 2018 Protection issues in selected European historic towns and their contemporary development Dominika Kuśnierz-Krupa1,* 1Cracow University of Technology, Faculty of Architecture, Podchorążych Street 1, Cracow, Poland Abstract. The presented article is aimed at presenting a few selected examples of small European historic towns whose properly protected cultural heritage considerably contributes to their development in the 21st century. The issue of protection and revalorisation of Polish towns, particularly the smaller ones, is relevant nowadays. Historic heritage seems to be a burden for local authorities and residents because very often they are not aware of how it could contribute to the multidirectional development of their towns. The local inhabitants and authorities of small historic towns in Western European countries respect their heritage much more than Poles, as they associate it with the idea of sustainable development, “place specificity”, and finally, with an opportunity for development, treating cultural heritage as a basis for economic progress and building new and modern infrastructure. It is worth drawing attention here, that sustainable development denotes changing the reality in such a way that the development would optimally satisfy the needs of modern man, without violating the needs of future generations. The testimony to the potential of the cultural heritage of historic towns in the context of their modern development is borne by the towns whose authorities and inhabitants were able to utilise their past for building their future. As examples one could name here French (e.g. Auxerre, Provins,) or German towns (e.g. -
The Bauhaus 1 / 70
GRAPHIC DESIGN HISTORY / THE BAUHAUS 1 / 70 The Bauhaus 1 Art and Technology, A New Unity 3 2 The Bauhaus Workshops 13 3 Origins 26 4 Weimar 45 5 Dessau 57 6 Berlin 68 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS 2 / 70 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE ARTS & CRAFTS MOVEMENT 3 / 70 1919–1933 Art and Technology, A New Unity A German design school where ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. © Kevin Woodland, 2020 Joost Schmidt, Exhibition Poster, 1923 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 4 / 70 1919–1933 The Bauhaus Twentieth-century furniture, architecture, product design, and graphics were shaped by the work of its faculty and students, and a modern design aesthetic emerged. MEGGS © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 5 / 70 1919–1933 The Bauhaus Ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. MEGGS • The Arts & Crafts: Applied arts, craftsmanship, workshops, apprenticeship • Art Nouveau: Removal of ornament, application of form • Futurism: Typographic freedom • Dadaism: Wit, spontaneity, theoretical exploration • Constructivism: Design for the greater good • De Stijl: Reduction, simplification, refinement © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 6 / 70 1919–1933 -
Cologne Cathedral (Internet) QUANTITATIVE EVALUATION
Cologne Cathedral (Internet) QUANTITATIVE EVALUATION adnan asim | 112949 | May 6, 2016 Content Structure of Cologne Cathedral App: Name of app: Cologne Cathedral (Internet) URL: https://play.google.com/store/apps/details?id=de.colognedigital.dom15_e GPS Map Map Static Map AR PHOTOS ARTICLES SHARE AUDIO VIDEO NEAR BY LINKS TOURS GAMES X X X X X X Overview This app is about Cologne Cathedral (German: Kölner Dom) is a Roman Catholic cathedral in Cologne, Germany. "It is a renowned monument of German Catholicism and Gothic architecture and was declared a World Heritage Site[3] in 1996. It is Germany's most visited landmark, attracting an average of 20,000 people a day, currently the tallest twin spired church at 157 meters 515 feet tall".https://en.wikipedia.org/wiki/Cologne_Cathedral Main Page/ Welcome Page: Welcome screen is main page of app which is user- interactive. Main page contains 7 tabs; each page gives further detailed information. Services Information History PAGE 1 Virtual Tour Biding Prayers Guestbook Videos Sitemap of app is drawn mentioned below: Map: An interactive map is not available which can guide user with directions. In virtual reality page, only 2d map is available which guide visitor about PAGE 2 important places in church but visitors have to find themselves. From city to church there is no map assistance as well as mean of transport is also absent. Engagement: This app engages user for 5 to 7 minutes because access to information is easy and articles are brief and history is also mentioned periodically. Interface Design Interface of this app is not very well designed which can be improved by home button.