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Childhood Vaccines in Uganda and Zambia: Determinants and Barriers to Effective Coverage
Childhood Vaccines in Uganda and Zambia: Determinants and Barriers to Effective Coverage David E Vogt Phillips A dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Stephen Lim, Chair Joseph Dieleman Jessica Shearer Program Authorized to Offer Degree: Global Health ©Copyright 2017 David E Vogt Phillips University of Washington Abstract Childhood Vaccines in Uganda and Zambia: Determinants and Barriers to Effective Coverage David E Vogt Phillips Chair of the Supervisory Committee: Professor Stephen Lim, PhD Global Health As a target of the Sustainable Development Goals, improving childhood immunization is a major priority for global health. Despite progress in recent times however, coverage (vaccination) and effective coverage (immunity) remain a challenge in low and middle-income countries (LMICs). Policy makers, public health practitioners and global organizations such as Gavi, the Vaccine Alliance focus much of their efforts on removing the barriers that prevent children from successful immunization. Barriers to effective coverage are complex and difficult to measure though. Extensive research effort has been devoted to understanding them, but most studies and systematic reviews have been limited in bread and depth. As vaccine programs in LMICs continue progress toward effective coverage of immunizations, better understanding of determinants and barriers will be imperative to close remaining gaps and inequities. Policies and programs like Gavi’s health system strengthening support would benefit from a more rigorous examination of the determinants and barriers to immunization. The work presented here represents a small step towards better understanding of why some children remain unvaccinated, and why some vaccines fail to produce immunity. -
Ppusa-X Event Progra
P ROGRAM INDEX 06. Fates Warning 08. Crimson Glory 12. Royal Hunt Promoter: 16. Brainstorm Glenn Harveston 18. Sabaton HoS Productions, LLC 28. Pagan’s Mind 30. Orphaned Land Media Director: Deron Blevins 32. Circus Maximus 36. Diablo Swing Orchestra Stage Manager: 38. Mindflow Chris Roy 42. Cage All band interviews were conducted and transcribed by: Greg & Paula Hasbrouck, SI GNING SEssi ONS Milton Mendonca and Bill & Elisabeth Murphy. For the FRIDAY full interviews (including 5:15 - 5:45 pm Circus Maximus interviews with the showcase 6:30 - 7:00 pm Orphaned Land bands!) head on over to 7:45 - 8:15 pm Brainstorm (table 1), Rob Rock (table 2) www.theartofprog.com . 9:15 - 9:45 pm Fates Warning 11:00 - 11:30 pm Diablo Swing Orch. (table 1), Cage (table 2) SATURDAY 4:00 - 4:30 pm Pagan’s Mind (table 1), Mindflow (table 2) 5:40 - 6:10 pm Sabaton PROGRAM LAYOUT/ 7:20 - 7:50 pm Crimson Glory DESIGN BY: 9:00 - 9:30 pm Royal Hunt All signing sessions times are subject to change and/or cancellation at the artists’ availability. WWW.METALAGES.COM Sessions will be held in the outer lobby hallway. Table 1 is located at the far end of the lobby. Table 2 is near the main entrance (same as previous years). PROGRAM PRINTING P ROGP OWER USA F OR UM SPONSORED BY: Join us at the ProgPower USA online forum! If you enjoy the social spirit of our ProgPower USA events, then the forum will be your home away from home. -
IRES L"OWARDS 1Empliiness: an Exploration of RITUAL with REFERENCE to BUDDHIST TRADITION and INNOVATION
GESTI!.IRES l"OWARDS 1EMPliiNESS: AN EXPlORATION OF RITUAL WITH REFERENCE TO BUDDHIST TRADITION AND INNOVATION by LUISE HOLTBERND A thesis submitted to the University of Plymouth in partial fulfilment for the degree of IOoctor,of Philosophy Dartington .College of Arts i l . I .... ~ ((:'.(I I h '(lli " . Ap11il 200.7 ABSTRACT LUISE HOL TBERND GESTURES TOWARDS EMPTINESS: AN EXPLORATION OF RITUAL WITH REFERENCE TO BUDDHIST TRADITION AND INNOVATION This thesis is a cross-relational enquiry into the nature of ritual as the subject of arts-based research. lt can be described as ritual-led; or as an artist's manifestation of ritual. The core of the submission consists in an exhibition, comprising 30 pieces of framed, wall-hung artwork; 3 artist's books; some small scale sculptural work and a documentary film. The research is concerned with parallel, related disciplines and modes of working: visual art, music, general ritual studies, pedagogy and the practice of Buddhist meditation and ritual. The following areas are being addressed: 1. The context of ritual in general, and Buddhist ritual in particular, both as traditional practice and in a contemporary setting. 2. Tradition and innovation as complementary forces in the evolution of ritual. 3. The interplay of pedagogy and art in the emergence of a body of work. 4. The effects of a personal life-crisis (contracting diabetes type 2) on the course of study; i.e. the discovery of ritualised artmaking as a form of healing and catalyst for increased artistic productivity. The foundation of the enquiry is both theoretical and practical. The experimental visual artwork employs a variety of techniques and media: ashes on paper; papermaking; wood pulp; and watercolour.