DOCSLIB.ORG

C E Le B R a T in G M a R G a R E T a T W O O D

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C E Le B R a T in G M a R G a R E T a T W O O D B E M C I E I A G R L R H T E H G T B I A D R E R A A T E Y H T T I N A G T W O O D ' S B U L G A R I A C R O A T I A C Z E C H R E P U B L I C H U N G A R Y Events organized by members of the R O M A N I A Central European Association for Canadian S E R B I A Studies S L O V A K I A Compiled by Katalin Kürtösi, CEACS President [[email protected]], and Fruzsina Kovács S L O V E N I A SYMPOSIUM OCTOBER 17, P R O G R A M 2019 Vera Benczik (ELTE) "Atwood's apocalypses" Krisztina·Kodó (KJU) KODOLÁNYI M A R G A R E T A T W O O D "Atwood: Cat’s Eye" JÁNOS S Y M P O S I U M A T T H E Gábor Wertheimer (KJU) "Film(s) of Atwood’s novel(s)" UNIVERSITY, E N G L I S H Eszter Mohácsi (KJU) D E P A R T M E N T O F "Atwood: The Testaments" BUDAPEST, K O D O L Á N Y I J Á N O S HUNGARY O R G A N I Z E R S U N I V E R S I T Y Krisztina Kodó, Eszter Mohácsi Gábor Wertheimer, Judit Szitó O SEMINAR OCTOBER 22, 2019 NEW T H E H A N D M A I D ' S BULGARIAN T A L E A N D 3 0 Y E A R S UNIVERSITY, O F T R A N S L A T I N G SOFIA, M A R G A R E T A T W O O D BULGARIA I N T O B U L G A R I A N O R G A N I Z E R S Diana Yankova and Andrei Andreev (New Bulgarian University) NOVEMBER 7, P U B L I C D I S C U S S I O N 2019 W I T H M A R I A N PUBLIC ARTFORUM G A Z D Í K , DISCUSSION T R A N S L A T O R O F T H E BOOKSHOP, . ŽILINA, H A N D M A I D ' S T A L E .. SLOVAKIA I N T O S L O V A K . .. O R G A N I Z E R Katarina Labudová (Catholic University, Ružomberok) CREATIVE NOVEMBER 15, WRITING 2019 C R E A T I V E W R I T I N G WORKSHOP ENGLISH W O R K S H O P DEPARTMENT, " A C A D E M I C S O R G A N I Z E R R E W R I T E T H E Cristina Băniceru WEST Andreea Șerban UNIVERSITY OF H A N D M A I D ' S T A L E & (West University of Timișoara) TIMIȘOARA, T H E T E S T A M E N T S " ROMANIA NOVEMBER 15, LECTURE 2019 ENGLISH DEPARTMENT, L E C T U R E O N WEST " T H E P L A Y W I T H I N UNIVERSITY OF T H E N O V E L : TIMIȘOARA, M A R G A R E T ROMANIA A T W O O D ' S R E W R I T I N G O F T H E T E M P E S T " O R G A N I Z E R Dana Percec (West University of Timișoara) ROUND TABLE NOVEMBER 18, & FILM 2019 SCREENING UNIVERSITY OF SZEGED, Round table discussion on The Handmaid's Tale HUNGARY moderated by Katalin Kürtösi, Anna Kérchy speaking about the novel, Miklós Sághy about the film adaptations, and István Lázár about the difficulties of R O U N D - T A B L E the first publication. Followed by a screening of The D I S C U S S I O N O N T H E Handmaid's Tale (1990, Dir. H A N D M A I D ' S T A L E Volker Schlöndorff) W I T H L I T E R A R Y S C H O L A R S , A F I L M C R I T I C , A N D T H E P U B L I S H E R , O R G A N I Z E R S S C R E E N I N G Miklós Sághy O F T H E H A N D M A I D ' S Katalin Kürtösi (University of Szeged) T A L E ( 1 9 9 0 ) L E C T U R E O N SKYPE LECTURE NOVEMBER 18, A T W O O D ' S W O R K 2019 I N T H E S P E A K E R “ I N T R O D U C T I O N T O Michelle Godpaille (University of UNIVERSITY Maribor) - "Testimony and the A N G L O P H O N E Body: Looking at Atwood's Works". Presentation via Skype. OF RIJEKA, C A N A D I A N CROATIA L I T E R A T U R E ” C O U R S E V E N U E University of Rijeka, Department of English Language and Literature O R G A N I Z E R Nikola Tutek (University of Rijeka) PRESENTATIONS NOVEMBER 18, C O N T E N T Student-led presentations 2019 centred around key aspects of BABEȘ-BOLYAI Margaret Atwood’s fiction, highlighting her fundamental UNIVERSITY OF contribution to world literature and discussing CLUJ-NAPOCA, the relevance of her dystopian ROMANIA vision in the current cultural and political context. S T U D E N T - L E D . P R E S E N T A T I O N S O R G A N I Z E R C E N T R E D A R O U N D Octavian More K E Y A S P E C T S the Centre for Canadian and Quebec Studies / Centre O F M A R G A R E T d’Études Canadiennes et A T W O O D ’ S F I C T I O N , Québécoises (“Babeș-Bolyai” University of Cluj-Napoca) ROUND TABLE R O U N D T A B L E NOVEMBER 18, P A R T I C I P A N T S “ M A R G A R E T 2019 Radojka Vukčević, Vesna Lopičić, A T W O O D ’ S Aleksandra Jovanović, SACS President, ALFA BK Sergej Macura, Ana Sentov, Milena Škobo, Branka Kovačević and the representative of UNIVERSITY, A N N I V E R S A R I E S : the Canadian Embassy Ms Olgica Marinković. BELGRADE, I N T E R P R E T A T I O N S , C O N T E N T SERBIA R E C E P T I O N A N D Radojka Vukčević and Vesna Lopičić: the A D A P T A T I O N S " establishment of the Serbian Association for Canadian Studies; Aleksandra Jovanović "Female Voice: Struggle and Survival"; Sergej Macura: the first translators and leading researchers of Atwood's works in Serbia; Ana Sentov: "Ecological Themes and Human Nature in Margaret Atwood's Novels". Milena Škobo: personal encounter with Atwood in Struga; Branka Kovačević: feminist and postcolonial perspectives in Penelopiad. Publicity about the event: https://www.youtube.com/watch? v=4b31n8xi5FY&t= O R G A N I Z E R Maja Ćuk, Dean of the Faculty of Foreign Languages PUBLIC TALK " W H E N T H E A R T I S T NOVEMBER 20, I S ( O M N I ) P R E S E N T : S P E A K E R S 2019 8 0 Y E A R S O F Petra Sapun Kurtin (FFRI, CEACS - Central European BOOKSA M A R G A R E T Association for Canadian LITERARY A T W O O D ” - P U B L I C Studies) CLUB, T A L K O N A T W O O D ' S Vanja Polić (FFZG, HKAD - W O R K S A N D T H E I R Hrvatsko-kanadsko akademsko ZAGREB, društvo) I M P A C T I N C R O A T I A CROATIA Mihaela Marija Perković (SFeRa - udruženje za promociju znanstvene fantastike) “ P U B L I C I T Y https://klub.booksa.hr/when-the- artist-is-omnipresent-80-years- of-margaret-atwood O R G A N I Z E R S Vanja Polić (University of Zagreb) Petra Sapun Kurtin (University of Rijeka) WORKSHOP NOVEMBER 20, " M A R G A R E T P R O G R A M A T W O O D : 8 0 Y E A R S 1. Jana Javorčíková (FF UMB, 2019 Banská Bystrica): "A Rattlesnake FACULTY OF O F A C T I V E L I F E " - That Does not Bite" ARTS, W O R K S H O P O N 2.
Load more

Recommended publications
  • Annual Atwood Bibliography 2016
    Annual Atwood Bibliography 2016 Ashley Thomson and Shoshannah Ganz This year’s bibliography, like its predecessors, is comprehensive but not complete. References that we have uncovered —almost always theses and dissertations —that were not available even through interlibrary loan, have not been included. On the other hand, citations from past years that were missed in earlier bibliographies appear in this one so long as they are accessible. Those who would like to examine earlier bibliographies may now access them full-text, starting in 2007, in Laurentian University’s Institutional Repository in the Library and Archives section . The current bibliography has been embargoed until the next edition is available. Of course, members of the Society may access all available versions of the Bibliography on the Society’s website since all issues of the Margaret Atwood Studies Journal appear there. Users will also note a significant number of links to the full-text of items referenced here and all are active and have been tested on 1 August 2017. That said—and particularly in the case of Atwood’s commentary and opinion pieces —the bibliography also reproduces much (if not all) of what is available on-line, since what is accessible now may not be obtainable in the future. And as in the 2015 Bibliography, there has been a change in editing practice —instead of copying and pasting authors’ abstracts, we have modified some to ensure greater clarity. There are a number of people to thank, starting with Dunja M. Mohr, who sent a citation and an abstract, and with Desmond Maley, librarian at Laurentian University, who assisted in compiling and editing.
    [Show full text]
  • 1. Nina Auerbach, Romantic Imprisonment: Women and Other Glorified Outcasts (New York, Columbia University Press, 1985), P
    Notes Notes to Chapter 1 1. Karla Hammond, 'An Interview with Margaret Atwood', The American Poetry Review, Vol. 8, No. 5 (September/October, 1979), p. 29. 2. Ibid., p. 29. 3. Joyce Carol Oates, 'Margaret Atwood: Poems and Poet', New York Times Book Review, 21 May 1978, pp. IS, 43-45. Notes to Chapter 2 1. Nina Auerbach, Romantic Imprisonment: Women and Other Glorified Outcasts (New York, Columbia University Press, 1985), p. 133. 2. Ibid., p. 138. 3. Ibid., p. 140. 4. Ibid., p. 164. 5. Sherrill Grace, Violent Duality: A Study of Margaret Atwood (Montreal, Vehicule Press, 1980), p. 59. 6. Robert Lecker, 'Janus Through the Looking Glass: Atwood's First Three Novels', The Art of Margaret Atwood: Essays in Criticism, eds Arnold E. Davidson and Cathy N. Davidson (Toronto, Anansi Press, 1981), pp. 179-80. 7. Catherine McLay, 'The Dark Voyage: The Edible Woman as Romance', The Art of Margaret Arwood: Essays in Criticism, eds Arnold E. Davidson and Cathy N. Davidson (Toronto, Anansi Press, 1981), p. 138. 8. Kim Chemin, The Obsession: Reflections on the Tyranny of Slenderness (New York, Harper & Row, 1981), p. 71. 9. Linda Sandler, 'Interview with Margaret Atwood', The Malahat Review, 4 (January, 1977), p. 19. Notes to Chapter 3 1. Graeme Gibson, Eleven Canadian Novelists (Toronto, Anansi Press, 1973), p. 29. 2. Ibid., p. 22. 136 NOTES 137 3. Annis Pratt, 'Surfacing and the Rebirth Journey', The An ofMargaret Atwood: Essays in Criticism, eds Arnold E. Davidson and Cathy N. Davidson (Toronto, Anansi Press, 1981), p. 151. 4. Ibid., p. 157. 5.
    [Show full text]
  • Margaret Atwood Alumno/A
    UNIVERSIDAD DE JAÉN EDUCACIÓN Facultad de Humanidades y Ciencias de la Educación LA Trabajo Fin de Grado There Was Once A Humorous Feminist: Margaret Atwood Alumno/a: Ana Eliche Escabias Tutor/a: Prof. D. Pilar Sánchez Calle Dpto.: Filología Inglesa Junio, 2017 FACULTAD DE HUMANIDADES Y CIENCIAS DE HUMANIDADESFACULTAD DE Table of contents 1. Introduction ....................................................................................................................... 4 2. Margaret Atwood & Her Canadian Context .................................................................. 5 2.1. Biography .................................................................................................................... 5 2.2. Canadian Context ........................................................................................................ 8 2.3. Humour ...................................................................................................................... 10 3. Introducing Atwood’s Short Stories Collections .......................................................... 12 3.1. Dancing Girls and Other Stories (1977) .................................................................... 13 3.2. Murder in the Dark .................................................................................................... 14 3.3. Good Bones ............................................................................................................... 15 4. Dark Humour and Feminism in Four Stories .............................................................
    [Show full text]
  • Central European Interpretations Margaret Atwood 80
    KÁROLI GÁSPÁR UNIVERSITY OF THE REFORMED CHURCH IN HUNGARY EÖTVÖS LORÁND UNIVERSITY Margaret Atwood 80: Central European Interpretations Margaret Atwood 80: interprétations de l’œvre en Europe Centrale A Conference Organized by KÁROLI GÁSPÁR UNIVERSITY OF THE REFORMED CHURCH IN HUNGARY (KRE) and EÖTVÖS LORÁND UNIVERSITY (ELTE) Budapest, Hungary November 28-29, 2019 CONFERENCE PROGRAM PROGRAM DAY 1 November 28 (Thursday) Venue: Eötvös Loránd University, Faculty of Humanities (1088 Budapest, Rákóczi út 5 (Campus Building R5), 3rd floor, room 356) 9:30-10:00 Registration 10:00-10:30 Opening – welcome speeches: Ambassador-designate to Hungary Caroline Charette (Embassy of Canada), Krisztina Károly (Vice-Dean for International Affairs, Faculty of Humanities, ELTE), Judit Nagy (Vice- Dean for International Affairs, Faculty of Humanities and Social Sciences, KRE), Katalin Kürtösi (CEACS President), Attila Takács (Hungary’s Representative in CEACS) 10:30-12:00 Keynote: Coral Ann Howells (Professor Emerita, University of Reading; Senior Research Fellow, Institute of English Studies, University of London): Atwood’s Reinventions: So Many Atwoods 12:00-13:00 Lunch break 13:00-15:00 Session 1 (Chair: János Kenyeres) Martin Löschnigg: The isle is full of language: Atwood, Shakespeare and the Magic of Words Aleksandra V. Jovanović: The Journey of a Voice Theodora Goss: Broken Eggs and Bloody Keys: Bluebeard Motifs in the Fiction of Margaret Atwood Katarina Labudova: Food and Sex: Genre Switches in Atwood’s The Heart Goes Last 15:00-15:30 Coffee Break 15:30-17:30 Session 2 (Chair: Judit Molnár) Tomasz Fisiak: Robbing Zenia of Power: The Robber Bride and Its TV Adaptation Katinka Krausz: Lacunary Unity: Family Albums in Margaret Atwood’s The Robber Bride Krisztina Kodó: Time(less) Memories in Margaret Atwood’s novel, Cat’s Eye Judit Nagy: Atwood’s “Man from Mars” as a Social Commentary on the Formative Period of Canadian Multiculturalism 18:00-19:30 Reception (Venue: 1088 Budapest, Múzeum krt.
    [Show full text]
  • The Handmaid's Tale and Other Works
    Approaches to Teaching AtwoocPs The Handmaid's Tale i and Other Works Edited by Sharon R. Wilson, Thomas B. Friedman, and Shannon Hengen The Modern Language Association of America New York 1996 CONTENTS Preface to the Series ix "(Preface to the Volume Sharon R. Wilson 1 ^PART ONE: MATERIALS Thomas B. Friedman and Shannon Hengen Background Historical Forces and Political Issues Jfcg Feminist Background and Issues ,&f Survey Issues 9 Primary Works 11 Atwood Criticism jMi' Teaching Aids 18 PART TWO: APPROACHES Introduction Sharon R. Wilson 23 Backgrounds <*" "Who Is This Woman?" Jerome Rosenberg 28 A Feminist by Another Name: Atwood and the Canadian Canon Donna Bennett and Nathalie Cooke *||$|» V Satire: The No-Woman's Land of Literary Modes Lorraine M. York 43 Beyond Violent Dualities: Atwood in Postcolonial Contexts Diana Brydon 49 Atwood's Intertextual and Sexual Politics Sharon R. Wilson J^ Classrooms Using Atwood's Survival in an Interdisciplinary Canadian Studies Course Thomas B. Friedman 63 Themes of Identity in Atwood's Poems and "Rape Fantasies": Using The Norton Anthology of Literature by Women Sally A. Jacobsen 70 The Trickster Text: Teaching Atwood's Works in Creative Writing Classes Kathryn VanSpanckeren 77 VI Reading as Rehearsal in a Communication Class: Comic Voicings in Atwood's Poetry Carol L. Benton 84 A Practical Exercise: Popular Culture and Gender Construction in Surfacing and Bodily Harm Garry Leonard 90 "Hypocrite Lecteuse! Ma Semblable! Ma Soeur!": On Teaching Murder in the Dark Patricia Merivale 99 X" A Case Study: The Handmaid's Tale Overview Shannon Hengen i Understanding Contemporary American Culture through The Handmaid's Tale: A Sociology Class Pamela Hewitt Dystopia's Point of No Return: A Team-Taught Utopia Class Ruud Teeuwen A Feminist and Psychoanalytic Approach in a Women's College /.
    [Show full text]
  • MARGARET ATWOOD's ART(I)FACE(S) What Emerges from This Volume Is That Atwood Is to Words As a Pig Is to Mud
    KICKING AGAINST THE PRICKS MARGARET ATWOOD'S ART(I)FACE(S) What emerges from this volume is that Atwood is to words as a pig is to mud. She's probably one of those people for whom oral sex means the invention of a new metaphor. But is there anything of value under the fancy footwork? Can she be taken, uh, seriously? Margarets Atwood. Review of Second Words Critical Essays on Margaret Atwood, 253. KICKING AGAINST THE PRICKS MARGARET ATWOOD'S ART(I)FACE(S) A thesis submitted in partial fulfilment of the requirements for the Degree of Master of AIts in English in the University of Canterbmy 1991 by Jackie Buxton ~ 1) r< ct ('\ . )\ () Abstract Abbreviations Chronology of Poems Acknowledgements EPI(pRO)LOGUE 1 SPECULATIONS 19 PRICKING THE PHALLUS 39 THE THREAD OF DESIRE 71 SOliCITING THE WORD 106 Works Cited 149 Works Consulted 152 , 9 SEP 'lOOO Abstract "Margaret Atwood", claim the Margarets Atwood in a review of their book, Second Words, is not one person, but "a front for a committee" (McCombs, ed. 251). This thesis examines some of the faces of Margaret Atwood's artistry. It is governed by the premise that Atwood's work embodies the subversive strategies of a feminine sextuality. Hers is a (feminine) subversion on every level:: formal, linguistic, historical and thematic. Atwood replies to the pha1locentdc logos and the phallogocentric "I" by kicking against the pIicks. It is a resistance that is both multiple and strategic. Therefore, my feminist post-structuralist approach to Atwood's multiplicities takes as its basis the rhizomatic theory of Gilles Deleuze and Felix Guattal1.
    [Show full text]
  • André Durand Présente Margaret Eleanor ATWOOD (Canada)
    www.comptoirlitteraire.com André Durand présente Margaret Eleanor ATWOOD (Canada) (1939-) Au fil de sa biographie s’inscrivent ses œuvres qui sont résumées et commentées (surtout ‘’Faire surface’’ et ‘’La servante écarlate’’ qui sont étudiés dans des dossiers à part). Bonne lecture ! 1 Née à Ottawa, elle était la fille de Carl Edmund Atwood et de Margaret Dorothy Killam, avait un frère de deux ans plus âgé et une soeur de quatre années plus jeune. Comme elle portait le même prénom que sa mère, elle était appelée Peggy par sa famille et ses intimes. Ses parents venaient de la Nouvelle-Écosse qu’ils avaient quittée à cause de la crise économique. La famille de Margaret Atwood allait y faire régulièrement des voyages, et elle a pu dire que ses racines étaient dans les Provinces Maritimes. Carl Atwood devint professeur de zoologie, à Ottawa et, plus tard, à Toronto. Entomologiste forestier, il s’était engagé tôt dans la conservation des espèces, étant l’un des premiers scientifiques à mettre en garde la société contre l’utilisation d’insecticides. Comme il étudiait les insectes arboriphages, pendant les mois les plus chauds, il emmenait sa famille dans une cabane du Témiscamingue, une région reculée du Québec où, confia-t-elle, elle eut «une enfance privée d’électricité, d’eau courante, de films, de téléphones et, surtout, d’autres gens.» Puisqu’ils ne pouvaient aller à l’école, Margaret et son frère, Harold, recevaient un enseignement de leur mère. Mais elle aime raconter que son éducation, elle l’a surtout eue en suivant son père et en menant une vie libre dans les bois.
    [Show full text]
  • Ms. Atwood, Margaret Coll
    ATWOOD (Margaret) papers Thomas Fisher Rare Book Library MS. ATWOOD, MARGARET COLL. Papers, 1953-ongoing 200 207 boxes & items (52 metres) Drafts and final typescripts of her literary works (poems, stories, dramatic works, novels, non fiction works); original art work; correspondence; a little juvenilia. Acquired from the author on a continuing basis, from 1970 to the present. The major accession occurred in 1981. Margaret Atwood retains copyright and literary rights to all material written by her. Requests for permission to publish and extensive photocopying should be referred to her at: c/o McClelland & Stewart Publishers, 481 University Avenue, Suite 900, Toronto, Ontario M5G 2E9. Some files restricted. Atwood home page: http://www.owtoad.com To photocopy unpublished material, or more than 50 pages of manuscript the reader must get permission from Margaret Atwood's office, at 416- 960-6275. The bulk of the collection consists of holograph drafts and typescripts of Atwood's literary works. Galleys and page proofs exist for some items but not for all. First published appearances of poems, short stories, essays, etc. in periodicals are sometimes included with the drafts but are not as a rule present in the collection. Many of the periodicals containing her work are in the Library. The papers also contains considerable unpublished material, including poems, short stories, radio and television scripts, drafts of two novels, and Atwood's unfinished doctoral thesis. Most of the correspondence in the collection relates to the editing and publication of literary works. Some personal letters are included in the earlier correspondence. Personal correspondence after 1967 is restricted.
    [Show full text]
  • Of Margaret Atwood's Novels the Edible Wom- and Bodily Ham
    INFORMATION TO USERS This manuscript has been reproduced fmm the microfilm master. UMI films the text directiy from the original or copy submitted. Thus, some thesis and dissertation copies are in typevuriter face, while othen may be from any type of cornputer printer. The quality of this reproduction is dependent upon thquality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a camplete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproducad by sectioning the original, beginning at the upper left-hand corner and wntinuing from left to right in equal sections with small ovedaps. Photographs included in the original manuscript have ben reproduœd xerographically in this copy. Higher quality 6" x 9" black and white photographie prints are avaiiable for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI direcüy to order. Bell & Howell Information and Leaming 300 North Zeeb Road, Ann Arbr, MI 481W-1346 USA Reading Hidden Layers: A Genetic Analysis of the Drafts of Margaret Atwood's novels The Edible Wom- and Bodily Ham Helmut Reic henbacher A thesis submitted in conformity with the requirements for the degree of Ph.D. Graduate Department
    [Show full text]
  • {PDF EPUB} the Martians Claim Canada by Margaret Atwood the Martians Claim Canada by Margaret Atwood
    Read Ebook {PDF EPUB} The Martians Claim Canada by Margaret Atwood The Martians Claim Canada by Margaret Atwood. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 658d594279d784f8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Biography of Margaret Atwood, Canadian Poet and Writer. Margaret Atwood (born November 18, 1939) is a Canadian writer, known for her poetry, novels, and literary criticism, among other work. She has won several prestigious awards over the course of her career, including the Booker Prize. In addition to her writing work, she is an inventor who has worked on remote and robotic writing technology. Fast Facts: Margaret Atwood. Full Name: Margaret Eleanor Atwood Known For: Canadian poet, lecturer, and novelist Born: November 18, 1939 in Ottawa, Ontario, Canada Parents: Carl and Margaret Atwood (née Killam) Education: University of Toronto and Radcliffe College (Harvard University) Partners: Jim Polk (m. 1968-1973), Graeme Gibson (1973-2019) Child: Eleanor Jess Atwood Gibson (b.
    [Show full text]