Mainstage Season 2016–17 Theatre Department Presents
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COLUMBIA COLLEGE CHICAGO MAINSTAGE SEASON 2016–17 THEATRE DEPARTMENT PRESENTS AS YOU LIKE IT OCTOBER 26–NOVEMBER 5 SHELDON PATINKIN THEATRE WRITTEN BY WILLIAM SHAKESPEARE DIRECTED BY WENDI WEBER ONCE ON THIS ISLAND NOVEMBER 30–DECEMBER 10 STUDIO 404 BOOK AND LYRICS BY LYNN AHRENS BOOK AND LYRICS BY LYNN AHRENS MUSIC BY STEPHEN FLAHERTY MUSIC BY STEPHEN FLAHERTY NOVEMBER 30—DECEMBER 10, 2016 DIRECTED BY ASHTON BYRUM PEER GYNT FEBRUARY 8–18 STUDIO 404 WRITTEN BY HENRIK IBSEN DIRECTED BY JEFF GINSBERG LITTLE SHOP OF HORRORS MARCH 8–18 SHELDON PATINKIN THEATRE BOOK AND LYRICS BY HOWARD ASHMAN MUSIC BY ALAN MENKEN DIRECTED BY DAVID WOOLLEY FEFU AND HER FRIENDS APRIL 19–29 STUDIO 404 WRITTEN BY MARIA IRENE FORNES DIRECTED BY BRIAN SHAW colum.edu/theatre COMING UP NEXT ONCE ON THIS ISLAND NOVEMBER 30—DECEMBER 10, 2016 STUDIO 404 BOOK AND LYRICS L Y N N A H R E N S MUSIC STEPHEN FLAHERTY MUSICAL DIRECTION PHIL CALDWELL FEBRUARY 8—18 CHOREOGRAPHY MICHAEL GEORGE MARIAH MORRIS STUDIO 404 DIRECTION AND ADDITIONAL MUSICAL STAGING ASHTON BYRUM PRODUCTION STAGE MANAGER NICHOLAS BADER STORYTELLERS TI MOUNE SHANTEL CRIBBS LITTLE TI MOUNE/GIRL JIGI FABULOUS AGWE JERMAINE ROBINSON, JR. ASAKA DE’JAH PERKINS ERZULIE NATALIE SAVOY PAPA GE MARVIN MALONE II DANIEL BRIAN JACKSON TONTON JULIAN BRAXTON GEORGE MAMA EURALIE DEZHANE ROUSE ARMAND DAVON SUTTLES ANDREA AALON SMITH ENSEMBLE D’ZHARI BOLDEN MICHAEL GEORGE IZAIAH HARRIS MARIAH MORRIS JUWON PERRY JORDAN REEDER 2 PRODUCTION STAFF ORCHESTRA REEDS DEREK WEIHOFEN DAN MEINHARDT MAINSTAGE ARTISTIC DIRECTOR JOHN GREEN GUITAR DALTON SEEBRUCK DIRECTOR OF THEATER FACILITIES MARY BADGER PERCUSSION TONY SCANDORA VOCAL COACH CATHERINE SLADE KEYBOARDS PHIL CALDWELL SCENIC DESIGN ADVISOR JACKIE PENROD EMMA SHEIKH STAGE MANAGER ADVISOR NYKOL DEDREU MUSIC DIRECTOR ADVISOR ANDRA VELIS SIMON UNDERSTUDIES LIGHTING DESIGN ADVISOR HEATHER GILBERT TI MOUNE AALON SMITH MICHAEL GEORGE LIGHTING TECH SUPERVISOR MARC CHEVALIER DANIEL JORDAN REEDER MASTER CARPENTER MICK THOMASSON IZAIAH HARRIS COSTUME DESIGN ADVISOR FRANCES MAGGIO AGWE JUWON PERRY COSTUME SHOP MANAGER PATTI ROEDER ASAKA D’ZHARI BOLDEN COSTUME SHOP FOREMAN TOM KEIFFER PAPA GE JUWON PERRY MAKEUP ADVISOR GLENESE HAND ERZULIE D’ZHARI BOLDEN PROPERTY MASTER GRANT SABIN MAMA EURALIE MICHAEL GEORGE DIRECTOR OF TECHNOLOGY JOE SZADAY TONTON JULIAN JUWON PERRY TECHNICAL DIRECTOR MICHAEL MADDUX ARMAND JORDAN REEDER ASSISTANT DIRECTORS KASS FERLAND HAROUN ANDREA MARIAH MORRIS SEAN MARBURGER ASSISTANT MUSIC DIRECTOR EMMA SHEIKH ASSISTANT SCENIC DESIGNER MARIAH PENDLETON COSTUME DESIGN ASSISTANT ANNALIESE VOCI ASSISTANT LIGHTING DESIGNER JOURDIN BURGESS ASSISTANT SOUND DESIGNER JAMIE DAVIS ASSISTANT STAGE MANAGERS IZZY FRENCH KATIE BACHERT ASSISTANT TO THE CHAIR DAWN RENEE JONES ASSISTANT MASTER ELECTRICIAN CLAIRE DOTY 10 3 DANIEL KNOEDLER (Scenic Designer) is a senior Th eatre Design DIRECTOR’S NOTE major from Mosinee, Wisconsin. He designed numerous sets (How to Succeed in Business, Chicago, Th e Wizard of Oz and Nunsense) for his BY ASHTON BYRUM local community theatre before transferring to Columbia in fall 2014. Since arriving on campus, Daniel has worked on directing projects (My Once On Th is Island, by Lynn Ahrens and Michael Flaherty, is based on the Sister in Th is House and Dr. Faustus) and the NewStew Fresh Play prize novel My Love, My Love or Th e Peasant Girl by Rosa Guy. A lush, Caribbean (In Th e Clearing). retelling of Th e Little Mermaid tale from the 1990–91 Broadway season, the story celebrates the notion of community in a joyous yet timely ANDY KLOUBEC (Lighting Designer) is a senior Th eatre Design major way. It’s a love story set against the frame of race and skin tone as the concentrating in Lighting Design. Andy is proud to be designing his defi ning trait for advantage and power (a truth still magnifi ed today fi rst musical, and sixth overall production at Columbia. Previous throughout our daily lives and political discourse). design credits include Columbia’s Fresh Ink Play Festival 2016; Dog Sees God: Confessions of a Teenage Blockhead, directed by Max Colvill; As we near the end of the historic presidency of Barack Obama, our and I’m Full of B.S.: A Novel, choreographed by Aaliyah Leonard. nation reels from a long and exhausting political season of division and the coded language of prejudice. But, it’s been fascinating for BENJAMIN WITT (Costume Designer) is a senior BFA Th eatre our ensemble to explore the notion of a light-skinned man of color Design major with concentrations in lighting and costume design representing the traditional seat of privilege and entitlement. Our society from Antioch, Illinois. Previous Columbia College Chicago costume has a lot of healing to do to unite as one community. Unsurprisingly, what design credits include Baltimore Waltz (dir. Joey Lubelfeld), Sequence heals this division in the show and hopefully in real life, is love, selfl ess (dir. Paulina Strayer), 24-Hour Play Festival (dir. Stephanie Shaw) love. Love can create and defi ne a new community—love conquers all. and Audition! (dir. Stephanie Shaw). Ben has also been the lighting I’ve always liked the notion of a large community uniting to help raise a designer for the six haunted houses at Six Flags Great America. child: Th e concept of “it takes a village” reminds of us of the challenge LIANA PROKOPIS of parenting and simply getting them to adulthood, but also of the love (Makeup Designer) is a senior Th eatre Design children and families can bring to our lives. As we watch them discover student from Chicago with a passion for makeup and costumes. the world, making wishes big and small, we remember our younger Previous Columbia College Chicago credits include Shakespeare’s selves and how alike we all are. Th is story proves once again that when As You Like It (costumes), Love and Information (costumes) and Doctor we see ourselves in others, we become more understanding. Families, Faustus (makeup). Liana plans to continue working in Chicago, love, faith and joy are a part of the human condition and defi ne all of our pursuing a career in both makeup and costumes. communities (we have more in common that not). MIKAYLA DAVIS (Makeup Designer) is a senior Th eatre major from Finally, I would be remiss if I didn’t celebrate the unusual fact that our Sacramento. Th is is her fi rst Mainstage production at Columbia Th eatre Department is able to produce this particular show and cast it as College Chicago. it was originally intended. At Columbia College Chicago, we’re proud that our students refl ect what the world looks like and our diversity is one of AMANDA ZIEGLER (Sound Designer) is a senior Technical Th eatre our greatest strengths. major from Berwyn, Illinois. Recent Columbia College Chicago productions include, Women on the Verge of a Nervous Breakdown, THIS is why we tell the story. Blues for An Alabama Sky, Th e Drowsy Chaperone, Dog Sees God and Into the Woods. NICHOLAS BADER (Production Stage Manager) is a junior Stage Management major from Ohio. Previous Columbia College Chicago credits include assistant stage management for M. Butterfl y, 24 Hour Play Fest and Women on the Verge… . Nicholas recently completed a contract at Summer Repertory Th eatre Festival in California, working as the assistant stage manager on Rock of Ages, Nice Work If You Can…, and stage managed the SRT 4th Annual Cabaret. 4 9 ASHTON BYRUM (Director) is an associate professor and a TIME AND PLACE coordinator of the Musical Th eatre Performance program at Columbia College Chicago. Th is past summer, he directed How to Succeed in HAITI: A PEASANT VILLAGE AND THE BIG CITY, SEVERAL YEARS AGO. Business Without Really Trying at Th e Little Th eatre on the Square in Sullivan, Illinois and Bye Bye Birdie for the Wilmette Starlight Th eatre. MUSICAL NUMBERS Other recent projects include [title of show] and Th e Marvelous “WE DANCE” STORYTELLERS Wonderettes (Open Door Rep), Annie Get Your Gun (Wilmette Starlight Th eatre) and Rent, Victor/Victoria, Oklahoma! and many new student “ONE SMALL GIRL” MAMA EURALIE, TONTON JULIAN, and senior showcases at Columbia. He earned his MFA in Directing LITTLE TI MOUNE, STORYTELLERS from the University of Cincinnati College-Conservatory of Music (CCM). As an actor, Mr. Byrum’s Broadway and National Tour credits “WAITING FOR LIFE” TI MOUNE AND STORYTELLERS include Th e Producers, A Christmas Carol, Grease!, Will Rogers Follies, “AND THE GODS HEARD HER PRAYER” ASAKA, AGWE, Fiddler on the Roof and My Fair Lady (Europe). Regional Th eatre work includes: Denver Center Th eatre Company, Paper Mill Playhouse (New PAPA GE AND ERZULIE Jersey), Ogunquit Playhouse (Maine), Arkansas Rep, Westchester “RAIN” AGWE AND STORYTELLERS Broadway Th eatre (New York), Cape Playhouse (Massachusettes), Th e Little Th eatre on the Square, Jupiter Th eatre (Florida), Flat Rock “PRAY” TI MOUNE, TONTON JULIAN, Playhouse (North Carolina), and the Idaho Shakespeare Festival. MAMA EURALIE, GUARD, STORYTELLERS PHIL CALDWELL (Musical Director) is an adjunct faculty member “FOREVER YOURS” TI MOUNE, DANIEL AND PAPA GE and piano accompanist in the Th eatre Department at Columbia “THE SAD TALE OF THE BEAUXHOMMES” College Chicago and at the Sherwood Community Music School. Other ARMAND AND music directing credits at Columbia include Th e Drowsy Chaperone, STORYTELLERS Oklahoma!, Hecuba and Splendora. Phil has worked as a music director “TI MOUNE” MAMA EURALIE, TONTON JULIAN AND TI MOUNE and performer at American Th eater Company, Annoyance Th eatre, Davenport’s Cabaret, Emerald City Th eatre Company, the Goodman “MAMA WILL PROVIDE” ASAKA AND STORYTELLERS Th eatre, Hell in a Handbag Productions, Victory Gardens and for the national touring company of Th e Second City. REPRISE: “WAITING FOR LIFE” TI MOUNE “SOME SAY” STORYTELLERS MICHAEL GEORGE (Choreographer; Storyteller; u/s Ti Moune, Mama Euralie) is a senior Acting major.