World Premiere by Adam P. Kennedy and Adrienne Kennedy Directed By
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GENERAL INFORMATION How To Register BY MAIL: Use the form in the back of this brochure or download form from the website. Full pay- ment by check or money order must be included. Unless notified to the contrary, your registration has been accepted. If a class is filled we will mail back your registration.We will contact you if a space becomes available. ONLINE: Please visit www.princetonadultschool.org to register for any of our 200+ classes. Returning students: Click on the register tab and enter your email address and password. If you do not remember your password, you may have it emailed to you. If you do not receive the reminder email, please call the office at 609-683-1101 for assistance. New Students: Click on the register tab and complete the new customer registration form first. Once you are logged in, you may browse the catalog and add as many courses to your shopping cart as you like. Checkout and pay for your transaction with your credit card and you will receive an email receipt. If you are shopping for more than one person, you will need to shop for yourself first, then exit the system. Please sign back in as each student is required to pay a one-time registration fee of $10 per semester. In-person registration is suggested for all ESL (English as a Second Language) classes for correct placement. Register in person on Tuesday, January 23, 7:00–8:00 pm, at Princeton High School— use the main entrance. You must pay by cash or check at in-person registration. -
Performance Measurement Report
THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome. -
SUNDAY APRIL 30 1-6Pm Downtown Princeton Rain Or Shine
The Arts Council of Princeton presents the 47th annual Event Guide SUNDAY APRIL 30 1-6pm Downtown Princeton Rain or Shine PRESENTED IN COLLABORATION WITH THE STUDENTS OF PRINCETON UNIVERSITY WITH SUPPORT FROM THE TOWN OF PRINCETON SPONSORED BY artscouncilofprinceton.org Communiversity ArtsFest 2016 The Arts Council of Princeton presents the 47th annual PRESENTED IN COLLABORATION WITH THE STUDENTS OF PRINCETON UNIVERSITY WITH SUPPORT FROM THE TOWN OF PRINCETON With much appreciation, we thank our sponsors, without whom Communiversity ArtsFest 2017 would not be possible. TITLE SPONSOR SPONSORED BY PRESENTING SPONSORS PREMIUM SPONSORS LOCAL restaurant and bar PARTICIPATING SPONSORS Mistral & elements PrincetonKIDS The Bank of Princeton Orangetheory Fitness Princeton Ruth’s Chris Steak House The Peacock Inn All Saints’ Church Princeton Academy of Schafer Sports Center, LLC Triumph Brewing Company Antimo’s Italian Kitchen the Sacred Heart Second Wind Foundation U.S.1/Princeton Echo Buzzetta’s Festival Foods Princeton Fitness and Wellness Stark & Stark Whole Foods Market Capital Health Princeton Online Stuart Country Day School Winberie’s Restaurant & Bar Ivy Inn Princeton Scoop of the Sacred Heart WPRB Princeton McCaffrey’s Food Markets Princeton Theological Seminary The Animal Hospital at Kingston YWCA Princeton Merwick Care & Rehabilitation Princeton Tutoring and Blawenburg Center PERFORMANCE SCHEDULE TOWN-GOWN STAGE STANHOPE STAGE PAUL ROBESON STAGE Sponsored by Bai Brands Sponsored by Sponsored by Victory Subaru & Located at the intersection -
Norfolk Theatre Festival Fall in Love with Theatre! February 14 – 17, 2019
Norfolk Announces a Theatre Celebration! Norfolk Theatre Festival Fall in love with theatre! February 14 – 17, 2019 Norfolk is one of the most theatre-rich cities in Virginia, a diverse community full of spirited audiences in venues large and small. February 14-17, the Norfolk Theatre Festival will mark Norfolk’s role as a cultural destination and celebrate the performing arts organizations that enliven the scene here. “As the arts and culture destination of Hampton Roads, Norfolk is excited to bring the highest caliber of theatrical performances to our city for residents, visitors and the community to celebrate,” said Norfolk Mayor Kenneth Cooper Alexander. Norfolk is home to a gifted performing arts community, vibrant theatre companies, multiple universities with theatre programs, and a nurturing environment for new works. Norfolk also hosts a robust touring Broadway series which draws tens of thousands of residents and regional visitors per season. In addition, the venues that house some of the liveliest performances in Norfolk are among the most beautiful and historic places in this architecturally distinguished city. Experience unforgettable shows, behind-the-scenes events, and more. Discover the riches of the Norfolk theatre scene in a whirlwind weekend in February 2019—the perfect Valentine’s getaway or staycation! Performances during Norfolk Theatre Festival include: Once On This Island presented by Norfolk State University Theatre Company Thursday, February 14, 7:30pm Saturday, February 16, 2:00pm Sunday, February 17, 2:00pm Norfolk State University's G.W.C. Brown Memorial Hall Mainstage Theater Once On This Island is the big, bold and breathtaking tale of Ti Moune, a fearless Caribbean girl who is ready to risk it all for love. -
New Bebe Winans Musical 'BORN for THIS', Kathleen Turner and More Among Arena Stage's 2016-17 Lineup
broadwayworld.com http://www.broadwayworld.com/article/New-BeBe-Winans-Musical-BORN-FOR-THIS-Kathleen-Turner-and-More-Among-Arena-Stages- 2016-17-Lineup-20160215 New BeBe Winans Musical 'BORN FOR THIS', Kathleen Turner and More Among Arena Stage's 2016-17 Lineup by BWW News Desk Arena Stage just announced an exciting, starry 2016/17 season, which will showcase the theater's mission of American voices and artists. Spurred by its role as one of the seven originating theaters of D.C.'s Women's Voices Theater Festival, Arena Stage has embraced a commitment to inclusion with a season featuring seven titles by women, six playwrights of color and five female directors. On assembling the lineup Smith shares, "Arena has such a smart and diverse audience, so it is always a challenge to ensure everyone is energized. This season we leaned into that challenge and are welcoming a host of extremely talented artists both returning and new. This season is a celebration of Arena's broad shoulders, from our Lillian Hellman Festival, a Lorraine Hansberry classic and the gold-standard musical to world-premiere political dramas, a comedy and a new musical. The Mead Center was designed to have these different audiences unite in our flowing lobby, and I'm eager to experience this throughout our dynamic season." The season kicks off in July with the original world-premiere musical Born for This: The BeBe Winans Story by six- time Grammy Award winner BeBe Winans and veteran Arena Stage playwright/director Charles Randolph-Wright. Featuring new music by BeBe, the musical chronicles the early days of his career with sister CeCe and will star their niece and nephew, siblings Deborah Joy Winans and Juan Winans. -
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MARTIN DAMIEN WILKINS [email protected] DIRECTOR/PRODUCER www.martindwilkins.com SUMMARY OF ACHIEVEMENTS: • An accomplished, freelance theater director and artistic producer with more than a decade of experience directing, producing and developing work for the stage nationally, including prominent theater institutions in New York City, Washington, D.C., Atlanta, Sacramento and Charlotte. • Collaborations with emerging and award-winning playwrights on workshops and readings of their work have yielded productions throughout the country and in London. They include Katori Hall’s Olivier Award-winning play, The Mountaintop, and Idris Goodwin’s How We Got On. • Honors include being selected from a pool of more than 350 applicants as one of five members of the inaugural class of National Directors Fellows, a five-year initiative to provide professional development to 25 early career directors and advance new play development and production around the country. DIRECTING: PRODUCTIONS Angels in America: Parts 1 & 2 Tony Kushner Actor’s Express (Upcoming 2018) Co-Directed with Freddie Ashley Father Comes Home from the Wars Suzan-Lori Parks Actor’s Express (2017) (Parts 1, 2 & 3) Bootycandy Robert O’Hara Actor’s Theatre of Charlotte (2017) Fetch Clay, Make Man Will Power Hattiloo Theatre (2017) Satchmo at the Waldorf Terry Teachout B Street Theatre (2016) Coming at You from the Cockpit Edith Freni Actor’s Express Intern Showcase (2016) Stick Fly Lydia R. Diamond Actor’s Theatre of Charlotte (2015) African Americans Jocelyn Bioh Howard University -
For Immediate Release for Immediate
FOR IMMEDIATE RELEASE FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren McMillen [email protected], 202-600-4055 December 15, 2020 For additional information, visit: arenastage.org/2021winterclasses ARENA STAGE ANNOUNCES NEW VIRTUAL CLASSES FOR WINTER SEASON *** Arena’s virtual series expands with family creativity workshops, classes for theater lovers, masterclasses and Voices of Now Mead Ensemble *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater announces its lineup of Winter classes featuring classes catered to families, theater lovers, students, adults and emerging theater artists. The Voices of Now Mead Ensemble for young artists will begin this winter, meeting virtually to contribute to a new original film. Just in time for the holidays, this robust line of programming has something for everyone and makes the perfect unique gift for the theater lover in your family. “We are finding that people of all ages are responding with joy and energy to our virtual classes. There are so many ways to be engaged in these programs — whether you are a theater lover or a theater practitioner, there is something for you,” shares Director of Community Engagement and Senior Artistic Advisor Anita Maynard-Losh. Arena is excited to debut two new categories of classes: Family Creativity Workshops and Classes for Theater Lovers. Family Creativity Workshops are designed to connect family members through the means of theatrical games, visual art and imagination. These classes are led by Arena’s Director of Education, Ashley Forman and friends. These exhilarating classes are the perfect opportunity for families to engage and explore creative expression and collaboration. -
Church Will Present- Tdrug-- Abuse Movie
SOUTH BRUNSWICK, KENDALL PARK, NEW JERSEY, APRIL 2, 19.70 Newsstand 10c per copy Two suits have been filed in ~stffl5tlall5rTrrtpair thedntent and- ~ The doctrine "of res judicata fer undue hardship if he could" the Superior Court of New purpose of the zone plan and states that-a matter already re not uso the premises for his Jersey against South Brunswick zoning ordinance. solved on its merits cannot be work, in which he porforms Township as the result of zon litigated , again unless the matter light maintenance : and minor The bank contends further has been substantially changed. ing application decisions made that the Township Committee repairs on tractor-trailer at the Feb. 3 Township Commit usurped the function of the Mr. Miller contends that in trucks used to haul material tee meeting^ Board of Adjustment by con failing to approve the recom for several concerns. ducting Wo separate- public mendation of the Board of Ad The First National Bank of justment and in denying the ap The character of existing Cranbury has filed a civil ac hearings of its own in addition to the one'held by the Board of Ad plication, the Township Com uses in surrounding properties tion against the, township, the is in keeping with his property, justment. ... ............ : mittee was arbitrary, capri-_ Board of Adjustment and the -clous,- unreasonable; discrlm.- he contends, and special .rea First Charter—National—Bank- - Further, the bank says thew inatory, confiseatory-and con sons exist for grhntlngthe vari in an effort to overturn the' committee granted the variance trary to law. -
Terri-Nicole Singleton
Terri-Nicole Singleton Height: 5’4” Weight:135 (617) 955-9462 Eyes: Ebony Hair: Brown [email protected] PRINT Anniversary Greeting Card Wife American Greetings Collection RADIO Recreational Magazine Weekly Broadcast Host Georgia Radio Reading Service Droppin’ Knowledge Featured Artist WABQ Cleveland, Ohio VOICE OVERS University of Alabama Nursing Video Narrator Birmingham, Alabama McDonalds McPick 2 - Radio Spot Narrator Birmingham, Alabama Huntsville Int’l Airport - Radio Spot Julie Birmingham, Alabama Doctor Word Vocabulary Game Narrator Mudambi Admissions Counseling, Cambridge 7Cs Teacher Community Webinar Narrator Memphis City Schools COMMERCIALS Walmart See for Yourself Real Mom Birmingham, Alabama Ohio Lottery Ten-O Game Featured Cleveland, Ohio Summa Health Care Head Emergency Nurse Akron, Ohio INDUSTRIAL VIDEOS National Training Video Lead, Store Manager Kay Jewelers Customer Relations Training Mrs. Washington PNC Bank Transportation Safety Video Bus Driver Laidlaw Bus Company THEATER Spunk Leading Lady Karamu Theater Reggie Kelly, director Yerma Chorus Cleveland Playhouse Pavel Dobrusky, director From the Mississippi Delta Woman One Karamu Theater Sheila Ramsey, director A Midsummer Night’s Dream Peaseblossom Ohio Theater Gerald Friedman, director Once on This Island Ti Moune Cain Park Victoria Bussert, director Oak and Ivy Laura Karamu Theater Sarah May, director La Rosa de Papél La Esposa Instituto Internacional Madrid, Spain As You Like it, The Bakkhai, A Rosalind, Celia, Ohio Theater Understudied roles for Great Lakes Christmas Carol Chorus, Crachit Theater Festival RELATED EXPERIENCE: Great Lakes Theater Festival Shakespeare School Residency: A student-centered outreach. Roles performed include: Juliet/Tybalt; Ophelia/Gertrude; Cassius/Portia; Lady Macbeth, etc. TRAINING Columbia University: BA Comp. Literature • NYU in Spain; Lit. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
At Play 2017 FINAL.Indd
ISSUE 18 SPRING www.dramatists.com 2017 From Clifford Odets to Tennessee Williams to Stephen Karam, Lillian Hellman to Paula Vogel to Katori Hall, Kaufman & Hart and Edna Ferber to Wendy Wasserstein to Annie Baker and Branden Jacobs-Jenkins, DPS has been the proud first publisher of plays by writers who went on to define, and redefine, the American theater. ounded as essentially a cooperative Though their subjects range from slaughterhouse Fbetween the Dramatists Guild and playwriting employees to the titans of global finance to families agents, the Play Service's commitment to nurturing in the not-so-distant future, each of these plays new talent is foregrounded in the company's challenges readers and audiences to consider mission. While we are ever proud to represent what theater, that most humanist of mediums, can plays honored by Tony Awards® (including all four be. And, in an embarrassment of riches, the 15 of the 2017 Best Play Tony nominees) and Pulitzer writers featured herein are only a fraction of the Prizes, we are equally proud to count among our individuals whose first plays or early-stage career writers every year the fresh faces whose work efforts DPS publishes. may not yet be nationally known but whose talent n the back of this newsletter you'll find an is immense. The plays highlighted by these 15 Ooverview of new partnerships between emerging writers published in 2016-2017 are DPS and play development organizations, who do astonishing, invigorating explorations of identity, the critical daily work of providing resources for history, consciousness, politics, and language.