Maria's Memoirs

Total Page:16

File Type:pdf, Size:1020Kb

Maria's Memoirs Maria’s Memoirs By Maria Skarbek All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information database storage or retrieval system, without prior written consent of the author, except in the case of brief quotations included in reviews. For further information contact the publisher via his Internet address: [email protected] Printed: October 2006 Printer: Documents on Call Publisher: Skarbek Consulting Pty Ltd ISBN 0-9579299-2-7 Disclaimer This book is sold as is, without warranty of any kind, either expressed or implied. While every effort has been made to ensure the accuracy of the book, neither the author, printer nor distributors shall be liable to the purchaser or any other person or entity with respect to any loss, liability or damage caused or alleged to be caused directly or indirectly by this book. Copyright © 2006 Skarbek Consulting Pty Ltd Introduction This book was originally hand-written by Maria, my mother. Some years later it was typed up on a manual typewriter by Maria herself. It was retyped into Word ensuring that only the typing errors were corrected and that Maria’s original words were left unchanged. This book is also available on the web at: www.mariasmemoirs.com Maria’s husband’s memoir, Bellum Vobiscum, is available at: www.bellumvobiscum.com. The title Bellum Vobiscum is Latin for War be with you. It deals with the years 1939 to 1946. Maria’s book covers the period from 1916 to her death in 1985. George (Jurek) Skarbek, Maria’s elder son Australia 2006 Preface Page 3 Preface Page 4 Table of contents PREFACE ........................................................................................... 6 HEARSAY ........................................................................................... 8 MY PARENTS ................................................................................... 12 MY EARLY CHILDHOOD ................................................................. 18 AFTER SCHOOL .............................................................................. 52 WARSAW ......................................................................................... 73 BACK TO LITHUANIA ...................................................................... 87 HONEYMOON & CONSULAR SERVICE ......................................... 99 THE BEGINNING OF THE WAR .................................................... 104 BACK TO LITHUANIA AGAIN ....................................................... 111 GERMANY INVADES THE SOVIET UNION .................................. 122 WARSAW 1944 .............................................................................. 144 WARSAW UPRISING ..................................................................... 147 KOSEWO ........................................................................................ 155 ISNY IN ALLGAU ........................................................................... 159 REUTE ............................................................................................ 173 POLAND AFTER THE WAR ........................................................... 179 SWITZERLAND .............................................................................. 188 POLITICAL ASYLUM ..................................................................... 202 ON OUR WAY TO AUSTRALIA ..................................................... 214 AUSTRALIA .................................................................................... 218 MARIBYRNONG ............................................................................. 228 MT EVELYN .................................................................................... 235 EILDON ........................................................................................... 248 HUNTINGDALE .............................................................................. 269 THE ACCIDENT .............................................................................. 306 EPILOGUE ...................................................................................... 319 Preface Page 5 Preface When one is old, crippled or handicapped, one has plenty of time and does not know what to do with it. Friends and family are a great help, so is talking on the phone, plus a bit of work around the house and reading. However it is not the same as a normal day full of activities. There are many subjects for reading which are highly interesting, especially in science where so much is happening, but I am unable to read constantly. I think I have a fairly well balanced supply of books (physics, astro-physics, biology etc. plus Science Fiction and Whodunnits). I think that only retired people start writing their memoirs even if they have not much to say, simply for the fun of writing. I intend to do the same, just to fill in the long evenings and nights. Perhaps I have not much to say, but I do have a lot to remember. I was lucky, as I had a very varied life; sometimes very easy, sometimes very hard, but never boring. Even years of routine I found intermingled with something exciting and highly interesting. Life was, and to some extent still is, full of the unknown, still holds challenges and beauty, but also hardship and loneliness. Times of loneliness are part of life for everyone, I think. Solitude is beautiful, but loneliness one has to get used to and accept as a fact of life. Today, 28th February 1978, I decided to write about my life, my thoughts, my dreams and desires. I intend to keep myself occupied and to have a look at myself. I was born on the 18th April, 1916 under the sign of Aries, influenced by Mars. I was born in Petrograd, now called Leningrad, during the First World War and at the beginning of the Russian revolution. During my childhood and early youth, I was told by my mother and her friends that everyone is born in a state of a tabula rasa (blank board). Later, the environment, different influences and education will form the child to the desired requirements of the parents, IF the parents are able to do the job of forming the child accordingly. However, from the time I could think, I did not agree with this concept. I always thought, and still do, that we are like pebbles on the beach – smoothed down by the elements, but each pebble, each shell is different from the others on the beach, like one grain is different from its neighbour. There must be a difference right in the beginning, or even Preface Page 6 before – the genetic code. Therefore, whilst we are what we are to a great degree, what we inherited is the influence of a still unknown past from our ancestors. It seems only fair to start back as far as one can. Usually one does not have to go very far, as memory fades, and the parents have a tendency to present their youth and their parents in a coloured light. Not only the parents do it, but even history books are changed to suit the accepted present social trend. If you don‟t believe me, just read Russia‟s history books before the revolution, read the Lithuanian history as I was taught at school and the Polish one for the same period, which I learned only after matriculation; in both histories, given as gospel truth to the students, many things are either omitted or misrepresented – to adjust to the current need of the politicians. Preface Page 7 Hearsay I remember quite well only one of my grandparents – my mother‟s father – Alexander Alexandrovitch. All the others are only known from brief comments made by my parents. My father was born in the second half of the 19th century; he was born on a farm in Lithuania. The farm was in the oldest part of Lithuania, surrounded by old oak trees, a river and some swamps. His mother, my grandmother Anna, was a widow and already had a son,Jan, of approximately 15 years from her first marriage, when she fell in love with my future grandfather Adolf Wojtkiewicz, who was a few years younger than her. Neither of their families wanted this marriage to take place. His family thought he should marry somebody younger and prettier, although the land she would bring as a dowry was quite acceptable. My grandmother‟s family was also against this new Adolf Woijtkiewicz marriage as was the family of her first husband who wanted to keep all the land in their hands if possible. But the couple were in love and must have been fairly strong minded to overcome all the obstacles and still get married. He was a gay and handsome fellow, but had bad luck and died young from some „chest trouble‟ (T.B.? Hunting accident? I don‟t know). He left my grandmother with two children: my father Adolf Wojtkiewicz was five and his half-brother, Jan Kiersnowski, about 20. The pressure from both families for the children to relinquish the farms was very strong. Grandmother would not submit to strict supervision of either family. She must have been a very determined woman as she rejected them all and administrated the farms by herself, which in these times was rather unusual for a woman. Hearsay Page 8 Her sons, Jan and Adolf, did not have much in common. Firstly the great age difference between the half brothers and secondly, my uncle Jan was encouraged to be a real farmer, and at the age of approximately 20 was given the largest farm, Lienkiele, with only little supervision by mother from afar. My father, who did show promise of being able to use his brains, was encouraged to study. After completing some necessary subjects at home with a tutor, he went as a boarder
Recommended publications
  • The Sea and the Jungle by H
    1 The Sea and the Jungle by H. M. Tomlinson 1912 New York: E. P. Dutton & Company, 681 Fifth Avenue (published October, 1920) Being the narrative of the voyage of the tramp steamer Capella from Swansea to Para in the Brazils, and thence 2000 miles along the forests of the Amazon and Madeira Rivers to the San Antonio Falls; afterwards returning to Barbados for orders, and going by way of Jamaica to Tampa in Florida, where she loaded for home. Done in the years 1909 and 1910. DEDICATED TO THOSE WHO DID NOT GO The author is indebted to the editors of the English Review, the Pall Mall Magazine, the Morning Leader, and the Yorkshire Observer, for permission 2 to incorporate such parts of this narrative as appeared first in their publications. I THOUGH it is easier, and perhaps far better, not to begin at all, yet if a beginning is made it is there that most care is needed. Everything is inherent in the genesis. So I have to record the simple genesis of this affair as a winter morning after rain. There was more rain to come. The sky was waterlogged and the grey ceiling, overstrained, had sagged and dropped to the level of the chimneys. If one of them had pierced it! The danger was imminent. That day was but a thin solution of night. You know those November mornings with a low, corpse-white east where the sunrise should be, as though the day were still-born. Looking to the dayspring, there is what we have waited for, there the end of our hope, prone and shrouded.
    [Show full text]
  • Class-12-English.Pdf
    ❈❖ ✁ ✂ ✁✄ ❋ ☎ ✆ ✝ ✞☎ ✆ ✟ ✐ ✐ ✐ ❆ ✠ ☎✡✝ ☛☎✆ ✡☞✝ ✌✝ ✍ ✎☞✝✆ ✈ ❙ ❍✏✑✒ ❙✒✏✑❚✓✔ ✥ ✕◆ ✒✑✏✖✗✘✒❚ ✏◆ ✶✙✚✛ ✜✳ ■ ✢✣✤✤ ✦✧ ★✩✣✪✦✫ ●✬✭✮✯✰✱ ●✬✮✲✯✬ ✴✬✮✵✷✰✸ ✹ ✹✳ ✣ ✤ ✣ ✬ ✰ ✲✰ ✜ ✹ ❊✺ ✻✼ ❏ ✽ ✾ ❏✿❀ ✳ ✣ ✩ ✫ ✤✤✣ ✬✬✲ ✬ ✰ ✯ ✯ ✰ ✮ ✹ ✜ ❁ ❂ ❃ ❡❡✻ ✼❄ ✻ ✼ ❅ ❇ ❉✼ ✺✻ ❑✾ ▲ ✾ ▼ P ✾ ◗ ❘❯ ❱✳ ❲ ✦ ✩✩ ✰ ❳ ❨ ✮ ✬❩ ❬ ❇ ❇ ❇ ❉ ❏✿✾ ▼ ✿ ❘ ❁ ❭✳ ❪ ✣ ❫✣ ❴ ✦✣❴✩✣ ✯ ✷❵ ✯ ❛ ❜ ✼ ✼ ✻ ▲ ◗ ▼ ✽ ❘ ❝ ✏✓✒✑❞ ✥ ✕◆✒✑✏✖✗✘✒❚✏◆ ✛❢✙✶✶❣ ✜✳ ✣ ❴ ✩✣ ❴ ✣ ✢ ✪ ✰ ❬ ✜ ❂ ❤ ❥ ❦ ❧♠❇✼ ♥ ♥ ❡❇❉ ❏✿▼ ❘ ♦✿ ❘❘ ✹✳ ♣ ✣✦ ✫ q✧ r ✤❴ ✴✯ ✱ s ❬❱ ❇ ✻ ❇ ✼ ❏✿▼ ❘ ✿ ❘ ✳ ♣ ✣✦ ✫ q✧ ✤ ✪t✣ ✉ ✯ ✱ ✱✯✬ ✱ ✬✇✰ ❬ ① ❁ ❇ ❅ ✽ ▲ ❱✳ q ✤✪ ✪ ✌ ❨ ✱✰ ✮✯ ❩ ✰ ✜ ② ❦ ② ♥ ✼ ◗ ③ ③ ✿ ❯ ④ ❁ ❭✳ ❲ ✩✣✣ ✫ ✯ ✱ ✯✲✇✯ ✜ ① ⑤✽ ❀ ♦ ❘✾✿ ❘ ④ ⑥✳ ❲ ✣ ✤ ✢ ✪ ✫ ⑦ ❫ ✤✣ ✉ ⑧✰ ✬s ✜ ❬ ♥ ❃✻ ❡ ❉ ✼ ❇ ❇❇ ③▲③ ✾ ④ ①✳ ❲ ✦✣ ✪ ❲ ✦ ✣ ✪ ❆ ⑨ ⑩ ✬ ✬ ✷❶ ✬ ✜ ✜ ✜ ✻ ✼❡ ✻ ❂❄ ✻ ✼ ③ ③ ✽ ❘ ❘ ✳ ✤ ⑨ ✬ ✬ ✱✬ ✬ ✜ ✜ ❷ ❅ ❇❇❡ ✽ ♦ ✾ ❁ ◆ ❖ ✲❋✁✂✄✁ ❖ ✥ ☎✄ ✆❖✝✞✂✄✁❖ ✶✶✟✠✡☛✡ ☞✌ ✍✎✏✏✑✒✓ ● ✔ ✕ ✔✖❍✗❲ ☞ ☞ ✘ ✷ ❚✙ ✚✛ ✜ ✢ ✣✙ ✤✛❛❛ ❱■✦✧ ■★■ ✩✪✪✫✬ ✭ ✮ ✌ ✏ ✎ ✒ ✏ ✗ ☞ ✭ ✯❛ ✰ ✛✜✯✢ ✱ ✳★✧ ✴ ✦ ❊✦✧ ✴ ★ ✵ ✌ ✍ ✓ ✓ ✗ ✕ ✗ ☞ ✘ ✵ ✤ ✙ ✣✙ ❛ ✚✛✣✣ ✦ ❊★ ❊ ✮ ✌ ✸ ✏ ✹✒✺ ✏ ✏ ✎✻ ❉ ✔✼✔ ✽✗❲ ✾ ☞ ✿ ❚✙ ✱ ✢✣ ✛✣✯ ✢ ✯ ✛✢ ✴ ✦ ❊★ ✮ ✿✌ ✏ ❀ ✎ ❁✓ ✏ ✺ ✏ ❂ ✑ ❆ ✗ ❃ ❄✗ ✖ ☞ ❅ ✮ ❇✢ ❈❏✯ ✢❏ ✯❏✣✯ ✢ ✳❙ ❙ ■✴✪❑ ✌ ✏ ✏ ✍ ✒ ✗✗ ✾ ❆ ☞ ✘ ☞ ▲✆❘▼❘ ✲ ☎ ✄ ✆❖✝✞✂✄✁ ❖ ✡☛P✠✡P✟ ◗✙ ✛✢ ✛❛✯✜ ✛ ❯ ❳■ ★❨✦ ★ ❩ ✧✪✦ ❊ ✷ ❬ ✵ ☞✌ ✑ ✗ ✗ ✗❃❍ ✗ ✷ ❭ ✜ ✢ ✛✱ ■✦ ■❙ ❪ ✦ ★ ❨ ✷ ✷ ✵ ✌ ✎✒ ✏ ❂✓ ✏✻ ● ❍ ✗ ✗ ❫❴❵ ❙ ✁✂✄s✄✁✂☎✆s INTRODUCTION A short story is a prose narrative of limited length. It organises the action and thoughts of its characters into the pattern of a plot. The plot form may be comic, tragic, romantic or satiric. The central incident is selected to manifest, as much as possible, the protagonist’s life and
    [Show full text]
  • University of Cincinnati News Record. Thursday, November 5, 1964. Vol
    University 'of NEWS c. "',R, R,D Vol. L11,No.6 Cincinnati.Xihio, Thursday/November 5, 1964 Series BF 1 Z553 Women's Residence Hall·Nainec·.Greek Groups Issue List Dedication Scheduled Nov. 13,Of Grade Point Averages , ,/ " - Announcement has been made Six sororities are above the ac- Tallest building 011' the VC proximately 500co-eds and is the .r e c e n t 1y, dedicated, apartment that the All-Sorority Grade Point tive average lor the 1963-64 ' d . VC" 'b ildi ' d ' id " Average for Sept. 1963-June 1964 , campus and one of the city's new- Iargos t women s orm in 's ,Ul mg,s an ' men s, resi ence . 2710 d hAll F . school year Thev are Tri Delt , h' t } I " .... IS. an, t e - raternity . ~ , , .est landmarks, the 14-floor wo- IS ory. ,1al s on SCIOto Street' WIll help G d . , 2959', Al ha Chi 2900' Ka men's residencenear Calhoun St. The residence hall and three to relieve UC'sovertaxed housinaTr~ e ~omt Average for the same . , p ," ppa facilities ,,' I:> period IS' 2.5357. Kappa Gamma, 2.870; SDT, 2.864; will be called Helen Siddall Resi- dence Hall. The dormitory was . Broken down. into divisions, Zeta, 2.818; and Thea 2.816. The opened in September. the PMlhe,lIenicgroups had sev~ All-Active Average last year was . fOr'. W a I t e r Langsman, UC ~,n groups abov~ their AII-Soror- 2.812 with first place going to Ity Average, First place went ' . " I:> 'president, " announced Thursday to Alpha Chi Omega with a Kappa with 2.996" the structure has been named in : 2.841.
    [Show full text]
  • Otherwise You're Dead
    Jean-Jacques Greif Otherwise you’re dead 22 rue du petit musc 75004 Paris 01 48 87 57 36 [email protected] www.jjgreif.com 2 Sinon vous êtes morte 1 The sheep By the Vistula Aaron Kassar grabs his mother’s hand. The round milky face of the child resembles a reflection of the moon in the black water of the night. Who mutters under the trees? The tombstones lean over to listen. “Do you hear, Arik? People are afraid the souls of the dead might roam in the graveyard. They imagine creatures, specters, dibbuks. In the twentieth century! Do you know why I brought you here? So that you won’t be tempted to believe such nonsense. Look, the wind is shaking the leaves, that’s all there is to it. Dead people leave nothing behind. A few memories, maybe.” “The old rabbi, he’s in the ground?” “The old rabbi doesn’t exist anymore. Suppose we dig right here. We won’t find anybody. A few bones and some dust, almost nothing.” “Listen, mama, someone is calling us.” “An owl is hooting in the wood. She’s calling her boyfriend1. She’s in love.” “It is not the wolf?” “Wolves don’t come so close to a city. Even in the forest, wolves have vanished long ago. Do you smell the nice perfume? There must be a linden tree nearby.” Płock—pronounced “Pwotsk” because of the bar across the l—is the first city on the Vistula after Warsaw. The 11th-century basilica and the Princes of Mazowia’s fortress, two stone sentinels standing on the hill, are watching over a bend of the river and protecting a crowd of timid houses.
    [Show full text]
  • Repetitions in the Most Popular Works of Mark
    jo. IaAo REPETITIONS IN THE MOST POPULAR WORKS OF MARK TWAIN THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Nettie Jackson Chambers, B. A. I 3 Park Springs, Texas August, 1949 I 5 33 - . ^ P p Iy TABLE OF CONTENTS Page Chapter I. INCIDENTS IN THE LIFE OF MARK TWAIN RE- PEATED IN HIS WORKS. .... .*. .. .9 .* II. REPETITIONS OF DESCRIPTIONS, ANIMALS, SUPER- STITIONS, AND INSECTS . 37 Descriptions: cave, dawn, dirt and in- dolence, Holiday's Hill, Joseph's granaries, moon, house, sunset, Sphinx, steamboat ex- plosions, storms, villages. Animals: cats, dogs, hogs, mules, rats. Superstitions: early folklore. Insects: ants, flies, spiders. III. MISCELLANEOUS REPETITIONS IN MANY OF MARK TWAIN'S WORKS ... .. 71 Repetitions: "Buffalo Gals," coffin, corpse, detectives, disguise, dreams, drowning, established church abuses, feud, fickleness, freedom, gullibility, hanging, idiot, illicit love, lies, lunatic, Mississippi River, mummies, Murrel's gang, nobility, pipe, pirates, pray, rotten politics, showing off, Tennessee land, trials-finger-prints- procedure results, treasure. BIBLIOGRAP PYH.*. .0. ..0.. .0. .0... ..* 109 !ii i PREFACE This thesis is an outgrowth of a study begun under the direction of Dr. D. M. McKeithan, who was visiting Professor of English at North Texas State College in the summer session of 1948. The author has chosen repetitions which are most nearly alike and most representative of Mark Twain. The study was limited to repetitions of his own experiences repeated in his works, to repetitions of descriptions of the beautiful and the horrible, and to repetitions which are a result of his humor and a desire to save man from himself.
    [Show full text]
  • Andre Malraux Anti Memoirs
    � ANDRE MALRAUX ANTI­ MEMOIRS ANDRE MALRAUX ANTI-MEMOIRS TRANSLATED BY TERENCE KILMARTIN A literary and historic document of the first iTJiportance, Anti-Memoirs by Andre Malraux is among the most significant works of this century. In this book, Malraux tells of those events in his life which have consequence for all men. Mal­ r;mx's range of experience is unique, for as a statesman, Resistance fighter,novelist, and art historian,he is at once a man of action and a man of letters. Malraux has participated in the most crucial events of our times,the Chinese Revolution,the Spanish Civil War,the French Resistance during World War II and,since 1958, has served as a minister in De Gaulle's Cabinet. He weaves men and events,ideas and descriptions of great works of art into one vast tapestry of human experience. Presenting an incessantly changing kaleidoscope of exotic images,he takes the reader from the lost cities and civilizations of Asia and Africa to the torture chambers of the Gestapo. His conversa­ tions with such world leaders as Nehru, De Gaulle, Mao Tse-tung,and Chou En-lai are juxtaposed with reflections on life and death,the immortality and metamorphosis of art,and man's ultimate re­ lationship with the universe. , "What interests me," Malraux says, "... is the human condition." In Anti-Memoirs, the human condition is seen in concentration camps, in the midst of political upheavals,in the power and imagination of great leaders,and in the test­ ing of man's courage and endurance. By relating his actions and disclosing his thoughts, Malraux demonstrates the purpose and special meaning of his life and of all human life.
    [Show full text]
  • Bound for Sacramento; Travel-Pictures of a Returned Wanderer, Translated from the German by Ruth Frey Axe, Introduction by Henry R
    Bound for Sacramento; travel-pictures of a returned wanderer, translated from the German by Ruth Frey Axe, introduction by Henry R. Wagner Bound for Sacramento Carl Meyer Bound for Sacramento Travel-Pictures of a returned wanderer translated from the German by Ruth Frey Axe Introduction by Henry R. Wagner Saunders Studio Press Claremont, California 1938 COPYRIGHT 1938 BY THE SAUNDERS STUDIO PRESS PRINTED IN THE UNITED STATES OF AMERICA This first edition is limited to 450 copies Bound for Sacramento; travel-pictures of a returned wanderer, translated from the German by Ruth Frey Axe, introduction by Henry R. Wagner http://www.loc.gov/resource/calbk.083 which this is copy Number 75 The Saunders Studio Press wishes to thank Mr. Phil Townsend Hanna, who has so graciously given his permission to reprint the three chapters of this translation that appeared in Touring Topics, in the June, July, and October numbers of 1932, in order to make available the entire text; Mr. Henry R. Wagner for calling our attention to its merits and for his fine introduction and finally, the Huntington Library for permission to use photostats of the original in its collection. LINDLEY BYNUM, editor. VII Table of Contents Introduction IX On the Ocean! 1 I On to the Isthmus of Panama 7 II On to California 38 III On to the St. Joaquin 57 IV On to the Southern Gold Mines 86 V On to San Francisco 114 VI On to North of Upper-California 146 VII On to the Klamath Region 182 VIII On to New Helvetia 213 IX On to Nicaragua and Home! 241 Notes 271 The following insert shows the page size of the original edition; the illustrations on the front and back of the paper covers; and the original title page.
    [Show full text]
  • Poezija I Obrade Hr Tolkien Board Stihoklepaca
    Poezija i obrade Hr Tolkien Board stihoklepaca knjiga 2. 2005. knjiga 2. 2005. 3 mellon Jan 1 2005, 06:47 PM Kuga je pala na nas Jim Morrison Ni pomakli se nismo Jan 1 2005, 08:10 PM Izdao si voðu Ja sebe... The road never ends to smo uèinili? Nije mi teko jo jednom Oh, stranger, tell me Maè na sebe podignuti Where will the road take you today Jer svi umiru Will it be A malo tko ivi uistinu The mountains Or will it be the bay Sad mi se ta tiina I ne èini tako stranom Oh, stranger, say here Where you came from Pribliava se ratnik s buzdovanom How did you appear Zamahnut æe.... In this dark dome Ali ni treptaj od mene neæe dobiti Nita nemam za njega Oh, stranger, tell me Osim gnjeva u oèima How long are you on the road How long are you free From the worlds load Of worries and despair Oh, stranger, say here Did you use that sword in your hand Or it is just a mere Useless tool in this forsaken land Jim Morrison Oh, stranger, tell me Wheres your family Jan 2 2005, 07:37 PM Are you in search of thee On this dark day Welcome to the Oh, stranger, tell me slaughterhouse Where will the road take you today Will it be little boy welcome to my domain The mountains No way for comfort, just despair and pain Or will it be the bay And theres absolutely no way back If you try youll break your neck So all hands on deck 4 poezija i obrade HRTB stihoklepaca Elenna Eleniel Jan 3 2005, 11:22 PM Blood is on our hands, but we dont regret it, We wouldnt change any of our deeds! We are doomed, but we keep marching on - Our pride moves us, takeing its fees.
    [Show full text]
  • Wikipedia Saves Public Art 2009
    Wikipedia Saves Public Art 2009 IUPUI Museum Studies Collections Care and Management Students: Elizabeth Basile, Christina Brocken, Krystle Buschner, Katie A Survey of Chattin, Stefanie Clark, Brittany Deeds, Jill Gordon, Chrissy Gregg, Carrie Hagans, Kendra Jenkins, Sarah King, Anna Lake, Rebecca IUPUI Public Lambert, Anna Musun‐Miller, Katie Petrole, Lori Byrd Phillips, Art Michaela Shafer, Karen Shank, Lauren Talley, Angela Vinci Professors: Jennifer Geigel Mikulay and Richard McCoy IUPUI Public Art Collection Updated: December 2009 Title / Link to Wiki Article Artist Date Material(s) Dimensions Coordinates SOS!* Campus Location Anatomy Vessel (Saplings) Eric Nordgulen 2005 Cast/Fabricated Bronze 6'3"x1'9"x1'4"d N 39˚ 46.289 W 086˚ 10.273 No Herron: New York St. Antenna Man Eric Nordgulen 1998 Aluminum 11.13' N 39° 46.256 W 086° 10.332 No Herron: SW entrance, Blake St. The Herron Arch 1 James Wille Faust 2005 Painted Aluminum 20'x7'x7' N 39˚ 46.290 W 086˚ 10.228 No SW corner of New York & Blackford St. Barrow Jill Viney 2008 Fiberglass/metal mesh 8'x8'd N 39° 46.286 W 086° 10.244 No Herron: New York St. Broken Walrus I Gary Freeman 1975 Painted Mild Steel 3'x8'x2' N 39° 46.406 W 086° 10.498 Yes Disassembled Cancer...There's Hope Victor Salmones 1995 Bronze 7'x8'x20' N 39˚ 46.845 W 086˚ 10.494 No Indiana Ave. & 10th St. Casey Stengel Rhoda Sherbell 1965 Bronze 3'7" N 39˚ 46.491 W 086˚ 10.460 No UP Courtyard DNA Tower Dale Chihuly 2003 Glass, Steel 20'3"x4'8"d N 39˚ 46.655 W 086˚ 10.704 No IU School of Medicine East Gate/West Gate Sasson Soffer 1973 Stainless Steel 23'x30'x17' N 39° 46.438 W 086° 10.299 Yes North of the Library between ET and SL Entangled Brose Partington 2004 Bronze 9' x 7'4” x 8'2” N 39˚ 46.289 W 086˚ 10.367 No Herron: New York St.
    [Show full text]
  • Frogpond 37:3, Autumn 2014
    F ROGPOND T HE JOURNAL O F T HE H AIKU SOCIET Y O F A MERICA V OLUME 37:3 A U T UMN 2014 About HSA & Frogpond Subscription / HSA Membership: For adults in the USA, $35; in Canada/Mexico, $37; for seniors and students in North America, $30; for everyone elsewhere, $47. Pay by check on a USA bank, by International Postal Money Order, or PayPal. All subscriptions/memberships are annual, expiring on December 31, and include three issues of Frogpond as well as three online newsletters, the members’ anthology, and voting rights (see p. 160). All correspondence regarding new and renewed memberships, changes of address, and requests for information should be directed WRWKH+6$VHFUHWDU\ VHHWKHOLVWRIRI¿FHUVS). Make checks and money orders payable to Haiku Society of America, Inc. Single Copies of Back Issues: For USA & Canada, $14; for elsewhere, $15 by surface and $20 by airmail. Older issues might cost more, depending on how many are OHIW3OHDVHLQTXLUH¿UVW0DNHFKHFNVSD\DEOHWR+DLNX6RFLHW\RI America, Inc. Send single copy and back issue orders to the Frogpond editor (see p. 3). Contributor Copyright and Acknowledgments: All prior copyrights are retained by contributors. Full rights revert to contributors upon publication in Frogpond. Neither the Haiku 6RFLHW\RI$PHULFDLWVRI¿FHUVQRUWKHHGLWRUDVVXPHUHVSRQVLELOLW\ IRUYLHZVRIFRQWULEXWRUV LQFOXGLQJLWVRZQRI¿FHUV ZKRVHZRUNLV printed in Frogpond, research errors, infringement of copyrights, or failure to make proper acknowledgments. Frogpond Listing and Copyright Information: ISSN 8755-156X Listed in the MLA International Bibliography, Humanities Interna- tional Complete, Poets and Writers. © 2014 by the Haiku Society of America, Inc. Francine Banwarth, Editor Michele Root-Bernstein, Associate Editor Cover Design and Photos: Christopher Patchel, Mettawa, IL.
    [Show full text]
  • NCERT-Class-12-English-Part-1.Pdf
    ❈❖ ✁ ✂ ✁✄ ❋ ☎ ✆ ✝ ✞☎ ✆ ✟ ✐ ✐ ✐ ❆ ✠ ☎✡✝ ☛☎✆ ✡☞✝ ✌✝ ✍ ✎☞✝✆ ✈ ❙ ❍✏✑✒ ❙✒✏✑❚✓✔ ✥ ✕◆ ✒✑✏✖✗✘✒❚ ✏◆ ✶✙✚✛ ✜✳ ■ ✢✣✤✤ ✦✧ ★✩✣✪✦✫ ●✬✭✮✯✰✱ ●✬✮✲✯✬ ✴✬✮✵✷✰✸ ✹ ✹✳ ✣ ✤ ✣ ✬ ✰ ✲✰ ✜ ✹ ❊✺ ✻✼ ❏ ✽ ✾ ❏✿❀ ✳ ✣ ✩ ✫ ✤✤✣ ✬✬✲ ✬ ✰ ✯ ✯ ✰ ✮ ✹ ✜ ❁ ❂ ❃ ❡❡✻ ✼❄ ✻ ✼ ❅ ❇ ❉✼ ✺✻ ❑✾ ▲ ✾ ▼ P ✾ ◗ ❘❯ ❱✳ ❲ ✦ ✩✩ ✰ ❳ ❨ ✮ ✬❩ ❬ ❇ ❇ ❇ ❉ ❏✿✾ ▼ ✿ ❘ ❁ ❭✳ ❪ ✣ ❫✣ ❴ ✦✣❴✩✣ ✯ ✷❵ ✯ ❛ ❜ ✼ ✼ ✻ ▲ ◗ ▼ ✽ ❘ ❝ ✏✓✒✑❞ ✥ ✕◆✒✑✏✖✗✘✒❚✏◆ ✛❢✙✶✶❣ ✜✳ ✣ ❴ ✩✣ ❴ ✣ ✢ ✪ ✰ ❬ ✜ ❂ ❤ ❥ ❦ ❧♠❇✼ ♥ ♥ ❡❇❉ ❏✿▼ ❘ ♦✿ ❘❘ ✹✳ ♣ ✣✦ ✫ q✧ r ✤❴ ✴✯ ✱ s ❬❱ ❇ ✻ ❇ ✼ ❏✿▼ ❘ ✿ ❘ ✳ ♣ ✣✦ ✫ q✧ ✤ ✪t✣ ✉ ✯ ✱ ✱✯✬ ✱ ✬✇✰ ❬ ① ❁ ❇ ❅ ✽ ▲ ❱✳ q ✤✪ ✪ ✌ ❨ ✱✰ ✮✯ ❩ ✰ ✜ ② ❦ ② ♥ ✼ ◗ ③ ③ ✿ ❯ ④ ❁ ❭✳ ❲ ✩✣✣ ✫ ✯ ✱ ✯✲✇✯ ✜ ① ⑤✽ ❀ ♦ ❘✾✿ ❘ ④ ⑥✳ ❲ ✣ ✤ ✢ ✪ ✫ ⑦ ❫ ✤✣ ✉ ⑧✰ ✬s ✜ ❬ ♥ ❃✻ ❡ ❉ ✼ ❇ ❇❇ ③▲③ ✾ ④ ①✳ ❲ ✦✣ ✪ ❲ ✦ ✣ ✪ ❆ ⑨ ⑩ ✬ ✬ ✷❶ ✬ ✜ ✜ ✜ ✻ ✼❡ ✻ ❂❄ ✻ ✼ ③ ③ ✽ ❘ ❘ ✳ ✤ ⑨ ✬ ✬ ✱✬ ✬ ✜ ✜ ❷ ❅ ❇❇❡ ✽ ♦ ✾ ❁ ◆ ❖ ✲❋✁✂✄✁ ❖ ✥ ☎✄ ✆❖✝✞✂✄✁❖ ✶✶✟✠✡☛✡ ☞✌ ✍✎✏✏✑✒✓ ● ✔ ✕ ✔✖❍✗❲ ☞ ☞ ✘ ✷ ❚✙ ✚✛ ✜ ✢ ✣✙ ✤✛❛❛ ❱■✦✧ ■★■ ✩✪✪✫✬ ✭ ✮ ✌ ✏ ✎ ✒ ✏ ✗ ☞ ✭ ✯❛ ✰ ✛✜✯✢ ✱ ✳★✧ ✴ ✦ ❊✦✧ ✴ ★ ✵ ✌ ✍ ✓ ✓ ✗ ✕ ✗ ☞ ✘ ✵ ✤ ✙ ✣✙ ❛ ✚✛✣✣ ✦ ❊★ ❊ ✮ ✌ ✸ ✏ ✹✒✺ ✏ ✏ ✎✻ ❉ ✔✼✔ ✽✗❲ ✾ ☞ ✿ ❚✙ ✱ ✢✣ ✛✣✯ ✢ ✯ ✛✢ ✴ ✦ ❊★ ✮ ✿✌ ✏ ❀ ✎ ❁✓ ✏ ✺ ✏ ❂ ✑ ❆ ✗ ❃ ❄✗ ✖ ☞ ❅ ✮ ❇✢ ❈❏✯ ✢❏ ✯❏✣✯ ✢ ✳❙ ❙ ■✴✪❑ ✌ ✏ ✏ ✍ ✒ ✗✗ ✾ ❆ ☞ ✘ ☞ ▲✆❘▼❘ ✲ ☎ ✄ ✆❖✝✞✂✄✁ ❖ ✡☛P✠✡P✟ ◗✙ ✛✢ ✛❛✯✜ ✛ ❯ ❳■ ★❨✦ ★ ❩ ✧✪✦ ❊ ✷ ❬ ✵ ☞✌ ✑ ✗ ✗ ✗❃❍ ✗ ✷ ❭ ✜ ✢ ✛✱ ■✦ ■❙ ❪ ✦ ★ ❨ ✷ ✷ ✵ ✌ ✎✒ ✏ ❂✓ ✏✻ ● ❍ ✗ ✗ ❫❴❵ ❙ ✁✂✄s✄✁✂☎✆s INTRODUCTION A short story is a prose narrative of limited length. It organises the action and thoughts of its characters into the pattern of a plot. The plot form may be comic, tragic, romantic or satiric. The central incident is selected to manifest, as much as possible, the protagonist’s life and
    [Show full text]
  • Download Thesis
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ From the Light of Luxo The New Worlds of the Computer-Animated Film Holliday, Christopher David Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 1 FROM THE LIGHT OF LUXO: THE NEW WORLDS OF THE COMPUTER-ANIMATED FILM Thesis submitted for the degree of Doctor of Philosophy at King’s College London by Christopher David Holliday Department of Film Studies King’s College London September 2013 2 Abstract Emerging at the intersection of feature-length animated cinema with computer- generated imagery (CGI), and preceded by a cycle of preparatory shorts released during the 1980s, the computer-animated film has become the dominant form of mainstream animation.
    [Show full text]