Andre Malraux Anti Memoirs
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November 25,1897
The Republican Journal. V0LlME li9'_ BELFAST, MAINE, THURSDAY, NOVEMBER 25, 1897. NUMBER 47 political movement, the A. P. A. has Busy Brooks. good business in stoves, tinware, etc. M. J. Associated THE REPUBLICAN JOURNAL. given up the ghost, the national organiza- Charities. The Water Works in Brooks Village. PERSONAL. Dow has a store filled with a handsome tion having surrendered its charter and A Write-up of this Enterprising Village. of in Two preliminary meetings looking to the gone out of business.The new recita- assortment everything ladies’ wear, The Consolidated Water Co. of Portland C.W. Frederick visited It is the of a Augusta yesterday. PUBLISHED EVERY THURSDAY MORNING BY THE tion hall which verdict of all who visit Brooks F. establishing society for associated char- John D. Rockefeller has millinery, etc. B. Stantial’s stock of dry has put in a system of water works at Brooks that have been Mr. E. O. Thorndike returned to Boston just built for Vassal- at a cost of village it is one of the busiest and most and is and ity held in this city and some College fancy goods complete, Chas. H. Village and water is now supplied to about was dedicated Nov. 19th. The progress made. At the Nov. Saturday. Journal Pub. Co. $100,000 enterprising places of its size in the State. has a well store. meeting 19th Republican Irving equipped jewelry 60 buildings. The company was incorporated same day Mr. Rockefeller telegraphed to The is N. E. Keen was elected chairman Hon. R. W. went to Boston yester- village situated on the Belfast branch The mechanics include Chas. -
1922 Elizabeth T
co.rYRIG HT, 192' The Moootainetro !scot1oror,d The MOUNTAINEER VOLUME FIFTEEN Number One D EC E M BER 15, 1 9 2 2 ffiount Adams, ffiount St. Helens and the (!oat Rocks I ncoq)Ora,tecl 1913 Organized 190!i EDITORlAL ST AitF 1922 Elizabeth T. Kirk,vood, Eclttor Margaret W. Hazard, Associate Editor· Fairman B. L�e, Publication Manager Arthur L. Loveless Effie L. Chapman Subsc1·iption Price. $2.00 per year. Annual ·(onl�') Se,·ent�·-Five Cents. Published by The Mountaineers lncorJ,orated Seattle, Washington Enlerecl as second-class matter December 15, 19t0. at the Post Office . at . eattle, "\Yash., under the .-\0t of March 3. 1879. .... I MOUNT ADAMS lllobcl Furrs AND REFLEC'rION POOL .. <§rtttings from Aristibes (. Jhoutribes Author of "ll3ith the <6obs on lltount ®l!!mµus" �. • � J� �·,,. ., .. e,..:,L....._d.L.. F_,,,.... cL.. ��-_, _..__ f.. pt",- 1-� r�._ '-';a_ ..ll.-�· t'� 1- tt.. �ti.. ..._.._....L- -.L.--e-- a';. ��c..L. 41- �. C4v(, � � �·,,-- �JL.,�f w/U. J/,--«---fi:( -A- -tr·�� �, : 'JJ! -, Y .,..._, e� .,...,____,� � � t-..__., ,..._ -u..,·,- .,..,_, ;-:.. � --r J /-e,-i L,J i-.,( '"'; 1..........,.- e..r- ,';z__ /-t.-.--,r� ;.,-.,.....__ � � ..-...,.,-<. ,.,.f--· :tL. ��- ''F.....- ,',L � .,.__ � 'f- f-� --"- ��7 � �. � �;')'... f ><- -a.c__ c/ � r v-f'.fl,'7'71.. I /!,,-e..-,K-// ,l...,"4/YL... t:l,._ c.J.� J..,_-...A 'f ',y-r/� �- lL.. ��•-/IC,/ ,V l j I '/ ;· , CONTENTS i Page Greetings .......................................................................tlristicles }!}, Phoiitricles ........ r The Mount Adams, Mount St. Helens, and the Goat Rocks Outing .......................................... B1/.ith Page Bennett 9 1 Selected References from Preceding Mount Adams and Mount St. -
Maria's Memoirs
Maria’s Memoirs By Maria Skarbek All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information database storage or retrieval system, without prior written consent of the author, except in the case of brief quotations included in reviews. For further information contact the publisher via his Internet address: [email protected] Printed: October 2006 Printer: Documents on Call Publisher: Skarbek Consulting Pty Ltd ISBN 0-9579299-2-7 Disclaimer This book is sold as is, without warranty of any kind, either expressed or implied. While every effort has been made to ensure the accuracy of the book, neither the author, printer nor distributors shall be liable to the purchaser or any other person or entity with respect to any loss, liability or damage caused or alleged to be caused directly or indirectly by this book. Copyright © 2006 Skarbek Consulting Pty Ltd Introduction This book was originally hand-written by Maria, my mother. Some years later it was typed up on a manual typewriter by Maria herself. It was retyped into Word ensuring that only the typing errors were corrected and that Maria’s original words were left unchanged. This book is also available on the web at: www.mariasmemoirs.com Maria’s husband’s memoir, Bellum Vobiscum, is available at: www.bellumvobiscum.com. The title Bellum Vobiscum is Latin for War be with you. It deals with the years 1939 to 1946. Maria’s book covers the period from 1916 to her death in 1985. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
Témoignage De Gaston Palewski
Témoignage de Gaston Palewski Gaston PALEWSKI « De Gaulle, la Grande-Bretagne et la France Libre 1940-1943 », Espoir n°43, juin 1983 Pour l’auditoire distingué qui m’écoute, le sujet de cette conférence : « De Gaulle, la Grande- Bretagne et la France Libre, de 1940 à 1943 », c’est-à-dire jusqu’au départ pour Alger et à la première mise en place des institutions provisoires en terre française, est connu dans tous ses détails. Les « Mémoires » du général de Gaulle et, tout dernièrement, le remarquable livre de François Kersaudy, en ont décrit l’atmosphère et indiqué les difficultés qui ont marqué cette période. Mais les historiens doivent fatalement s’abriter derrière les textes, les procès- verbaux, les documents qui font foi. Or ces documents révèlent tout, excepté l’essentiel, c’est- à-dire l’élément humain qui éclaire l’apparence et les dessous de l’action diplomatique et militaire. Peut-être le fait que j’ai été un témoin actif de la plupart de ses événements me permet-il d’esquisser l’étude de cet élément humain ? Je suis heureux de le faire ici, devant vous, dans ce Londres qui nous fut accueillant et que j’ai retrouvé avec beaucoup d’affection et d’émotion. J’ai rappelé déjà dans quelles conditions j’ai connu le colonel de Gaulle ; comment lors de notre premier contact chez Paul Reynaud, la vérité évidente de ses théories s’est imposée à moi et je me suis dit que je mettrais le peu d’influence dont je disposais au service de l’homme et de ses idées. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
The Sea and the Jungle by H
1 The Sea and the Jungle by H. M. Tomlinson 1912 New York: E. P. Dutton & Company, 681 Fifth Avenue (published October, 1920) Being the narrative of the voyage of the tramp steamer Capella from Swansea to Para in the Brazils, and thence 2000 miles along the forests of the Amazon and Madeira Rivers to the San Antonio Falls; afterwards returning to Barbados for orders, and going by way of Jamaica to Tampa in Florida, where she loaded for home. Done in the years 1909 and 1910. DEDICATED TO THOSE WHO DID NOT GO The author is indebted to the editors of the English Review, the Pall Mall Magazine, the Morning Leader, and the Yorkshire Observer, for permission 2 to incorporate such parts of this narrative as appeared first in their publications. I THOUGH it is easier, and perhaps far better, not to begin at all, yet if a beginning is made it is there that most care is needed. Everything is inherent in the genesis. So I have to record the simple genesis of this affair as a winter morning after rain. There was more rain to come. The sky was waterlogged and the grey ceiling, overstrained, had sagged and dropped to the level of the chimneys. If one of them had pierced it! The danger was imminent. That day was but a thin solution of night. You know those November mornings with a low, corpse-white east where the sunrise should be, as though the day were still-born. Looking to the dayspring, there is what we have waited for, there the end of our hope, prone and shrouded. -
Turkish Foreign Policy Toward the Algerian War of Independence (1954–62)
Turkish Studies ISSN: 1468-3849 (Print) 1743-9663 (Online) Journal homepage: http://www.tandfonline.com/loi/ftur20 Turkish Foreign Policy Toward the Algerian War of Independence (1954–62) Eyüp Ersoy To cite this article: Eyüp Ersoy (2012) Turkish Foreign Policy Toward the Algerian War of Independence (1954–62), Turkish Studies, 13:4, 683-695, DOI: 10.1080/14683849.2012.746440 To link to this article: http://dx.doi.org/10.1080/14683849.2012.746440 Published online: 13 Dec 2012. Submit your article to this journal Article views: 264 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ftur20 Download by: [Bilkent University] Date: 29 August 2017, At: 02:20 Turkish Studies, 2012 Vol. 13, No. 4, 683–695, http://dx.doi.org/10.1080/14683849.2012.746440 Turkish Foreign Policy Toward the Algerian War of Independence (1954–62) EYU¨ P ERSOY Department of International Relations, Bilkent University, Bilkent, Turkey ABSTRACT Turkish foreign policy toward the Algerian War of Independence (1954–62) was construed as persistent Turkish endorsement of official French positions generating abiding resentment among the states of the Third World, especially Arab states, and understandably in Algeria, which was to elicit backlashes from the Third World states thereafter consequently causing substantial complications in Turkish foreign policy. Stressing the importance of incor- porating nonmaterial and ideational factors in analyses of foreign policy, two arguments are put forward in this article for an accurate explanation of Turkish foreign policy toward Alger- ian War of Independence. First, it was the conception of the West, defined not only in strategic or military terms, but also in ideational and civilizational terms that induced Turkish policy- makers to adopt insular policies regarding Algeria. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
The Lady with the Million Dollar Legs Brings a Touch of French Glamour to Christie’S South Kensington
For Immediate Release 14 March 2007 Contact: Zoë Schoon 020 7752 3121 [email protected] THE LADY WITH THE MILLION DOLLAR LEGS BRINGS A TOUCH OF FRENCH GLAMOUR TO CHRISTIE’S SOUTH KENSINGTON Gesmar, Charles (1900-1928) Zig (Louis Gaudin) Mistinguett, c.1928 Casino de Paris, Mistinguett, Paris Qui Brille, 1931 Estimate: £3,000-5,000 Estimate: £800-1,200 “A kiss can be a comma, a question mark, or an exclamation point. That's basic spelling that every woman ought to know” Mistinguett Edwin C Glickman Collection of Mistinguett Posters Christie's South Kensington Thursday, 28 June 2007, 2pm London - Christie's South Kensington will be presenting what is thought to be the most complete archive of material about French chanteuse and showgirl Mistinguett on Thursday 28 June 2007. Born Jeanne Bourgeois in France on 5 April 1875, Mistinguett assumed her stage name early on in her career, and went on to become the highest-paid female entertainer in the world at that time. During the 1920s and 1930s, Paris was the glittering epicentre of Music Hall entertainment, and Mistinguett starred at all the top venues, including the Folies-Bergere, the Moulin Rouge and the Casino de Paris. Complete shows were designed for her and she became the epitome of French glamour, even insuring her legs for an impressive $1million! The sale features a huge selection of posters, from her early career to her heyday in the 1920s and 1930s. Designed by the top French poster artists of the time including Zig, Gesmar and Cappiello, the striking, stylized images capture the glamour of Mistinguett by focusing on her playful, coquettish features, her incredible costumes and her highly- prized long legs.