Towards an Eco-Poetic Vision of the Poetic Works of Agha Shahid Ali and Sylvia Plath: a Comparative Study

Total Page:16

File Type:pdf, Size:1020Kb

Towards an Eco-Poetic Vision of the Poetic Works of Agha Shahid Ali and Sylvia Plath: a Comparative Study Towards an Eco-Poetic Vision of the Poetic Works of Agha Shahid Ali and Sylvia Plath: A Comparative Study A Thesis submitted to the Central University of Punjab For the award of Doctor of Philosophy in Comparative Literature by Aadil Muzafar Pala Supervisor Dr. Zameerpal Kaur (Associate Professor) Department of Languages and Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda August, 2019 Declaration I declare that the thesis entitled ‘Towards an Eco-Poetic Vision of the Poetic Works of Agha Shahid Ali and Sylvia Plath: A Comparative Study’ has been prepared by me under the guidance of Dr. Zameerpal Kaur, Associate Professor, Department of Languages and Comparative Literature, Central University of Punjab. No part of the thesis has formed the basis for the award of any degree or fellowship previously. (Aadil Muzafar Pala) Department of Languages and Comparative Literature School of Languages, Literature and Culture Central University of Punjab Bathinda-151001 Punjab, India. Date: i Certificate I certify that Aadil Muzafar Pala has prepared his dissertation entitled ‘Towards an Eco-Poetic Vision of the Poetic Works of Agha Shahid Ali and Sylvia Plath: A Comparative Study’ for the award of Ph.D. Degree under my supervision. He has carried out this work at the Department of Languages and Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab, Bathinda. (Dr. Zameerpal Kaur) Associate Professor Department of Languages and Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab, Bathinda-151001 Date: ii ABSTRACT Towards an Eco-Poetic Vision of the Poetic Works of Agha Shahid Ali and Sylvia Plath: A Comparative Study Name of student : Aadil Muzafar Pala Registration Number : CUPB/Mph-PhD/SLLC/CPL/2013-14/14 Degree for which: : Doctor of Philosophy (Ph.D.) Name of supervisor : Dr. Zameerpal Kaur Department : Department of Languages and Comparative Literature School of Studies : School of Languages, Literature and Culture Key Words:- Agha Shahid Ali, Desert Landscape, Ecocriticism, Ecopoetics, Ecopsychology, Environment, Mashrooms, Nature, Narrative, Snow Man, Sylvia Plath, Tulips. The environmental problems became of supreme importance with the dawn of twenty first century. These issues which are faced by both biosphere and human life are flourishing at an alarming speed and are posing a threat to the life proportions upon the earth. There was a time when man was considered as having a close relationship with his surroundings and was nurtured and nourished by it, but with the passage of time man came under the influences of many newly introduced experiences and philosophies that altogether changed the vision of the civilisations towards anthropocentrism. Human being began to develop egotism which ultimately paved way for him to think himself as superior to the entire visible world and hence exploit it to meet his own ends. This new idea replaced man’s earlier thinking of being sentimental towards his survival without the presence of the nature. Nature by no means can be treated as a pleasure giving property to the human being rather it is the precondition for his very survival and prosperity. With the gradual growth of human civilisations on the earth the plundering and exploitation of the natural resources significantly increased by man’s self- glorification and self-indulgence by destroying the trees for his shelter and for iii industry, devastating the beautiful landscapes replacing them with the setting up of industrial establishments, roads, buildings etc. Ecocrticism is an approach to spread awareness and play a role to save the planet earth as it can be seen concerned with the relationships which show how the physical environment is dealt with in literature. It is a unique study which seems to project a natural science and a discipline based on humanistic approach. The present research work focuses on the theoretical framework of Ecocriticism considering its concepts like Ecopoetics and Ecopsychology and their application upon the poems of Agha Shahid Ali and Sylvia Plath. It further focuses on the narratives which explores the elements of nature and environment and the aspects of man nature relationship in the poetry of the selected poets. There can be seen an oriented quest where the ways emotions and feelings get an impact from the nature and vice-versa, the impact of culture on the nature which is seen proving helpful in creating the poetic stance. Researcher Supervisor Aadil Muzafar Pala Dr. Zameerpal Kaur iv Dedication I dedicate this humble effort to my loving mother HASINA BANU and to my benign father MUZAFAR AHMAD PALA. v ACKNOWLEDGEMENT I kneel in reverence before ALMIGHTY ALLAH and thank Him for inculcating in me the patience, courage, and strength to complete this research work. I pay my deep sense of gratitude to my grandparents whose prayers show me the way and particular appreciation to my loving mother Haseena Banu whose determination and courage inspires me every day and my dear father Muzafar Ahmad who always stands like a pillar to provide me all kinds of support and encouragement and my sister Bilquees and my brother Hammid for their unconditional love. I pay my profound gratitude to my Supervisor, Dr. Zameerpal Kaur Associate Professor, Department of Languages and Comparative Literature for her endless generosity and patience provided to me during the entire research work. The overall support I receive from her with lucrative suggestions and noble guidance, keen interest, constructive criticism comprising healthy discussions during the research work. I express my earnest thanks to all the faculty members of the Department of Languages and Comparative Literature, Central University of Punjab Dr. Amandeep Singh, Dr. Alpna Saini, Dr. Rajinder Kumar, Dr. Dinesh Babu, Dr. Ramanpreet Kaur and Dr. Shahila Zafar for their help and valuable implications for my research work. I am also deeply grateful to Prof. R. K. Kohli, Vice Chancellor and Prof. P. Ramarao (Dean, Academic Affairs), Central University of Punjab for providing me the required research facilities as well as kind support and encouragement. I would also like to pay my deepest gratitude to my co-scholars and friends especially Shafayat, Kavita, Smriti, Satya, and Neha for their diligence, guidance and an encouraging moral support throughout the research work. I whole heartedly pay my gratitude to my seniors and room-mates for their cheery and appreciated assistance and time to time support. I express my gratitude and thanks to Dr. Irshad, Dr. Nadeem and Dr. Tajamul for their valuable help and insightful advices, I am also indebted to my friends, the group ‘MD’ Advocate Aasif, Er. Aarif, TSM Mudasir and Master Hilal for their motivation and cheerful friendliness throughout this research work. vi Table of Contents S. No. Content Page No. 1. Declaration i 2. Certificate ii 3. Abstract iii-iv 4. Dedication V 5. Acknowledgement vi 6. Contents vii 7. Introduction 1-9 8. CHAPTER 1: Environment and Literature: A Theoretical 10-43 Exploration 9. CHAPTER 2: Agha Shahid Ali and Sylvia Plath: A 44-67 Comprehensive Comparison 10. CHAPTER 3: An Ecological Assertion: Nature and 68-93 Narrative 11. CHAPTER4: Eco-Psychology: Eco-Human Camaraderie 94-119 12. Conclusion 120-124 13. Bibliography 125-140 vii Introduction Ecocritical approaches have increasingly occupied studies in literature, culture, and the arts in recent years. The environmental challenges of pollution, climate change and biodiversity loss affect certain areas of the globe more than others and literature provides a unique forum for theorising about and seeking solutions to these environmental crisis. This research work primarily focuses on the theoretical framework of Ecocriticism with special emphasis on its concepts of Ecopoetics and Ecopsychology and the application of these two concepts upon the poetic works of Agha Shahid Ali and Sylvia Plath. In ancient times man was close to nature and hence was unintentionally aware of the essential relationship between nature and him. He protected nurtured and cherished nature so that nature might protect and nourish the human race. The interdependence was highlighted in classical writing of both east and the west. But new philosophies and new experiences have shifted the focus and made the civilisations more and more anthropocentric. They improved the egotism of the human beings, making them believe that they are not only the best of God‗s creation, but are the monarchs of the entire visible world. This idea replaced the earlier concepts and sentiments that survival on earth is inconceivable without the presence of the nature. Nature is not a sole property for the human being providing it pleasures in different ways. But, nature is a precondition for the very survival of the human race. Furthermore, adding to its predicament, with the gradual growth of human civilization there has been a significant sign of plunder and exploitation of nature by human being for its self aggrandisement, self-glorification and self-indulgence. He rifled the earth for metal, destroyed the trees for his habitats and for industry; he destroyed the natural beauty of landscape with the setting up of industrial establishments, polluting land, water and air. It is a black chapter in the story of human race where violence and exploitation were the main themes. ‗Eco‘ is short of ‗ecology‘, which is concerned with the relationships among the living organisms on Earth and between living organisms in their natural environment. Comparatively, Eco-criticism is seen as concerned with those relationships which show how the physical environment is portrayed in literature. These are obviously interdisciplinary studies. Unique is the study as it projects a 1 natural science and a discipline based on humanistic approach. The sphere of eco-criticism is very wide because it is not limited to any literary genre. The most famous and well recognized eco-critics include Lawrence Buell, Cheryll Glotfelty, Simon C.
Recommended publications
  • International Journal of Linguistics, Literature and Translation
    CORE Metadata, citation and similar papers at core.ac.uk Provided by International Journal of Linguistics, Literature and Translation International Journal of Linguistics, Literature and Translation (IJLLT) ISSN: 2617-0299 www.ijllt.org History (and/or Historicity) of Ecocriticism and Ecocritical History: An Introductory Overview Prof. Jalal Uddin Khan Professor of Literature, Yorkville University, Toronto Campus, Canada Corresponding Author: Prof. Jalal Uddin Khan, E-mail: [email protected] ARTICLE INFO ABSTRACT Received: May 20, 2019 Overlapping and interconnected, interdisciplinary and heterogeneous, Accepted: June 27, 2019 amorphous and multi-layered, and deep and broad as it is, countless topics on Published: July 31, 2019 ecoliterature make ecocriticism a comprehensive catchall term that proposes Volume: 2 to look at a text--be it social, cultural, political, religious, or scientific--from Issue: 4 naturalist perspectives and moves us from “the community of literature to the DOI: 10.32996/ijllt.2019.2.4.10 larger biospheric community which […] we belong to even as we are KEYWORDS destroying it” (William Rueckert). Historicity; Ecocriticism; ecoliterature As I was in the middle of writing and researching for this article, I was struck by a piece of called him “soft names” as a future Greenpeace and nature writing by an eleven year old sixth grader born Environmental Protection leader and theorist, a soon- to his (South Asian and American) mixed parents, both to-be close friend of Al Gore’s. The promising boy’s affiliated with Johns Hopkins and already proud to understanding, however short, of the Amazon ecology belong to the extended family of a Nobel Laureate in and ecosystem and the biological phenomena of its Physics.
    [Show full text]
  • Some Notes on Harold Bloom's the Anxiety of Znhuence
    Treaties and Studies Sch. Allied Med. Sci. 57 Shinshu Unlv. vol. 14, 1, 1988 Some Notes on Harold Bloom's The Anxiety of ZnHuence Kazuko Narusawa Harold Bloom (born in 1930), Professor of the Humanities at Yale Univer- sity, is known as one of the four Yale "Derridians'', and ilaS necessarily advanced down the path of American Deconstruction, His nature asa liter・ ary critic, and his criticalactivities, however, are apparently different from those of his Yale colleagues, Paul de Man, Geoffrey Hartman and Hillis Miller (now de Man has been dead since 1983, and Miller has gone to the University of California). Though he worked with them, and even with I)errida in the symposium Deconstruction and Criticism (1979), "he has fre- quently and explicitly dissociated himself from deconstructionist principles and methods.''1) His critical approach resembles no one else's and may be unique: "Bloom is very much his own man, one of the most ideosyncratic critics writing today. "2) For 王~loom, the understanding of a literary work means not "seeking to understand any single poem as an entity",3) but seeking to understand it in the relation of other literary works. Major poets, he insists, should de丘ne the orlglnality of the works against the works of their poetic prede- cessors. His remarkable knowledge of English and American poetry, espe- cially Romantic and post Romantic poetry enables him to compare a 'belated ∫ poet' with a precursor' and to glVe the former a suitable location in the history of literature. In this sense, it is true that Bloom is inauenced by Northrop Frye's archetype theory.
    [Show full text]
  • The Anxiety of Influence: a Theory of Poetry Free
    FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics.
    [Show full text]
  • Misreading Skepticism in the Long Eighteenth Century: Studies in the Rhetoric of Assent
    Misreading Skepticism in the Long Eighteenth Century: Studies in the Rhetoric of Assent By Adam Sneed A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Doctoral Committee: Professor Marjorie Levinson, Chair Professor Gregg Crane Associate Professor Sean Silver Professor Silke Maria-Weineck Adam Sneed [email protected] ORCID iD: 0000-0002-9205-1715 ACKNOWLEDGEMENTS My first thanks must be to the University of Michigan for the opportunity and privilege to pursue the life of the mind. I am deeply grateful for the tremendous and constant support provided by faculty and staff of the UM English Department. I am indebted to the Rackham School of Graduate Studies for two timely dissertation fellowships and to the U-M LSA International Institute for the opportunity to pursue archival research in Scotland. I thank the members of my dissertation committee: Sean Silver for providing a constant model of passionate, creative scholarship; Gregg Crane for first dislodging me from a neo-Kantian, Skeptical perspective; Silke Maria-Weineck for cheering on the polemic; and my wonderful chair, Marjorie Levinson, for supporting and encouraging me at every stage of the dissertation process and for bearing with me as the project evolved over time. I would like to thank my dear friends Samuel Heidepriem, Emily Waples, Logan Scherer, Kristin Fraser Geisler, Ryan Hampstead, Joe Chapman, Anthony Losapio, Sarah Mass, Alice Tsay, Lizzy Mathie, and Amrita Dhar for their love and support through the years in Ann Arbor. Special thanks to my dear friends Kathryne Bevilacqua, John Paul Hampstead, and Julia Hansen, who read and commented on drafts in the final stages.
    [Show full text]
  • Of Ecocriticism and Ecocritical History: an Introductory Overview
    International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 5, Issue 3, June 2019 DOI: https://doi.org/10.24113/ijohmn.v5i3.99 History (and/or Historicity) of Ecocriticism and Ecocritical History: An Introductory Overview Jalal Uddin Khan Ph.D, Adjunct Faculty General Studies Yorkville University Toronto Campus Ontario Canada [email protected] Abstract Overlapping and interconnected, interdisciplinary and heterogeneous, amorphous and multi- layered, and deep and broad as it is, countless topics on ecoliterature make ecocriticism a comprehensive catchall term that proposes to look at a text--be it social, cultural, political, religious, or scientific--from naturalist perspectives and moves us from “the community of literature to the larger biospheric community which […] we belong to even as we are destroying it” (William Rueckert). Keyword: Ecocriticism, Ethnicity, Ecology, Literature. As I was in the middle of writing and researching for this article, I was struck by a piece of nature writing by an eleven year old sixth grader born to his (South Asian and American) mixed parents, both affiliated with Johns Hopkins and already proud to belong to the extended family of www.ijohmn.com 22 International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 5, Issue 3, June 2019 a Nobel Laureate in Physics. The young boy, Rizwan Thorne-Lyman, wrote, as his science story project, an incredibly beautiful essay, “A Day in the Life of the Amazon Rainforest.” Reading about the rainforest was one of his interests, I was told. In describing the day-long activities of birds and animals among the tall trees and small plants, the 2 pp.-long narrative actually captures the eternally continuing natural cycle of the Amazon.
    [Show full text]
  • Towards a History of Intertextuality in Literary and Culture Studies
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 10 (2008) Issue 3 Article 1 Towards a History of Intertextuality in Literary and Culture Studies Marko Juvan University of Ljubljana Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Juvan, Marko. "Towards a History of Intertextuality in Literary and Culture Studies." CLCWeb: Comparative Literature and Culture 10.3 (2008): <https://doi.org/10.7771/1481-4374.1370> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • Taylorphd2016.Pdf
    This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Writing spaces: the Coleridge family’s agoraphobic poetics, 1796-1898 This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Joanna E. Taylor Keele University June 2016 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Abstract In recent years there has been a rapid growth in interest in the lives and writings of the children of major Romantic poets. Often, this work has suggested that the children felt themselves to be overshadowed by their forebears in ways which had problematic implications for their creative independence. In this thesis I explore the construction of writing spaces – physical, imaginary, textual and material – in the works of Samuel Taylor Coleridge’s (1772-1834) children and grandchildren: Hartley (1796-1849), Derwent (1800-1883), Sara (1802-1852), Derwent Moultrie (1828- 1880), Edith (1832-1911) and Ernest Hartley (1846-1920).
    [Show full text]
  • A Dark Ecology of Performance: Mapping the Field of Romantic Literary Celebrity Through Gothic Drama
    A Dark Ecology of Performance: Mapping the Field of Romantic Literary Celebrity through Gothic Drama Brian R. Gutiérrez A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Marshall Brown, Chair Juliet Shields Raimonda Modiano Program Authorized to Offer Degree Department of English 2 ©Copyright 2017 Brian R. Gutiérrez 3 University of Washington Abstract A Dark Ecology of Performance: Mapping the Field of Romantic Literary Celebrity through Gothic Drama Brian Robert Gutiérrez Chair of the Supervisory Committee: Professor Emeritus Marshall Brown Comparative Literature Gothic drama reached a height of popularity in the 1790s, partly due to celebrity actors like Sarah Siddons. Yet we know very little about the relationship between the many writers of gothic dramas and the celebrity apparatus. Although critics such as Richard Schickel regard literary celebrity as strictly a twentieth century phenomenon, recently other scholars have been arguing for a broader historical view. Richard Salmon, for instance, has cited photography, investigative journalism, and the phenomenon of authors being interviewed at their homes as evidence of the machinery of celebrity culture operating in the 19th century; David Higgins and Frank Donoghue have argued for the importance of periodical writing in the 18th and 19th centuries, and Claire Brock and Judith Pascoe have pointed out the feminization of fame and public theatricality in the Romantic period. And Tom Mole, in addition to examining the career of Lord Byron in the context of celebrity culture, has recently edited a collection of essays on the material and discursive elements of celebrity culture from 1750 to 1850 to provide a “synoptic picture of celebrity.” 4 Yet the most popular and profitable literary genre of the Romantic era has remained a stepchild of criticism, the victim of a disjuncture between literary critical study of dramatic texts and historical study of performance culture.
    [Show full text]
  • Living Form in American Literature Benjamin Welner Barasch
    The Ontological Imagination: Living Form in American Literature Benjamin Welner Barasch Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Benjamin Welner Barasch All rights reserved ABSTRACT The Ontological Imagination: Living Form in American Literature Benjamin Welner Barasch “The Ontological Imagination: Living Form in American Literature” proposes a new theory of the imagination as a way forward from the long academic critique of the human subject. It is unclear how we should conceive of the human—of our potential, for example, for self-knowledge, independent thought, or moral choice—after the critiques of self-presence, intentionality, and autonomy that have come to define work in the humanities. This dissertation offers an image of the human responsive to such challenges. I argue that a set of major nineteenth-century American writers (Ralph Waldo Emerson, William James, Henry James, and Walt Whitman) held a paradoxical conception of the imagination as both the mark of human uniqueness—the faculty that raises the mind above the world’s sheer givenness, allowing for creative action—and the space of our greatest intimacy with the nonhuman world. For these writers, the highest human achievements simultaneously differentiate us from the rest of nature and abolish our difference from it. Chapter 1, “Emerson’s ‘Doctrine of Life’: Embryogenesis and the Ontology of the Fragment,” presents an Emerson whose investigations of emotional numbness reveal a disintegrative force immanent to living beings. In the new science of embryology—a model of life at its most impersonal—he finds a non-teleological principle of growth by which a human life or an imaginative essay might attain fragile coherence.
    [Show full text]
  • Review of Thomas K. Hubbard, the Pipes of Pan: Intertextuality And
    Bryn Mawr Review of Comparative Literature Volume 2 Article 5 Number 1 Summer 2000 Summer 2000 Review of Thomas K. Hubbard, The iP pes of Pan: Intertextuality and Literary Filiation from Theocritus to Milton. Christopher M. Kuipers University of California, Irvine Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Kuipers, Christopher M. (2000). Review of "Review of Thomas K. Hubbard, The ipeP s of Pan: Intertextuality and Literary Filiation from Theocritus to Milton.," Bryn Mawr Review of Comparative Literature: Vol. 2 : No. 1 Available at: https://repository.brynmawr.edu/bmrcl/vol2/iss1/5 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol2/iss1/5 For more information, please contact [email protected]. Kuipers: Kuipers on Hubbard Thomas K. Hubbard, The Pipes of Pan: Intertextuality and Literary Filiation from Theocritus to Milton. Ann Arbor: University of Michigan Press, 1998. x + 390 pp. ISBN 0472108557. Reviewed by Christopher M. Kuipers, University of California, Irvine Thomas Hubbard’s book is the second major book on literary pastoral in this decade; the other, Paul Alper’s What is Pastoral? (University of Chicago, 1996). Both start from the argument that pastoral, when considered over its long literary history, must be narrowed down, and should not be considered as something whose primary role is the setting of some idealized world. The “questions of genre definition and social function have their own interest,” says Hubbard, but “the present study . assumes pastoral as ‘convention’ rather than as ‘theme,’ as a tradition more than as a definable genre” (4-5).
    [Show full text]
  • American Literature and Harold Bloom's Theory of Literary Influence
    Dirasat, Human and Social Sciences, Volume 33, Supplement, 2006 American Literature and Harold Bloom's Theory of Literary Influence Tawfiq I. Yousef * ABSTRACT This paper tries to apply Harold Bloom's theory of influence to Anglo-American literary relations. To achieve this, it has first outlined and then applied Bloom's six ratios which characterize literary relationships to the dialectic between American literature and English literature, between American and English writers. These ratios include: "Clinamen", which suggests a process of "swerving' from the precursor; "tessera" which intimates a reversionary movement of "completion" of the precursor; "kenosis", which indicates an "emptying" of the self in relation to the precursor; "daemonization", which implies the extraction, countering, and celebration of an "alien", though present, element in the precursor; "askesis", which denotes an effort of "self-purgation" aimed at attaining a sacred solitude against the precursor; and, finally "apophrades", which depicts an uncanny "return" of the precursor, for now the mature latecomer seems, strangely enough, the true author of the precursor's characteristic works.The paper also shows that all American writers have been affected by the English and European traditions and by the American tradition as well. Though the general tendency is to deny any such influence, some poets are ready to acknowledge their indebtedness. Along the way, some poets may choose not to join in this battle against the literary precursors and instead, look backward to established European and English models. Ironically, such writers have not been able to achieve great fame for, according to Bloom, a "strong" poet should embrace the task of sinning against the precursor whereas the "weak" or minor poet skirts the issue of his literary belatedness by accepting the influence of prior canonical masters within the sanctioned literary tradition.
    [Show full text]
  • April 8-11, 2021
    2021 APRIL 8-11, 2021 Annual Meeting of the American Comparative Literature Association ACLA 2021 | Virtual Meeting TABLE OF CONTENTS Welcome to ACLA 2021 and Acknowledgments. ..................................................................................4 ACLA Board Members ..............................................................................................................................6 Conference Schedule in Brief ...................................................................................................................7 General Information ..................................................................................................................................9 Full Descriptions of Special Events and Sessions .................................................................................10 ACLA Code of Conduct ..........................................................................................................................18 Seminars in Detail: Stream A, 8:30 AM - 10:15 AM .......................................................................................................20 Stream B, 10:30 AM - 12:15 PM ......................................................................................................90 Stream C, 2:00 PM - 3:45 PM .........................................................................................................162 Stream D, 4:00 - 5:45 PM ................................................................................................................190 Split Stream
    [Show full text]