Some Notes on Harold Bloom's the Anxiety of Znhuence
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An Interview with Harold Bloom José Antonio Gurpegui Universidad De
Revista Alicantina de Estudios Ingleses 9 (1996): 165-181 An Interview with Harold Bloom José Antonio Gurpegui Universidad de Alcalá José Antonio Gurpegui: What's the reason for writing a book about the Western Canon, particularly now? Harold Bloom: Well, this brings one to the question of a national context: in fact people in American universities and colleges and in the secondary schools and in academies throughout the English-speaking world, are very much worried about canonical matters because a tremendous debate has been going on now for about the last twenty years or so, which in one very bad sense is settled: that the people who would argüe for humanistic education, in English at least (the study of the traditional Western Canon, from Homer through Shakespeare, Cervantes and Tolstoy, down to Marcel Proust, say, or Samuel Beckett), we have been defeated. A traditional Western Canon is largely not studied anymore in American colleges, universities, preparatory schools, secondary schools, and this is trae also in Australia, New Zealand, Canadá, Great Britain, and so forth. But the personal reason is really quite different, and had nothing to do with polemic. I am a literary critic in my middle sixties; Tve been writing about literature, publishing on literature since 1957.1've been a student of literature really from the time I was a very small boy; in any language I could teach myself to read. And I've written a number of books, and I just thought it was time that I write a kind of general study of literature, trying to see if I could isolate those qualities that in the end unify Shakespeare, Cervantes, Dante, Chaucer, Tolstoy, and so on, and trying to extend Walter Pater's notion of the aesthetic or Osear Wilde's notion of the aesthetic to a kind of general defense of the aesthetic study of literature. -
El Escritor Y Las Normas Del Canon Literario (The Writer and the Norms of the Literary Canon)
DOCUMENT RESUME ED 477 340 CS 512 067 AUTHOR Policarpo, Alcibiades TITLE El Escritor y las Normas del Canon Literario (The Writer and the Norms of the Literary Canon). PUB DATE 2001-02-12 NOTE 14p.; In: The National Association of African American Studies, National Association of Hispanic & Latino Studies, National Association of Native American Studies, and International Association of Asian Studies 2001 Monograph Series. Proceedings (Houston, TX, February 12-17, 2001). PUB TYPE Opinion Papers (120) Speeches/Meeting Papers (150) LANGUAGE Spanish EDRS PRICE EDRS Price MFO1 /PCO1 Plus Postage. DESCRIPTORS *Authors; *Latin American Literature; Literary Criticism; *Novels IDENTIFIERS Fuentes (Carlos); Garcia Marquez (Gabriel); *Literary Canon; Vargas Llosa (Mario) ABSTRACT This paper speculates about whether a literary canon exists in contemporary Latin Atherican literature, particularly in the prose genre. The paper points to Carlos Fuentes, Gabriel Garcia Marquez, and Mario Vargas Llosa as the three authors who might form this traditional and liberal canon with their works "La Muerte de Artemio Cruz" (Fuentes), "Cien Anos de Soledad" (Garcia Marquez), and "La Cuiudad y los Perros" (Vargas Llosa). It discusses how the idea of a literary canon came about originally and how the canon of Latin American literature seems to be based mostly on the votes of publishing houses, reviews, anthologies, and preferences of academics. The paper states that, in a 1995 study Joan Brown and Crista Johnson found: "The present study indicates that there is currently no canon of 20th century prose fiction for Spanish or Spanish American literature, if "canonical" is defined as a work's presence on every reading list. -
International Journal of Linguistics, Literature and Translation
CORE Metadata, citation and similar papers at core.ac.uk Provided by International Journal of Linguistics, Literature and Translation International Journal of Linguistics, Literature and Translation (IJLLT) ISSN: 2617-0299 www.ijllt.org History (and/or Historicity) of Ecocriticism and Ecocritical History: An Introductory Overview Prof. Jalal Uddin Khan Professor of Literature, Yorkville University, Toronto Campus, Canada Corresponding Author: Prof. Jalal Uddin Khan, E-mail: [email protected] ARTICLE INFO ABSTRACT Received: May 20, 2019 Overlapping and interconnected, interdisciplinary and heterogeneous, Accepted: June 27, 2019 amorphous and multi-layered, and deep and broad as it is, countless topics on Published: July 31, 2019 ecoliterature make ecocriticism a comprehensive catchall term that proposes Volume: 2 to look at a text--be it social, cultural, political, religious, or scientific--from Issue: 4 naturalist perspectives and moves us from “the community of literature to the DOI: 10.32996/ijllt.2019.2.4.10 larger biospheric community which […] we belong to even as we are KEYWORDS destroying it” (William Rueckert). Historicity; Ecocriticism; ecoliterature As I was in the middle of writing and researching for this article, I was struck by a piece of called him “soft names” as a future Greenpeace and nature writing by an eleven year old sixth grader born Environmental Protection leader and theorist, a soon- to his (South Asian and American) mixed parents, both to-be close friend of Al Gore’s. The promising boy’s affiliated with Johns Hopkins and already proud to understanding, however short, of the Amazon ecology belong to the extended family of a Nobel Laureate in and ecosystem and the biological phenomena of its Physics. -
John Updike and the Grandeur of the American Suburbs Oliver Hadingham, Rikkyo University, Japan the Asian Conference on Literatu
John Updike and the Grandeur of the American Suburbs Oliver Hadingham, Rikkyo University, Japan The Asian Conference on Literature, Librarianship & Archival Science 2016 Official Conference Proceedings Abstract The standing of John Updike (1932-2009), a multiple prize-winning author of more than 60 books, has suffered over the last two decades. Critics have recognized Updike’s skill as a writer of beautiful prose, but fail to include him among the highest rank of 20th century American novelists. What is most frustrating about the posthumous reputation of Updike is the failure by critics to fully acknowledge what is it about his books that makes them so enduringly popular. Updike combines beautifully crafted prose with something more serious: an attempt to clarify for the reader the truths and texture of America itself. Keywords: John Updike, middle-class, suburbia, postwar America iafor The International Academic Forum www.iafor.org Over the last few decades the reputation of John Updike (1932-2009) has suffered greatly. Updike's doggedness and craft as a writer turned him into a multi-prize winning author of 23 novels, fourteen poetry collections, ten hefty collections of essays, two books of art criticism, a play, some children's books, and numerous short story collections. Yet such a prolific output and the numerous awards won have not placed him among the greats of 20th century American literature. He is remembered as someone who could write elegant prose, but to no lasting effect in articulating something worthwhile. Since the acclaim and prizes showered on Rabbit is Rich (1981) and Rabbit at Rest (1990), Updike has fallen out of favour with the literary world. -
The Anxiety of Influence: a Theory of Poetry Free
FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics. -
Where Then, Shall Gnosticism Be Found? an Intellectual And
WHERE THEN, SHALL GNOSTICISM BE FOUND? AN INTELLECTUAL AND RECEPTION HISTORY OF GNOSTICISM IN THE WORK OF HAROLD BLOOM AND THE SHIFT TOWARDS A NEW METHODOLOGY by Lara-Sophie Boleslawsky B.A. (Hons), The University of British Columbia, 2014 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Ancient Culture, Religion, and Ethnicity) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2021 © Lara-Sophie Boleslawsky, 2021 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, a thesis entitled: Where, then, shall Gnosticism be found? An intellectual and reception history of Gnosticism in the Work of Harold Bloom and the shift towards a new methodology submitted by Lara-Sophie Boleslawsky in partial fulfillment of the requirements for the degree of Master of Arts in Ancient Culture, Religion, and Ethnicity Examining Committee: G. Anthony Keddie, Associate Professor, Classical, Near Eastern, and Religious Studies, UBC Supervisor Robert Cousland, Associate Professor, Classical, Near Eastern, and Religious Studies, UBC Supervisory Committee Member ii Abstract Harold Bloom’s self-professed “strong Gnostic tendencies” manifest themselves in the works that comprise this controversial literary critic’s legacy. This project argues that to neglect Bloom’s preoccupation with Gnosticism is to miss a profound opportunity to shift from the conception of Gnosticism as a static entity capable of study to a Gnosticism that takes the form of a methodology, or dynamic process. Bloom’s early fascination with Gnosticism in the late 1970s offers a unique chance to understand Gnosticism through his most well-known theory of the anxiety of influence. -
Four LDS Views on Harold Bloom
Four LDS Views on Harold Bloom A Roundtable Four LDS Views on Harold Bloom HAROLD BLOOM. The American Religion: The Emergence of the Post- Christian Nation. New York: Touchstone with Simon and Schuster, 1993. 271 pp. Index. Paperback, $12.00. Introduction M. Gerald Bradford Every now and then a book is written about Mormonism which by all accounts is fascinating, meaning that it both attracts and repels its readers. On the whole, the insights in such books override their points of inaccuracy. The authors of such works usu- ally stand outside the LDS tradition, are recognized as intellectuals, and come from the world of academia. Nearly forty years ago, for example, Thomas F. O’Dea wrote The Mormons (Chicago: University of Chicago Press, 1957). His treatment of Latter-day Saints, ostensibly from a sociological per- spective but going far beyond any single discipline, was just such a book. Coming to his subject from a somewhat modified Marxist view, O’Dea revealed, between the lines, that he had a soft spot in his heart for the Mormons and that, in some important respect, he had genuinely understood what was distinctive and worthwhile about the religion. Another equally fascinating book about the Mormons and other religious groups in the United States is Harold Bloom’s The American Religion. Bloom is an internationally recognized liter- ary critic. What he says about the LDS tradition, Joseph Smith, and the future of the Church, has engendered a wide range of responses. Accordingly, BYU Studies has gathered four discus- sions of this book, one by an essayist, another by a Mormon BYU Studies 35, no. -
Misreading Skepticism in the Long Eighteenth Century: Studies in the Rhetoric of Assent
Misreading Skepticism in the Long Eighteenth Century: Studies in the Rhetoric of Assent By Adam Sneed A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Doctoral Committee: Professor Marjorie Levinson, Chair Professor Gregg Crane Associate Professor Sean Silver Professor Silke Maria-Weineck Adam Sneed [email protected] ORCID iD: 0000-0002-9205-1715 ACKNOWLEDGEMENTS My first thanks must be to the University of Michigan for the opportunity and privilege to pursue the life of the mind. I am deeply grateful for the tremendous and constant support provided by faculty and staff of the UM English Department. I am indebted to the Rackham School of Graduate Studies for two timely dissertation fellowships and to the U-M LSA International Institute for the opportunity to pursue archival research in Scotland. I thank the members of my dissertation committee: Sean Silver for providing a constant model of passionate, creative scholarship; Gregg Crane for first dislodging me from a neo-Kantian, Skeptical perspective; Silke Maria-Weineck for cheering on the polemic; and my wonderful chair, Marjorie Levinson, for supporting and encouraging me at every stage of the dissertation process and for bearing with me as the project evolved over time. I would like to thank my dear friends Samuel Heidepriem, Emily Waples, Logan Scherer, Kristin Fraser Geisler, Ryan Hampstead, Joe Chapman, Anthony Losapio, Sarah Mass, Alice Tsay, Lizzy Mathie, and Amrita Dhar for their love and support through the years in Ann Arbor. Special thanks to my dear friends Kathryne Bevilacqua, John Paul Hampstead, and Julia Hansen, who read and commented on drafts in the final stages. -
Of Ecocriticism and Ecocritical History: an Introductory Overview
International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 5, Issue 3, June 2019 DOI: https://doi.org/10.24113/ijohmn.v5i3.99 History (and/or Historicity) of Ecocriticism and Ecocritical History: An Introductory Overview Jalal Uddin Khan Ph.D, Adjunct Faculty General Studies Yorkville University Toronto Campus Ontario Canada [email protected] Abstract Overlapping and interconnected, interdisciplinary and heterogeneous, amorphous and multi- layered, and deep and broad as it is, countless topics on ecoliterature make ecocriticism a comprehensive catchall term that proposes to look at a text--be it social, cultural, political, religious, or scientific--from naturalist perspectives and moves us from “the community of literature to the larger biospheric community which […] we belong to even as we are destroying it” (William Rueckert). Keyword: Ecocriticism, Ethnicity, Ecology, Literature. As I was in the middle of writing and researching for this article, I was struck by a piece of nature writing by an eleven year old sixth grader born to his (South Asian and American) mixed parents, both affiliated with Johns Hopkins and already proud to belong to the extended family of www.ijohmn.com 22 International Journal Online of Humanities (IJOHMN) ISSN: 2395-5155 Volume 5, Issue 3, June 2019 a Nobel Laureate in Physics. The young boy, Rizwan Thorne-Lyman, wrote, as his science story project, an incredibly beautiful essay, “A Day in the Life of the Amazon Rainforest.” Reading about the rainforest was one of his interests, I was told. In describing the day-long activities of birds and animals among the tall trees and small plants, the 2 pp.-long narrative actually captures the eternally continuing natural cycle of the Amazon. -
Bloom's Critical Approach to the Romantic Poetry
ISSN 0974-0368 Bloom's Critical approach to the Romantic Poetry Bloom's Critical approach to the Romantic Poetry Saintsburry observes, are in fact a fresh formation of the classical restraint, definiteness, proportion, and form, against the romantic vogue, the Romantic Fantasy. (1911: 477) Arnold was dangerously close to Siddhartha Singh the Romantic poetry of the early nineteenth century to see it impartially. Arnold's emphasis on the classical restraint of form does not allow him Harold Bloom begins his career of antithetical criticism, directly to evaluate the imaginative and visionary power of romantic poetry. opposing the critical inheritance of T. S. Eliot, in the late fifties with his Harold Bloom does not entirely reject Arnoldian criticism. In Shelley's published dissertation Shelley's Mythmaking (1959). Bloom begins Mythmaking, Bloom Is quite conscious of the Arnoldian formulation. developing his own vision of the nature and value of literature, which is He begins with the mythopoeic form and craftsmanship in Shelley's both intellectually unique and socially daring. It is his intense predilection poetry, which according to Bloom, reaches a higher level of expression for the Romantic tradition which formulates his entire critical writings. because of the fusion of the poet's vision with it. (Bloom, 1959:1-10) Unlike his predecessors, who challenged the romantic Inheritance in Thus the importance of form is not altogether neglected by Bloom. the name of classical ideals. Bloom installs Romanticism at the centre It is T. S. Eliot who mounts a scathing attack on the romantic of post-renaissance English literature. Matthew Arnold advanced critical poets. -
Towards a History of Intertextuality in Literary and Culture Studies
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 10 (2008) Issue 3 Article 1 Towards a History of Intertextuality in Literary and Culture Studies Marko Juvan University of Ljubljana Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Juvan, Marko. "Towards a History of Intertextuality in Literary and Culture Studies." CLCWeb: Comparative Literature and Culture 10.3 (2008): <https://doi.org/10.7771/1481-4374.1370> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Taylorphd2016.Pdf
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Writing spaces: the Coleridge family’s agoraphobic poetics, 1796-1898 This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Joanna E. Taylor Keele University June 2016 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Abstract In recent years there has been a rapid growth in interest in the lives and writings of the children of major Romantic poets. Often, this work has suggested that the children felt themselves to be overshadowed by their forebears in ways which had problematic implications for their creative independence. In this thesis I explore the construction of writing spaces – physical, imaginary, textual and material – in the works of Samuel Taylor Coleridge’s (1772-1834) children and grandchildren: Hartley (1796-1849), Derwent (1800-1883), Sara (1802-1852), Derwent Moultrie (1828- 1880), Edith (1832-1911) and Ernest Hartley (1846-1920).