W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 7-2012 The (Re)Production Craze: Taylorism, the Modern American Family, and Non-Progressive Narratives in Edith Wharton's Late Fiction Katelyn Durkin College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Durkin, Katelyn, "The (Re)Production Craze: Taylorism, the Modern American Family, and Non-Progressive Narratives in Edith Wharton's Late Fiction" (2012). Undergraduate Honors Theses. Paper 538. https://scholarworks.wm.edu/honorstheses/538 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact
[email protected]. The (Re)Production Craze: Taylorism, the Modern American Family, and Non-Progressive Narratives in Edith Wharton’s Late Fiction A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from The College of William and Mary by Katelyn Durkin Accepted for _____________________________________________ (Honors, High Honors, Highest Honors) _____________________________________________ Melanie Dawson, Director _____________________________________________ Deborah Morse _____________________________________________ Jennifer Putzi _____________________________________________ Scott Nelson Williamsburg, VA April 23, 2012 Durkin 1 I. INTRODUCTION In her 1927 novel Twilight Sleep, Edith Wharton presents the dissolution of the modern American family with her depiction of the Manford/Wyant clan, a group of wealthy Manhattanites whose apparent solidarity is compromised by two unsatisfactory marriages, a band of emotionally neglected children, and an aging man’s plunge into crisis as he fails to adapt to modern society.