Iran to Construct 540MW Power Plant in Syria Resolving Qatar Crisis Is Not

Total Page:16

File Type:pdf, Size:1020Kb

Iran to Construct 540MW Power Plant in Syria Resolving Qatar Crisis Is Not WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 20,000 Rials 1.00 EURO 4.00 AED 39th year No.13221 Wednesday OCTOBER 3, 2018 Mehr 11, 1397 Muharram 23, 1440 Amano rejects We took you seriously, Iran’s Persepolis earn Iran sends four Netanyahu claims Shamkhani tells Bolton remarkable win over submissions to Asia Pacific about Iran 2 after missile attack 2 Al Sadd in ACL semis 15 Screen Awards 16 Iran to construct 540MW See page 4 power plant in Syria ECONOMY TEHRAN – Iranian Aliabadi on the sidelines of a meeting between deskMapna Group Compa- Iran’s Minister of Energy Reza Ardakanian Rial recovers ny signed a memorandum of understanding and Syrian Minister of Electricity Moham- (MOU) with Syrian Public Establishment mad Zuheir Kharboutli in Tehran. of Electricity for Generation (PEEG) on Based on the MOU, the €411-million project Tuesday for constructing a 540 megawatt will start in the beginning of 2019. The first (MW) combined cycle power plant in Syr- gas unit of the power plant is expected to be ian port city of Latakia, IRNA reported. completed in 15 months and the second one The MOU was signed by PEEG’s Man- will be built in two years.The power plant’s aging Director Mahmoud Ramadan and feedstock will be supplied from Syria’s gas unexpectedly MAPNA Group’s Managing Director Abbas fields through a 70-kilometer pipeline. Guardian: Saudi funds TV that gave airtime to Ahvaz attack supporter ‘A source close to Saudi crown prince says Following is the text of the report head- Iran International’s money come from lined “Ofcom investigates TV network over the Saudi royal court, estimated to be interview praising attack in Iran”: about $250m.’ Ofcom is investigating a UK-based In a report on Tuesday, The Guardian, Saudi-linked television network after it quoting a source, said the UK-based Iran gave airtime to the spokesman for an ex- International TV that gave airtime to a tremist separatist group who praised last supporter of the terrorist attack in Ahvaz month’s terrorist attack in the Iranian city on September 22, is funded by the Saudi of Ahvaz, which killed at least 24 people, royal court. including children. 2 Iranian charity top scorer in global NGO Benchmark ranking HEALTH TEHRAN — MAHAK, company headquartered in Geneva, Swit- deska charity society dedi- zerland which provides inspection, verifi- Mohammad Moheimani cated to treating pediatric cancer in Iran, cation, testing and certification services. has become the top scorer in the global It has more than 95,000 employees and SGS NGO Benchmark practice with a score operates over 2,400 offices and labora- of 97.5% ranking first among 328 NGOs tories worldwide. worldwide. In response to the demand for an inde- Tehran Times/ Tehran Times/ SGS (formerly Société Générale de pendent, globally relevant standard for as- Surveillance which is French for General sessing the accountability of an NGO, SGS People in Tehran gather in front of foreign exchange shops to trade dollar, euro and other foreign currencies for rial as the national currency starts partially regaining value. Society of Surveillance) is a multinational has developed the NGO Benchmark. 9 ARTICLE Resolving Qatar crisis is not easy: Murphy ARTICLE Hanif Ghaffari lead to solving this crisis? to help resolve this crisis. Martin Love Political analyst EXCLUSIVE INTERVIEW Political analyst from By Fatemeh Mohammadipour A: One can only hope that the U.S. Invitation According to the terms of Saudi Arabia to the [P]GCC members will help resolve the and its allies, Is Qatar ready to give points to North Carolina TEHRAN — Richard W. Murphy, the former crisis over Qatar but it is impossible to predict the opposite side? If so, what areas may there U.S. ambassador to Syria and Saudi Ara- whether they will all even agree to accept the be a compromise? From Obama to Al Gore: bia, says “Washington has strong interests U.S. invitation to meet. A: I have no information on what Qatar may Banality and in keeping good relations both with Saudi Some believe the reason that United States be willing to concede to the Saudi/UAE demands. The Democrats are Arabia and Qatar.” is at the head of the initiative to solve the crisis in Predictably Qatar will not totally meet their stated crudeness on display Murphy says “Its offer to mediate this dispute Qatar is Showing Washington’s dissatisfaction demands. Qatar has a strong interest in good taking stance against has thus far had no positive response from Saudi with Riyadh to solve regional problems. What economic relations with Iran which the other in Washington Arabia or the UAE. It is important to continue do you think? [P]GCC members do not share. Trump to work to help resolve this crisis.” A: Washington has strong interests in keep- According to U.S. relations with Saudi Ara- he latest turn in attention in the U.S. Following is the text of the interview: ing good relations both with Saudi Arabia and bia and Qatar, how can Washington resolve the in recent days has been somewhat vercoming the current president Camp David meeting is scheduled to be Qatar. Its offer to mediate this dispute has thus crisis to keep the two sides happy? Taway from imperial pretensions of the United States has turned held this autumn in the United States to resolve far had no positive response from Saudi Arabia A: It is too early to predict the course of future and overreach, sanctions on other coun- to the main goal of the Demo- O the crisis in Qatar. Can this American initiative or the UAE. It is important to continue to work talks between the parties. tries, threats of attacks on Syria (and crats in the United States. American Iran) and any other country, including Democrats who have been isolated in even Venezuela, that fails to bow to U.S. the last two years, and lost the White demands, whatever they may be. Long House, the House of Representatives, ‘The U.S. strategy is to provoke disappointment through economic hardship’ gone are the days (as when George W. the Senate, and many governorates, By Maryam Khormaei The region comprises more than 21 million km2 32% are women. It also has 140 consular offices Bush launched the so-called “War on Ter- are now planning to win the Congress TEHRAN — In an exclusive interview, Mr. of surface area (13.5% of the planet’s surface), and 158 Cuban Associations in 78 countries. In ror” to believing citizens), when the U.S. elections. On the other hand, the public Alexis Bandrich Vega Cuban ambassador to Iran and some 569 million inhabitants. It has a great Cuba there are 113 foreign Embassies. government could claim to be spreading dissatisfaction raised over the perfor- discussed a host of issues with Tehran Times geographical and biological diversity, practically Under Trump’s administration, it is forbid- (militarily, which is an oxymoron) some mance of the U.S. President has given and Mehr News correspondent including the all climates. It has some of the largest rivers in the den to do business with a long list of entities that sort of enlightened “democracy” across hope to the Democrats for winning US policy towards Cuba, the reason behind the world and important food, energy and mineral allegedly have links with Cuban military, intelli- various flashpoints and countries, par- the midterm elections. popularity and even recent failure of some so- resources, including its oil, copper, lithium and gence or security services. Meanwhile, the White ticularly in Asia. The president of the United States, cialist governments as well as Tehran- Havana silver deposits. House is relaxing some restrictions on exports No one, not even most Americans, be- speaking among his proponents, has bilateral relations. Cuba is an archipelago of the Caribbean Sea. to private Cuban businesses and embassies are lieve that any longer, believing instead that warned about the Democrats’ victory As the interview focuses mainly on the Due to its geographical position at the entrance still open, however vacant. What is behind this what the government has been about is the in the U.S. midterm elections. international relations of Cuba, before going to the Gulf of Mexico, since colonial times it has double standard approach? maintenance of the privileges and power Trump has explicitly stated that if further, I want you to give our readers a better been known as “The key of the Gulf”. It is the A: I do not think there is a double standard. of an entrenched oligarchy of politicians Democrats win the elections, many of perspective on the regional characteristics of Latin largest island in the Greater Antilles. It has an There is only one, clearly defined by the US gov- and Wall Street elites and military brass his decisions will be destroyed. The America and the position of Cuba in the region. area of almost 110 thousand km2 and 11.2 million ernment 58 years ago, and it maintains an absolute who for too long have been catering to U.S. Democrats believe that if they A: Latin America refers to the regions of inhabitants. validity, it seemed to be said five minutes ago, I themselves at the expense of most every- fail in midterm elections, they won’t America where Latin languages are spoken, Cuba maintains relations with 197 countries quote: “The majority of Cubans support Castro. one else in the U.S. and a crumbling U.S be able to return to power at least specifically Spanish, French and Portuguese.
Recommended publications
  • Time for Europe to Pace Development of SPV Page 2 |No
    Mehr Vision|No.12|November-December 2018 Time for Europe to pace development of SPV Page 2 |No. 12|Nov - Dec 2018 MEHR NEWSAGENCY Contents Muslims need to talk more with each other: Bajrami 4 Iran is a role model for uniting Muslim states: Indonesian scholar 5 Imam Khomeini initiated idea of Islamic Unity: Prof. Mirza 6 Only Resistance can solve Palestinian crisis: German analyst 7 Dossier Palestine a big umbrella that gathers all Muslims: Hamas rep. 8 Theorizing religion in intl. relations not only feasible but essential 10 PGCC never was effective organization: Shireen Hunter 12 Qatar withdrawal from OPEC may increase Iran’s production shar 13 Political squabbles among OPEC members have weakened its efficacy 14 US new sanctions to impact Iranian nation: Dorsey 16 Al-Khalifa regime threatened people to vote in elections: Bahraini cleric 17 Interview EU army won’t threaten NATO future: ex-CIA official 18 US had no choice but to grant Iranian oil buyers waivers 19 Mehr Vision The sad fate of Europe’s leading figure 22 Tel Aviv’s ‘northern shield’ operation’s objective in Lebanon border 23 Managing Director: Ali Asgari FATF member countries, the very center of money laundering 24 Editorial Board: West return to 2007: Europe’s anger over incompetent politicians 25 Seyed Amir Hassan Dehghani, Will Clinton have the EU’s support? 26 Mohammad Ghaderi, France’s unrestful days with Macron 27 Payman Yazdani Opinion US propaganda war against Iran doomed to failure 28 Editorial Coordinator: Kornet missile wins over Netanyahu’s cabinet 29 Lachin Rezaian Democrats vs.
    [Show full text]
  • Ars Choralis 2018
    HrVATSKA UDrUGA ZBoroVo\A CroATIAN CHorAL DIrECTorS ASSoCIATIoN mE\UNAroDNI ZBorSKI INSTITUT INTErNATIoNAL CHorAL INSTITUTE ARS CHORALIS 2018 Peti međunarodni simpozij o korusologiji zborska umjetnost – pjevanje – glas The Fifth International Symposium on Chorusology Choral Art – Singing – Voice Zagreb, 5. – 7. 4. 2018 CroATIA ARS CHORALIS 2018 Peti međunarodni simpozij o korusologiji zborska umjetnost – pjevanje – glas The Fifth International Symposium on Chorusology choral art – singing – voice Organizator / Organizer Hrvatska udruga zborovođa / Croatian Choral Directors Association Međunarodni zborski institut / International Choral Institute www.huz.hr • www.choralcroatia.com Ovaj je simpozij posvećen / This Symposium is dedicated to April 16th WORLD VOICE DAY SVJETSKI DAN GLASA 16. travnja world-voice-day.org Počasni gost / Guest of Honour Dr. CHUN KOO – South Korea Ovaj je simpozij posvećen / This Symposium is dedicated to Ovaj je simpozij organiziran od The Symposium is organized by Hrvatske udruge zborovođa The Croatian Choral DIrectors Association u suradnji s in collaboration with Institutom za crkvenu glazbu The Institute for Church Music Katoličkoga bogoslovnog fakulteta of Catholic Theological Faculty of Sveučilišta u Zagrebu University of Zagreb Simpozij je sufinanciran od The symposium is financialy supported by Ministarstva kulture Republike Hrvatske The Ministry of Culture Turističke zajednice grada Zagreba The Zagreb Tourist Board Medijski pokrovitelj Hrvatski katolički radio / Croatian Catholic Radio Tematska područja
    [Show full text]
  • Women Musicians and Dancers in Post-Revolution Iran
    Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran.
    [Show full text]
  • Discovering an International Language Called Music
    Discovering an International Language called music Tavoos Quarterly,No.8 Omid Rohani (2012) Abstract Iranian music is a rich treasury of harmonious compositions, enchanting melodies and profound, illuminating lyrics. Yet, despite its extraordinary scope and astonishing resources, its deep connection with the essence of Iranian culture and the emotional and spiritual nature of the Iranian psyche, and a history spanning thousands of years, it is not recognized in Western circles as an international musical style, nor as a potential currency for cultural exchange. In its encounter with scientific, academic styles and classical Western music, Iranian music has remained a remote art. Our only accomplishment has been to acquaint a limited audience of educational concerts with this profound and deep-rooted art. In the cultural exchanges between the East and West, our music has been left far behind that of India, Japan, Africa, and South America. Why has our music been detained from participating in an artistic exchange in the vast domain of art? This question sparked a discussion between Loris Cheknavorian, the composer, musicologist and conductor of Armenian origin, and Fereydoon Nasseri, the musicologist and conductor of the Tehran Symphony Orchestra. Is Iranian music—composed of regional, folk, and traditional radifi music—capable of being performed on an international scale, and not simply regarded as an Eastern, marginal art? Loris Cheknavorian: We have a style of folk music that exists among the people of the villages in various parts of the country. This music is the first of three main genres and has been passed down through generations. It is related to certain ceremonies, weddings, circumcision ceremonies, birthdays and such, and has no scientific bearing.
    [Show full text]
  • Nohe Khan’ the Creator of Glory, the Creator of the World, the Creator of Fortune, the One Who Sends the Prophets
    Alexander RAhbARi My Mother Persia Symphonic Poems • 3 Nos. 9 and 10 Ladislav Fančovič, Saxophone Reza Fekri, Tenor Prague Metropolitan Orchestra Alexander Rahbari Alexander Rahbari (b. 1948) My Mother Persia – Symphonic Poems Nos. 9 and 10 Alexander Rahbari was born in Tehran, Iran. He studied began writing the most lauded pieces of his career. His Symphonic Poem No. 10 ‘Morshed’ violin and composition with Rahmatollah Badiee and works include Persian Mysticism – A Symphonic Poem for Dedicated to Ahmad Pejman Hossein Dehlavi at the Persian National Music Orchestra (1968), music used in United Nation advertising Conservatory. From the age of 17, he was a violinist at performed by the Vienna Symphony Orchestra (1975), the Nowadays, a ‘Morshed’ is a person who has a good singing from the Shahnameh (‘The Book of Kings’), written by the the Fine Arts Administration Orchestra under the baton of soundtrack for a documentary by French director André voice and sits in their special place (named a ‘dam’), Persian poet Ferdowsi. In the past, the Morshed was the Hossein Dehlavi. Soon after receiving his violin diploma Malraux (1977), Beirut Symphonic Poem (1985) originally playing and singing during the pahlevani and zoorkhaneh person who trained the athletes. During the rituals, the from the National Conservatory, he won a scholarship written for nine flutes, Halfmoon (1984), a piece for rituals (the UNESCO-designated name for varzesh-e Morshed wears a piece of cloth on his shoulder named from the Iran Ministry of Culture and Art to study orchestra and choir performed and commissioned by the pahlavāni , or ‘ancient sport’).
    [Show full text]
  • CV 2020.Pages
    Roksana Reyhanian Violist, Performer, Music Educator Education • Bachelor of Music in Viola Performance, Art University of Tehran, 2006–2011 • Graduation in Viola Performance, State Television and Radio Music School of Tehran, 2001–2004 • Pre-university Certificate, Mahdiyeh School of Fine Arts, 2005–2006 • Diploma in Mathematics, Booali School, 2002–2005 Teaching Experiences • Elmi Karbordi University of Music Unit 46, 2019–present - Professor of Viola Performance, 2019–Present • State Television and Radio Music School of Tehran, 2011–2013 - Instruction in Viola Performance, 2011–2013 - Instruction in Elementary Violin Music Performance, 2011–2013 • Avaye Mahan Music Institute – Tehran, 2013–present - Instruction in Viola Performance, 2013–present - Instruction in Elementary Violin Music Performance, 2013–present - Instruction of Chamber Music, 2015–present - Teacher of Music Theory Basics, 2014–present • Baaghe Naghmeha Music Institute – Tehran, 2015–present - Head of String Instruments Department , 2015–present - Instruction in Viola Performance, 2015–present - Instruction in Elementary Violin Music Performance, 2015–present - Teacher of Music Theory Basics, 2018–present • Yasnagah Music Academy – Tehran, 2019–present - Instruction in Viola Performance, 2019–present - Instruction in Elementary Violin Music Performance, 2019–present Chamber Music, Solo Performance Experience • Bivác Ensemble, Tehran, 2018–present - Viola Soloist, 2018–present • Dispersion, Premier Performance of Pedram Babaiee Fractions for String Quartet, Live in Sayeh Art Gallery 2019 • “Ruins of a Memoir” by Pedram Babaiee album recording, Bivác Records, 2019–2020 - Assistant Music Director, Coordinator, 2019 • Galamian String Quartet, Tehran, 2011–2014 - Viola Soloist, 2012 • Joseph Haydn String Quartet no.1 • Franz Schubert String Quartet no.1 ` and entire Komitas String Quartet repertoire, Avaye Mahan Institue, Tehran 2012 with Prof.
    [Show full text]
  • Comparative Ontology and Iranian Classical Music
    COMPARATIVE ONTOLOGY AND IRANIAN CLASSICAL MUSIC ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by Erum Naqvi July 2015 Examining Committee Members: Philip Alperson, Advisory Chair, Department of Philosophy Susan Feagin, Committee Member, Department of Philosophy Espen Hammer, Committee Member, Department of Philosophy Lara Ostaric, Committee Member, Department of Philosophy Lydia Goehr, External Member, Columbia University © Copyright 2015 by Erum Naqvi All Rights Reserved ii ABSTRACT My project began quite innocently, when, in my first philosophy of music class as a graduate student, I found it extraordinarily difficult to bring questions about the nature and meaning of music to bear on the case of Iranian classical music. I knew very little, technically speaking, about Iranian classical music at the time, but what I did know was challenging to reconcile with many commonplace assumptions about music in philosophy. Specifically, that this tradition is highly performative, that musicians rarely use scores, and, importantly, that anyone who calls herself a musician but cannot extemporize, is not really considered much of a musician in Iran at all. This, I remember all too vividly from my teenage years, when I recall the bemused
    [Show full text]
  • Rockets Fired at Occupied Lands
    WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 20,000 Rials 1.00 EURO 4.00 AED 39th year No.13253 Tuesday NOVEMBER 13, 2018 Aban 22, 1397 Rabi’ Al awwal 5, 1440 Larijani urges Saudis close to Bin Mohammadi named Martyna Kosecka to conduct Europeans to act more Salman tried to kill Iran’s freestyle Poland’s independence independently 2 Iranian officials 2 wrestling coach 15 concert in Tehran 16 ‘EU to continue transport co-op See page 13 with Iran despite sanctions’ ECONOMY TEHRAN — Euro- in Tehran, Maja Bakran Marcich said “the Rockets desk pean Commission’s EU will continue to cooperate with Iran deputy director-general for mobility and in the framework of agreements signed in transport said EU is going to continue its various fields of transportation.” transport cooperation with Iran despite The official noted that 80 percent of U.S. sanctions, IRNA reported on Monday. the world’s trade is conducted through Speaking in a two-day workshop on sea transport and since a big chunk of fired at ports, maritime and logistics held by Iran’s this trade is between Asia and Europe, Ports and Maritime Organization (PMO) it cannot be stopped under any circum- in collaboration with the European Union stances. 4 occupied UNWTO chief sees Iran as a safe, peaceful destination TOURISM TEHRAN — The vis- stated, Tasnim reported. deskiting United Nations He made the remarks in a press conference World Tourism Organization (UNWTO) followed by the opening ceremony of the 40th lands secretary general on Monday said “We are UNWTO Affiliate Members Plenary Session, willing to introduce Iran to the world as which opened in the city of Hamedan.
    [Show full text]
  • 3Rd-TCMF-Booklet.Pdf
    فســتیوال موســیقی معاصــر تهــران بــه عنــوان تنهــا فســتیوال ملــی و بینالمللی در حــوزه موســیقی معاصــر و آکادمیــک، یــک رویــداد فرهنگی و هنری مســتقل اســت کــه بــا حمایــت و همــکاری نهادهــا و انجمــن هــای فرهنگــی و هنــری بصــورت ســاﻻنه برگــزار مــی شــود. طــرح اولیــه برگــزاری ایــن فســتیوال توســط نویــد گوهــری )مدیــر هنــری( و احســان تــارخ )مدیــر اجرایــی( در بهــار 1393 نوشــته شــد و در تابســتان 1394 بــا همفکــری و برنامــه ریــزی دکتــر حســین ســروی )مشــاور امــور بیــن الملــل و نظــارت راهبــردی( و بــا همیــاری و حمایــت دفتــر موســیقی وزارت فرهنــگ و ارشــاد اســامی، بنیــاد رودکــی، مــوزه هنرهــای معاصــر تهــران اولیــن اقدامــات اجرایــی آن صــورت گرفــت. همزمــان بــا تاســیس کانــون موســیقی در مــوزه هنرهــای معاصــر تهــران، ایــده برگــزاری فســتیوال بیــن المللی موســیقی معاصر تهــران توســط ایــن کانــون پیگیــری شــد. در پاییــز 1394 شــورای علمــی و هنــری فســتیوال بــا همــکاری دکتــر حمیدرضا اردﻻن )مشــاور علمــی(، آیدین صمیمی مفخم، مارتینا کوسســکا )مشــاوران هنری( تشــکیل گردید و اقدامات عملی جهــت برگــزاری نخســتین دوره فســتیوال بیــن المللــی موســیقی معاصــر تهــران بــا اعــام فراخــوان و دعــوت از گــروه هــای خارجی با همکاری موسســه موســیقی نویــن اســپکترو بــه انجــام رســید. در نخستین دوره فستیوال بین المللی موسیقی معاصر تهران که اردیبهشت مــاه 1395 برگــزار شــد، 116 هنرمنــد ایرانــی و خارجــی در قالــب 21 گــروه موســیقی از کشــورهای ایــران، بلژیــک، ســوئد، گرجســتان، ســوییس، رومانــی و لهســتان بــه اجرای برنامه پرداختند و 20 ســخنران از کشــورهای ایران، لهســتان، گرجســتان، هلنــد و آلمــان مقــاﻻت خــود را در بخــش ســمینارها ارائــه نمودنــد. همچنیــن در ایــن دوره آثــاری از 77 آهنگســاز معاصــر ایرانــی و بیــن المللــی اجــرا گردیــد کــه 27 اثــر بــرای نخســتین بــار در جهــان )world Premiere( اجــرا شــد.
    [Show full text]
  • Analysis of Iranian Film Music (With Focus on Some Contemporary Composers)
    Université de Montréal Analyse de la Musique de Film Iranien (Avec un accent sur certains compositeurs contemporains) Analysis of Iranian Film Music (With focus on some contemporary composers) Présenté par Sharareh Sheikhkhan Unité académique : Faculté de Musique Mémoire présenté en vue de l'obtention du grade de Maîtrise - Musique en Composition pour l'écran August 30th, 2020 © Sharareh Sheikhkhan, 2020 Université de Montréal Unité académique : Faculté de Musique Ce mémoire intitule Analyse de la Musique de Film Iranien (Avec un accent sur certains compositeurs contemporains) Analysis of Iranian Film Music (With focus on some contemporary composers) Présenté par Sharareh Sheikhkhan Ce mémoire a été évalué par un jury composé des personnes suivantes : Isabelle Panneton Président-rapporteur François-Xavier Dupas Directeur de recherche Pierre Adenot Membre du jury Research paper 2nd cycle (Master) University year 2019-2020 Analysis of Iranian film music (with focus on some contemporary composers) SHARAREH SHEIKHKHAN Principal discipline: InMICS Principal discipline teacher: François-Xavier Dupas, Dominique Pauwels Name of referent teacher: Stoffel Debuysere Name of methodology assistant : Martin Barnier Date of the presentation: October, 2020 Acknowledgements First, I would like to express my special thanks to my Principal discipline teacher Dr. Stoffel Debuysere for his patience, and immense knowledge. His guidance helped me in all the time for research and writing this thesis. Second, I pay my deep sense of gratitude to my composition professor Dr. François- Xavier Dupas for all he did for me during this master’s degree. Without his continuous encouragement, support and enthusiasm, this study would hardly have been completed. I consider myself fortunate indeed to have had the opportunity to be his student.
    [Show full text]
  • Recent Experimental Electronic Music Practices in Iran
    Recent Experimental Electronic Music Practices in Iran: An Ethnographic and Sound-Based Investigation by Hadi Bastani A thesis submitted to Queen’s University Belfast in partial fulfilment of the requirements for the degree of Doctor of Philosophy Sonic Arts Research Centre Queen’s University Belfast 2019 Supervisory Team Dr Simon Waters Dr Ioannis Tsioulakis ii Je ne dis […] pas les choses parce que je les penses, je les dis plutôt dans une fin d’auto- destruction pour ne plus les penser.1 Michel Foucault – Interview with Fons Elders (1971) 1 The quote is extracted from an interview published on YouTube on March 2014 titled Foucault – The Lost Interview, which was initially produced by the Dutch Philosopher Fons Elders for the Dutch Television in 13 September 1971, ahead of the famous debate between Foucault and Noam Chomsky, which took place in No- vember of the same year. The interview is accessible via the following link (last accessed 26 Jun. 2019). See 15:13–15:21 for the above quote: youtube.com/watch?v=qzoOhhh4aJg The whole interview is available in the form of a book titled "Freedom and Knowledge." It includes an introduction by Lynne Huffer and additional contributions by Fons Elders. It can be accessed via Vons Elders’ own webstie via the following link (last accessed 26 Jun. 2019): hfonselders.eu/product/m-f-free- dom-and-knowledge/ An excerpt is available for free online here (last accessed 26 Jun. 2019): academia.edu/6482878/Free- dom_and_Knowledge_book_extract_YouTube_clip_of_lost_Michel_Foucault_interview_pub- lished_forty_years_after_its_time_ iii iv Abstract The aim of this thesis is to identify and locate an experimental electronic music ‘scene’ in Iran within a web of historical-social-political-religious- economic-technological agencies.
    [Show full text]
  • Persian Musicians Directory
    Version 9.0 Dec. 2015 PERSIAN MUSICIANS DIRECTORY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA Abbas Nia [Muhammad] traditional Dosazeh ( twin reed pipe) player of the khorasani repertoire (Kashmar) in the 1990’s. Abaei [Reza] Gheychak player. Cooperated with Payvar ensemble, Davod Varzideh (ney) and Mohammad Delnavazi (barbat),. Abdollahi “Sangdehi” [Parviz] Sorna, qarneh player from Mazandaran. Revivalist of Qarneh pipe with Lotfollah Seyfi. “ Date of Birth: 01 Persian date Farvardin 1354/1975. In 1364/1985, his father started the construction Laleva make additional Nmvd.dvrh with ust. Tibi spent on master tapes and music theory with Professor Ismaili came to a Lotfollah Seifi. Beloved, now led by the instrumental group and the group headed by Professor MohsenPour Shavash's activities. Shahrivar 79 (1999) First Prize as the top player of century-festival performers His numerous groups in the province and outside the province and work, including: Group Najma, Sama, Varesh, eager faith, Taraneh, Mah Teti, Roja, traditional Varshan, Shavash group that is a member for 8 years and has continued his association with other groups. For 8 years of playing in groups of Teti, Khojier, Shvash, Ouya, Najma, Varesh, Teti Jar, Mahal Roja, Taraneh, , Kordu Shahu traditional Varshan and research group Samaei Alborz activity and continued some of the works of three Czech, …” (Mehrava.com) Abidini [Hosein] traditional singer of the khorasani repertoire (Kashmar, Torbat e heidriyeh). Cooperated with dotar player Hosein Hadidian (dotar). Abshuri [Ali] traditional Sorna shawm player, kurdish –Kurmanji repertoire of the kurdish from North Khorasan in the 1990’s .
    [Show full text]