Stephen Whale, Piano Repertoire List

Total Page:16

File Type:pdf, Size:1020Kb

Stephen Whale, Piano Repertoire List STEPHEN WHALE, PIANO REPERTOIRE LIST SOLO PIECES Baroque J.S. Bach Prelude and Fugues from the Well-Tempered Clavier: C Sharp Major from Book 1, C Sharp Major, E major, G Major, and G Sharp Minor from Book 2 French Suite no. 6 in G Major Partita no. 2 in C minor Domenico Scarlatti Sonata in C Major, D. 159 Classical Joseph Haydn Sonatas in E Flat Major Hob. XVI: 49 & 52 W.A. Mozart Sonatas in A minor, K310; F Major, K. 332; and F major, K. 533 L.V. Beethoven Sonatas in C Major, op. 2/3; D Major, op. 10/3; G Major, op. 31/1; A Flat Major, op. 110 M. Blasco de Nebra Sonata no. 5 Romantic Franz Schubert Sonatas in A Minor, D. 784 and G major, D. 894 Frédéric Chopin Etudes op. 10, no. 1, 3; op. 25/2, 3, 4, 12 Ballades in G minor, op. 23 and in F major, op. 38 Nocturnes, op. 15; op. 27/1; op. 37/2; op. 48 Polonaise-Fantasie in A flat major, op. 61 MaZurka in A minor, op. 59/1 Robert Schumann Fantasiestücke, op. 12 Kinderszenen, op. 15 Franz Liszt L'Apres une Lecture de Dante – Fantasia quasi Sonata Sonata in B Minor Ballade no. 2 in B Minor Johannes Brahms Zwei Rhapsodien, op. 79 Klavierstücke op. 119 EDvarD Grieg Ballade in G Minor, op. 24 Svunde Dage (Vanished Days) and Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen) from Lyriske stykker (Lyric Pieces), op. 57 "Haugelåt Halling" from Slåtter op. 72 Det første møte (the First Meeting) from Song Transcriptions for Piano, op. 52 Early 20th Century Sergei Rachmaninov Six Moments Musicaux, op. 16 AlexanDer Scriabin Sonata no. 3 in F Sharp Minor ClauDe Debussy Estampes L'Isle Joyeuse Sergei Prokofiev Sonata no. 3 Leoš Janáček In the Mists 1 Post 1945 Einojuhani Piano Sonata no. 1 "Christus und die Fischer" (1969) Rautavaara Piano Sonata no. 2 'Fire Sermon' (1970) Ikonit (Icons) 1956 Piano Concerto no. 3 'Gift of Dreams' (1998) CHAMBER MUSIC W. A Mozart Piano Trio in B Flat Major Quintet for Piano and Winds in E Flat Major, K. 542 Sonatas for Piano and Violin in E Flat Major, K. 302 and 481 Sonata for Two Pianos in D Major, K. 448 L.V Beethoven Violin Sonatas in A Minor, op. 23, F Major, op. 24, A Major, op. 30/1. G Major, op. 96 Sonata for Cello and Piano in A Major, op. 69 Piano Trio in D Major, 'Ghost', op. 70/1 Johannes Brahms Sonata for Violin and Piano in D minor, op. 108 Sonata for Cello and Piano in E minor, op. 38 Piano Quintet in F minor, op. 34 Selected Hungarian Dances for Two Pianos FreDeric Chopin Sonata for Cello and Piano in G Minor Rondo in C Major for Two Pianos, op. posthumous Franz Schubert Der Hilt auf dem Felsen for clarinet, soprano, and piano Robert Schumann Three Romances for Oboe and Piano, op. 94 Fantasiestücke for Clarinet and Piano, op. 73 Carl Reinecke Sonata for Flute and Piano, op. 167 Antonín Dvorák Sonatine for Violin and Piano in G Major P.I Tchaikovsky Souvenir d'un lieu cher (for Violin & Piano) op. 42 Cesar Franck Sonata for Violin and Piano in A Major RicharD Wagner Romanze (Albumblatt) S. Rachmaninov Vocalise for Violin and Piano ClauDe Debussy Sonata for Cello and Piano Sonata for Violin and Piano Maurice Ravel Piano Trio Mother Goose Suite for Two Pianos or Piano duo Aram Khachaturian Trio for clarinet, violin and piano (1932) Sergei Prokofiev Sonata for Flute or Violin and Piano no. 2 in D major, op. 94 Florent Schmitt Sonatine en Trio for Flute, Clarinet, and Piano, op. 85 Francis Poulenc Trio for Oboe, Bassoon and Piano Sonata for Two Pianos, FP. 156 Oliver Messiaen Quatuor pour la fin du temps (Quartet for the End of Time) Astor Piazzolla Otoño Porteño (Buenos Aires Autumn) from the Four Seasons, arranged for clarinet, violin and piano Einojuhani April Lines for Violin and Piano (2006) Rautavaara Paul Salerni Toddler Riffs for Violin and Piano (1991) 2 CONCERTOS W.A. Mozart Piano Concerto in A Major, K. 488 Sergei Rachmaninov Piano Concerto no. 2 in C Minor, op. 18 Einojuhani Piano Concerto no. 3 "Gift of Dreams" (1998) Rautavaara LIED AND OPERA HanDel "Every Valley Shall be Exalted" from Messiah Mozart Several arias from Le Nozze di Figaro, Don Giovanni, Die Zauberflöte. Two scenes from the latter Schubert Several songs including "Auf der Bruck" Schumann Liederkreis, op. 39, selected songs from Dichterliebe, Myrthen and Frauenliebe und Leben VerDi, Bellini, Various arias Donizetti Puccini Arias from La Boheme and Tosca Grieg Several songs including "Ein Traum" and "Våren" Wagner Arias from Lohengrin, Tannhauser Jean Sibelius 6 Songs, op. 88 and several other songs, including "Svarta Rosor", "Var det en dröm?", and "Sommarnatten" Rautavaara Several songs, including "Ikävyys" from Aleksis Kivi Paul Salerni Regimen Sanitatis Salerni (2000) ORCHESTRAL PIANIST Gustav Mahler Symphony no. 4, arranged for chamber orchestra Benjamin Britten Owen Wingrave Peter Maxwell The Lighthouse Davies Stravinsky Symphony of Psalms March 2020 3 .
Recommended publications
  • GRIEG, Edvard Hagerup (1843-1907)
    BIS-CD-637STEREO DDD".l Total playing timer 69'22 GRIEG,Edvard Hagerup(1843-1907) SeksDigte,Op,4 rwn l1'08 tr I. Die Waise(Text: Adelbert uon Chatnisso) 2',28 E II. Morgenthat (Text:Adelbert uon Chamisso) l'21 tr IIL Abschied.(Text: Heinrich Heine) ,.,r.4 E IV. Jiigerlied.(Text: J. Ludwig Uhland) 0'41 tr V. Das alte Lied (Text:Heinrich Heine) 2',17 tr VI. Wo sind sie hin? (Text:Heinrich Heine) r'32 Hjertets Melodie4 Op,EOexts: Hans Christian And.ersen) Nn) 5'53 tr I. Tobrune Ojne 1'05 E II. Du fatter ej Bglgernesevige Gang 7',41 tr III. Jegelsker dig r'34 @ IV. Min Tankeer et mregtigFjeld r'17 Sex Digte af Ibsen, Op.25 (Texts:Henrik lbsen) (wH) l1'40 E I. Spillemend 2'07 @ II. En Svane 2'00 tr III. Stambogsrim r'32 tr IV. Meden Vandlilje 1'52 tr V.Borte! I'28 @ VI. En Fuglevise 2',14 2 Barnlige Sange. Fra Nordahl Rolfsens"Lrcsebog", Op.6l 13'15 tr I. Havet (Text:J. NordahlRolfsen) eet",') l'02 @ IL Sangtil Juletreet (Text:J. Krohn) NorehMusikforlag) 2',26 E iIL Lok (Text:Bjgrnstjerne Bjgrnson) eetersl 0'46 @ IV. Fiskevise(Text: P. Dass) rchristiania.Brddrere Hals's Musihforlag) 1'07 E V. Kveld-Sangfor Blakken 2',34 (Text:J. Nordahl Rolfsen) Ghristiania,Brdilrene Hals's Musihforlng) @ VL De norskeFjelde }',29 (Text:J. NordahlRoLfsen) rchristiania. Brdilrene Hak's MusihforW) tr VII. Faedrelands-Salme r'26 (Text:J. NordahlRolfsen, after Johan Luduig Runeberg) Norsh Musihfortns) Haugtussa, Op.67 (Text:Arne Garborg) rwn) 25',47 tr I.
    [Show full text]
  • Rhythmic Freedom in Mendelssohn's Six Organ Sonatas
    Rhythmic Freedom in Mendelssohn's Six Organ Sonatas Item Type text; Electronic Dissertation Authors Thomas , William Kullen Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 07:16:54 Link to Item http://hdl.handle.net/10150/642104 RHYTHMIC FREEDOM IN MENDELSSOHN’S SIX ORGAN SONATAS by William Kullen Thomas _____________________________ Copyright ©William Kullen Thomas 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Document Committee, we certify that we have read the document prepared by William Kullen Thomas, titled Rhythmic Freedom in Mendelssohn’s Six Organ Sonatas and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. ___ ____________________________________ Date: June 15, 2020 Professor Rex A. Woods ___ ______________________________________ Date: June 15, 2020 Dr. Jay Rosenblatt Date: June 15, 2020 Professor Edward Reid Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Edvard Grieg: Between Two Worlds Edvard Grieg: Between Two Worlds
    EDVARD GRIEG: BETWEEN TWO WORLDS EDVARD GRIEG: BETWEEN TWO WORLDS By REBEKAH JORDAN A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Rebekah Jordan, April, 2003 MASTER OF ARTS (2003) 1vIc1vlaster University (1vIllSic <=riticisIll) HaIllilton, Ontario Title: Edvard Grieg: Between Two Worlds Author: Rebekah Jordan, B. 1vIus (EastIllan School of 1vIllSic) Sllpervisor: Dr. Hllgh Hartwell NUIllber of pages: v, 129 11 ABSTRACT Although Edvard Grieg is recognized primarily as a nationalist composer among a plethora of other nationalist composers, he is much more than that. While the inspiration for much of his music rests in the hills and fjords, the folk tales and legends, and the pastoral settings of his native Norway and his melodic lines and unique harmonies bring to the mind of the listener pictures of that land, to restrict Grieg's music to the realm of nationalism requires one to ignore its international character. In tracing the various transitions in the development of Grieg's compositional style, one can discern the influences of his early training in Bergen, his four years at the Leipzig Conservatory, and his friendship with Norwegian nationalists - all intricately blended with his own harmonic inventiveness -- to produce music which is uniquely Griegian. Though his music and his performances were received with acclaim in the major concert venues of Europe, Grieg continued to pursue international recognition to repudiate the criticism that he was only a composer of Norwegian music. In conclusion, this thesis demonstrates that the international influence of this so-called Norwegian maestro had a profound influence on many other composers and was instrumental in the development of Impressionist harmonies.
    [Show full text]
  • Vadim Repin, Violin, with Andrei Korobeinikov, Piano Program Notes
    Vadim Repin, violin, with Andrei Korobeinikov, piano Program Notes Part: Fratres Born in Paide, September 11, 1935 In 1960, while still a student at the Talinn Conservatory, Arvo Pärt won national attention for his Nekrolog, dedicated to the victims of the Holocaust. It was the first work by an Estonian composer to use Schoenberg’s twelve-tone system so it created something of a scandal. The notoriety had its rewards, however, as it brought Pärt commissions from state sources and from cellist Rostropovich. Soon tired of his serial phase, Pärt began a series of alternations between creative output and withdrawal to search for a new style. One of his explorations came up with the collage technique, resulting in such compositions as his Collage on the Theme B-A-C-H (1964) and Second Symphony (1966). During the 1970s Pärt supported himself by writing some 50 film scores. His third symphony (1971) followed one of his “withdrawal” periods, in which he studied 14th – 15th century polyphony, from Machaut to Josquin. He followed another of his “creative silences” with For Alina (1976), a small piano piece of high and low extremes. Pärt said he reached a “new plateau” with this piece: “It was here that I discovered the triad series, which I made my simple, little guiding rule.” He has written in this triadic style, which he calls “tintinnabuli” (after the bell-like resemblance of notes in the triad), ever since, with only slight modifications. From 1982, when he moved to Berlin, he has composed primarily religious works for chorus or small vocal ensembles.
    [Show full text]
  • Tessa Lark, Violin Andrew Armstrong, Piano
    Streaming Premiere – Thursday, October 1, 2020, 7pm Tessa Lark, violin Andrew Armstrong, piano Filmed exclusively for Cal Performances on location at Merkin Hall, Kaufman Music Center, New York City, on August 17, 2020. Major support for this program provided by The Bernard Osher Foundation. Patron Sponsors: Nadine Tang and Bruce Smith 1 PROGRAM Béla Bartók (arr. Székely) Romanian Folk Dances, Sz. 56, BB 68 Jocul cu bâtă (Dance with Sticks) Brâul (Sash Dance) Pe loc (Stamping Dance) Buciumeana (Hornpipe Dance) Poarca Românească (Romanian Polka) Mănuntelul (Fast Dance) Eugène Ysaÿe Sonata No. 5 for Solo Violin in G major, Op. 27, Mathieu Crickboom L’Aurore Danse rustique Franz Schubert Fantasy in C major, D. 934 Andante molto Allegretto Andantino (Theme and Variations on “Sei mir gegrüßt”) Allegro vivace INTERMISSION Edvard Grieg Violin Sonata No. 3 in C minor, Op. 45 Allegro molto ed appassionato Allegretto espressivo alla Romanza Allegro animato Maurice Ravel Tzigane – rapsodie de concert Tessa Lark plays a ca.1600 G.P. Maggini violin on loan from an anonymous donor through the Stradivari Society of Chicago. Tessa Lark is represented worldwide by Manhattan-based Sciolino Artist Management (www.samnyc.us). Note: following its premiere, the video recording of this concert will be available on demand through December 30, 2020. 3 PROGRAM NOTES Musical Passports Béla Bartók (1881–1945) “The only true voyage of discovery,” Marcel Romanian Folk Dances, Sz. 56, BB 68 Proust famously wrote, “would be not to visit Béla Bartók’s efforts to bring a scientific rigor to foreign lands but… to behold the universe the study of folk music helped pave the way for through the eyes of another”—through the a new way of thinking about the relationship perceptions, that is, provided by artists.
    [Show full text]
  • The Musical Compositions for Unaccompanied Solo Tuba by Four
    THE MUSICAL COMPOSITIONS FOR UNACCOMPANIED SOLO TUBA BY FOUR AMERICAN PERFORMER-COMPOSERS by DAVID MCLEMORE (Under the Direction of DAVID ZERKEL) ABSTRACT The solo repertoire for tuba is characterized by its small size and lack of stylistic diversity. As with other instruments in Western Art music, a solution to this dearth of repertoire has involved the worked of performer-composers, virtuoso instrumentalists who have created new works for their instrument. This study examines the solo tuba compositions of four American performer-composers: Mike Forbes, Grant Harville, Benjamin Miles, and John Stevens. Each composer’s compositional style and approach is discussed, followed by a musical analysis of their music for tuba alone. As some of these compositions are already staples in the solo tuba repertoire, this study provides a resource to performers and teachers who will perform, study, or teach these compositions. Furthermore, composers and other performer-composers will benefit from the analysis of each performer-composer’s musical style. INDEX WORDS: Mike Forbes, Grant Harville, Benjamin Miles, John Stevens, Music, Tuba, Unaccompanied, Solo, Composer, Performer-Composer THE MUSICAL COMPOSITIONS FOR UNNACOMPANIED SOLO TUBA BY FOUR AMERICAN PERFORMER-COMPOSERS by DAVID MCLEMORE BM, University of Southern California, 2009 MM, University of Michigan, 2011 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2014 © 2014 David McLemore All Rights Reserved THE MUSICAL COMPOSITIONS FOR UNACCOMPANIED SOLO TUBA BY FOUR AMERICAN PERFORMER-COMPOSERS by DAVID MCLEMORE Approved: Major Professor: DAVID ZERKEL Committee: ADRIAN CHILDS JEAN MARTIN-WILLIAMS Electronic Version Approved: Julie Coffield Interim Dean of the Graduate School The University of Georgia December 2014 TABLE OF CONTENTS Page LIST OF EXAMPLES ..................................................................................................................
    [Show full text]
  • Ludwig Van Beethoven in a Transcription of His Violin Concerto for String Orchestra
    2 3 Dear Friends of the Mid-Atlantic Symphony Orchestra, It is such a joy to be able to start our 2020-2021 season! In these difficult times we feel so fortunate to be able to play concerts for you. Like life, music is resilient and necessary. With this opening concert, we celebrate our beloved Ludwig van Beethoven in a transcription of his violin concerto for string orchestra. For Beethoven “Music is a higher revelation than all wisdom and philosophy” and to me his music expresses a psychological and spiritual victory. Edvard Grieg’s Erotik and Holberg Suite are both marvels of lushness and beautiful string orchestra writing that will beautifully contrast Beethoven’s masterpiece. I am so proud of our MSO musicians and how resilient and artfully creative they are during these times of challenge, playing each and every note with heartfelt meaning. We are also blessed to have you as our audience and feel so excited to be sharing the music with you! Enjoy the concert, Julien Benichou, Music Director 4 MISSION STATEMENT: To enrich life across the Mid-Atlantic region through the power of classical music Board of Directors President Jeffrey Parker Vice President Valerie Mazur Secretary Raymond Vergne Treasurer John Pinney Vice President of Education & Outreach Patricia Campbell Area Vice Presidents Valerie Mazur, Easton Jean Wehner, Ocean View Vacant, Ocean Pines Peter Harrigan, Rehoboth Directors Donna Barker Andrea Barnes Katherine Barney Regina Brittingham Courtney Kane Marci Levin Jennifer Martella MSO Staff Music Director Julien Benichou General Manager Dane Krich Consultant Mary Lou Tietz Ticket Fulfillment Anne Marie Rogerson 5 6 GUIDELINES Music is an integral part of our lives.
    [Show full text]
  • Audition Requirements 2
    AUDITION REQUIREMENTS Accompaniment for woodwinds, strings and percussion is not provided, nor required. Accompanist provided for vocal auditions. Flute Undergraduate Student: Two contrasting solos or etudes from the standard flute repertory and a short selection of sight-reading. Graduate Student: Four contrasting pieces from the standard flute repertory, three standard orchestral excerpts, and a short selection of sight-reading. Oboe Undergraduate Student: Two contrasting solo pieces or etudes representing the applicant’s strengths. Applicants should also be prepared to play all major and minor scales. Sight-reading will also be requested. Graduate Student: Two to three selected major works in the oboe repertory and sight-reading. Prospective graduates might choose to substitute a major technical etude by Bozza or any for the Sixteen Grand Studies by Barret in lieu of the third solo piece. Students should also prepare three contrasting orchestral excerpts of their choice. Clarinet Undergraduate and Graduate Students: Prepare and present music that showcases their skills as musicians and clarinetists. Two contrasting items are requested. One study or etude and one repertory piece or movement (written for clarinet and piano, or clarinet alone) is recommended. A second study or etude may be presented in place of the piece, if preferred. Scales may be requested. Bassoon Undergraduate Student: Two solo pieces or etudes representing the applicant’s strengths contrasting in style and tempo, all major and minor scales, and sight-reading. Graduate Student: Two to three selected major works in the bassoon repertoire contrasting in period, style, and tempo, three orchestral excerpts. 1 SEPTEMBER 2017 Saxophone Undergraduate Student: Two contrasting movements or works from the saxophone repertoire.
    [Show full text]
  • Your Partner in Print
    NORWEGIAN MOODS more than just ne printers. Your Friday 22 September 2.30pm Federation Concert Hall Hobart Partner 3 MATINEE Henning Kraggerud director & violin INTERVAL Sue-Ellen Paulsen cello Duration 20 mins in Print. GRIEG KRAGGERUD From Holberg’s Time Suite from Equinox Praeludium Postlude No 2 in D minor Sarabande Postlude No 18 in F-sharp minor Gavotte Postlude No 19 in A Air Duration 10 mins Rigaudon Duration 21 mins MASSENET “Meditation” from Thaïs SAINT-SAËNS Duration 5 mins La muse et le poète Duration 16 mins GRIEG (arr LUND & KRAGGERUD) Violin Concerto in G (arrangement of KRAGGERUD Violin Sonata No 2) Variation Suite for Violin and Cello Lento doloroso – Poco allegro – Allegro Tema vivace Scherzo Allegretto tranquillo Waltz Allegro animato Jig Duration 22 mins Stick Dance This concert will end at approximately Duration 4 mins 4.30pm. Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation www.footandplaysted.com.au in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. 14 15 p. 03 6332 1400 99-109 charles street launceston tasmania 7250 Edvard Grieg (1843-1907) From Holberg’s Time – Suite, Op 40 The Praeludium contrasts a lively galloping Praeludium rhythm with a simple melody of sighing motif Sarabande from the violins. The minor-key Sarabande conforms to the Baroque model of a stately Gavotte triple-time dance, though the passionately Air nostalgic harmonies, and warmly divided Henning Kraggerud Sue-Ellen Paulsen Rigaudon lower strings, might remind us of other works of Grieg.
    [Show full text]
  • The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
    The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.
    [Show full text]
  • Violin Sonatas Elena Urioste, Violin Tom Poster, Piano Edvard Grieg (1843-1907)
    To the Spring Grieg: The Violin Sonatas Elena Urioste, violin Tom Poster, piano Edvard Grieg (1843-1907) Violin Sonata No.1 in F major, Op.8 1 Allegro con brio 9.42 2 Allegretto quasi andantino 5.14 3 Allegro molto vivace 7.34 4 Våren (Last Spring), Op.33 No.2 4.38 (arr. Poster and Urioste) Violin Sonata No.2 in G major, Op.13 5 Lento doloroso – Allegro vivace 9.37 6 Allegretto tranquillo 6.11 7 Allegro animato 5.39 8 Til våren (To the Spring), Op.43 No.5 3.56 (arr. Poster and Urioste) Violin Sonata No.3 in C minor, Op.45 9 Allegro molto ed appassionato 9.20 10 Allegretto espressivo alla Romanza 7.17 11 Allegro animato – Prestissimo 7.39 Total time 76.49 Elena Urioste, violin Tom Poster, piano 2 Shortly before we made this recording, we paid a visit to Troldhaugen, near Bergen, where Grieg made his home for the last 20 summers of his life. Two things in particular stick in the memory: the warmth of tone of Grieg’s 1892 Steinway piano, which Tom had the privilege of playing; and the extraordinary natural beauty of the surroundings, with Grieg’s composing hut overlooking the serene Nordås Lake. Grieg is a composer we have both adored since childhood. Like the environment in which he composed, his music has a disarming honesty and naturalness, infused with lyrical warmth, folk-inspired beauty and echoes of the Norwegian landscape. Of Grieg’s three violin sonatas, it is the third which has become part of the core repertoire, and it was one of the first collaborative works Elena ever played.
    [Show full text]
  • RCM Guitar Syllabus / 2011 Edition
    Guitar GuitarSYLLABUS EDITION SYLLABUS EDITION Contents Message from the President . 5 Register for an Examination Getting Started Examination Sessions and Registration Deadlines . 73 Online Registration . 73 What’s New? . 6 Examination Fees . 73 Quick Guide to Online Examination Registration . 6 Examination Centers . 73 Contact Us . 6 Examination Scheduling . 73 About Us Examination Regulations The Royal Conservatory . 7 Examination Procedures . .74 The Royal Conservatory Examinations . 7 Credits and Refunds for Missed Examinations . 74 The College of Examiners . 7 Candidates with Special Needs . 75 Examinations Offered . 7 Examination Results . 75 Notable Alumni . 7 Table of Marks . 76 Excellence Since 1886 . 8 Supplemental Examinations . 77 Musicianship Examinations . 77 Quick Reference Practical Examination Certifi cates . 77 Certifi cate Program Overview . 9 School Credits . 77 Theory Examinations . 9 Medals . 77 Co-requisites and Prerequisites . 11 RESPs . 78 Examination Repertoire . 78 Grade-by-Grade Requirements Substitutions . 80 Technical Requirements . 12 Abbreviations . 81 Preparatory . 13 Thematic Catalogs . 82 Grade 1 . 16 Resources Grade 2 . 19 Grade 3 . 23 General Resources . 83 Grade 4 . 28 General Reference Works . 84 Grade 5 . 33 Guitar Resources . 84 Grade 6 . 38 Frequently Asked Questions Grade 7 . 43 Grade 8 . 49 Practical Examinations . 86 Grade 9 . 55 Theory Co-requisites . 86 Grade 10 . 60 ARCT in Guitar Performance . 65 Practical Examination Day Teacher’s ARCT . 69 Checklist for Candidates Before You Leave Home . 87 Points to Remember . 87 What to Expect From a Guitar Examination . 87 After the Examination . 87 5 Message from the President The Royal Conservatory was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience.
    [Show full text]